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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 71 250 it is the complementary color RGB 96 184 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 71 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 71 250 shade: RGB 164 71 245, RGB 181 89 255, RGB 198 107 255, RGB 215 125 255 and RGB 232 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 71 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 142 53 231, RGB 125 35 212, RGB 108 17 193 and RGB 91 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 207 71 250, RGB 250 71 244, RGB 250 71 196 and RGB 250 71 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 110 71 250 and RGB 71 71 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 71 250 shade matches the following richer shades: RGB 159 71 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 159 86 235, RGB 159 101 219, RGB 159 116 204 and RGB 160 132 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 71 250 shade: RGB 71 79 250, RGB 109 71 250, RGB 157 71 250, RGB 205 71 250 and RGB 250 71 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 71 250 shade: RGB 117 5 232, RGB 138 30 249, RGB 159 71 250, RGB 180 111 251 and RGB 201 151 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 250 71 127 and RGB 71 250 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 250 157 71 and RGB 71 250 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 250 71 127, RGB 163 250 71 and RGB 71 250 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 71 250 shade: RGB 159 71 250, RGB 250 71 74, RGB 163 250 71 and RGB 71 250 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

Complementary color

CMYK 48 / 0 / 97 / 28

HEX #60B805

RGB 96 184 5

HSL 89.5, 0.95%, 0.37%

LAB 67.11, -51.28, 66.84

 

CMYK 33 / 71 / 0 / 4

HEX #A447F5

RGB 164 71 245

HSL 272.07, 0.9%, 0.62%

LAB 50.68, 67.69, -71.52

 

CMYK 29 / 65 / 0 / 0

HEX #B559FF

RGB 181 89 255

HSL 273.25, 1%, 0.67%

LAB 56.28, 65.27, -67.92

 

CMYK 22 / 58 / 0 / 0

HEX #C66BFF

RGB 198 107 255

HSL 276.89, 1%, 0.71%

LAB 61.43, 60.5, -59.53

 

CMYK 16 / 51 / 0 / 0

HEX #D77DFF

RGB 215 125 255

HSL 281.54, 1%, 0.75%

LAB 66.77, 55.81, -50.91

 

CMYK 9 / 44 / 0 / 0

HEX #E88FFF

RGB 232 143 255

HSL 287.68, 1%, 0.78%

LAB 72.24, 51.29, -42.19

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 39 / 77 / 0 / 9

HEX #8E35E7

RGB 142 53 231

HSL 270, 0.79%, 0.56%

LAB 44.33, 68.05, -74.1

 

CMYK 41 / 83 / 0 / 17

HEX #7D23D4

RGB 125 35 212

HSL 270.51, 0.72%, 0.48%

LAB 38.4, 67.5, -73.01

 

CMYK 44 / 91 / 0 / 24

HEX #6C11C1

RGB 108 17 193

HSL 271.02, 0.84%, 0.41%

LAB 32.79, 65.85, -71.25

 

CMYK 48 / 100 / 0 / 32

HEX #5B00AE

RGB 91 0 174

HSL 271.38, 1%, 0.34%

LAB 27.52, 62.94, -68.72

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 17 / 72 / 0 / 2

HEX #CF47FA

RGB 207 71 250

HSL 285.59, 0.95%, 0.63%

LAB 56.76, 76.79, -64.2

 

CMYK 0 / 72 / 2 / 2

HEX #FA47F4

RGB 250 71 244

HSL 302.01, 0.95%, 0.63%

LAB 62.81, 84.41, -50.82

 

CMYK 0 / 72 / 22 / 2

HEX #FA47C4

RGB 250 71 196

HSL 318.1, 0.95%, 0.63%

LAB 60.62, 77.74, -27.24

 

CMYK 0 / 72 / 41 / 2

HEX #FA4794

RGB 250 71 148

HSL 334.19, 0.95%, 0.63%

LAB 58.95, 72.41, -1.99

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 56 / 72 / 0 / 2

HEX #6E47FA

RGB 110 71 250

HSL 253.07, 0.95%, 0.63%

LAB 45.25, 60.3, -83.41

 

CMYK 72 / 72 / 0 / 2

HEX #4747FA

RGB 71 71 250

HSL 240, 0.95%, 0.63%

LAB 42.38, 55.85, -88.24

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 32 / 63 / 0 / 8

HEX #9F56EB

RGB 159 86 235

HSL 269.4, 0.79%, 0.63%

LAB 51.87, 57.55, -64.02

 

