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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 98 162 it is the complementary color RGB 96 157 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 98 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 98 162 shade: RGB 164 98 157, RGB 181 116 176, RGB 198 134 195, RGB 215 152 214 and RGB 232 170 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 98 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 98 162 shade: RGB 159 98 162, RGB 142 80 143, RGB 125 62 124, RGB 108 44 105 and RGB 91 26 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 98 162 shade: RGB 159 97 162, RGB 162 97 148, RGB 162 97 130, RGB 162 97 113 and RGB 162 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 98 162 shade: RGB 159 97 162, RGB 141 97 162, RGB 124 97 162, RGB 106 97 162 and RGB 97 97 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 98 162 shade matches the following richer shades: RGB 159 97 162, RGB 177 77 182, RGB 196 57 202, RGB 214 36 223 and RGB 232 16 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 98 162 shade: RGB 159 97 162, RGB 141 117 142, RGB 122 137 122, RGB 104 158 101 and RGB 86 178 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 98 162 shade: RGB 124 97 162, RGB 141 97 162, RGB 159 97 162, RGB 162 97 148 and RGB 162 97 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 98 162 shade: RGB 109 65 111, RGB 135 80 137, RGB 159 97 162, RGB 175 123 177 and RGB 191 149 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 98 162 shade: RGB 159 98 162, RGB 162 107 97 and RGB 97 162 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 98 162 shade: RGB 159 98 162, RGB 162 159 97 and RGB 97 162 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 98 162 shade: RGB 159 98 162, RGB 162 107 97, RGB 100 162 97 and RGB 97 152 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 98 162 shade: RGB 159 98 162, RGB 162 126 97, RGB 100 162 97 and RGB 97 133 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

Complementary color

CMYK 39 / 0 / 41 / 38

HEX #609D5D

RGB 96 157 93

HSL 117.19, 0.26%, 0.49%

LAB 59.33, -33.1, 27.41

 

CMYK 0 / 40 / 4 / 36

HEX #A4629D

RGB 164 98 157

HSL 306.36, 0.27%, 0.51%

LAB 50.76, 35.83, -20.87

 

CMYK 0 / 36 / 3 / 29

HEX #B574B0

RGB 181 116 176

HSL 304.62, 0.31%, 0.58%

LAB 57.51, 35.06, -21.39

 

CMYK 0 / 32 / 2 / 22

HEX #C686C3

RGB 198 134 195

HSL 302.81, 0.36%, 0.65%

LAB 64.16, 34.31, -21.85

 

CMYK 0 / 29 / 0 / 16

HEX #D798D6

RGB 215 152 214

HSL 300.95, 0.44%, 0.72%

LAB 70.7, 33.61, -22.27

 

CMYK 0 / 27 / 0 / 9

HEX #E8AAE9

RGB 232 170 233

HSL 299.05, 0.59%, 0.79%

LAB 77.15, 32.95, -22.67

 

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

CMYK 1 / 44 / 0 / 44

HEX #8E508F

RGB 142 80 143

HSL 299.05, 0.28%, 0.44%

LAB 43.46, 35.95, -24.03

 

CMYK 0 / 50 / 1 / 51

HEX #7D3E7C

RGB 125 62 124

HSL 300.95, 0.34%, 0.37%

LAB 36.48, 36.7, -23.45

 

CMYK 0 / 59 / 3 / 58

HEX #6C2C69

RGB 108 44 105

HSL 302.81, 0.42%, 0.3%

LAB 29.44, 37.29, -22.65

 

CMYK 0 / 71 / 5 / 64

HEX #5B1A56

RGB 91 26 86

HSL 304.62, 0.56%, 0.23%

LAB 22.43, 37.4, -21.42

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 0 / 40 / 9 / 36

HEX #A26194

RGB 162 97 148

HSL 312.92, 0.26%, 0.51%

LAB 49.94, 34.07, -16.84

 

CMYK 0 / 40 / 20 / 36

HEX #A26182

RGB 162 97 130

HSL 329.54, 0.26%, 0.51%

LAB 49.3, 31.01, -7.1

 

CMYK 0 / 40 / 30 / 36

HEX #A26171

RGB 162 97 113

HSL 345.23, 0.26%, 0.51%

LAB 48.79, 28.46, 2.31

 

CMYK 0 / 40 / 40 / 36

HEX #A26161

RGB 162 97 97

HSL 0, 0.26%, 0.51%

LAB 48.38, 26.37, 11.31

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 13 / 40 / 0 / 36

HEX #8D61A2

RGB 141 97 162

HSL 280.62, 0.26%, 0.51%

LAB 48.03, 29.97, -28.25

 

CMYK 23 / 40 / 0 / 36

HEX #7C61A2

RGB 124 97 162

HSL 264.92, 0.26%, 0.51%

LAB 46.24, 24.65, -31.19

 

CMYK 35 / 40 / 0 / 36

HEX #6A61A2

RGB 106 97 162

HSL 248.31, 0.26%, 0.51%

LAB 44.55, 19.28, -33.96

 

CMYK 40 / 40 / 0 / 36

HEX #6161A2

RGB 97 97 162

HSL 240, 0.26%, 0.51%

LAB 43.8, 16.74, -35.19

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 3 / 58 / 0 / 29

HEX #B14DB6

RGB 177 77 182

HSL 297.14, 0.42%, 0.51%

LAB 49.54, 55.01, -37.29

 

