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Color name
RGB 159 67 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 67 18 it is the complementary color RGB 96 188 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 67 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 67 18 shade: RGB 164 67 13, RGB 181 85 32, RGB 198 103 51, RGB 215 121 70 and RGB 232 139 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 67 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 67 18 shade: RGB 159 67 18, RGB 142 49 0, RGB 125 31 0, RGB 108 13 0 and RGB 91 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 67 18 shade: RGB 160 67 17, RGB 160 28 17 and RGB 160 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 67 18 shade: RGB 160 67 17, RGB 160 105 17, RGB 160 144 17, RGB 138 160 17 and RGB 99 160 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 67 18 shade matches the following richer shades: RGB 160 67 17 and RGB 175 63 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 67 18 shade: RGB 160 67 17, RGB 146 71 32, RGB 131 76 46, RGB 117 80 61 and RGB 102 85 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 67 18 shade: RGB 160 17 46, RGB 160 27 17, RGB 160 65 17, RGB 160 103 17 and RGB 160 141 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 67 18 shade: RGB 86 36 9, RGB 123 51 13, RGB 160 67 17, RGB 197 83 21 and RGB 230 100 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 67 18 shade: RGB 159 67 18, RGB 84 160 17 and RGB 17 27 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 67 18 shade: RGB 159 67 18, RGB 17 160 65 and RGB 65 17 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 67 18 shade: RGB 159 67 18, RGB 84 160 17, RGB 17 113 160 and RGB 94 17 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 67 18 shade: RGB 159 67 18, RGB 41 160 17, RGB 17 113 160 and RGB 136 17 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

Complementary color

CMYK 59 / 21 / 0 / 7

HEX #60BCED

RGB 96 188 237

HSL 200.85, 0.8%, 0.65%

LAB 72.61, -13.28, -32.62

 

CMYK 0 / 59 / 92 / 36

HEX #A4430D

RGB 164 67 13

HSL 21.46, 0.85%, 0.35%

LAB 41.11, 37.67, 47.83

 

CMYK 0 / 53 / 82 / 29

HEX #B55520

RGB 181 85 32

HSL 21.34, 0.7%, 0.42%

LAB 47.53, 35.78, 46.88

 

CMYK 0 / 48 / 74 / 22

HEX #C66733

RGB 198 103 51

HSL 21.22, 0.59%, 0.49%

LAB 53.97, 33.99, 45.15

 

CMYK 0 / 44 / 67 / 16

HEX #D77946

RGB 215 121 70

HSL 21.1, 0.64%, 0.56%

LAB 60.39, 32.37, 43.28

 

CMYK 0 / 40 / 62 / 9

HEX #E88B59

RGB 232 139 89

HSL 20.98, 0.76%, 0.63%

LAB 66.78, 30.9, 41.47

 

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

CMYK 0 / 65 / 100 / 44

HEX #8E3100

RGB 142 49 0

HSL 20.7, 1%, 0.28%

LAB 33.87, 37.62, 45.7

 

CMYK 0 / 75 / 100 / 51

HEX #7D1F00

RGB 125 31 0

HSL 14.88, 1%, 0.25%

LAB 27.68, 39.17, 39.73

 

CMYK 0 / 88 / 100 / 58

HEX #6C0D00

RGB 108 13 0

HSL 7.22, 1%, 0.21%

LAB 21.86, 39.47, 32.86

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 58 / 89 / 37

HEX #A04311

RGB 160 67 17

HSL 20.98, 0.81%, 0.35%

LAB 40.46, 36.17, 45.64

 

CMYK 0 / 83 / 89 / 37

HEX #A01C11

RGB 160 28 17

HSL 4.62, 0.81%, 0.35%

LAB 34.69, 51.79, 41.11

 

CMYK 0 / 89 / 89 / 37

HEX #A01111

RGB 160 17 17

HSL 0, 0.81%, 0.35%

LAB 33.81, 54.31, 40.42

 

CMYK 0 / 58 / 89 / 37

HEX #A04311

RGB 160 67 17

HSL 20.98, 0.81%, 0.35%

LAB 40.46, 36.17, 45.64

 

CMYK 0 / 34 / 89 / 37

HEX #A06911

RGB 160 105 17

HSL 36.92, 0.81%, 0.35%

LAB 49.03, 15.35, 52.42

 

CMYK 0 / 10 / 89 / 37

HEX #A09011

RGB 160 144 17

HSL 53.29, 0.81%, 0.35%

LAB 59.4, -6.47, 60.67

 

CMYK 14 / 0 / 89 / 37

HEX #8AA011

RGB 138 160 17

HSL 69.23, 0.81%, 0.35%

LAB 62.16, -24.61, 62.13

 

CMYK 38 / 0 / 89 / 37

HEX #63A011

RGB 99 160 17

HSL 85.59, 0.81%, 0.35%

LAB 59.74, -40.3, 59.14

 

CMYK 0 / 58 / 89 / 37

HEX #A04311

RGB 160 67 17

HSL 20.98, 0.81%, 0.35%

LAB 40.46, 36.17, 45.64

 

