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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 17 228 it is the complementary color RGB 96 238 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 17 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 17 228 shade: RGB 164 17 223, RGB 181 35 242, RGB 198 53 255, RGB 215 71 255 and RGB 232 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 17 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 17 228 shade: RGB 159 17 228, RGB 142 0 209, RGB 125 0 190, RGB 108 0 171 and RGB 91 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 17 228 shade: RGB 158 17 227, RGB 215 17 227, RGB 227 17 182, RGB 227 17 126 and RGB 227 17 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 17 228 shade: RGB 158 17 227, RGB 102 17 227, RGB 45 17 227 and RGB 17 17 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 17 228 shade matches the following richer shades: RGB 158 17 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 17 228 shade: RGB 158 17 227, RGB 151 36 207, RGB 145 56 188, RGB 138 76 168 and RGB 131 96 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 17 228 shade: RGB 45 17 227, RGB 101 17 227, RGB 157 17 227, RGB 213 17 227 and RGB 227 17 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 17 228 shade: RGB 105 11 150, RGB 132 14 189, RGB 158 17 227, RGB 176 46 239 and RGB 190 85 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 17 228 shade: RGB 159 17 228, RGB 227 17 45 and RGB 17 227 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 17 228 shade: RGB 159 17 228, RGB 227 157 17 and RGB 17 227 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 17 228 shade: RGB 159 17 228, RGB 227 17 45, RGB 87 227 17 and RGB 17 227 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 17 228 shade: RGB 159 17 228, RGB 227 52 17, RGB 87 227 17 and RGB 17 192 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

Complementary color

CMYK 60 / 0 / 89 / 7

HEX #60EE1B

RGB 96 238 27

HSL 100.38, 0.86%, 0.52%

LAB 83.82, -69.84, 77.67

 

CMYK 26 / 92 / 0 / 13

HEX #A411DF

RGB 164 17 223

HSL 282.82, 0.86%, 0.47%

LAB 43.68, 78.69, -70.46

 

CMYK 25 / 86 / 0 / 5

HEX #B523F2

RGB 181 35 242

HSL 282.32, 0.89%, 0.54%

LAB 48.81, 81.37, -72.77

 

CMYK 22 / 79 / 0 / 0

HEX #C635FF

RGB 198 53 255

HSL 283.07, 1%, 0.6%

LAB 53.78, 81.88, -71.84

 

CMYK 16 / 72 / 0 / 0

HEX #D747FF

RGB 215 71 255

HSL 286.96, 1%, 0.64%

LAB 58.2, 79.24, -64.58

 

CMYK 9 / 65 / 0 / 0

HEX #E859FF

RGB 232 89 255

HSL 291.69, 1%, 0.67%

LAB 62.94, 76.13, -56.86

 

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

CMYK 32 / 100 / 0 / 18

HEX #8E00D1

RGB 142 0 209

HSL 280.77, 1%, 0.41%

LAB 38.47, 75.26, -71.07

 

CMYK 34 / 100 / 0 / 25

HEX #7D00BE

RGB 125 0 190

HSL 279.47, 1%, 0.37%

LAB 34.14, 69.67, -67.16

 

CMYK 37 / 100 / 0 / 33

HEX #6C00AB

RGB 108 0 171

HSL 277.89, 1%, 0.34%

LAB 29.73, 63.97, -63.18

 

CMYK 40 / 100 / 0 / 40

HEX #5B0098

RGB 91 0 152

HSL 275.92, 1%, 0.3%

LAB 25.23, 58.17, -59.12

 

CMYK 30 / 93 / 0 / 11

HEX #9E11E3

RGB 158 17 227

HSL 280.29, 0.86%, 0.48%

LAB 43.09, 78.66, -73.76

 

CMYK 5 / 93 / 0 / 11

HEX #D711E3

RGB 215 17 227

HSL 296.57, 0.86%, 0.48%

LAB 52.28, 86.8, -58.43

 

CMYK 0 / 93 / 20 / 11

HEX #E311B6

RGB 227 17 182

HSL 312.86, 0.86%, 0.48%

LAB 51.96, 82.77, -32.91

 

CMYK 0 / 93 / 44 / 11

HEX #E3117E

RGB 227 17 126

HSL 328.86, 0.86%, 0.48%

LAB 49.78, 77.02, -2.83

 

CMYK 0 / 93 / 70 / 11

HEX #E31145

RGB 227 17 69

HSL 345.14, 0.86%, 0.48%

LAB 48.46, 73.4, 30.24

 

CMYK 30 / 93 / 0 / 11

HEX #9E11E3

RGB 158 17 227

HSL 280.29, 0.86%, 0.48%

LAB 43.09, 78.66, -73.76

 

CMYK 55 / 93 / 0 / 11

HEX #6611E3

RGB 102 17 227

HSL 264.29, 0.86%, 0.48%

LAB 35.54, 72.96, -86.45

 

CMYK 80 / 93 / 0 / 11

HEX #2D11E3

RGB 45 17 227

HSL 248, 0.86%, 0.48%

LAB 30.65, 70, -94.72

 

CMYK 93 / 93 / 0 / 11

HEX #1111E3

RGB 17 17 227

HSL 240, 0.86%, 0.48%

LAB 29.58, 69.45, -96.53

 

