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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 71 28 it is the complementary color RGB 240 184 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 71 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 71 28 shade: RGB 20 71 23, RGB 37 89 42, RGB 54 107 61, RGB 71 125 80 and RGB 88 143 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 71 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 0 53 9, RGB 0 35 0 and RGB 0 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 17 71 15, RGB 32 71 15, RGB 47 71 15 and RGB 62 71 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 15 71 43, RGB 15 71 58, RGB 15 69 71 and RGB 15 54 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 71 28 shade matches the following richer shades: RGB 15 71 28, RGB 8 78 24 and RGB 1 85 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 22 64 32, RGB 29 57 35, RGB 36 50 39 and RGB 43 43 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 71 28 shade: RGB 33 71 15, RGB 17 71 15, RGB 15 71 27, RGB 15 71 42 and RGB 15 71 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 71 28 shade: RGB 0 3 1, RGB 7 37 14, RGB 15 71 28, RGB 22 105 41 and RGB 29 139 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 15 48 71 and RGB 71 15 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 27 15 71 and RGB 71 27 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 15 48 71, RGB 71 15 59 and RGB 71 38 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 71 28 shade: RGB 15 71 28, RGB 15 31 71, RGB 71 15 59 and RGB 71 55 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

Complementary color

CMYK 0 / 23 / 5 / 6

HEX #F0B8E3

RGB 240 184 227

HSL 313.93, 0.65%, 0.83%

LAB 80.93, 27.04, -13.65

 

CMYK 72 / 0 / 68 / 72

HEX #144717

RGB 20 71 23

HSL 123.53, 0.56%, 0.18%

LAB 25.91, -28.17, 23.49

 

CMYK 58 / 0 / 53 / 65

HEX #25592A

RGB 37 89 42

HSL 125.77, 0.41%, 0.25%

LAB 33.36, -28.55, 21.96

 

CMYK 50 / 0 / 43 / 58

HEX #366B3D

RGB 54 107 61

HSL 127.92, 0.33%, 0.32%

LAB 40.63, -28.5, 20.45

 

CMYK 43 / 0 / 36 / 51

HEX #477D50

RGB 71 125 80

HSL 130, 0.28%, 0.38%

LAB 47.73, -28.28, 19.08

 

CMYK 38 / 0 / 31 / 44

HEX #588F63

RGB 88 143 99

HSL 132, 0.24%, 0.45%

LAB 54.68, -28.01, 17.83

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 100 / 0 / 83 / 79

HEX #003509

RGB 0 53 9

HSL 130.19, 1%, 0.1%

LAB 18.21, -27.22, 21.62

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 76 / 0 / 79 / 72

HEX #11470F

RGB 17 71 15

HSL 117.86, 0.65%, 0.17%

LAB 25.74, -29.84, 27.27

 

CMYK 55 / 0 / 79 / 72

HEX #20470F

RGB 32 71 15

HSL 101.79, 0.65%, 0.17%

LAB 26.3, -25.45, 28.01

 

CMYK 34 / 0 / 79 / 72

HEX #2F470F

RGB 47 71 15

HSL 85.71, 0.65%, 0.17%

LAB 27.14, -19.44, 29.15

 

CMYK 13 / 0 / 79 / 72

HEX #3E470F

RGB 62 71 15

HSL 69.64, 0.65%, 0.17%

LAB 28.29, -12.37, 30.67

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 79 / 0 / 39 / 72

HEX #0F472B

RGB 15 71 43

HSL 150, 0.65%, 0.17%

LAB 26.11, -25.5, 11.81

 

CMYK 79 / 0 / 18 / 72

HEX #0F473A

RGB 15 71 58

HSL 166.07, 0.65%, 0.17%

LAB 26.49, -21.45, 2.69

 

CMYK 79 / 3 / 0 / 72

HEX #0F4547

RGB 15 69 71

HSL 182.14, 0.65%, 0.17%

LAB 26.19, -16.12, -6.24

 

CMYK 79 / 24 / 0 / 72

HEX #0F3647

RGB 15 54 71

HSL 198.21, 0.65%, 0.17%

LAB 20.81, -6.97, -14.45

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 90 / 0 / 69 / 69

HEX #084E18

RGB 8 78 24

HSL 133.71, 0.81%, 0.17%

LAB 28.29, -33.08, 25.59

 

CMYK 99 / 0 / 76 / 67

HEX #015514

RGB 1 85 20

HSL 133.57, 0.98%, 0.17%

LAB 30.77, -37.05, 30.18

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 66 / 0 / 50 / 75

HEX #164020

RGB 22 64 32

HSL 134.29, 0.49%, 0.17%

LAB 23.48, -22.97, 15.3

 

