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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 58 86 it is the complementary color RGB 96 197 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 58 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 58 86 shade: RGB 164 58 81, RGB 181 76 100, RGB 198 94 119, RGB 215 112 138 and RGB 232 130 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 58 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 58 86 shade: RGB 159 58 86, RGB 142 40 67, RGB 125 22 48, RGB 108 4 29 and RGB 91 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 58 86 shade: RGB 161 58 86, RGB 161 58 58 and RGB 161 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 58 86 shade: RGB 161 58 86, RGB 161 58 114, RGB 161 58 142, RGB 152 58 161 and RGB 124 58 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 58 86 shade matches the following richer shades: RGB 161 58 86, RGB 178 40 78, RGB 196 22 70 and RGB 214 4 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 58 86 shade: RGB 161 58 86, RGB 143 75 94, RGB 125 93 102, RGB 107 111 110 and RGB 90 129 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 58 86 shade: RGB 161 58 142, RGB 161 58 114, RGB 161 58 87, RGB 161 58 59 and RGB 161 83 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 58 86 shade: RGB 100 36 54, RGB 130 47 70, RGB 161 58 86, RGB 188 71 104 and RGB 199 101 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 58 86 shade: RGB 159 58 86, RGB 161 152 58 and RGB 58 128 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 58 86 shade: RGB 159 58 86, RGB 87 161 58 and RGB 58 87 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 58 86 shade: RGB 159 58 86, RGB 161 152 58, RGB 58 161 131 and RGB 58 66 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 58 86 shade: RGB 159 58 86, RGB 138 161 58, RGB 58 161 131 and RGB 80 58 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

Complementary color

CMYK 51 / 0 / 14 / 23

HEX #60C5A9

RGB 96 197 169

HSL 163.37, 0.47%, 0.57%

LAB 73.08, -36.3, 5.06

 

CMYK 0 / 65 / 51 / 36

HEX #A43A51

RGB 164 58 81

HSL 346.98, 0.48%, 0.44%

LAB 40.43, 45.52, 10.04

 

CMYK 0 / 58 / 45 / 29

HEX #B54C64

RGB 181 76 100

HSL 346.29, 0.42%, 0.5%

LAB 46.86, 44.82, 7.76

 

CMYK 0 / 53 / 40 / 22

HEX #C65E77

RGB 198 94 119

HSL 345.58, 0.48%, 0.57%

LAB 53.32, 43.96, 5.91

 

CMYK 0 / 48 / 36 / 16

HEX #D7708A

RGB 215 112 138

HSL 344.85, 0.56%, 0.64%

LAB 59.77, 43.05, 4.37

 

CMYK 0 / 44 / 32 / 9

HEX #E8829D

RGB 232 130 157

HSL 344.12, 0.69%, 0.71%

LAB 66.18, 42.14, 3.05

 

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

CMYK 0 / 72 / 53 / 44

HEX #8E2843

RGB 142 40 67

HSL 344.12, 0.56%, 0.36%

LAB 33.29, 44.66, 8.42

 

CMYK 0 / 82 / 62 / 51

HEX #7D1630

RGB 125 22 48

HSL 344.85, 0.7%, 0.29%

LAB 27.15, 44.23, 12.04

 

CMYK 0 / 96 / 73 / 58

HEX #6C041D

RGB 108 4 29

HSL 345.58, 0.93%, 0.22%

LAB 21.45, 42.54, 16.92

 

CMYK 0 / 100 / 89 / 64

HEX #5B000A

RGB 91 0 10

HSL 353.41, 1%, 0.18%

LAB 16.73, 38.04, 21.83

 

CMYK 0 / 64 / 47 / 37

HEX #A13A56

RGB 161 58 86

HSL 343.69, 0.47%, 0.43%

LAB 40.04, 45, 6.27

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 0 / 64 / 47 / 37

HEX #A13A56

RGB 161 58 86

HSL 343.69, 0.47%, 0.43%

LAB 40.04, 45, 6.27

 

CMYK 0 / 64 / 29 / 37

HEX #A13A72

RGB 161 58 114

HSL 327.38, 0.47%, 0.43%

LAB 40.93, 48.25, -9.94

 

CMYK 0 / 64 / 12 / 37

HEX #A13A8E

RGB 161 58 142

HSL 311.07, 0.47%, 0.43%

LAB 42.09, 52.35, -25.35

 

CMYK 6 / 64 / 0 / 37

HEX #983AA1

RGB 152 58 161

HSL 294.76, 0.47%, 0.43%

LAB 41.65, 53.28, -37.59

 

CMYK 23 / 64 / 0 / 37

HEX #7C3AA1

RGB 124 58 161

HSL 278.45, 0.47%, 0.43%

LAB 37.63, 46.37, -44.23

 

CMYK 0 / 64 / 47 / 37

HEX #A13A56

RGB 161 58 86

HSL 343.69, 0.47%, 0.43%

LAB 40.04, 45, 6.27

 

CMYK 0 / 78 / 56 / 30

HEX #B2284E

RGB 178 40 78

HSL 343.48, 0.63%, 0.43%

LAB 40.46, 56.45, 12.37

 

CMYK 0 / 89 / 64 / 23

HEX #C41646

RGB 196 22 70

HSL 343.45, 0.8%, 0.43%

LAB 42.39, 65.05, 20.61

 

