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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 35 219 it is the complementary color RGB 96 220 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 35 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 35 219 shade: RGB 164 35 214, RGB 181 53 233, RGB 198 71 252, RGB 215 89 255 and RGB 232 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 35 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 142 17 200, RGB 125 0 181, RGB 108 0 162 and RGB 91 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 208 35 219, RGB 219 35 180, RGB 219 35 130 and RGB 219 35 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 109 35 219, RGB 60 35 219 and RGB 35 35 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 35 219 shade matches the following richer shades: RGB 159 35 219 and RGB 166 15 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 152 56 198, RGB 145 76 178, RGB 137 97 157 and RGB 130 118 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 35 219 shade: RGB 60 35 219, RGB 109 35 219, RGB 158 35 219, RGB 207 35 219 and RGB 219 35 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 35 219 shade: RGB 107 24 148, RGB 133 29 183, RGB 159 35 219, RGB 174 71 225 and RGB 190 106 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 219 35 60 and RGB 35 219 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 219 158 35 and RGB 35 219 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 219 35 60, RGB 96 219 35 and RGB 35 219 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 35 219 shade: RGB 159 35 219, RGB 219 66 35, RGB 96 219 35 and RGB 35 188 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

Complementary color

CMYK 56 / 0 / 84 / 14

HEX #60DC24

RGB 96 220 36

HSL 100.43, 0.72%, 0.5%

LAB 78.35, -63.47, 71.14

 

CMYK 23 / 84 / 0 / 16

HEX #A423D6

RGB 164 35 214

HSL 283.24, 0.72%, 0.49%

LAB 44.16, 73.57, -64.53

 

CMYK 22 / 77 / 0 / 9

HEX #B535E9

RGB 181 53 233

HSL 282.67, 0.8%, 0.56%

LAB 49.8, 74.88, -66.09

 

CMYK 21 / 72 / 0 / 1

HEX #C647FC

RGB 198 71 252

HSL 282.1, 0.97%, 0.63%

LAB 55.62, 75.44, -67.19

 

CMYK 16 / 65 / 0 / 0

HEX #D759FF

RGB 215 89 255

HSL 285.54, 1%, 0.67%

LAB 60.62, 72.44, -60.71

 

CMYK 9 / 58 / 0 / 0

HEX #E86BFF

RGB 232 107 255

HSL 290.68, 1%, 0.71%

LAB 65.66, 68.63, -52.54

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 29 / 92 / 0 / 22

HEX #8E11C8

RGB 142 17 200

HSL 280.98, 0.84%, 0.43%

LAB 38.41, 71.43, -65.93

 

CMYK 31 / 100 / 0 / 29

HEX #7D00B5

RGB 125 0 181

HSL 281.44, 1%, 0.35%

LAB 33.34, 67.91, -63.14

 

CMYK 33 / 100 / 0 / 36

HEX #6C00A2

RGB 108 0 162

HSL 280, 1%, 0.32%

LAB 28.89, 62.15, -59.12

 

CMYK 36 / 100 / 0 / 44

HEX #5B008F

RGB 91 0 143

HSL 278.18, 1%, 0.28%

LAB 24.35, 56.27, -55.01

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 5 / 84 / 0 / 14

HEX #D023DB

RGB 208 35 219

HSL 296.41, 0.72%, 0.5%

LAB 51.53, 81.75, -55.15

 

CMYK 0 / 84 / 18 / 14

HEX #DB23B4

RGB 219 35 180

HSL 312.72, 0.72%, 0.5%

LAB 51.33, 78.28, -32.83

 

CMYK 0 / 84 / 41 / 14

HEX #DB2382

RGB 219 35 130

HSL 329.02, 0.72%, 0.5%

LAB 49.34, 72.74, -6.08

 

CMYK 0 / 84 / 63 / 14

HEX #DB2351

RGB 219 35 81

HSL 345, 0.72%, 0.5%

LAB 48.08, 69.08, 22.12

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 50 / 84 / 0 / 14

HEX #6D23DB

RGB 109 35 219

HSL 264.13, 0.72%, 0.5%

LAB 37.06, 67.18, -79.33

 

CMYK 73 / 84 / 0 / 14

HEX #3C23DB

RGB 60 35 219

HSL 248.15, 0.72%, 0.5%

LAB 32.43, 62.95, -87.13

 

CMYK 84 / 84 / 0 / 14

HEX #2323DB

RGB 35 35 219

HSL 240, 0.72%, 0.5%

LAB 31.05, 61.75, -89.46

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 31 / 94 / 0 / 6

HEX #A60FEF

RGB 166 15 239

HSL 280.45, 0.88%, 0.5%

LAB 45.19, 82.16, -77.07

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 23 / 72 / 0 / 22

HEX #9838C6

RGB 152 56 198

HSL 280.56, 0.56%, 0.5%

LAB 43.63, 61.44, -56.24

 