CMYK 30 / 93 / 0 / 11

HEX #9E11E3

RGB 158 17 227

HSL 280.29, 0.86%, 0.48%

LAB 43.09, 78.66, -73.76

 

CMYK 30 / 93 / 0 / 11

HEX #9E11E3

RGB 158 17 227

HSL 280.29, 0.86%, 0.48%

LAB 43.09, 78.66, -73.76

 

CMYK 27 / 83 / 0 / 19

HEX #9724CF

RGB 151 36 207

HSL 280.35, 0.7%, 0.48%

LAB 41.76, 69.91, -64.49

 

CMYK 23 / 70 / 0 / 26

HEX #9138BC

RGB 145 56 188

HSL 280.45, 0.54%, 0.48%

LAB 41.97, 57.92, -53.13

 

CMYK 18 / 55 / 0 / 34

HEX #8A4CA8

RGB 138 76 168

HSL 280.43, 0.38%, 0.48%

LAB 43.36, 42.2, -39.17

 

CMYK 11 / 35 / 0 / 42

HEX #836094

RGB 131 96 148

HSL 280.38, 0.21%, 0.48%

LAB 46.08, 24.19, -23.08

 

CMYK 80 / 93 / 0 / 11

HEX #2D11E3

RGB 45 17 227

HSL 248, 0.86%, 0.48%

LAB 30.65, 70, -94.72

 

CMYK 56 / 93 / 0 / 11

HEX #6511E3

RGB 101 17 227

HSL 264, 0.86%, 0.48%

LAB 35.43, 72.89, -86.64

 

CMYK 31 / 93 / 0 / 11

HEX #9D11E3

RGB 157 17 227

HSL 280, 0.86%, 0.48%

LAB 42.94, 78.54, -74.01

 

CMYK 6 / 93 / 0 / 11

HEX #D511E3

RGB 213 17 227

HSL 296, 0.86%, 0.48%

LAB 51.94, 86.48, -58.99

 

CMYK 0 / 93 / 19 / 11

HEX #E311B9

RGB 227 17 185

HSL 312, 0.86%, 0.48%

LAB 52.1, 83.13, -34.44

 

CMYK 30 / 93 / 0 / 41

HEX #690B96

RGB 105 11 150

HSL 280.58, 0.86%, 0.32%

LAB 27.97, 57.44, -53.32

 

CMYK 30 / 93 / 0 / 26

HEX #840EBD

RGB 132 14 189

HSL 280.46, 0.86%, 0.4%

LAB 35.78, 68.44, -63.85

 

CMYK 30 / 93 / 0 / 11

HEX #9E11E3

RGB 158 17 227

HSL 280.29, 0.86%, 0.48%

LAB 43.09, 78.66, -73.76

 

CMYK 26 / 81 / 0 / 6

HEX #B02EEF

RGB 176 46 239

HSL 280.41, 0.86%, 0.56%

LAB 48.78, 77.31, -71.16

 

CMYK 21 / 65 / 0 / 5

HEX #BE55F2

RGB 190 85 242

HSL 280.13, 0.86%, 0.64%

LAB 55.94, 66.19, -61.17

 

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

CMYK 0 / 93 / 80 / 11

HEX #E3112D

RGB 227 17 45

HSL 352, 0.86%, 0.48%

LAB 48.16, 72.55, 43.9

 

CMYK 93 / 0 / 68 / 11

HEX #11E349

RGB 17 227 73

HSL 136, 0.86%, 0.48%

LAB 79.35, -74.76, 59.97

 

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

CMYK 0 / 31 / 93 / 11

HEX #E39D11

RGB 227 157 17

HSL 40, 0.86%, 0.48%

LAB 69.81, 16.42, 71.7

 

CMYK 93 / 0 / 31 / 11

HEX #11E39D

RGB 17 227 157

HSL 160, 0.86%, 0.48%

LAB 80.46, -61.57, 21.63

 

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

CMYK 0 / 93 / 80 / 11

HEX #E3112D

RGB 227 17 45

HSL 352, 0.86%, 0.48%

LAB 48.16, 72.55, 43.9

 

CMYK 62 / 0 / 93 / 11

HEX #57E311

RGB 87 227 17

HSL 100, 0.86%, 0.48%

LAB 80.18, -68.56, 75.98

 

CMYK 93 / 0 / 12 / 11

HEX #11E3C7

RGB 17 227 199

HSL 172, 0.86%, 0.48%

LAB 81.39, -51.42, 0.86

 

CMYK 30 / 93 / 0 / 11

HEX #9F11E4

RGB 159 17 228

HSL 280.38, 0.86%, 0.48%

LAB 43.32, 78.98, -73.94

 

CMYK 0 / 77 / 93 / 11

HEX #E33411

RGB 227 52 17

HSL 10, 0.86%, 0.48%

LAB 50.48, 64.88, 58.36

 

CMYK 62 / 0 / 93 / 11

HEX #57E311

RGB 87 227 17

HSL 100, 0.86%, 0.48%

LAB 80.18, -68.56, 75.98

 

CMYK 93 / 15 / 0 / 11

HEX #11C0E3

RGB 17 192 227

HSL 190, 0.86%, 0.48%

LAB 71.8, -27.23, -28.57

 

Description

Color code: RGB 159 17 228 | qconv.com Color code: RGB 159 17 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 17 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 17 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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