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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 82 39 it is the complementary color RGB 96 173 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 82 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 82 39 shade: RGB 164 82 34, RGB 181 100 53, RGB 198 118 72, RGB 215 136 91 and RGB 232 154 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 82 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 82 39 shade: RGB 159 82 39, RGB 142 64 20, RGB 125 46 1, RGB 108 28 0 and RGB 91 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 82 39 shade: RGB 160 82 38, RGB 160 49 38 and RGB 160 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 82 39 shade: RGB 160 82 38, RGB 160 114 38, RGB 160 147 38, RGB 139 160 38 and RGB 107 160 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 82 39 shade matches the following richer shades: RGB 160 82 38, RGB 176 77 22 and RGB 192 73 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 82 39 shade: RGB 160 82 38, RGB 144 86 54, RGB 127 91 70, RGB 111 95 87 and RGB 95 100 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 82 39 shade: RGB 160 38 61, RGB 160 48 38, RGB 160 81 38, RGB 160 113 38 and RGB 160 145 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 82 39 shade: RGB 93 48 22, RGB 126 65 30, RGB 160 82 38, RGB 193 99 46 and RGB 210 120 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 82 39 shade: RGB 159 82 39, RGB 93 160 38 and RGB 38 44 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 82 39 shade: RGB 159 82 39, RGB 38 160 81 and RGB 81 38 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 82 39 shade: RGB 159 82 39, RGB 93 160 38, RGB 38 117 160 and RGB 105 38 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 82 39 shade: RGB 159 82 39, RGB 56 160 38, RGB 38 117 160 and RGB 141 38 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

Complementary color

CMYK 56 / 20 / 0 / 15

HEX #60ADD8

RGB 96 173 216

HSL 201.5, 0.61%, 0.61%

LAB 67.53, -11.6, -29

 

CMYK 0 / 50 / 79 / 36

HEX #A45222

RGB 164 82 34

HSL 22.15, 0.66%, 0.39%

LAB 44.29, 30.48, 41.96

 

CMYK 0 / 45 / 71 / 29

HEX #B56435

RGB 181 100 53

HSL 22.03, 0.55%, 0.46%

LAB 50.91, 28.72, 40.14

 

CMYK 0 / 40 / 64 / 22

HEX #C67648

RGB 198 118 72

HSL 21.9, 0.53%, 0.53%

LAB 57.49, 27.16, 38.29

 

CMYK 0 / 37 / 58 / 16

HEX #D7885B

RGB 215 136 91

HSL 21.77, 0.61%, 0.6%

LAB 64.01, 25.78, 36.54

 

CMYK 0 / 34 / 53 / 9

HEX #E89A6E

RGB 232 154 110

HSL 21.64, 0.73%, 0.67%

LAB 70.45, 24.57, 34.93

 

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

CMYK 0 / 55 / 86 / 44

HEX #8E4014

RGB 142 64 20

HSL 21.64, 0.75%, 0.32%

LAB 36.87, 30.48, 40.22

 

CMYK 0 / 63 / 99 / 51

HEX #7D2E01

RGB 125 46 1

HSL 21.77, 0.98%, 0.25%

LAB 30.2, 32.43, 41.33

 

CMYK 0 / 74 / 100 / 58

HEX #6C1C00

RGB 108 28 0

HSL 15.56, 1%, 0.21%

LAB 23.73, 34.25, 34.8

 

CMYK 0 / 89 / 100 / 64

HEX #5B0A00

RGB 91 10 0

HSL 6.59, 1%, 0.18%

LAB 17.65, 34.8, 27.03

 

CMYK 0 / 49 / 76 / 37

HEX #A05226

RGB 160 82 38

HSL 21.64, 0.62%, 0.39%

LAB 43.72, 28.98, 39.22

 

CMYK 0 / 69 / 76 / 37

HEX #A03126

RGB 160 49 38

HSL 5.41, 0.62%, 0.39%

LAB 37.5, 45.16, 32.6

 

CMYK 0 / 76 / 76 / 37

HEX #A02626

RGB 160 38 38

HSL 0, 0.62%, 0.39%

LAB 35.98, 49.34, 30.93

 

CMYK 0 / 49 / 76 / 37

HEX #A05226

RGB 160 82 38

HSL 21.64, 0.62%, 0.39%

LAB 43.72, 28.98, 39.22

 

CMYK 0 / 29 / 76 / 37

HEX #A07226

RGB 160 114 38

HSL 37.38, 0.62%, 0.39%

LAB 51.44, 10.94, 46.99

 

CMYK 0 / 8 / 76 / 37

HEX #A09326

RGB 160 147 38

HSL 53.61, 0.62%, 0.39%

LAB 60.32, -7.41, 55.49

 

CMYK 13 / 0 / 76 / 37

HEX #8BA026

RGB 139 160 38

HSL 70.33, 0.62%, 0.39%

LAB 62.31, -23.44, 56.73

 

CMYK 33 / 0 / 76 / 37

HEX #6BA026

RGB 107 160 38

HSL 86.07, 0.62%, 0.39%

LAB 60.25, -36.41, 54.05

 

CMYK 0 / 49 / 76 / 37

HEX #A05226

RGB 160 82 38

HSL 21.64, 0.62%, 0.39%

LAB 43.72, 28.98, 39.22

 

CMYK 0 / 56 / 88 / 31

HEX #B04D16

RGB 176 77 22

HSL 21.43, 0.78%, 0.39%

LAB 45.08, 37.58, 48.57

 

