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Color name
RGB 160 127 157

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 127 157 it is the complementary color RGB 95 128 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 127 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 127 157 shade: RGB 165 127 152, RGB 182 145 171, RGB 199 163 190, RGB 216 181 209 and RGB 233 199 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 127 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 127 157 shade: RGB 160 127 157, RGB 143 109 138, RGB 126 91 119, RGB 109 73 100 and RGB 92 55 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 127 157 shade: RGB 159 125 156, RGB 159 125 147, RGB 159 125 138, RGB 159 125 129 and RGB 159 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 127 157 shade: RGB 159 125 156, RGB 153 125 159, RGB 144 125 159, RGB 135 125 159 and RGB 126 125 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 127 157 shade matches the following richer shades: RGB 159 125 156, RGB 177 107 171, RGB 195 89 186, RGB 214 71 201 and RGB 232 53 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 127 157 shade: RGB 159 125 156, RGB 141 144 141, RGB 123 162 126, RGB 105 180 112 and RGB 87 198 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 127 157 shade: RGB 144 125 159, RGB 153 125 159, RGB 159 125 156, RGB 159 125 147 and RGB 159 125 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 127 157 shade: RGB 116 86 114, RGB 140 103 137, RGB 159 125 156, RGB 177 149 174 and RGB 194 173 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 127 157 shade: RGB 160 127 157, RGB 159 135 125 and RGB 125 159 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 127 157 shade: RGB 160 127 157, RGB 156 159 125 and RGB 125 156 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 127 157 shade: RGB 160 127 157, RGB 159 135 125, RGB 125 159 128 and RGB 125 150 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 127 157 shade: RGB 160 127 157, RGB 159 145 125, RGB 125 159 128 and RGB 125 139 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

Complementary color

CMYK 26 / 0 / 23 / 50

HEX #5F8062

RGB 95 128 98

HSL 125.45, 0.15%, 0.44%

LAB 50.4, -18.15, 12.57

 

CMYK 0 / 23 / 8 / 35

HEX #A57F98

RGB 165 127 152

HSL 320.53, 0.17%, 0.57%

LAB 57.51, 18.89, -7.74

 

CMYK 0 / 20 / 6 / 29

HEX #B691AB

RGB 182 145 171

HSL 317.84, 0.2%, 0.64%

LAB 64.27, 18.32, -8.32

 

CMYK 0 / 18 / 5 / 22

HEX #C7A3BE

RGB 199 163 190

HSL 315, 0.24%, 0.71%

LAB 70.91, 17.8, -8.87

 

CMYK 0 / 16 / 3 / 15

HEX #D8B5D1

RGB 216 181 209

HSL 312, 0.31%, 0.78%

LAB 77.43, 17.33, -9.39

 

CMYK 0 / 15 / 2 / 9

HEX #E9C7E4

RGB 233 199 228

HSL 308.82, 0.44%, 0.85%

LAB 83.85, 16.89, -9.9

 

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

CMYK 0 / 24 / 3 / 44

HEX #8F6D8A

RGB 143 109 138

HSL 308.82, 0.13%, 0.49%

LAB 50.23, 18.63, -10.7

 

CMYK 0 / 28 / 6 / 51

HEX #7E5B77

RGB 126 91 119

HSL 312, 0.16%, 0.43%

LAB 43.14, 19.29, -10.16

 

CMYK 0 / 33 / 8 / 57

HEX #6D4964

RGB 109 73 100

HSL 315, 0.2%, 0.36%

LAB 35.86, 20.04, -9.57

 

CMYK 0 / 40 / 12 / 64

HEX #5C3751

RGB 92 55 81

HSL 317.84, 0.25%, 0.29%

LAB 28.38, 20.88, -8.89

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 0 / 21 / 8 / 38

HEX #9F7D93

RGB 159 125 147

HSL 321.18, 0.15%, 0.56%

LAB 56.23, 16.92, -6.82

 

CMYK 0 / 21 / 13 / 38

HEX #9F7D8A

RGB 159 125 138

HSL 337.06, 0.15%, 0.56%

LAB 55.96, 15.31, -2

 

CMYK 0 / 21 / 19 / 38

HEX #9F7D81

RGB 159 125 129

HSL 352.94, 0.15%, 0.56%

LAB 55.71, 13.79, 2.86

 

CMYK 0 / 21 / 21 / 38

HEX #9F7D7D

RGB 159 125 125

HSL 0, 0.15%, 0.56%

LAB 55.6, 13.14, 5.03

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 4 / 21 / 0 / 38

HEX #997D9F

RGB 153 125 159

HSL 289.41, 0.15%, 0.56%

LAB 56.03, 17.1, -14.12

 

CMYK 9 / 21 / 0 / 38

HEX #907D9F

RGB 144 125 159

HSL 273.53, 0.15%, 0.56%

LAB 55.17, 13.97, -15.5

 

CMYK 15 / 21 / 0 / 38

HEX #877D9F

RGB 135 125 159

HSL 257.65, 0.15%, 0.56%

LAB 54.37, 10.89, -16.8

 

CMYK 21 / 21 / 0 / 38

HEX #7E7D9F

RGB 126 125 159

HSL 241.76, 0.15%, 0.56%

LAB 53.61, 7.88, -18.03

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 0 / 40 / 3 / 31

HEX #B16BAB

RGB 177 107 171

HSL 305.14, 0.31%, 0.56%

LAB 54.87, 37.74, -22.6

 

