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Color name
RGB 159 140 23

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 140 23 it is the complementary color RGB 96 115 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 140 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 140 23 shade: RGB 164 140 18, RGB 181 158 37, RGB 198 176 56, RGB 215 194 75 and RGB 232 212 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 140 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 140 23 shade: RGB 159 140 23, RGB 142 122 4, RGB 125 104 0, RGB 108 86 0 and RGB 91 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 140 23 shade: RGB 160 141 22, RGB 160 104 22, RGB 160 67 22, RGB 160 30 22 and RGB 160 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 140 23 shade: RGB 160 141 22, RGB 142 160 22, RGB 105 160 22, RGB 68 160 22 and RGB 31 160 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 140 23 shade matches the following richer shades: RGB 160 141 22 and RGB 175 152 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 140 23 shade: RGB 160 141 22, RGB 145 130 37, RGB 130 120 52, RGB 116 109 67 and RGB 101 98 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 140 23 shade: RGB 160 66 22, RGB 160 103 22, RGB 160 139 22, RGB 144 160 22 and RGB 107 160 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 140 23 shade: RGB 88 77 12, RGB 124 109 17, RGB 160 141 22, RGB 196 173 28 and RGB 224 198 41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 140 23 shade: RGB 159 140 23, RGB 22 160 29 and RGB 84 22 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 140 23 shade: RGB 159 140 23, RGB 22 160 139 and RGB 139 22 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 140 23 shade: RGB 159 140 23, RGB 22 160 29, RGB 22 43 160 and RGB 160 22 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 140 23 shade: RGB 159 140 23, RGB 22 160 71, RGB 22 43 160 and RGB 160 22 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

Complementary color

CMYK 59 / 50 / 0 / 9

HEX #6073E8

RGB 96 115 232

HSL 231.62, 0.75%, 0.64%

LAB 52.48, 27.39, -61.62

 

CMYK 0 / 15 / 89 / 36

HEX #A48C12

RGB 164 140 18

HSL 50.14, 0.8%, 0.36%

LAB 58.69, -2.44, 60.05

 

CMYK 0 / 13 / 80 / 29

HEX #B59E25

RGB 181 158 37

HSL 50.42, 0.66%, 0.43%

LAB 65.29, -3.94, 61.09

 

CMYK 0 / 11 / 72 / 22

HEX #C6B038

RGB 198 176 56

HSL 50.7, 0.56%, 0.5%

LAB 71.79, -5.18, 61.05

 

CMYK 0 / 10 / 65 / 16

HEX #D7C24B

RGB 215 194 75

HSL 51, 0.64%, 0.57%

LAB 78.19, -6.21, 60.43

 

CMYK 0 / 9 / 59 / 9

HEX #E8D45E

RGB 232 212 94

HSL 51.3, 0.75%, 0.64%

LAB 84.51, -7.09, 59.52

 

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

CMYK 0 / 14 / 97 / 44

HEX #8E7A04

RGB 142 122 4

HSL 51.3, 0.95%, 0.29%

LAB 51.47, -2.97, 56.21

 

CMYK 0 / 17 / 100 / 51

HEX #7D6800

RGB 125 104 0

HSL 49.92, 1%, 0.25%

LAB 44.6, -0.94, 51.32

 

CMYK 0 / 20 / 100 / 58

HEX #6C5600

RGB 108 86 0

HSL 47.78, 1%, 0.21%

LAB 37.56, 1.28, 45.51

 

CMYK 0 / 25 / 100 / 64

HEX #5B4400

RGB 91 68 0

HSL 44.84, 1%, 0.18%

LAB 30.3, 3.65, 39.5

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 0 / 35 / 86 / 37

HEX #A06816

RGB 160 104 22

HSL 35.65, 0.76%, 0.36%

LAB 48.8, 16.05, 50.71

 

CMYK 0 / 58 / 86 / 37

HEX #A04316

RGB 160 67 22

HSL 19.57, 0.76%, 0.36%

LAB 40.48, 36.29, 43.67

 

CMYK 0 / 81 / 86 / 37

HEX #A01E16

RGB 160 30 22

HSL 3.48, 0.76%, 0.36%

LAB 34.92, 51.34, 38.85

 

CMYK 0 / 86 / 86 / 37

HEX #A01616

RGB 160 22 22

HSL 0, 0.76%, 0.36%

LAB 34.2, 53.39, 38.22

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 11 / 0 / 86 / 37

HEX #8EA016

RGB 142 160 22

HSL 67.83, 0.76%, 0.36%

LAB 62.47, -22.75, 61.47

 

CMYK 34 / 0 / 86 / 37

HEX #69A016

RGB 105 160 22

HSL 83.91, 0.76%, 0.36%

LAB 60.07, -37.91, 58.48

 

CMYK 58 / 0 / 86 / 37

HEX #44A016

RGB 68 160 22

HSL 100, 0.76%, 0.36%

LAB 58.44, -50.07, 56.42

 