CMYK 0 / 98 / 71 / 16

HEX #D6043E

RGB 214 4 62

HSL 343.43, 0.96%, 0.43%

LAB 45.26, 71.16, 29.98

 

CMYK 0 / 64 / 47 / 37

HEX #A13A56

RGB 161 58 86

HSL 343.69, 0.47%, 0.43%

LAB 40.04, 45, 6.27

 

CMYK 0 / 48 / 34 / 44

HEX #8F4B5E

RGB 143 75 94

HSL 343.24, 0.31%, 0.43%

LAB 40.7, 30.88, 1.85

 

CMYK 0 / 26 / 18 / 51

HEX #7D5D66

RGB 125 93 102

HSL 343.13, 0.15%, 0.43%

LAB 42.99, 14.57, -0.03

 

CMYK 4 / 0 / 1 / 56

HEX #6B6F6E

RGB 107 111 110

HSL 165, 0.02%, 0.43%

LAB 46.47, -1.73, 0.02

 

CMYK 30 / 0 / 9 / 49

HEX #5A8176

RGB 90 129 118

HSL 163.08, 0.18%, 0.43%

LAB 50.9, -16.15, 1.59

 

CMYK 0 / 64 / 12 / 37

HEX #A13A8E

RGB 161 58 142

HSL 311.07, 0.47%, 0.43%

LAB 42.09, 52.35, -25.35

 

CMYK 0 / 64 / 29 / 37

HEX #A13A72

RGB 161 58 114

HSL 327.38, 0.47%, 0.43%

LAB 40.93, 48.25, -9.94

 

CMYK 0 / 64 / 46 / 37

HEX #A13A57

RGB 161 58 87

HSL 343.11, 0.47%, 0.43%

LAB 40.07, 45.1, 5.68

 

CMYK 0 / 64 / 63 / 37

HEX #A13A3B

RGB 161 58 59

HSL 359.42, 0.47%, 0.43%

LAB 39.44, 42.73, 22.34

 

CMYK 0 / 48 / 64 / 37

HEX #A1533A

RGB 161 83 58

HSL 14.56, 0.47%, 0.43%

LAB 44.33, 30, 29.03

 

CMYK 0 / 64 / 46 / 61

HEX #642436

RGB 100 36 54

HSL 343.13, 0.47%, 0.27%

LAB 24.44, 30.7, 3.45

 

CMYK 0 / 64 / 46 / 49

HEX #822F46

RGB 130 47 70

HSL 343.37, 0.47%, 0.35%

LAB 32.3, 37.85, 4.76

 

CMYK 0 / 64 / 47 / 37

HEX #A13A56

RGB 161 58 86

HSL 343.69, 0.47%, 0.43%

LAB 40.04, 45, 6.27

 

CMYK 0 / 62 / 45 / 26

HEX #BC4768

RGB 188 71 104

HSL 343.08, 0.47%, 0.51%

LAB 47.23, 49.89, 6

 

CMYK 0 / 49 / 35 / 22

HEX #C76581

RGB 199 101 129

HSL 342.86, 0.47%, 0.59%

LAB 55.11, 41.95, 2.6

 

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

CMYK 0 / 6 / 64 / 37

HEX #A1983A

RGB 161 152 58

HSL 54.76, 0.47%, 0.43%

LAB 61.95, -8.55, 49.07

 

CMYK 64 / 20 / 0 / 37

HEX #3A80A1

RGB 58 128 161

HSL 199.22, 0.47%, 0.43%

LAB 50.58, -11.51, -24.17

 

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

CMYK 46 / 0 / 64 / 37

HEX #57A13A

RGB 87 161 58

HSL 103.11, 0.47%, 0.43%

LAB 59.73, -42.29, 45.24

 

CMYK 64 / 46 / 0 / 37

HEX #3A57A1

RGB 58 87 161

HSL 223.11, 0.47%, 0.43%

LAB 38.36, 13.62, -43.41

 

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

CMYK 0 / 6 / 64 / 37

HEX #A1983A

RGB 161 152 58

HSL 54.76, 0.47%, 0.43%

LAB 61.95, -8.55, 49.07

 

CMYK 64 / 0 / 19 / 37

HEX #3AA183

RGB 58 161 131

HSL 162.52, 0.47%, 0.43%

LAB 59.91, -37, 6.96

 

CMYK 64 / 59 / 0 / 37

HEX #3A42A1

RGB 58 66 161

HSL 235.34, 0.47%, 0.43%

LAB 32.63, 27.41, -52.64

 

CMYK 0 / 64 / 46 / 38

HEX #9F3A56

RGB 159 58 86

HSL 343.37, 0.47%, 0.43%

LAB 39.7, 44.33, 5.74

 

CMYK 14 / 0 / 64 / 37

HEX #8AA13A

RGB 138 161 58

HSL 73.4, 0.47%, 0.43%

LAB 62.67, -23.13, 49.3

 

CMYK 64 / 0 / 19 / 37

HEX #3AA183

RGB 58 161 131

HSL 162.52, 0.47%, 0.43%

LAB 59.91, -37, 6.96

 

CMYK 50 / 64 / 0 / 37

HEX #503AA1

RGB 80 58 161

HSL 252.82, 0.47%, 0.43%

LAB 32.49, 36.51, -52.79

 

Description

Color code: RGB 159 58 86 | qconv.com Color code: RGB 159 58 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 58 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 58 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 46 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 46% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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