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Color name
RGB 159 94 9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 94 9 it is the complementary color RGB 96 161 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 94 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 94 9 shade: RGB 164 94 4, RGB 181 112 23, RGB 198 130 42, RGB 215 148 61 and RGB 232 166 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 94 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 142 76 0, RGB 125 58 0, RGB 108 40 0 and RGB 91 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 159 53 9, RGB 159 13 9 and RGB 159 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 159 134 9, RGB 143 159 9, RGB 102 159 9 and RGB 62 159 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 94 9 shade matches the following richer shades: RGB 159 94 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 145 92 22, RGB 131 90 36, RGB 118 88 50 and RGB 104 86 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 94 9 shade: RGB 159 14 9, RGB 159 54 9, RGB 159 94 9, RGB 159 134 9 and RGB 144 159 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 94 9 shade: RGB 81 47 4, RGB 120 71 6, RGB 159 94 9, RGB 198 117 11 and RGB 237 140 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 44 159 9 and RGB 34 9 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 9 159 94 and RGB 94 9 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 44 159 9, RGB 9 74 159 and RGB 124 9 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 94 9 shade: RGB 159 94 9, RGB 9 159 19, RGB 9 74 159 and RGB 159 9 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

Complementary color

CMYK 61 / 35 / 0 / 4

HEX #60A1F6

RGB 96 161 246

HSL 214, 0.89%, 0.67%

LAB 65.46, 4.52, -48.68

 

CMYK 0 / 43 / 98 / 36

HEX #A45E04

RGB 164 94 4

HSL 33.75, 0.95%, 0.33%

LAB 46.85, 23.15, 54.17

 

CMYK 0 / 38 / 87 / 29

HEX #B57017

RGB 181 112 23

HSL 33.8, 0.77%, 0.4%

LAB 53.46, 20.96, 55.35

 

CMYK 0 / 34 / 79 / 22

HEX #C6822A

RGB 198 130 42

HSL 33.85, 0.65%, 0.47%

LAB 60.01, 19.06, 55.16

 

CMYK 0 / 31 / 72 / 16

HEX #D7943D

RGB 215 148 61

HSL 33.9, 0.66%, 0.54%

LAB 66.49, 17.42, 54.22

 

CMYK 0 / 28 / 66 / 9

HEX #E8A650

RGB 232 166 80

HSL 33.95, 0.77%, 0.61%

LAB 72.9, 16, 52.98

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 46 / 100 / 44

HEX #8E4C00

RGB 142 76 0

HSL 32.11, 1%, 0.28%

LAB 39.44, 23.43, 48.92

 

CMYK 0 / 54 / 100 / 51

HEX #7D3A00

RGB 125 58 0

HSL 27.84, 1%, 0.25%

LAB 32.67, 26.03, 43.45

 

CMYK 0 / 63 / 100 / 58

HEX #6C2800

RGB 108 40 0

HSL 22.22, 1%, 0.21%

LAB 25.88, 28.5, 36.86

 

CMYK 0 / 76 / 100 / 64

HEX #5B1600

RGB 91 22 0

HSL 14.51, 1%, 0.18%

LAB 19.22, 30.44, 28.87

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 67 / 94 / 38

HEX #9F3509

RGB 159 53 9

HSL 17.6, 0.89%, 0.33%

LAB 37.73, 42.29, 46.31

 

CMYK 0 / 92 / 94 / 38

HEX #9F0D09

RGB 159 13 9

HSL 1.6, 0.89%, 0.33%

LAB 33.3, 54.59, 43.45

 

CMYK 0 / 94 / 94 / 38

HEX #9F0909

RGB 159 9 9

HSL 0, 0.89%, 0.33%

LAB 33.11, 55.17, 43.33

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 16 / 94 / 38

HEX #9F8609

RGB 159 134 9

HSL 50, 0.89%, 0.33%

LAB 56.53, -1.61, 59.86

 

CMYK 10 / 0 / 94 / 38

HEX #8F9F09

RGB 143 159 9

HSL 66.4, 0.89%, 0.33%

LAB 62.22, -22.1, 63.61

 

CMYK 36 / 0 / 94 / 38

HEX #669F09

RGB 102 159 9

HSL 82.8, 0.89%, 0.33%

LAB 59.56, -38.96, 60.38

 

