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Color name
RGB 159 80 117

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 80 117 it is the complementary color RGB 96 175 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 80 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 80 117 shade: RGB 164 80 112, RGB 181 98 131, RGB 198 116 150, RGB 215 134 169 and RGB 232 152 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 80 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 142 62 98, RGB 125 44 79, RGB 108 26 60 and RGB 91 8 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 159 80 96 and RGB 159 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 159 80 138, RGB 158 80 159, RGB 137 80 159 and RGB 116 80 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 80 117 shade matches the following richer shades: RGB 159 80 117, RGB 178 60 116, RGB 198 41 114, RGB 217 22 113 and RGB 236 2 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 140 99 118, RGB 120 119 119, RGB 101 138 121 and RGB 81 157 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 80 117 shade: RGB 158 80 159, RGB 159 80 139, RGB 159 80 118, RGB 159 80 97 and RGB 159 84 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 80 117 shade: RGB 104 52 76, RGB 131 66 97, RGB 159 80 117, RGB 178 102 138 and RGB 192 130 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 159 136 80 and RGB 80 150 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 118 159 80 and RGB 80 118 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 159 136 80, RGB 80 159 121 and RGB 80 102 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 80 117 shade: RGB 159 80 117, RGB 158 159 80, RGB 80 159 121 and RGB 81 80 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

Complementary color

CMYK 45 / 0 / 21 / 31

HEX #60AF8A

RGB 96 175 138

HSL 151.9, 0.33%, 0.53%

LAB 65.73, -33.05, 11.52

 

CMYK 0 / 51 / 32 / 36

HEX #A45070

RGB 164 80 112

HSL 337.14, 0.34%, 0.48%

LAB 45.36, 38.29, -2.06

 

CMYK 0 / 46 / 28 / 29

HEX #B56283

RGB 181 98 131

HSL 336.14, 0.36%, 0.55%

LAB 52.06, 37.42, -3.33

 

CMYK 0 / 41 / 24 / 22

HEX #C67496

RGB 198 116 150

HSL 335.12, 0.42%, 0.62%

LAB 58.69, 36.56, -4.41

 

CMYK 0 / 38 / 21 / 16

HEX #D786A9

RGB 215 134 169

HSL 334.07, 0.5%, 0.68%

LAB 65.25, 35.73, -5.35

 

CMYK 0 / 34 / 19 / 9

HEX #E898BC

RGB 232 152 188

HSL 333, 0.63%, 0.75%

LAB 71.72, 34.95, -6.18

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 56 / 31 / 44

HEX #8E3E62

RGB 142 62 98

HSL 333, 0.39%, 0.4%

LAB 37.98, 38.02, -4.66

 

CMYK 0 / 65 / 37 / 51

HEX #7D2C4F

RGB 125 44 79

HSL 334.07, 0.48%, 0.33%

LAB 31.17, 38.61, -2.88

 

CMYK 0 / 76 / 44 / 58

HEX #6C1A3C

RGB 108 26 60

HSL 335.12, 0.61%, 0.26%

LAB 24.49, 38.67, -0.38

 

CMYK 0 / 91 / 55 / 64

HEX #5B0829

RGB 91 8 41

HSL 336.14, 0.84%, 0.19%

LAB 18.18, 37.51, 3.34

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 50 / 40 / 38

HEX #9F5060

RGB 159 80 96

HSL 347.85, 0.33%, 0.47%

LAB 44.17, 34.44, 5.9

 

CMYK 0 / 50 / 50 / 38

HEX #9F5050

RGB 159 80 80

HSL 0, 0.33%, 0.47%

LAB 43.78, 32.69, 15.15

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 50 / 13 / 38

HEX #9F508A

RGB 159 80 138

HSL 315.95, 0.33%, 0.47%

LAB 45.56, 40.52, -17.6

 

CMYK 1 / 50 / 0 / 38

HEX #9E509F

RGB 158 80 159

HSL 299.24, 0.33%, 0.47%

LAB 46.32, 43.96, -28.98

 

CMYK 14 / 50 / 0 / 38

HEX #89509F

RGB 137 80 159

HSL 283.29, 0.33%, 0.47%

LAB 43.59, 37.74, -33.46

 

CMYK 27 / 50 / 0 / 38

HEX #74509F

RGB 116 80 159

HSL 267.34, 0.33%, 0.47%

LAB 41.14, 31.65, -37.49

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 66 / 35 / 30

HEX #B23C74

RGB 178 60 116

HSL 331.53, 0.5%, 0.47%

LAB 44.17, 52.79, -6.02

 

CMYK 0 / 79 / 42 / 22

HEX #C62972

RGB 198 41 114

HSL 332.1, 0.66%, 0.47%

LAB 45.37, 64.65, -2.62

 

CMYK 0 / 90 / 48 / 15

HEX #D91671

RGB 217 22 113

HSL 332, 0.82%, 0.47%

LAB 47.65, 73.07, 1.77

 