CMYK 81 / 0 / 86 / 37

HEX #1FA016

RGB 31 160 22

HSL 116.09, 0.76%, 0.36%

LAB 57.55, -57.57, 55.29

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 0 / 13 / 95 / 31

HEX #AF9808

RGB 175 152 8

HSL 51.74, 0.91%, 0.36%

LAB 63, -4.1, 65.55

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 8 / 60 / 49

HEX #827834

RGB 130 120 52

HSL 52.31, 0.43%, 0.36%

LAB 50.01, -5.36, 37.98

 

CMYK 0 / 6 / 42 / 55

HEX #746D43

RGB 116 109 67

HSL 51.43, 0.27%, 0.36%

LAB 45.71, -3.93, 24.43

 

CMYK 0 / 3 / 19 / 60

HEX #656252

RGB 101 98 82

HSL 50.53, 0.1%, 0.36%

LAB 41.39, -1.83, 9.55

 

CMYK 0 / 59 / 86 / 37

HEX #A04216

RGB 160 66 22

HSL 19.13, 0.76%, 0.36%

LAB 40.29, 36.79, 43.5

 

CMYK 0 / 36 / 86 / 37

HEX #A06716

RGB 160 103 22

HSL 35.22, 0.76%, 0.36%

LAB 48.55, 16.62, 50.5

 

CMYK 0 / 13 / 86 / 37

HEX #A08B16

RGB 160 139 22

HSL 50.87, 0.76%, 0.36%

LAB 58.03, -3.63, 58.4

 

CMYK 10 / 0 / 86 / 37

HEX #90A016

RGB 144 160 22

HSL 66.96, 0.76%, 0.36%

LAB 62.62, -21.88, 61.65

 

CMYK 33 / 0 / 86 / 37

HEX #6BA016

RGB 107 160 22

HSL 83.04, 0.76%, 0.36%

LAB 60.18, -37.15, 58.62

 

CMYK 0 / 13 / 86 / 65

HEX #584D0C

RGB 88 77 12

HSL 51.32, 0.76%, 0.2%

LAB 32.72, -3, 36.9

 

CMYK 0 / 12 / 86 / 51

HEX #7C6D11

RGB 124 109 17

HSL 51.59, 0.76%, 0.28%

LAB 45.99, -3.89, 48.24

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 0 / 12 / 86 / 23

HEX #C4AD1C

RGB 196 173 28

HSL 51.79, 0.75%, 0.44%

LAB 70.67, -5.49, 68.74

 

CMYK 0 / 12 / 82 / 12

HEX #E0C629

RGB 224 198 41

HSL 51.48, 0.75%, 0.52%

LAB 79.84, -5.91, 74.18

 

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

CMYK 86 / 0 / 82 / 37

HEX #16A01D

RGB 22 160 29

HSL 123.04, 0.76%, 0.36%

LAB 57.46, -58.23, 53.3

 

CMYK 48 / 86 / 0 / 37

HEX #5416A0

RGB 84 22 160

HSL 266.96, 0.76%, 0.36%

LAB 26.73, 54.13, -61.59

 

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

CMYK 86 / 0 / 13 / 37

HEX #16A08B

RGB 22 160 139

HSL 170.87, 0.76%, 0.36%

LAB 59.14, -39.08, 1.24

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

CMYK 86 / 0 / 82 / 37

HEX #16A01D

RGB 22 160 29

HSL 123.04, 0.76%, 0.36%

LAB 57.46, -58.23, 53.3

 

CMYK 86 / 73 / 0 / 37

HEX #162BA0

RGB 22 43 160

HSL 230.87, 0.76%, 0.36%

LAB 25.06, 37.84, -64.51

 

CMYK 0 / 86 / 4 / 37

HEX #A01699

RGB 160 22 153

HSL 303.04, 0.76%, 0.36%

LAB 38.46, 65.28, -37.75

 

CMYK 0 / 12 / 86 / 38

HEX #9F8C17

RGB 159 140 23

HSL 51.62, 0.75%, 0.36%

LAB 58.22, -4.61, 58.25

 

CMYK 86 / 0 / 56 / 37

HEX #16A047

RGB 22 160 71

HSL 141.3, 0.76%, 0.36%

LAB 57.82, -53.87, 36.45

 

CMYK 86 / 73 / 0 / 37

HEX #162BA0

RGB 22 43 160

HSL 230.87, 0.76%, 0.36%

LAB 25.06, 37.84, -64.51

 

CMYK 0 / 86 / 30 / 37

HEX #A01670

RGB 160 22 112

HSL 320.87, 0.76%, 0.36%

LAB 36.4, 59.72, -15.58

 

Description

Color code: RGB 159 140 23 | qconv.com Color code: RGB 159 140 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 140 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 140 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 38% C M Y K

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Provide designers and agencies with accurate color values.

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