CMYK 61 / 0 / 94 / 38

HEX #3E9F09

RGB 62 159 9

HSL 98.8, 0.89%, 0.33%

LAB 57.88, -51.71, 58.31

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 37 / 85 / 43

HEX #915C16

RGB 145 92 22

HSL 34.15, 0.74%, 0.33%

LAB 43.85, 16.09, 45.7

 

CMYK 0 / 31 / 73 / 49

HEX #835A24

RGB 131 90 36

HSL 34.11, 0.57%, 0.33%

LAB 41.63, 11.38, 36.8

 

CMYK 0 / 25 / 58 / 54

HEX #765832

RGB 118 88 50

HSL 33.53, 0.4%, 0.33%

LAB 39.68, 7.55, 26.63

 

CMYK 0 / 17 / 39 / 59

HEX #68563F

RGB 104 86 63

HSL 33.66, 0.25%, 0.33%

LAB 37.77, 3.77, 16.17

 

CMYK 0 / 91 / 94 / 38

HEX #9F0E09

RGB 159 14 9

HSL 2, 0.89%, 0.33%

LAB 33.36, 54.43, 43.49

 

CMYK 0 / 66 / 94 / 38

HEX #9F3609

RGB 159 54 9

HSL 18, 0.89%, 0.33%

LAB 37.89, 41.84, 46.42

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 16 / 94 / 38

HEX #9F8609

RGB 159 134 9

HSL 50, 0.89%, 0.33%

LAB 56.53, -1.61, 59.86

 

CMYK 9 / 0 / 94 / 38

HEX #909F09

RGB 144 159 9

HSL 66, 0.89%, 0.33%

LAB 62.29, -21.66, 63.7

 

CMYK 0 / 42 / 95 / 68

HEX #512F04

RGB 81 47 4

HSL 33.51, 0.91%, 0.17%

LAB 22.97, 12, 30.83

 

CMYK 0 / 41 / 95 / 53

HEX #784706

RGB 120 71 6

HSL 34.21, 0.9%, 0.25%

LAB 35.03, 16.34, 42.43

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 0 / 41 / 94 / 22

HEX #C6750B

RGB 198 117 11

HSL 34.01, 0.89%, 0.41%

LAB 56.83, 25.4, 61.81

 

CMYK 0 / 41 / 95 / 7

HEX #ED8C0D

RGB 237 140 13

HSL 34.02, 0.9%, 0.49%

LAB 67.12, 29.62, 71.01

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 72 / 0 / 94 / 38

HEX #2C9F09

RGB 44 159 9

HSL 106, 0.89%, 0.33%

LAB 57.42, -55.66, 57.74

 

CMYK 79 / 94 / 0 / 38

HEX #22099F

RGB 34 9 159

HSL 250, 0.89%, 0.33%

LAB 20.2, 53.71, -71.96

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 94 / 0 / 41 / 38

HEX #099F5E

RGB 9 159 94

HSL 154, 0.89%, 0.33%

LAB 57.72, -50.38, 24.32

 

CMYK 41 / 94 / 0 / 38

HEX #5E099F

RGB 94 9 159

HSL 274, 0.89%, 0.33%

LAB 26.96, 58.3, -60.55

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 72 / 0 / 94 / 38

HEX #2C9F09

RGB 44 159 9

HSL 106, 0.89%, 0.33%

LAB 57.42, -55.66, 57.74

 

CMYK 94 / 53 / 0 / 38

HEX #094A9F

RGB 9 74 159

HSL 214, 0.89%, 0.33%

LAB 32.83, 15.89, -51.2

 

CMYK 22 / 94 / 0 / 38

HEX #7C099F

RGB 124 9 159

HSL 286, 0.89%, 0.33%

LAB 31.77, 62.29, -52.49

 

CMYK 0 / 41 / 94 / 38

HEX #9F5E09

RGB 159 94 9

HSL 34, 0.89%, 0.33%

LAB 46.17, 21, 52.2

 

CMYK 94 / 0 / 88 / 38

HEX #099F13

RGB 9 159 19

HSL 124, 0.89%, 0.33%

LAB 56.98, -59.43, 55.39

 

CMYK 94 / 53 / 0 / 38

HEX #094A9F

RGB 9 74 159

HSL 214, 0.89%, 0.33%

LAB 32.83, 15.89, -51.2

 

CMYK 0 / 94 / 6 / 38

HEX #9F0995

RGB 159 9 149

HSL 304, 0.89%, 0.33%

LAB 37.36, 66.48, -37.07

 

Description

Color code: RGB 159 94 9 | qconv.com Color code: RGB 159 94 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 94 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 94% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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