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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 231 173 it is the complementary color RGB 96 24 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 231 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 231 173 shade: RGB 164 231 168, RGB 181 249 187, RGB 198 255 206, RGB 215 255 225 and RGB 232 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 231 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 231 173 shade: RGB 159 231 173, RGB 142 213 154, RGB 125 195 135, RGB 108 177 116 and RGB 91 159 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 231 173 shade: RGB 157 230 171, RGB 162 230 157, RGB 182 230 157, RGB 202 230 157 and RGB 222 230 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 231 173 shade: RGB 157 230 171, RGB 157 230 191, RGB 157 230 210, RGB 157 230 230 and RGB 157 210 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 231 173 shade matches the following richer shades: RGB 157 230 171, RGB 147 240 165 and RGB 137 250 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 231 173 shade: RGB 157 230 171, RGB 166 220 177, RGB 176 210 183, RGB 186 200 189 and RGB 196 190 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 231 173 shade: RGB 182 230 157, RGB 163 230 157, RGB 157 230 170, RGB 157 230 190 and RGB 157 230 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 231 173 shade: RGB 91 214 114, RGB 124 222 143, RGB 157 230 171, RGB 190 238 199 and RGB 223 247 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 231 173 shade: RGB 159 231 173, RGB 157 202 230 and RGB 230 157 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 231 173 shade: RGB 159 231 173, RGB 170 157 230 and RGB 230 170 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 231 173 shade: RGB 159 231 173, RGB 157 202 230, RGB 230 157 217 and RGB 230 185 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 231 173 shade: RGB 159 231 173, RGB 157 180 230, RGB 230 157 217 and RGB 230 207 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

Complementary color

CMYK 0 / 75 / 15 / 62

HEX #601852

RGB 96 24 82

HSL 311.67, 0.6%, 0.24%

LAB 22.82, 38.93, -18.05

 

CMYK 29 / 0 / 27 / 9

HEX #A4E7A8

RGB 164 231 168

HSL 123.58, 0.58%, 0.77%

LAB 85.94, -33.23, 24.12

 

CMYK 27 / 0 / 25 / 2

HEX #B5F9BB

RGB 181 249 187

HSL 125.29, 0.85%, 0.84%

LAB 92.2, -33, 23.12

 

CMYK 22 / 0 / 19 / 0

HEX #C6FFCE

RGB 198 255 206

HSL 128.42, 1%, 0.89%

LAB 95.15, -27.17, 17.66

 

CMYK 16 / 0 / 12 / 0

HEX #D7FFE1

RGB 215 255 225

HSL 135, 1%, 0.92%

LAB 96.58, -18.38, 10.09

 

CMYK 9 / 0 / 4 / 0

HEX #E8FFF4

RGB 232 255 244

HSL 151.3, 1%, 0.95%

LAB 98.12, -9.47, 2.69

 

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

CMYK 33 / 0 / 28 / 16

HEX #8ED59A

RGB 142 213 154

HSL 130.14, 0.46%, 0.7%

LAB 79.43, -34.2, 22.29

 

CMYK 36 / 0 / 31 / 24

HEX #7DC387

RGB 125 195 135

HSL 128.57, 0.37%, 0.63%

LAB 72.98, -34.47, 23.38

 

CMYK 39 / 0 / 34 / 31

HEX #6CB174

RGB 108 177 116

HSL 126.96, 0.31%, 0.56%

LAB 66.44, -34.73, 24.54

 

CMYK 43 / 0 / 39 / 38

HEX #5B9F61

RGB 91 159 97

HSL 125.29, 0.27%, 0.49%

LAB 59.78, -34.97, 25.79

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AB

RGB 157 230 171

HSL 131.51, 0.59%, 0.76%

LAB 85.35, -34.45, 21.7

 

CMYK 30 / 0 / 32 / 10

HEX #A2E69D

RGB 162 230 157

HSL 115.89, 0.59%, 0.76%

LAB 85.36, -35.19, 28.96

 

CMYK 21 / 0 / 32 / 10

HEX #B6E69D

RGB 182 230 157

HSL 99.45, 0.59%, 0.76%

LAB 86.49, -28.49, 30.68

 

CMYK 12 / 0 / 32 / 10

HEX #CAE69D

RGB 202 230 157

HSL 83.01, 0.59%, 0.76%

LAB 87.77, -21.38, 32.61

 

CMYK 3 / 0 / 32 / 10

HEX #DEE69D

RGB 222 230 157

HSL 66.58, 0.59%, 0.76%

LAB 89.19, -13.99, 34.75

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AB

RGB 157 230 171

HSL 131.51, 0.59%, 0.76%

LAB 85.35, -34.45, 21.7

 

CMYK 32 / 0 / 17 / 10

HEX #9DE6BF

RGB 157 230 191

HSL 147.95, 0.59%, 0.76%

LAB 85.77, -30.75, 11.85

 

CMYK 32 / 0 / 9 / 10

HEX #9DE6D2

RGB 157 230 210

HSL 163.56, 0.59%, 0.76%

LAB 86.21, -26.88, 2.52

 

CMYK 32 / 0 / 0 / 10

HEX #9DE6E6

RGB 157 230 230

HSL 180, 0.59%, 0.76%

LAB 86.74, -22.47, -7.23

 

CMYK 32 / 9 / 0 / 10

HEX #9DD2E6

RGB 157 210 230

HSL 196.44, 0.59%, 0.76%

LAB 81.28, -12.38, -15.38

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AB

RGB 157 230 171

HSL 131.51, 0.59%, 0.76%

LAB 85.35, -34.45, 21.7

 

