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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 208 182 it is the complementary color RGB 240 47 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 208 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 208 182 shade: RGB 20 208 177, RGB 37 226 196, RGB 54 244 215, RGB 71 255 234 and RGB 88 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 208 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 208 182 shade: RGB 15 208 182, RGB 0 190 163, RGB 0 172 144, RGB 0 154 125 and RGB 0 136 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 208 182 shade: RGB 14 209 183, RGB 14 209 130, RGB 14 209 78, RGB 14 209 25 and RGB 56 209 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 208 182 shade: RGB 14 209 183, RGB 14 183 209, RGB 14 130 209, RGB 14 78 209 and RGB 14 25 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 208 182 shade matches the following richer shades: RGB 14 209 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 208 182 shade: RGB 14 209 183, RGB 32 191 170, RGB 50 173 156, RGB 69 155 143 and RGB 87 137 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 208 182 shade: RGB 14 209 76, RGB 14 209 128, RGB 14 209 180, RGB 14 187 209 and RGB 14 134 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 208 182 shade: RGB 9 132 116, RGB 11 171 149, RGB 14 209 183, RGB 26 239 210 and RGB 65 241 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 208 182 shade: RGB 15 208 182, RGB 24 14 209 and RGB 209 102 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 208 182 shade: RGB 15 208 182, RGB 180 14 209 and RGB 209 180 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 208 182 shade: RGB 15 208 182, RGB 24 14 209, RGB 209 14 43 and RGB 200 209 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 208 182 shade: RGB 15 208 182, RGB 82 14 209, RGB 209 14 43 and RGB 141 209 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

Complementary color

CMYK 0 / 80 / 70 / 6

HEX #F02F49

RGB 240 47 73

HSL 351.92, 0.87%, 0.56%

LAB 52.99, 71.46, 33.97

 

CMYK 90 / 0 / 15 / 18

HEX #14D0B1

RGB 20 208 177

HSL 170.11, 0.82%, 0.45%

LAB 75.1, -49.31, 3.47

 

CMYK 84 / 0 / 13 / 11

HEX #25E2C4

RGB 37 226 196

HSL 170.48, 0.77%, 0.52%

LAB 81.17, -50.72, 2.14

 

CMYK 78 / 0 / 12 / 4

HEX #36F4D7

RGB 54 244 215

HSL 170.84, 0.9%, 0.58%

LAB 87.19, -51.82, 0.93

 

CMYK 72 / 0 / 8 / 0

HEX #47FFEA

RGB 71 255 234

HSL 173.15, 1%, 0.64%

LAB 91.14, -49.74, -3.14

 

CMYK 65 / 0 / 1 / 0

HEX #58FFFD

RGB 88 255 253

HSL 179.28, 1%, 0.67%

LAB 91.99, -42.57, -11.7

 

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

CMYK 100 / 0 / 14 / 25

HEX #00BEA3

RGB 0 190 163

HSL 171.47, 1%, 0.37%

LAB 69.09, -46.31, 2.34

 

CMYK 100 / 0 / 16 / 33

HEX #00AC90

RGB 0 172 144

HSL 170.23, 1%, 0.34%

LAB 62.94, -43.94, 3.94

 

CMYK 100 / 0 / 19 / 40

HEX #009A7D

RGB 0 154 125

HSL 168.7, 1%, 0.3%

LAB 56.68, -41.52, 5.6

 

CMYK 100 / 0 / 22 / 47

HEX #00886A

RGB 0 136 106

HSL 166.76, 1%, 0.27%

LAB 50.27, -39.04, 7.35

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B7

RGB 14 209 183

HSL 172, 0.87%, 0.44%

LAB 75.52, -48.37, 0.85

 

CMYK 93 / 0 / 38 / 18

HEX #0ED182

RGB 14 209 130

HSL 155.69, 0.87%, 0.44%

LAB 74.39, -60.86, 27.41

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 93 / 0 / 88 / 18

HEX #0ED119

RGB 14 209 25

HSL 123.38, 0.87%, 0.44%

LAB 73.39, -73.03, 68.54

 

CMYK 73 / 0 / 93 / 18

HEX #38D10E

RGB 56 209 14

HSL 107.08, 0.87%, 0.44%

LAB 73.85, -69.04, 70.82

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B7

RGB 14 209 183

HSL 172, 0.87%, 0.44%

LAB 75.52, -48.37, 0.85

 

CMYK 93 / 12 / 0 / 18

HEX #0EB7D1

RGB 14 183 209

HSL 188, 0.87%, 0.44%

LAB 68.43, -28.8, -23.9

 

CMYK 93 / 38 / 0 / 18

HEX #0E82D1

RGB 14 130 209

HSL 204.31, 0.87%, 0.44%

LAB 52.58, 0.17, -48.66

 

CMYK 93 / 63 / 0 / 18

HEX #0E4ED1

RGB 14 78 209

HSL 220.31, 0.87%, 0.44%

LAB 38.1, 33.44, -72.06

 

CMYK 93 / 88 / 0 / 18

HEX #0E19D1

RGB 14 25 209

HSL 236.62, 0.87%, 0.44%

LAB 27.82, 62.2, -89.07

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B7

RGB 14 209 183

HSL 172, 0.87%, 0.44%

LAB 75.52, -48.37, 0.85

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B7

RGB 14 209 183

HSL 172, 0.87%, 0.44%

LAB 75.52, -48.37, 0.85

 