CMYK 3 / 72 / 0 / 21

HEX #C439CA

RGB 196 57 202

HSL 297.52, 0.58%, 0.51%

LAB 50.6, 70.93, -47.01

 

CMYK 4 / 84 / 0 / 13

HEX #D624DF

RGB 214 36 223

HSL 297.11, 0.75%, 0.51%

LAB 52.82, 83.22, -55.29

 

CMYK 5 / 93 / 0 / 5

HEX #E810F3

RGB 232 16 243

HSL 297.09, 0.9%, 0.51%

LAB 56.09, 91.95, -61.17

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 1 / 18 / 0 / 44

HEX #8D758E

RGB 141 117 142

HSL 297.6, 0.1%, 0.51%

LAB 52.22, 14.01, -10.09

 

CMYK 11 / 0 / 11 / 46

HEX #7A897A

RGB 122 137 122

HSL 120, 0.06%, 0.51%

LAB 55.52, -8.48, 6.2

 

CMYK 34 / 0 / 36 / 38

HEX #689E65

RGB 104 158 101

HSL 116.84, 0.23%, 0.51%

LAB 60.19, -29.61, 24.28

 

CMYK 52 / 0 / 54 / 30

HEX #56B251

RGB 86 178 81

HSL 116.91, 0.39%, 0.51%

LAB 65.29, -46.95, 40.9

 

CMYK 23 / 40 / 0 / 36

HEX #7C61A2

RGB 124 97 162

HSL 264.92, 0.26%, 0.51%

LAB 46.24, 24.65, -31.19

 

CMYK 13 / 40 / 0 / 36

HEX #8D61A2

RGB 141 97 162

HSL 280.62, 0.26%, 0.51%

LAB 48.03, 29.97, -28.25

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 0 / 40 / 9 / 36

HEX #A26194

RGB 162 97 148

HSL 312.92, 0.26%, 0.51%

LAB 49.94, 34.07, -16.84

 

CMYK 0 / 40 / 19 / 36

HEX #A26183

RGB 162 97 131

HSL 328.62, 0.26%, 0.51%

LAB 49.34, 31.17, -7.65

 

CMYK 2 / 41 / 0 / 56

HEX #6D416F

RGB 109 65 111

HSL 297.39, 0.26%, 0.35%

LAB 34.35, 27.11, -18.8

 

CMYK 1 / 42 / 0 / 46

HEX #875089

RGB 135 80 137

HSL 297.89, 0.26%, 0.43%

LAB 42.3, 32.48, -22.28

 

CMYK 2 / 40 / 0 / 36

HEX #9F61A2

RGB 159 97 162

HSL 297.23, 0.26%, 0.51%

LAB 50.13, 35.71, -24.83

 

CMYK 1 / 31 / 0 / 31

HEX #AF7BB1

RGB 175 123 177

HSL 297.78, 0.26%, 0.59%

LAB 58.47, 29.37, -20.56

 

CMYK 1 / 23 / 0 / 24

HEX #BF95C1

RGB 191 149 193

HSL 297.27, 0.26%, 0.67%

LAB 66.84, 23.34, -16.72

 

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

CMYK 0 / 34 / 40 / 36

HEX #A26B61

RGB 162 107 97

HSL 9.23, 0.26%, 0.51%

LAB 50.76, 20.71, 14.61

 

CMYK 40 / 0 / 18 / 36

HEX #61A285

RGB 97 162 133

HSL 153.23, 0.26%, 0.51%

LAB 61.72, -27.61, 8.61

 

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

CMYK 0 / 2 / 40 / 36

HEX #A29F61

RGB 162 159 97

HSL 57.23, 0.26%, 0.51%

LAB 64.44, -8.34, 32.72

 

CMYK 40 / 0 / 2 / 36

HEX #61A29F

RGB 97 162 159

HSL 177.23, 0.26%, 0.51%

LAB 62.41, -21.47, -4.99

 

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

CMYK 0 / 34 / 40 / 36

HEX #A26B61

RGB 162 107 97

HSL 9.23, 0.26%, 0.51%

LAB 50.76, 20.71, 14.61

 

CMYK 38 / 0 / 40 / 36

HEX #64A261

RGB 100 162 97

HSL 117.23, 0.26%, 0.51%

LAB 61.14, -33.48, 27.66

 

CMYK 40 / 6 / 0 / 36

HEX #6198A2

RGB 97 152 162

HSL 189.23, 0.26%, 0.51%

LAB 59.53, -15.44, -10.97

 

CMYK 2 / 40 / 0 / 36

HEX #9F62A2

RGB 159 98 162

HSL 297.19, 0.26%, 0.51%

LAB 50.35, 35.16, -24.49

 

CMYK 0 / 22 / 40 / 36

HEX #A27E61

RGB 162 126 97

HSL 26.77, 0.26%, 0.51%

LAB 55.55, 9.89, 21.12

 

CMYK 38 / 0 / 40 / 36

HEX #64A261

RGB 100 162 97

HSL 117.23, 0.26%, 0.51%

LAB 61.14, -33.48, 27.66

 

CMYK 40 / 18 / 0 / 36

HEX #6185A2

RGB 97 133 162

HSL 206.77, 0.26%, 0.51%

LAB 53.95, -4.9, -19.43

 

Description

Color code: RGB 159 98 162 | qconv.com Color code: RGB 159 98 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 98 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 98 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 40 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 40% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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