CMYK 39 / 0 / 31 / 6

HEX #93F0A5

RGB 147 240 165

HSL 131.61, 0.76%, 0.76%

LAB 87.6, -42.97, 27.78

 

CMYK 45 / 0 / 36 / 2

HEX #89FA9F

RGB 137 250 159

HSL 131.68, 0.92%, 0.76%

LAB 89.95, -51.01, 33.88

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AB

RGB 157 230 171

HSL 131.51, 0.59%, 0.76%

LAB 85.35, -34.45, 21.7

 

CMYK 25 / 0 / 20 / 14

HEX #A6DCB1

RGB 166 220 177

HSL 132.22, 0.44%, 0.76%

LAB 83.16, -25.81, 15.59

 

CMYK 16 / 0 / 13 / 18

HEX #B0D2B7

RGB 176 210 183

HSL 132.35, 0.27%, 0.76%

LAB 81.15, -16.48, 9.65

 

CMYK 7 / 0 / 5 / 22

HEX #BAC8BD

RGB 186 200 189

HSL 132.86, 0.11%, 0.76%

LAB 79.28, -6.84, 3.85

 

CMYK 0 / 3 / 1 / 23

HEX #C4BEC3

RGB 196 190 195

HSL 310, 0.05%, 0.76%

LAB 77.58, 3.01, -1.78

 

CMYK 21 / 0 / 32 / 10

HEX #B6E69D

RGB 182 230 157

HSL 99.45, 0.59%, 0.76%

LAB 86.49, -28.49, 30.68

 

CMYK 29 / 0 / 32 / 10

HEX #A3E69D

RGB 163 230 157

HSL 115.07, 0.59%, 0.76%

LAB 85.41, -34.87, 29.04

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AA

RGB 157 230 170

HSL 130.68, 0.59%, 0.76%

LAB 85.33, -34.62, 22.19

 

CMYK 32 / 0 / 17 / 10

HEX #9DE6BE

RGB 157 230 190

HSL 147.12, 0.59%, 0.76%

LAB 85.75, -30.95, 12.35

 

CMYK 32 / 0 / 9 / 10

HEX #9DE6D1

RGB 157 230 209

HSL 162.74, 0.59%, 0.76%

LAB 86.19, -27.1, 3.01

 

CMYK 57 / 0 / 47 / 16

HEX #5BD672

RGB 91 214 114

HSL 131.22, 0.6%, 0.6%

LAB 77, -55.22, 39.18

 

CMYK 44 / 0 / 36 / 13

HEX #7CDE8F

RGB 124 222 143

HSL 131.63, 0.6%, 0.68%

LAB 81.02, -45.41, 30.01

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AB

RGB 157 230 171

HSL 131.51, 0.59%, 0.76%

LAB 85.35, -34.45, 21.7

 

CMYK 20 / 0 / 16 / 7

HEX #BEEEC7

RGB 190 238 199

HSL 131.25, 0.59%, 0.84%

LAB 89.96, -22.82, 13.88

 

CMYK 10 / 0 / 8 / 3

HEX #DFF7E3

RGB 223 247 227

HSL 130, 0.6%, 0.92%

LAB 95.06, -11.47, 6.95

 

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

CMYK 32 / 12 / 0 / 10

HEX #9DCAE6

RGB 157 202 230

HSL 203.01, 0.59%, 0.76%

LAB 79.11, -8.21, -18.64

 

CMYK 0 / 32 / 25 / 10

HEX #E69DAC

RGB 230 157 172

HSL 347.67, 0.59%, 0.76%

LAB 72.17, 29.24, 3.31

 

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

CMYK 26 / 32 / 0 / 10

HEX #AA9DE6

RGB 170 157 230

HSL 250.68, 0.59%, 0.76%

LAB 68.29, 20.25, -35.14

 

CMYK 0 / 26 / 32 / 10

HEX #E6AA9D

RGB 230 170 157

HSL 10.68, 0.59%, 0.76%

LAB 74.83, 20.28, 15.34

 

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

CMYK 32 / 12 / 0 / 10

HEX #9DCAE6

RGB 157 202 230

HSL 203.01, 0.59%, 0.76%

LAB 79.11, -8.21, -18.64

 

CMYK 0 / 32 / 6 / 10

HEX #E69DD9

RGB 230 157 217

HSL 310.68, 0.59%, 0.76%

LAB 73.51, 36.35, -19.51

 

CMYK 0 / 20 / 32 / 10

HEX #E6B99D

RGB 230 185 157

HSL 23.01, 0.59%, 0.76%

LAB 78.44, 12.29, 20.35

 

CMYK 31 / 0 / 25 / 9

HEX #9FE7AD

RGB 159 231 173

HSL 131.67, 0.6%, 0.76%

LAB 85.78, -33.94, 21.26

 

CMYK 32 / 22 / 0 / 10

HEX #9DB4E6

RGB 157 180 230

HSL 221.1, 0.59%, 0.76%

LAB 73.24, 3.64, -27.59

 

CMYK 0 / 32 / 6 / 10

HEX #E69DD9

RGB 230 157 217

HSL 310.68, 0.59%, 0.76%

LAB 73.51, 36.35, -19.51

 

CMYK 0 / 10 / 32 / 10

HEX #E6CF9D

RGB 230 207 157

HSL 41.1, 0.59%, 0.76%

LAB 83.9, 0.74, 27.81

 

Description

Color code: RGB 159 231 173 | qconv.com Color code: RGB 159 231 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 231 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 231 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 25% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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