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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 72 245 it is the complementary color RGB 240 183 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 72 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 72 245 shade: RGB 20 72 240, RGB 37 90 255, RGB 54 108 255, RGB 71 126 255 and RGB 88 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 72 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 0 54 226, RGB 0 36 207, RGB 0 18 188 and RGB 0 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 20 15 245, RGB 82 15 245, RGB 144 15 245 and RGB 206 15 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 72 245 shade: RGB 15 72 245 and RGB 15 15 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 72 245 shade matches the following richer shades: RGB 15 72 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 35 82 224, RGB 55 92 204, RGB 75 102 184 and RGB 95 112 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 72 245 shade: RGB 15 195 245, RGB 15 133 245, RGB 15 72 245, RGB 18 15 245 and RGB 80 15 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 72 245 shade: RGB 7 47 170, RGB 8 58 210, RGB 15 72 245, RGB 54 102 246 and RGB 94 132 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 233 15 245 and RGB 164 245 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 245 15 72 and RGB 72 245 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 233 15 245, RGB 245 187 15 and RGB 26 245 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 72 245 shade: RGB 15 72 245, RGB 245 15 187, RGB 245 187 15 and RGB 15 245 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

Complementary color

CMYK 0 / 24 / 96 / 6

HEX #F0B70A

RGB 240 183 10

HSL 45.13, 0.92%, 0.49%

LAB 77.53, 8.21, 78.85

 

CMYK 92 / 70 / 0 / 6

HEX #1448F0

RGB 20 72 240

HSL 225.82, 0.88%, 0.51%

LAB 39.71, 48.78, -87.1

 

CMYK 85 / 65 / 0 / 0

HEX #255AFF

RGB 37 90 255

HSL 225.41, 1%, 0.57%

LAB 45.53, 43.94, -85.89

 

CMYK 79 / 58 / 0 / 0

HEX #366CFF

RGB 54 108 255

HSL 223.88, 1%, 0.61%

LAB 50.37, 34, -77.95

 

CMYK 72 / 51 / 0 / 0

HEX #477EFF

RGB 71 126 255

HSL 222.07, 1%, 0.64%

LAB 55.56, 24.66, -69.49

 

CMYK 65 / 44 / 0 / 0

HEX #5890FF

RGB 88 144 255

HSL 219.88, 1%, 0.67%

LAB 60.99, 16.14, -60.72

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 100 / 76 / 0 / 11

HEX #0036E2

RGB 0 54 226

HSL 225.66, 1%, 0.44%

LAB 34.25, 53.88, -88.19

 

CMYK 100 / 83 / 0 / 19

HEX #0024CF

RGB 0 36 207

HSL 229.57, 1%, 0.41%

LAB 28.82, 56.91, -86.26

 

CMYK 100 / 90 / 0 / 26

HEX #0012BC

RGB 0 18 188

HSL 234.26, 1%, 0.37%

LAB 23.88, 58.45, -83.32

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 92 / 94 / 0 / 4

HEX #140FF5

RGB 20 15 245

HSL 241.3, 0.92%, 0.51%

LAB 31.99, 74.51, -102.74

 

CMYK 67 / 94 / 0 / 4

HEX #520FF5

RGB 82 15 245

HSL 257.48, 0.92%, 0.51%

LAB 35.46, 76.26, -96.88

 

CMYK 41 / 94 / 0 / 4

HEX #900FF5

RGB 144 15 245

HSL 273.65, 0.92%, 0.51%

LAB 42.56, 80.9, -84.9

 

CMYK 16 / 94 / 0 / 4

HEX #CE0FF5

RGB 206 15 245

HSL 289.83, 0.92%, 0.51%

LAB 51.9, 88.48, -69.25

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 94 / 94 / 0 / 4

HEX #0F0FF5

RGB 15 15 245

HSL 240, 0.92%, 0.51%

LAB 31.89, 74.46, -102.92

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 84 / 63 / 0 / 12

HEX #2352E0

RGB 35 82 224

HSL 225.08, 0.75%, 0.51%

LAB 40.85, 37.56, -76.13

 

CMYK 73 / 55 / 0 / 20

HEX #375CCC

RGB 55 92 204

HSL 225.1, 0.59%, 0.51%

LAB 42.5, 25.65, -61.95

 