CMYK 19 / 57 / 0 / 30

HEX #914CB2

RGB 145 76 178

HSL 280.59, 0.4%, 0.5%

LAB 44.81, 46.28, -42.72

 

CMYK 13 / 38 / 0 / 38

HEX #89619D

RGB 137 97 157

HSL 280, 0.24%, 0.5%

LAB 47.37, 27.57, -26.37

 

CMYK 4 / 13 / 0 / 47

HEX #827688

RGB 130 118 136

HSL 280, 0.07%, 0.5%

LAB 51.24, 8.18, -8.13

 

CMYK 73 / 84 / 0 / 14

HEX #3C23DB

RGB 60 35 219

HSL 248.15, 0.72%, 0.5%

LAB 32.43, 62.95, -87.13

 

CMYK 50 / 84 / 0 / 14

HEX #6D23DB

RGB 109 35 219

HSL 264.13, 0.72%, 0.5%

LAB 37.06, 67.18, -79.33

 

CMYK 28 / 84 / 0 / 14

HEX #9E23DB

RGB 158 35 219

HSL 280.11, 0.72%, 0.5%

LAB 43.63, 73.61, -68.3

 

CMYK 5 / 84 / 0 / 14

HEX #CF23DB

RGB 207 35 219

HSL 296.09, 0.72%, 0.5%

LAB 51.36, 81.57, -55.43

 

CMYK 0 / 84 / 17 / 14

HEX #DB23B6

RGB 219 35 182

HSL 312.07, 0.72%, 0.5%

LAB 51.43, 78.54, -33.85

 

CMYK 28 / 84 / 0 / 42

HEX #6B1894

RGB 107 24 148

HSL 280.16, 0.72%, 0.34%

LAB 29.2, 54.14, -50.06

 

CMYK 27 / 84 / 0 / 28

HEX #851DB7

RGB 133 29 183

HSL 280.52, 0.73%, 0.42%

LAB 36.53, 64.19, -59.08

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 23 / 68 / 0 / 12

HEX #AE47E1

RGB 174 71 225

HSL 280.13, 0.72%, 0.58%

LAB 50.62, 65.33, -60.29

 

CMYK 17 / 54 / 0 / 10

HEX #BE6AE6

RGB 190 106 230

HSL 280.65, 0.71%, 0.66%

LAB 58.95, 53.74, -49.68

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 0 / 84 / 73 / 14

HEX #DB233C

RGB 219 35 60

HSL 351.85, 0.72%, 0.5%

LAB 47.74, 68.07, 34.37

 

CMYK 84 / 0 / 62 / 14

HEX #23DB54

RGB 35 219 84

HSL 135.98, 0.72%, 0.5%

LAB 77.08, -70, 52.99

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 0 / 28 / 84 / 14

HEX #DB9E23

RGB 219 158 35

HSL 40.11, 0.72%, 0.5%

LAB 69.21, 12.78, 66.64

 

CMYK 84 / 0 / 28 / 14

HEX #23DB9E

RGB 35 219 158

HSL 160.11, 0.72%, 0.5%

LAB 78.16, -57.33, 17.96

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 0 / 84 / 73 / 14

HEX #DB233C

RGB 219 35 60

HSL 351.85, 0.72%, 0.5%

LAB 47.74, 68.07, 34.37

 

CMYK 56 / 0 / 84 / 14

HEX #60DB23

RGB 96 219 35

HSL 100.11, 0.72%, 0.5%

LAB 78.03, -63.16, 71.1

 

CMYK 84 / 0 / 11 / 14

HEX #23DBC2

RGB 35 219 194

HSL 171.85, 0.72%, 0.5%

LAB 78.99, -48.49, 0.04

 

CMYK 27 / 84 / 0 / 14

HEX #9F23DB

RGB 159 35 219

HSL 280.43, 0.72%, 0.5%

LAB 43.78, 73.76, -68.05

 

CMYK 0 / 70 / 84 / 14

HEX #DB4223

RGB 219 66 35

HSL 10.11, 0.72%, 0.5%

LAB 50.78, 58.05, 50.86

 

CMYK 56 / 0 / 84 / 14

HEX #60DB23

RGB 96 219 35

HSL 100.11, 0.72%, 0.5%

LAB 78.03, -63.16, 71.1

 

CMYK 84 / 14 / 0 / 14

HEX #23BCDB

RGB 35 188 219

HSL 190.11, 0.72%, 0.5%

LAB 70.48, -26.89, -26.22

 

Description

Color code: RGB 159 35 219 | qconv.com Color code: RGB 159 35 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 35 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 35 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 84 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 84% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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