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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 189 72 it is the complementary color RGB 240 66 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 189 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 189 72 shade: RGB 20 189 67, RGB 37 207 86, RGB 54 225 105, RGB 71 243 124 and RGB 88 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 189 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 189 72 shade: RGB 15 189 72, RGB 0 171 53, RGB 0 153 34, RGB 0 135 15 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 189 72 shade: RGB 15 188 72, RGB 15 188 25, RGB 52 188 15, RGB 98 188 15 and RGB 145 188 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 189 72 shade: RGB 15 188 72, RGB 15 188 118, RGB 15 188 165, RGB 15 165 188 and RGB 15 118 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 189 72 shade matches the following richer shades: RGB 15 188 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 189 72 shade: RGB 15 188 72, RGB 31 172 77, RGB 48 155 83, RGB 64 139 89 and RGB 81 122 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 189 72 shade: RGB 52 188 15, RGB 15 188 23, RGB 15 188 70, RGB 15 188 116 and RGB 15 188 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 189 72 shade: RGB 9 112 42, RGB 12 150 57, RGB 15 188 72, RGB 18 226 86 and RGB 48 238 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 189 72 shade: RGB 15 189 72, RGB 15 99 188 and RGB 188 15 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 189 72 shade: RGB 15 189 72, RGB 70 15 188 and RGB 188 70 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 189 72 shade: RGB 15 189 72, RGB 15 99 188, RGB 188 15 133 and RGB 188 104 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 189 72 shade: RGB 15 189 72, RGB 15 47 188, RGB 188 15 133 and RGB 188 156 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

Complementary color

CMYK 0 / 73 / 24 / 6

HEX #F042B7

RGB 240 66 183

HSL 319.66, 0.85%, 0.6%

LAB 57.89, 75.31, -24.13

 

CMYK 89 / 0 / 65 / 26

HEX #14BD43

RGB 20 189 67

HSL 136.69, 0.81%, 0.41%

LAB 67.24, -63.9, 49.21

 

CMYK 82 / 0 / 58 / 19

HEX #25CF56

RGB 37 207 86

HSL 137.29, 0.7%, 0.48%

LAB 73.34, -65.79, 47.81

 

CMYK 76 / 0 / 53 / 12

HEX #36E169

RGB 54 225 105

HSL 137.89, 0.74%, 0.55%

LAB 79.42, -67.12, 46.32

 

CMYK 71 / 0 / 49 / 5

HEX #47F37C

RGB 71 243 124

HSL 138.49, 0.88%, 0.62%

LAB 85.45, -68.02, 44.83

 

CMYK 65 / 0 / 44 / 0

HEX #58FF8F

RGB 88 255 143

HSL 139.76, 1%, 0.67%

LAB 89.66, -66.49, 41.1

 

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

CMYK 100 / 0 / 69 / 33

HEX #00AB35

RGB 0 171 53

HSL 138.6, 1%, 0.34%

LAB 61.12, -60.98, 48.37

 

CMYK 100 / 0 / 78 / 40

HEX #009922

RGB 0 153 34

HSL 133.33, 1%, 0.3%

LAB 54.97, -57.31, 49.25

 

CMYK 100 / 0 / 89 / 47

HEX #00870F

RGB 0 135 15

HSL 126.67, 1%, 0.26%

LAB 48.71, -53.17, 48.95

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 72 / 0 / 92 / 26

HEX #34BC0F

RGB 52 188 15

HSL 107.17, 0.85%, 0.4%

LAB 67.07, -63.26, 65.01

 

CMYK 48 / 0 / 92 / 26

HEX #62BC0F

RGB 98 188 15

HSL 91.21, 0.85%, 0.4%

LAB 68.46, -51.99, 66.72

 

CMYK 23 / 0 / 92 / 26

HEX #91BC0F

RGB 145 188 15

HSL 74.91, 0.85%, 0.4%

LAB 70.89, -35.03, 69.7

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 92 / 0 / 37 / 26

HEX #0FBC76

RGB 15 188 118

HSL 155.72, 0.85%, 0.4%

LAB 67.56, -55.75, 24.57

 

CMYK 92 / 0 / 12 / 26

HEX #0FBCA5

RGB 15 188 165

HSL 172.02, 0.85%, 0.4%

LAB 68.59, -44.39, 0.53

 

CMYK 92 / 12 / 0 / 26

HEX #0FA5BC

RGB 15 165 188

HSL 187.98, 0.85%, 0.4%

LAB 62.2, -26.74, -21.79

 

CMYK 92 / 37 / 0 / 26

HEX #0F76BC

RGB 15 118 188

HSL 204.28, 0.85%, 0.4%

LAB 47.87, -0.64, -44.15

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 82 / 0 / 55 / 33

HEX #1FAC4D

RGB 31 172 77

HSL 139.57, 0.69%, 0.4%

LAB 61.94, -56.14, 38.5

 