CMYK 83 / 0 / 11 / 25

HEX #20BFAA

RGB 32 191 170

HSL 172.08, 0.71%, 0.44%

LAB 69.8, -43.27, -0.42

 

CMYK 71 / 0 / 10 / 32

HEX #32AD9C

RGB 50 173 156

HSL 171.71, 0.55%, 0.44%

LAB 64.13, -37.2, -0.95

 

CMYK 55 / 0 / 8 / 39

HEX #459B8F

RGB 69 155 143

HSL 171.63, 0.38%, 0.44%

LAB 58.69, -28.89, -1.56

 

CMYK 36 / 0 / 5 / 46

HEX #578982

RGB 87 137 130

HSL 171.6, 0.22%, 0.44%

LAB 53.52, -18.48, -1.58

 

CMYK 93 / 0 / 64 / 18

HEX #0ED14C

RGB 14 209 76

HSL 139.08, 0.87%, 0.44%

LAB 73.69, -69.3, 52.55

 

CMYK 93 / 0 / 39 / 18

HEX #0ED180

RGB 14 209 128

HSL 155.08, 0.87%, 0.44%

LAB 74.35, -61.26, 28.4

 

CMYK 93 / 0 / 14 / 18

HEX #0ED1B4

RGB 14 209 180

HSL 171.08, 0.87%, 0.44%

LAB 75.44, -49.17, 2.35

 

CMYK 93 / 11 / 0 / 18

HEX #0EBBD1

RGB 14 187 209

HSL 186.77, 0.87%, 0.44%

LAB 69.64, -30.75, -22.07

 

CMYK 93 / 36 / 0 / 18

HEX #0E86D1

RGB 14 134 209

HSL 203.08, 0.87%, 0.44%

LAB 53.76, -2.22, -46.78

 

CMYK 93 / 0 / 12 / 48

HEX #098474

RGB 9 132 116

HSL 172.2, 0.87%, 0.28%

LAB 49.28, -33.96, 0.09

 

CMYK 94 / 0 / 13 / 33

HEX #0BAB95

RGB 11 171 149

HSL 171.75, 0.88%, 0.36%

LAB 62.82, -41.71, 0.97

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B7

RGB 14 209 183

HSL 172, 0.87%, 0.44%

LAB 75.52, -48.37, 0.85

 

CMYK 89 / 0 / 12 / 6

HEX #1AEFD2

RGB 26 239 210

HSL 171.83, 0.87%, 0.52%

LAB 85.3, -53.04, 0.77

 

CMYK 73 / 0 / 10 / 5

HEX #41F1DA

RGB 65 241 218

HSL 172.16, 0.86%, 0.6%

LAB 86.55, -48.65, -1.55

 

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

CMYK 89 / 93 / 0 / 18

HEX #180ED1

RGB 24 14 209

HSL 243.08, 0.87%, 0.44%

LAB 27.05, 65.56, -90.35

 

CMYK 0 / 51 / 93 / 18

HEX #D1660E

RGB 209 102 14

HSL 27.08, 0.87%, 0.44%

LAB 55.16, 37.89, 60.77

 

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

CMYK 14 / 93 / 0 / 18

HEX #B40ED1

RGB 180 14 209

HSL 291.08, 0.87%, 0.44%

LAB 45.11, 78.86, -59.99

 

CMYK 0 / 14 / 93 / 18

HEX #D1B40E

RGB 209 180 14

HSL 51.08, 0.87%, 0.44%

LAB 73.69, -3.69, 74.19

 

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

CMYK 89 / 93 / 0 / 18

HEX #180ED1

RGB 24 14 209

HSL 243.08, 0.87%, 0.44%

LAB 27.05, 65.56, -90.35

 

CMYK 0 / 93 / 79 / 18

HEX #D10E2B

RGB 209 14 43

HSL 351.08, 0.87%, 0.44%

LAB 44.3, 68.33, 39.89

 

CMYK 4 / 0 / 93 / 18

HEX #C8D10E

RGB 200 209 14

HSL 62.77, 0.87%, 0.44%

LAB 80.69, -22.22, 79.16

 

CMYK 93 / 0 / 13 / 18

HEX #0FD0B6

RGB 15 208 182

HSL 171.92, 0.87%, 0.44%

LAB 75.2, -48.19, 0.91

 

CMYK 61 / 93 / 0 / 18

HEX #520ED1

RGB 82 14 209

HSL 260.92, 0.87%, 0.44%

LAB 31.14, 67.88, -83.43

 

CMYK 0 / 93 / 79 / 18

HEX #D10E2B

RGB 209 14 43

HSL 351.08, 0.87%, 0.44%

LAB 44.3, 68.33, 39.89

 

CMYK 33 / 0 / 93 / 18

HEX #8DD10E

RGB 141 209 14

HSL 80.92, 0.87%, 0.44%

LAB 76.86, -45.79, 74.52

 

Description

Color code: RGB 15 208 182 | qconv.com Color code: RGB 15 208 182 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 208 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 208 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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