CMYK 27 / 54 / 0 / 14

HEX #9F65DB

RGB 159 101 219

HSL 269.49, 0.62%, 0.63%

LAB 53.81, 45.99, -51.89

 

CMYK 22 / 43 / 0 / 20

HEX #9F74CC

RGB 159 116 204

HSL 269.32, 0.46%, 0.63%

LAB 56.31, 34.13, -39.43

 

CMYK 15 / 30 / 0 / 26

HEX #A084BD

RGB 160 132 189

HSL 269.47, 0.3%, 0.63%

LAB 59.57, 21.86, -25.83

 

CMYK 72 / 68 / 0 / 2

HEX #474FFA

RGB 71 79 250

HSL 237.32, 0.95%, 0.63%

LAB 43.99, 51.4, -85.58

 

CMYK 56 / 72 / 0 / 2

HEX #6D47FA

RGB 109 71 250

HSL 252.74, 0.95%, 0.63%

LAB 45.16, 60.16, -83.56

 

CMYK 37 / 72 / 0 / 2

HEX #9D47FA

RGB 157 71 250

HSL 268.83, 0.95%, 0.63%

LAB 50.19, 67.59, -75.14

 

CMYK 18 / 72 / 0 / 2

HEX #CD47FA

RGB 205 71 250

HSL 284.92, 0.95%, 0.63%

LAB 56.47, 76.4, -64.66

 

CMYK 0 / 72 / 1 / 2

HEX #FA47F7

RGB 250 71 247

HSL 301.01, 0.95%, 0.63%

LAB 62.97, 84.86, -52.24

 

CMYK 50 / 98 / 0 / 9

HEX #7505E8

RGB 117 5 232

HSL 269.6, 0.96%, 0.46%

LAB 37.33, 76.92, -86.29

 

CMYK 45 / 88 / 0 / 2

HEX #8A1EF9

RGB 138 30 249

HSL 269.59, 0.95%, 0.55%

LAB 43.02, 78.47, -86.41

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 28 / 56 / 0 / 2

HEX #B46FFB

RGB 180 111 251

HSL 269.57, 0.95%, 0.71%

LAB 59.92, 53.34, -59.85

 

CMYK 20 / 40 / 0 / 1

HEX #C997FC

RGB 201 151 252

HSL 269.7, 0.94%, 0.79%

LAB 70.58, 37.64, -43.39

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 0 / 72 / 49 / 2

HEX #FA477F

RGB 250 71 127

HSL 341.23, 0.95%, 0.63%

LAB 58.38, 70.56, 9.53

 

CMYK 72 / 0 / 66 / 2

HEX #47FA55

RGB 71 250 85

HSL 124.69, 0.95%, 0.63%

LAB 87.18, -75.02, 63.91

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 0 / 37 / 72 / 2

HEX #FA9D47

RGB 250 157 71

HSL 28.83, 0.95%, 0.63%

LAB 72.82, 27.7, 57.64

 

CMYK 72 / 0 / 37 / 2

HEX #47FA9D

RGB 71 250 157

HSL 148.83, 0.95%, 0.63%

LAB 88.04, -64.99, 32

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 0 / 72 / 49 / 2

HEX #FA477F

RGB 250 71 127

HSL 341.23, 0.95%, 0.63%

LAB 58.38, 70.56, 9.53

 

CMYK 35 / 0 / 72 / 2

HEX #A3FA47

RGB 163 250 71

HSL 89.16, 0.95%, 0.63%

LAB 90.14, -52.74, 73.05

 

CMYK 72 / 0 / 23 / 2

HEX #47FAC1

RGB 71 250 193

HSL 160.89, 0.95%, 0.63%

LAB 88.71, -57.63, 14.59

 

CMYK 36 / 72 / 0 / 2

HEX #9F47FA

RGB 159 71 250

HSL 269.5, 0.95%, 0.63%

LAB 50.43, 67.93, -74.74

 

CMYK 0 / 72 / 70 / 2

HEX #FA474A

RGB 250 71 74

HSL 358.99, 0.95%, 0.63%

LAB 57.39, 67.24, 39.08

 

CMYK 35 / 0 / 72 / 2

HEX #A3FA47

RGB 163 250 71

HSL 89.16, 0.95%, 0.63%

LAB 90.14, -52.74, 73.05

 

CMYK 72 / 0 / 1 / 2

HEX #47FAF7

RGB 71 250 247

HSL 178.99, 0.95%, 0.63%

LAB 90.06, -44.12, -11.5

 

Description

Color code: RGB 159 71 250 | qconv.com Color code: RGB 159 71 250 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 71 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 71 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 72 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 72% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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