CMYK 49 / 0 / 39 / 78

HEX #1D3923

RGB 29 57 35

HSL 132.86, 0.33%, 0.17%

LAB 21.24, -16.46, 10.5

 

CMYK 28 / 0 / 22 / 80

HEX #243227

RGB 36 50 39

HSL 132.86, 0.16%, 0.17%

LAB 19.24, -8.65, 5.13

 

CMYK 0 / 0 / 0 / 83

HEX #2B2B2B

RGB 43 43 43

HSL 0, 0%, 0.17%

LAB 17.53, 0, -0

 

CMYK 54 / 0 / 79 / 72

HEX #21470F

RGB 33 71 15

HSL 100.71, 0.65%, 0.17%

LAB 26.34, -25.09, 28.08

 

CMYK 76 / 0 / 79 / 72

HEX #11470F

RGB 17 71 15

HSL 117.86, 0.65%, 0.17%

LAB 25.74, -29.84, 27.27

 

CMYK 79 / 0 / 62 / 72

HEX #0F471B

RGB 15 71 27

HSL 132.86, 0.65%, 0.17%

LAB 25.82, -28.7, 21.14

 

CMYK 79 / 0 / 41 / 72

HEX #0F472A

RGB 15 71 42

HSL 148.93, 0.65%, 0.17%

LAB 26.08, -25.73, 12.42

 

CMYK 79 / 0 / 20 / 72

HEX #0F4739

RGB 15 71 57

HSL 165, 0.65%, 0.17%

LAB 26.46, -21.75, 3.3

 

CMYK 100 / 0 / 67 / 99

HEX #000301

RGB 0 3 1

HSL 140, 1%, 0.01%

LAB 0.61, -1.06, 0.48

 

CMYK 81 / 0 / 62 / 85

HEX #07250E

RGB 7 37 14

HSL 134, 0.68%, 0.09%

LAB 11.96, -17.61, 11.43

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 79 / 0 / 61 / 59

HEX #166929

RGB 22 105 41

HSL 133.73, 0.65%, 0.25%

LAB 38.61, -38.74, 28.76

 

CMYK 79 / 0 / 60 / 45

HEX #1D8B37

RGB 29 139 55

HSL 134.18, 0.65%, 0.33%

LAB 50.69, -48.09, 35.9

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 79 / 32 / 0 / 72

HEX #0F3047

RGB 15 48 71

HSL 204.64, 0.65%, 0.17%

LAB 18.67, -2.94, -17.78

 

CMYK 0 / 79 / 65 / 72

HEX #470F19

RGB 71 15 25

HSL 349.29, 0.65%, 0.17%

LAB 14.12, 27.19, 8.67

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 62 / 79 / 0 / 72

HEX #1B0F47

RGB 27 15 71

HSL 252.86, 0.65%, 0.17%

LAB 9.24, 23.51, -32.88

 

CMYK 0 / 62 / 79 / 72

HEX #471B0F

RGB 71 27 15

HSL 12.86, 0.65%, 0.17%

LAB 16.3, 20.15, 17.99

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 79 / 32 / 0 / 72

HEX #0F3047

RGB 15 48 71

HSL 204.64, 0.65%, 0.17%

LAB 18.67, -2.94, -17.78

 

CMYK 0 / 79 / 17 / 72

HEX #470F3B

RGB 71 15 59

HSL 312.86, 0.65%, 0.17%

LAB 15.47, 31.62, -14.03

 

CMYK 0 / 46 / 79 / 72

HEX #47260F

RGB 71 38 15

HSL 24.64, 0.65%, 0.17%

LAB 19.06, 13.28, 21.32

 

CMYK 79 / 0 / 61 / 72

HEX #0F471C

RGB 15 71 28

HSL 133.93, 0.65%, 0.17%

LAB 25.84, -28.54, 20.59

 

CMYK 79 / 56 / 0 / 72

HEX #0F1F47

RGB 15 31 71

HSL 222.86, 0.65%, 0.17%

LAB 12.84, 9.57, -27.06

 

CMYK 0 / 79 / 17 / 72

HEX #470F3B

RGB 71 15 59

HSL 312.86, 0.65%, 0.17%

LAB 15.47, 31.62, -14.03

 

CMYK 0 / 23 / 79 / 72

HEX #47370F

RGB 71 55 15

HSL 42.86, 0.65%, 0.17%

LAB 24.02, 2.15, 26.69

 

Description

Color code: RGB 15 71 28 | qconv.com Color code: RGB 15 71 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 71 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 71 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 61 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 61% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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