CMYK 69 / 0 / 46 / 39

HEX #309B53

RGB 48 155 83

HSL 139.63, 0.53%, 0.4%

LAB 56.78, -46.52, 29.1

 

CMYK 54 / 0 / 36 / 45

HEX #408B59

RGB 64 139 89

HSL 140, 0.37%, 0.4%

LAB 52.15, -35.14, 19.85

 

CMYK 34 / 0 / 23 / 52

HEX #517A5E

RGB 81 122 94

HSL 139.02, 0.2%, 0.4%

LAB 47.59, -20.7, 10.87

 

CMYK 72 / 0 / 92 / 26

HEX #34BC0F

RGB 52 188 15

HSL 107.17, 0.85%, 0.4%

LAB 67.07, -63.26, 65.01

 

CMYK 92 / 0 / 88 / 26

HEX #0FBC17

RGB 15 188 23

HSL 122.77, 0.85%, 0.4%

LAB 66.62, -67.21, 63.03

 

CMYK 92 / 0 / 63 / 26

HEX #0FBC46

RGB 15 188 70

HSL 139.08, 0.85%, 0.4%

LAB 66.91, -63.55, 47.52

 

CMYK 92 / 0 / 38 / 26

HEX #0FBC74

RGB 15 188 116

HSL 155.03, 0.85%, 0.4%

LAB 67.52, -56.15, 25.58

 

CMYK 92 / 0 / 14 / 26

HEX #0FBCA2

RGB 15 188 162

HSL 170.98, 0.85%, 0.4%

LAB 68.52, -45.21, 2.07

 

CMYK 92 / 0 / 63 / 56

HEX #09702A

RGB 9 112 42

HSL 139.22, 0.85%, 0.24%

LAB 40.92, -42.72, 30.9

 

CMYK 92 / 0 / 62 / 41

HEX #0C9639

RGB 12 150 57

HSL 139.57, 0.85%, 0.32%

LAB 54.22, -53.28, 38.98

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 92 / 0 / 62 / 11

HEX #12E256

RGB 18 226 86

HSL 139.62, 0.85%, 0.48%

LAB 79.15, -73.05, 54.45

 

CMYK 80 / 0 / 54 / 7

HEX #30EE6E

RGB 48 238 110

HSL 139.58, 0.85%, 0.56%

LAB 83.39, -71.37, 48.78

 

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

CMYK 92 / 47 / 0 / 26

HEX #0F63BC

RGB 15 99 188

HSL 210.87, 0.85%, 0.4%

LAB 42.24, 11.35, -53.16

 

CMYK 0 / 92 / 85 / 26

HEX #BC0F1D

RGB 188 15 29

HSL 355.14, 0.85%, 0.4%

LAB 39.78, 62.45, 41.75

 

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

CMYK 63 / 92 / 0 / 26

HEX #460FBC

RGB 70 15 188

HSL 259.08, 0.85%, 0.4%

LAB 27.5, 61.73, -77.18

 

CMYK 0 / 63 / 92 / 26

HEX #BC460F

RGB 188 70 15

HSL 19.08, 0.85%, 0.4%

LAB 45.78, 45.36, 52.42

 

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

CMYK 92 / 47 / 0 / 26

HEX #0F63BC

RGB 15 99 188

HSL 210.87, 0.85%, 0.4%

LAB 42.24, 11.35, -53.16

 

CMYK 0 / 92 / 29 / 26

HEX #BC0F85

RGB 188 15 133

HSL 319.08, 0.85%, 0.4%

LAB 42.35, 69.47, -19.06

 

CMYK 0 / 45 / 92 / 26

HEX #BC680F

RGB 188 104 15

HSL 30.87, 0.85%, 0.4%

LAB 52.54, 28.21, 57.27

 

CMYK 92 / 0 / 62 / 26

HEX #0FBD48

RGB 15 189 72

HSL 139.66, 0.85%, 0.4%

LAB 67.25, -63.62, 47.03

 

CMYK 92 / 75 / 0 / 26

HEX #0F2FBC

RGB 15 47 188

HSL 228.9, 0.85%, 0.4%

LAB 28.81, 45.15, -75.11

 

CMYK 0 / 92 / 29 / 26

HEX #BC0F85

RGB 188 15 133

HSL 319.08, 0.85%, 0.4%

LAB 42.35, 69.47, -19.06

 

CMYK 0 / 17 / 92 / 26

HEX #BC9C0F

RGB 188 156 15

HSL 48.9, 0.85%, 0.4%

LAB 65.36, -0.29, 66.85

 

Description

Color code: RGB 15 189 72 | qconv.com Color code: RGB 15 189 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 189 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 189 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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