CMYK 0 / 62 / 97 / 25

HEX #C04906

RGB 192 73 6

HSL 21.61, 0.94%, 0.39%

LAB 46.95, 45.35, 55.91

 

CMYK 0 / 49 / 76 / 37

HEX #A05226

RGB 160 82 38

HSL 21.64, 0.62%, 0.39%

LAB 43.72, 28.98, 39.22

 

CMYK 0 / 40 / 63 / 44

HEX #905636

RGB 144 86 54

HSL 21.33, 0.45%, 0.39%

LAB 42.54, 20.82, 28.58

 

CMYK 0 / 28 / 45 / 50

HEX #7F5B46

RGB 127 91 70

HSL 22.11, 0.29%, 0.39%

LAB 41.9, 11.94, 17.93

 

CMYK 0 / 14 / 22 / 56

HEX #6F5F57

RGB 111 95 87

HSL 20, 0.12%, 0.39%

LAB 41.61, 5.04, 6.96

 

CMYK 8 / 3 / 0 / 60

HEX #5F6467

RGB 95 100 103

HSL 202.5, 0.04%, 0.39%

LAB 42.04, -1.28, -2.37

 

CMYK 0 / 76 / 62 / 37

HEX #A0263D

RGB 160 38 61

HSL 348.69, 0.62%, 0.39%

LAB 36.36, 50.57, 17.05

 

CMYK 0 / 70 / 76 / 37

HEX #A03026

RGB 160 48 38

HSL 4.92, 0.62%, 0.39%

LAB 37.35, 45.57, 32.44

 

CMYK 0 / 49 / 76 / 37

HEX #A05126

RGB 160 81 38

HSL 21.15, 0.62%, 0.39%

LAB 43.5, 29.52, 38.99

 

CMYK 0 / 29 / 76 / 37

HEX #A07126

RGB 160 113 38

HSL 36.89, 0.62%, 0.39%

LAB 51.18, 11.51, 46.73

 

CMYK 0 / 9 / 76 / 37

HEX #A09126

RGB 160 145 38

HSL 52.62, 0.62%, 0.39%

LAB 59.77, -6.34, 54.97

 

CMYK 0 / 48 / 76 / 64

HEX #5D3016

RGB 93 48 22

HSL 21.97, 0.62%, 0.23%

LAB 25.26, 18.06, 25.12

 

CMYK 0 / 48 / 76 / 51

HEX #7E411E

RGB 126 65 30

HSL 21.88, 0.62%, 0.31%

LAB 34.62, 23.45, 32.26

 

CMYK 0 / 49 / 76 / 37

HEX #A05226

RGB 160 82 38

HSL 21.64, 0.62%, 0.39%

LAB 43.72, 28.98, 39.22

 

CMYK 0 / 49 / 76 / 24

HEX #C1632E

RGB 193 99 46

HSL 21.63, 0.62%, 0.47%

LAB 52.35, 33.85, 45.69

 

CMYK 0 / 43 / 67 / 18

HEX #D27846

RGB 210 120 70

HSL 21.43, 0.61%, 0.55%

LAB 59.5, 30.87, 42.09

 

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

CMYK 42 / 0 / 76 / 37

HEX #5DA026

RGB 93 160 38

HSL 92.95, 0.62%, 0.39%

LAB 59.53, -41.48, 53.11

 

CMYK 76 / 73 / 0 / 37

HEX #262CA0

RGB 38 44 160

HSL 237.05, 0.62%, 0.39%

LAB 26.01, 38.44, -62.91

 

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

CMYK 76 / 0 / 49 / 37

HEX #26A051

RGB 38 160 81

HSL 141.15, 0.62%, 0.39%

LAB 58.18, -50.4, 31.87

 

CMYK 49 / 76 / 0 / 37

HEX #5126A0

RGB 81 38 160

HSL 261.15, 0.62%, 0.39%

LAB 28.57, 47.26, -58.57

 

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

CMYK 42 / 0 / 76 / 37

HEX #5DA026

RGB 93 160 38

HSL 92.95, 0.62%, 0.39%

LAB 59.53, -41.48, 53.11

 

CMYK 76 / 27 / 0 / 37

HEX #2675A0

RGB 38 117 160

HSL 201.15, 0.62%, 0.39%

LAB 46.54, -8.66, -29.91

 

CMYK 34 / 76 / 0 / 37

HEX #6926A0

RGB 105 38 160

HSL 272.95, 0.62%, 0.39%

LAB 31.64, 51.36, -53.44

 

CMYK 0 / 48 / 75 / 38

HEX #9F5227

RGB 159 82 39

HSL 21.5, 0.61%, 0.39%

LAB 43.58, 28.6, 38.52

 

CMYK 65 / 0 / 76 / 37

HEX #38A026

RGB 56 160 38

HSL 111.15, 0.62%, 0.39%

LAB 58.15, -52.14, 51.28

 

CMYK 76 / 27 / 0 / 37

HEX #2675A0

RGB 38 117 160

HSL 201.15, 0.62%, 0.39%

LAB 46.54, -8.66, -29.91

 

CMYK 12 / 76 / 0 / 37

HEX #8D26A0

RGB 141 38 160

HSL 290.66, 0.62%, 0.39%

LAB 37.09, 58.41, -44.36

 

Description

Color code: RGB 159 82 39 | qconv.com Color code: RGB 159 82 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 82 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 82 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 75 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 75% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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