CMYK 0 / 54 / 5 / 24

HEX #C359BA

RGB 195 89 186

HSL 305.09, 0.47%, 0.56%

LAB 54.34, 55.01, -31.91

 

CMYK 0 / 67 / 6 / 16

HEX #D647C9

RGB 214 71 201

HSL 305.45, 0.64%, 0.56%

LAB 55.09, 69.9, -39.15

 

CMYK 0 / 77 / 7 / 9

HEX #E835D7

RGB 232 53 215

HSL 305.7, 0.8%, 0.56%

LAB 56.69, 81.55, -44.42

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 2 / 0 / 2 / 44

HEX #8D908D

RGB 141 144 141

HSL 120, 0.01%, 0.56%

LAB 59.46, -1.68, 1.2

 

CMYK 24 / 0 / 22 / 36

HEX #7BA27E

RGB 123 162 126

HSL 124.62, 0.17%, 0.56%

LAB 62.98, -20.68, 14.49

 

CMYK 42 / 0 / 38 / 29

HEX #69B470

RGB 105 180 112

HSL 125.6, 0.33%, 0.56%

LAB 67.14, -37.69, 27.58

 

CMYK 56 / 0 / 51 / 22

HEX #57C661

RGB 87 198 97

HSL 125.41, 0.49%, 0.56%

LAB 71.74, -52.46, 40.95

 

CMYK 9 / 21 / 0 / 38

HEX #907D9F

RGB 144 125 159

HSL 273.53, 0.15%, 0.56%

LAB 55.17, 13.97, -15.5

 

CMYK 4 / 21 / 0 / 38

HEX #997D9F

RGB 153 125 159

HSL 289.41, 0.15%, 0.56%

LAB 56.03, 17.1, -14.12

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 0 / 21 / 8 / 38

HEX #9F7D93

RGB 159 125 147

HSL 321.18, 0.15%, 0.56%

LAB 56.23, 16.92, -6.82

 

CMYK 0 / 21 / 13 / 38

HEX #9F7D8A

RGB 159 125 138

HSL 337.06, 0.15%, 0.56%

LAB 55.96, 15.31, -2

 

CMYK 0 / 26 / 2 / 55

HEX #745672

RGB 116 86 114

HSL 304, 0.15%, 0.4%

LAB 40.55, 17.58, -11.12

 

CMYK 0 / 26 / 2 / 45

HEX #8C6789

RGB 140 103 137

HSL 304.86, 0.15%, 0.48%

LAB 48.36, 20.86, -12.95

 

CMYK 0 / 21 / 2 / 38

HEX #9F7D9C

RGB 159 125 156

HSL 305.29, 0.15%, 0.56%

LAB 56.52, 18.63, -11.59

 

CMYK 0 / 16 / 2 / 31

HEX #B195AE

RGB 177 149 174

HSL 306.43, 0.15%, 0.64%

LAB 64.88, 14.87, -9.15

 

CMYK 0 / 11 / 1 / 24

HEX #C2ADC0

RGB 194 173 192

HSL 305.71, 0.15%, 0.72%

LAB 73, 10.95, -6.91

 

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

CMYK 0 / 15 / 21 / 38

HEX #9F877D

RGB 159 135 125

HSL 17.65, 0.15%, 0.56%

LAB 58.21, 7.46, 8.75

 

CMYK 21 / 0 / 7 / 38

HEX #7D9F94

RGB 125 159 148

HSL 160.59, 0.15%, 0.56%

LAB 62.76, -14.05, 1.88

 

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

CMYK 2 / 0 / 21 / 38

HEX #9C9F7D

RGB 156 159 125

HSL 65.29, 0.15%, 0.56%

LAB 64.44, -7.01, 17.43

 

CMYK 21 / 2 / 0 / 38

HEX #7D9C9F

RGB 125 156 159

HSL 185.29, 0.15%, 0.56%

LAB 62.2, -10.01, -5.13

 

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

CMYK 0 / 15 / 21 / 38

HEX #9F877D

RGB 159 135 125

HSL 17.65, 0.15%, 0.56%

LAB 58.21, 7.46, 8.75

 

CMYK 21 / 0 / 19 / 38

HEX #7D9F80

RGB 125 159 128

HSL 125.29, 0.15%, 0.56%

LAB 62.27, -18.06, 12.4

 

CMYK 21 / 6 / 0 / 38

HEX #7D969F

RGB 125 150 159

HSL 195.88, 0.15%, 0.56%

LAB 60.49, -6.72, -7.66

 

CMYK 0 / 21 / 2 / 37

HEX #A07F9D

RGB 160 127 157

HSL 305.45, 0.15%, 0.56%

LAB 57.16, 18.03, -11.2

 

CMYK 0 / 9 / 21 / 38

HEX #9F917D

RGB 159 145 125

HSL 35.29, 0.15%, 0.56%

LAB 60.87, 1.84, 12.51

 

CMYK 21 / 0 / 19 / 38

HEX #7D9F80

RGB 125 159 128

HSL 125.29, 0.15%, 0.56%

LAB 62.27, -18.06, 12.4

 

CMYK 21 / 13 / 0 / 38

HEX #7D8B9F

RGB 125 139 159

HSL 215.29, 0.15%, 0.56%

LAB 57.39, -0.55, -12.3

 

Description

Color code: RGB 160 127 157 | qconv.com Color code: RGB 160 127 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 127 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 127 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 2 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 2% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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