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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 34 141 it is the complementary color RGB 96 221 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 34 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 34 141 shade: RGB 164 34 136, RGB 181 52 155, RGB 198 70 174, RGB 215 88 193 and RGB 232 106 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 34 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 34 141 shade: RGB 159 34 141, RGB 142 16 122, RGB 125 0 103, RGB 108 0 84 and RGB 91 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 34 141 shade: RGB 159 33 141, RGB 159 33 107, RGB 159 33 73, RGB 159 33 39 and RGB 159 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 34 141 shade: RGB 159 33 141, RGB 144 33 159, RGB 110 33 159, RGB 76 33 159 and RGB 42 33 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 34 141 shade matches the following richer shades: RGB 159 33 141, RGB 175 18 152 and RGB 191 2 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 34 141 shade: RGB 159 33 141, RGB 144 49 130, RGB 128 65 119, RGB 112 80 108 and RGB 97 96 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 34 141 shade: RGB 109 33 159, RGB 143 33 159, RGB 159 33 143, RGB 159 33 109 and RGB 159 33 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 34 141 shade: RGB 91 19 81, RGB 125 26 111, RGB 159 33 141, RGB 193 41 171 and RGB 214 62 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 34 141 shade: RGB 159 34 141, RGB 159 75 33 and RGB 33 159 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 34 141 shade: RGB 159 34 141, RGB 143 159 33 and RGB 33 143 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 34 141 shade: RGB 159 34 141, RGB 159 75 33, RGB 33 159 50 and RGB 33 117 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 34 141 shade: RGB 159 34 141, RGB 159 113 33, RGB 33 159 50 and RGB 33 80 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

Complementary color

CMYK 57 / 0 / 48 / 13

HEX #60DD72

RGB 96 221 114

HSL 128.64, 0.65%, 0.62%

LAB 79.28, -56.74, 42.07

 

CMYK 0 / 79 / 17 / 36

HEX #A42288

RGB 164 34 136

HSL 312.92, 0.66%, 0.39%

LAB 39.27, 60.79, -26.04

 

CMYK 0 / 71 / 14 / 29

HEX #B5349B

RGB 181 52 155

HSL 312.09, 0.55%, 0.46%

LAB 45.15, 61.85, -28.18

 

CMYK 0 / 65 / 12 / 22

HEX #C646AE

RGB 198 70 174

HSL 311.25, 0.53%, 0.53%

LAB 51.2, 62.19, -29.78

 

CMYK 0 / 59 / 10 / 16

HEX #D758C1

RGB 215 88 193

HSL 310.39, 0.61%, 0.59%

LAB 57.34, 62.08, -31.03

 

CMYK 0 / 54 / 9 / 9

HEX #E86AD4

RGB 232 106 212

HSL 309.52, 0.73%, 0.66%

LAB 63.52, 61.71, -32.03

 

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

CMYK 0 / 89 / 14 / 44

HEX #8E107A

RGB 142 16 122

HSL 309.52, 0.8%, 0.31%

LAB 32.98, 58.21, -27.48

 

CMYK 0 / 100 / 18 / 51

HEX #7D0067

RGB 125 0 103

HSL 310.56, 1%, 0.25%

LAB 27.68, 54.69, -23.89

 

CMYK 0 / 100 / 22 / 58

HEX #6C0054

RGB 108 0 84

HSL 313.33, 1%, 0.21%

LAB 23.1, 48.62, -18.79

 

CMYK 0 / 100 / 29 / 64

HEX #5B0041

RGB 91 0 65

HSL 317.14, 1%, 0.18%

LAB 18.39, 42.41, -13.39

 

CMYK 0 / 79 / 11 / 38

HEX #9F218D

RGB 159 33 141

HSL 308.57, 0.66%, 0.38%

LAB 38.52, 60.65, -30.35

 

CMYK 0 / 79 / 33 / 38

HEX #9F216B

RGB 159 33 107

HSL 324.76, 0.66%, 0.38%

LAB 36.97, 56.12, -11.57

 

CMYK 0 / 79 / 54 / 38

HEX #9F2149

RGB 159 33 73

HSL 340.95, 0.66%, 0.38%

LAB 35.87, 52.76, 8.61

 

CMYK 0 / 79 / 75 / 38

HEX #9F2127

RGB 159 33 39

HSL 357.14, 0.66%, 0.38%

LAB 35.21, 50.7, 29.41

 

CMYK 0 / 79 / 79 / 38

HEX #9F2121

RGB 159 33 33

HSL 0, 0.66%, 0.38%

LAB 35.14, 50.47, 32.92

 

CMYK 0 / 79 / 11 / 38

HEX #9F218D

RGB 159 33 141

HSL 308.57, 0.66%, 0.38%

LAB 38.52, 60.65, -30.35

 

CMYK 9 / 79 / 0 / 38

HEX #90219F

RGB 144 33 159

HSL 292.86, 0.66%, 0.38%

LAB 36.97, 60.43, -43.93

 

CMYK 31 / 79 / 0 / 38

HEX #6E219F

RGB 110 33 159

HSL 276.67, 0.66%, 0.38%

LAB 31.59, 54, -52.88

 

CMYK 52 / 79 / 0 / 38

HEX #4C219F

RGB 76 33 159

HSL 260.48, 0.66%, 0.38%

LAB 27.09, 48.56, -60.41

 

CMYK 74 / 79 / 0 / 38

HEX #2A219F

RGB 42 33 159

HSL 244.29, 0.66%, 0.38%

LAB 23.94, 44.7, -65.72

 