CMYK 59 / 45 / 0 / 28

HEX #4B66B8

RGB 75 102 184

HSL 225.14, 0.43%, 0.51%

LAB 44.88, 15.39, -46.48

 

CMYK 42 / 32 / 0 / 36

HEX #5F70A4

RGB 95 112 164

HSL 225.22, 0.27%, 0.51%

LAB 47.88, 7.54, -29.97

 

CMYK 94 / 20 / 0 / 4

HEX #0FC3F5

RGB 15 195 245

HSL 193.04, 0.92%, 0.51%

LAB 73.37, -22.79, -35.89

 

CMYK 94 / 46 / 0 / 4

HEX #0F85F5

RGB 15 133 245

HSL 209.22, 0.92%, 0.51%

LAB 55.55, 12.23, -64.05

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 93 / 94 / 0 / 4

HEX #120FF5

RGB 18 15 245

HSL 240.78, 0.92%, 0.51%

LAB 31.95, 74.49, -102.82

 

CMYK 67 / 94 / 0 / 4

HEX #500FF5

RGB 80 15 245

HSL 256.96, 0.92%, 0.51%

LAB 35.28, 76.16, -97.17

 

CMYK 96 / 72 / 0 / 33

HEX #072FAA

RGB 7 47 170

HSL 225.28, 0.92%, 0.35%

LAB 26.68, 38.4, -67.9

 

CMYK 96 / 72 / 0 / 18

HEX #083AD2

RGB 8 58 210

HSL 225.15, 0.93%, 0.43%

LAB 33.42, 46.23, -80.36

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 78 / 59 / 0 / 4

HEX #3666F6

RGB 54 102 246

HSL 225, 0.91%, 0.59%

LAB 48.19, 34.5, -76.51

 

CMYK 62 / 47 / 0 / 3

HEX #5E84F8

RGB 94 132 248

HSL 225.19, 0.92%, 0.67%

LAB 57.71, 21.99, -62.12

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 5 / 94 / 0 / 4

HEX #E90FF5

RGB 233 15 245

HSL 296.87, 0.92%, 0.51%

LAB 56.35, 92.48, -61.86

 

CMYK 33 / 0 / 94 / 4

HEX #A4F50F

RGB 164 245 15

HSL 81.13, 0.92%, 0.51%

LAB 88.56, -52.38, 84.24

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 0 / 94 / 71 / 4

HEX #F50F48

RGB 245 15 72

HSL 345.13, 0.92%, 0.51%

LAB 52.09, 78.06, 33.7

 

CMYK 71 / 0 / 94 / 4

HEX #48F50F

RGB 72 245 15

HSL 105.13, 0.92%, 0.51%

LAB 85.36, -77.12, 80.32

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 5 / 94 / 0 / 4

HEX #E90FF5

RGB 233 15 245

HSL 296.87, 0.92%, 0.51%

LAB 56.35, 92.48, -61.86

 

CMYK 0 / 24 / 94 / 4

HEX #F5BB0F

RGB 245 187 15

HSL 44.87, 0.92%, 0.51%

LAB 79.03, 8.32, 79.6

 

CMYK 89 / 0 / 94 / 4

HEX #1AF50F

RGB 26 245 15

HSL 117.13, 0.92%, 0.51%

LAB 84.77, -82.35, 79.59

 

CMYK 94 / 71 / 0 / 4

HEX #0F48F5

RGB 15 72 245

HSL 225.13, 0.92%, 0.51%

LAB 40.13, 50.4, -89.22

 

CMYK 0 / 94 / 24 / 4

HEX #F50FBB

RGB 245 15 187

HSL 315.13, 0.92%, 0.51%

LAB 55.42, 86.96, -30.18

 

CMYK 0 / 24 / 94 / 4

HEX #F5BB0F

RGB 245 187 15

HSL 44.87, 0.92%, 0.51%

LAB 79.03, 8.32, 79.6

 

CMYK 94 / 0 / 71 / 4

HEX #0FF548

RGB 15 245 72

HSL 134.87, 0.92%, 0.51%

LAB 84.93, -80.05, 66.22

 

Description

Color code: RGB 15 72 245 | qconv.com Color code: RGB 15 72 245 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 72 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 72 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 71 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 71% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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