CMYK 0 / 64 / 98 / 31

HEX #AF3F03

RGB 175 63 3

HSL 20.93, 0.97%, 0.35%

LAB 42.27, 43.6, 52.45

 

CMYK 0 / 58 / 89 / 37

HEX #A04311

RGB 160 67 17

HSL 20.98, 0.81%, 0.35%

LAB 40.46, 36.17, 45.64

 

CMYK 0 / 51 / 78 / 43

HEX #924720

RGB 146 71 32

HSL 20.53, 0.64%, 0.35%

LAB 39.11, 28.82, 36.85

 

CMYK 0 / 42 / 65 / 49

HEX #834C2E

RGB 131 76 46

HSL 21.18, 0.48%, 0.35%

LAB 38.18, 20.29, 27.51

 

CMYK 0 / 32 / 48 / 54

HEX #75503D

RGB 117 80 61

HSL 20.36, 0.31%, 0.35%

LAB 37.58, 13.05, 17.41

 

CMYK 0 / 17 / 26 / 60

HEX #66554B

RGB 102 85 75

HSL 22.22, 0.15%, 0.35%

LAB 37.54, 5.27, 8.44

 

CMYK 0 / 89 / 71 / 37

HEX #A0112E

RGB 160 17 46

HSL 347.83, 0.81%, 0.35%

LAB 34.13, 55.26, 23.81

 

CMYK 0 / 83 / 89 / 37

HEX #A01B11

RGB 160 27 17

HSL 4.2, 0.81%, 0.35%

LAB 34.6, 52.06, 41.04

 

CMYK 0 / 59 / 89 / 37

HEX #A04111

RGB 160 65 17

HSL 20.14, 0.81%, 0.35%

LAB 40.07, 37.17, 45.34

 

CMYK 0 / 36 / 89 / 37

HEX #A06711

RGB 160 103 17

HSL 36.08, 0.81%, 0.35%

LAB 48.53, 16.49, 52.03

 

CMYK 0 / 12 / 89 / 37

HEX #A08D11

RGB 160 141 17

HSL 52.03, 0.81%, 0.35%

LAB 58.57, -4.85, 60.01

 

CMYK 0 / 58 / 90 / 66

HEX #562409

RGB 86 36 9

HSL 21.04, 0.81%, 0.19%

LAB 21.06, 21.4, 27.01

 

CMYK 0 / 59 / 89 / 52

HEX #7B330D

RGB 123 51 13

HSL 20.73, 0.81%, 0.27%

LAB 30.9, 29.29, 36.86

 

CMYK 0 / 58 / 89 / 37

HEX #A04311

RGB 160 67 17

HSL 20.98, 0.81%, 0.35%

LAB 40.46, 36.17, 45.64

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 0 / 57 / 87 / 10

HEX #E6641E

RGB 230 100 30

HSL 21, 0.8%, 0.51%

LAB 58.07, 47.22, 59.7

 

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

CMYK 48 / 0 / 89 / 37

HEX #54A011

RGB 84 160 17

HSL 91.89, 0.81%, 0.35%

LAB 59.04, -45.48, 58.26

 

CMYK 89 / 83 / 0 / 37

HEX #111BA0

RGB 17 27 160

HSL 235.8, 0.81%, 0.35%

LAB 21.73, 46.64, -70.04

 

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

CMYK 89 / 0 / 59 / 37

HEX #11A041

RGB 17 160 65

HSL 140.14, 0.81%, 0.35%

LAB 57.7, -55.14, 39.22

 

CMYK 59 / 89 / 0 / 37

HEX #4111A0

RGB 65 17 160

HSL 260.14, 0.81%, 0.35%

LAB 23.88, 53.67, -66.37

 

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

CMYK 48 / 0 / 89 / 37

HEX #54A011

RGB 84 160 17

HSL 91.89, 0.81%, 0.35%

LAB 59.04, -45.48, 58.26

 

CMYK 89 / 29 / 0 / 37

HEX #1171A0

RGB 17 113 160

HSL 199.72, 0.81%, 0.35%

LAB 44.9, -8.34, -32.52

 

CMYK 41 / 89 / 0 / 37

HEX #5E11A0

RGB 94 17 160

HSL 272.31, 0.81%, 0.35%

LAB 27.62, 56.82, -60.07

 

CMYK 0 / 58 / 89 / 38

HEX #9F4312

RGB 159 67 18

HSL 20.85, 0.8%, 0.35%

LAB 40.29, 35.8, 45.06

 

CMYK 74 / 0 / 89 / 37

HEX #29A011

RGB 41 160 17

HSL 109.93, 0.81%, 0.35%

LAB 57.71, -56.27, 56.6

 

CMYK 89 / 29 / 0 / 37

HEX #1171A0

RGB 17 113 160

HSL 199.72, 0.81%, 0.35%

LAB 44.9, -8.34, -32.52

 

CMYK 15 / 89 / 0 / 37

HEX #8811A0

RGB 136 17 160

HSL 289.93, 0.81%, 0.35%

LAB 34.34, 63.05, -48.83

 

Description

Color code: RGB 159 67 18 | qconv.com Color code: RGB 159 67 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 67 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 67 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 89 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 89% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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