CMYK 0 / 99 / 53 / 7

HEX #EC0270

RGB 236 2 112

HSL 331.79, 0.98%, 0.47%

LAB 50.74, 79.17, 7.32

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 29 / 16 / 45

HEX #8C6376

RGB 140 99 118

HSL 332.2, 0.17%, 0.47%

LAB 46.72, 19.67, -4.04

 

CMYK 0 / 1 / 1 / 53

HEX #787777

RGB 120 119 119

HSL 0, 0%, 0.47%

LAB 50.12, 0.38, 0.13

 

CMYK 27 / 0 / 12 / 46

HEX #658A79

RGB 101 138 121

HSL 152.43, 0.15%, 0.47%

LAB 54.37, -16.68, 4.95

 

CMYK 48 / 0 / 22 / 38

HEX #519D7A

RGB 81 157 122

HSL 152.37, 0.32%, 0.47%

LAB 59.22, -32.07, 11.14

 

CMYK 1 / 50 / 0 / 38

HEX #9E509F

RGB 158 80 159

HSL 299.24, 0.33%, 0.47%

LAB 46.32, 43.96, -28.98

 

CMYK 0 / 50 / 13 / 38

HEX #9F508B

RGB 159 80 139

HSL 315.19, 0.33%, 0.47%

LAB 45.6, 40.69, -18.14

 

CMYK 0 / 50 / 26 / 38

HEX #9F5076

RGB 159 80 118

HSL 331.14, 0.33%, 0.47%

LAB 44.82, 37.37, -6.59

 

CMYK 0 / 50 / 39 / 38

HEX #9F5061

RGB 159 80 97

HSL 347.09, 0.33%, 0.47%

LAB 44.19, 34.56, 5.33

 

CMYK 0 / 47 / 50 / 38

HEX #9F5450

RGB 159 84 80

HSL 3.04, 0.33%, 0.47%

LAB 44.65, 30.51, 16.33

 

CMYK 0 / 50 / 27 / 59

HEX #68344C

RGB 104 52 76

HSL 332.31, 0.33%, 0.31%

LAB 29.21, 26.43, -4.2

 

CMYK 0 / 50 / 26 / 49

HEX #834261

RGB 131 66 97

HSL 331.38, 0.33%, 0.39%

LAB 37.09, 31.84, -5.54

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 43 / 22 / 30

HEX #B2668A

RGB 178 102 138

HSL 331.58, 0.33%, 0.55%

LAB 52.73, 35.23, -6.52

 

CMYK 0 / 32 / 17 / 25

HEX #C0829F

RGB 192 130 159

HSL 331.94, 0.33%, 0.63%

LAB 61.37, 28.19, -5.7

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 14 / 50 / 38

HEX #9F8850

RGB 159 136 80

HSL 42.53, 0.33%, 0.47%

LAB 57.62, 1.12, 33.13

 

CMYK 50 / 6 / 0 / 38

HEX #50969F

RGB 80 150 159

HSL 186.84, 0.33%, 0.47%

LAB 58.06, -19.49, -11.56

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 26 / 0 / 50 / 38

HEX #769F50

RGB 118 159 80

HSL 91.14, 0.33%, 0.47%

LAB 60.98, -28.03, 36.55

 

CMYK 50 / 26 / 0 / 38

HEX #50769F

RGB 80 118 159

HSL 211.14, 0.33%, 0.47%

LAB 48.47, -1.54, -26.2

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 0 / 14 / 50 / 38

HEX #9F8850

RGB 159 136 80

HSL 42.53, 0.33%, 0.47%

LAB 57.62, 1.12, 33.13

 

CMYK 50 / 0 / 24 / 38

HEX #509F79

RGB 80 159 121

HSL 151.14, 0.33%, 0.47%

LAB 59.78, -33.49, 12.49

 

CMYK 50 / 36 / 0 / 38

HEX #50669F

RGB 80 102 159

HSL 223.29, 0.33%, 0.47%

LAB 43.82, 8.21, -33.47

 

CMYK 0 / 50 / 26 / 38

HEX #9F5075

RGB 159 80 117

HSL 331.9, 0.33%, 0.47%

LAB 44.79, 37.23, -6.03

 

CMYK 1 / 0 / 50 / 38

HEX #9E9F50

RGB 158 159 80

HSL 60.76, 0.33%, 0.47%

LAB 63.87, -11.79, 40.72

 

CMYK 50 / 0 / 24 / 38

HEX #509F79

RGB 80 159 121

HSL 151.14, 0.33%, 0.47%

LAB 59.78, -33.49, 12.49

 

CMYK 49 / 50 / 0 / 38

HEX #51509F

RGB 81 80 159

HSL 240.76, 0.33%, 0.47%

LAB 37.82, 22.4, -42.98

 

Description

Color code: RGB 159 80 117 | qconv.com Color code: RGB 159 80 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 80 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 80 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 26 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 26% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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