CMYK 0 / 79 / 11 / 38

HEX #9F218D

RGB 159 33 141

HSL 308.57, 0.66%, 0.38%

LAB 38.52, 60.65, -30.35

 

CMYK 0 / 90 / 13 / 31

HEX #AF1298

RGB 175 18 152

HSL 308.79, 0.81%, 0.38%

LAB 40.92, 68.76, -33.07

 

CMYK 0 / 99 / 14 / 25

HEX #BF02A4

RGB 191 2 164

HSL 308.57, 0.98%, 0.38%

LAB 43.94, 75.13, -35.32

 

CMYK 0 / 79 / 11 / 38

HEX #9F218D

RGB 159 33 141

HSL 308.57, 0.66%, 0.38%

LAB 38.52, 60.65, -30.35

 

CMYK 0 / 66 / 10 / 44

HEX #903182

RGB 144 49 130

HSL 308.84, 0.49%, 0.38%

LAB 37.37, 49.62, -25.56

 

CMYK 0 / 49 / 7 / 50

HEX #804177

RGB 128 65 119

HSL 308.57, 0.33%, 0.38%

LAB 37.3, 35.08, -19.04

 

CMYK 0 / 29 / 4 / 56

HEX #70506C

RGB 112 80 108

HSL 307.5, 0.17%, 0.38%

LAB 38.31, 18.5, -10.84

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 31 / 79 / 0 / 38

HEX #6D219F

RGB 109 33 159

HSL 276.19, 0.66%, 0.38%

LAB 31.44, 53.83, -53.12

 

CMYK 10 / 79 / 0 / 38

HEX #8F219F

RGB 143 33 159

HSL 292.38, 0.66%, 0.38%

LAB 36.8, 60.23, -44.2

 

CMYK 0 / 79 / 10 / 38

HEX #9F218F

RGB 159 33 143

HSL 307.62, 0.66%, 0.38%

LAB 38.62, 60.95, -31.41

 

CMYK 0 / 79 / 31 / 38

HEX #9F216D

RGB 159 33 109

HSL 323.81, 0.66%, 0.38%

LAB 37.05, 56.35, -12.71

 

CMYK 0 / 79 / 53 / 38

HEX #9F214B

RGB 159 33 75

HSL 340, 0.66%, 0.38%

LAB 35.92, 52.93, 7.39

 

CMYK 0 / 79 / 11 / 64

HEX #5B1351

RGB 91 19 81

HSL 308.33, 0.65%, 0.22%

LAB 21.15, 39.33, -20.07

 

CMYK 0 / 79 / 11 / 51

HEX #7D1A6F

RGB 125 26 111

HSL 308.48, 0.66%, 0.3%

LAB 30.03, 50.31, -25.36

 

CMYK 0 / 79 / 11 / 38

HEX #9F218D

RGB 159 33 141

HSL 308.57, 0.66%, 0.38%

LAB 38.52, 60.65, -30.35

 

CMYK 0 / 79 / 11 / 24

HEX #C129AB

RGB 193 41 171

HSL 308.68, 0.65%, 0.46%

LAB 46.8, 70.28, -34.97

 

CMYK 0 / 71 / 10 / 16

HEX #D63EC0

RGB 214 62 192

HSL 308.68, 0.65%, 0.54%

LAB 53.54, 71.69, -36.4

 

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

CMYK 0 / 53 / 79 / 38

HEX #9F4B21

RGB 159 75 33

HSL 20, 0.66%, 0.38%

LAB 42.02, 32.12, 39.94

 

CMYK 79 / 0 / 21 / 38

HEX #219F7E

RGB 33 159 126

HSL 164.29, 0.66%, 0.38%

LAB 58.63, -41.11, 7.87

 

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

CMYK 10 / 0 / 79 / 38

HEX #8F9F21

RGB 143 159 33

HSL 67.62, 0.66%, 0.38%

LAB 62.29, -21.44, 58.42

 

CMYK 79 / 10 / 0 / 38

HEX #218F9F

RGB 33 143 159

HSL 187.62, 0.66%, 0.38%

LAB 54.52, -23.89, -17.03

 

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

CMYK 0 / 53 / 79 / 38

HEX #9F4B21

RGB 159 75 33

HSL 20, 0.66%, 0.38%

LAB 42.02, 32.12, 39.94

 

CMYK 79 / 0 / 69 / 38

HEX #219F32

RGB 33 159 50

HSL 128.1, 0.66%, 0.38%

LAB 57.41, -54.92, 45.72

 

CMYK 79 / 26 / 0 / 38

HEX #21759F

RGB 33 117 159

HSL 200, 0.66%, 0.38%

LAB 46.38, -9.63, -29.59

 

CMYK 0 / 79 / 11 / 38

HEX #9F228D

RGB 159 34 141

HSL 308.64, 0.65%, 0.38%

LAB 38.62, 60.37, -30.19

 

CMYK 0 / 29 / 79 / 38

HEX #9F7121

RGB 159 113 33

HSL 38.1, 0.66%, 0.38%

LAB 51.03, 10.84, 48.62

 

CMYK 79 / 0 / 69 / 38

HEX #219F32

RGB 33 159 50

HSL 128.1, 0.66%, 0.38%

LAB 57.41, -54.92, 45.72

 

CMYK 79 / 50 / 0 / 38

HEX #21509F

RGB 33 80 159

HSL 217.62, 0.66%, 0.38%

LAB 35.13, 13.7, -47.45

 

Description

Color code: RGB 159 34 141 | qconv.com Color code: RGB 159 34 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 34 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 34 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 11 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 11% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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