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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 125 24 it is the complementary color RGB 96 130 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 125 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 125 24 shade: RGB 164 125 19, RGB 181 143 38, RGB 198 161 57, RGB 215 179 76 and RGB 232 197 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 125 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 125 24 shade: RGB 159 125 24, RGB 142 107 5, RGB 125 89 0, RGB 108 71 0 and RGB 91 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 125 24 shade: RGB 159 125 23, RGB 159 88 23, RGB 159 52 23 and RGB 159 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 125 24 shade: RGB 159 125 23, RGB 157 159 23, RGB 120 159 23, RGB 84 159 23 and RGB 47 159 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 125 24 shade matches the following richer shades: RGB 159 125 23 and RGB 174 132 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 125 24 shade: RGB 159 125 23, RGB 144 118 38, RGB 130 110 53, RGB 115 103 68 and RGB 100 96 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 125 24 shade: RGB 159 51 23, RGB 159 87 23, RGB 159 123 23, RGB 159 159 23 and RGB 123 159 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 125 24 shade: RGB 87 69 13, RGB 123 97 18, RGB 159 125 23, RGB 195 153 29 and RGB 223 177 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 125 24 shade: RGB 159 125 24, RGB 32 159 23 and RGB 69 23 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 125 24 shade: RGB 159 125 24, RGB 23 159 123 and RGB 123 23 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 125 24 shade: RGB 159 125 24, RGB 32 159 23, RGB 23 60 159 and RGB 150 23 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 125 24 shade: RGB 159 125 24, RGB 23 159 55, RGB 23 60 159 and RGB 159 23 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

Complementary color

CMYK 58 / 44 / 0 / 9

HEX #6082E7

RGB 96 130 231

HSL 224.89, 0.74%, 0.64%

LAB 56.31, 17.94, -54.92

 

CMYK 0 / 24 / 88 / 36

HEX #A47D13

RGB 164 125 19

HSL 43.86, 0.79%, 0.36%

LAB 54.66, 5.9, 56.59

 

CMYK 0 / 21 / 79 / 29

HEX #B58F26

RGB 181 143 38

HSL 44.06, 0.65%, 0.43%

LAB 61.32, 4.23, 57.16

 

CMYK 0 / 19 / 71 / 22

HEX #C6A139

RGB 198 161 57

HSL 44.26, 0.55%, 0.5%

LAB 67.87, 2.84, 56.75

 

CMYK 0 / 17 / 65 / 16

HEX #D7B34C

RGB 215 179 76

HSL 44.46, 0.63%, 0.57%

LAB 74.32, 1.66, 55.87

 

CMYK 0 / 15 / 59 / 9

HEX #E8C55F

RGB 232 197 95

HSL 44.67, 0.75%, 0.64%

LAB 80.69, 0.67, 54.77

 

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

CMYK 0 / 25 / 96 / 44

HEX #8E6B05

RGB 142 107 5

HSL 44.67, 0.93%, 0.29%

LAB 47.34, 5.59, 52.98

 

CMYK 0 / 29 / 100 / 51

HEX #7D5900

RGB 125 89 0

HSL 42.72, 1%, 0.25%

LAB 40.42, 7.86, 48.42

 

CMYK 0 / 34 / 100 / 58

HEX #6C4700

RGB 108 71 0

HSL 39.44, 1%, 0.21%

LAB 33.34, 10.38, 42.63

 

CMYK 0 / 42 / 100 / 64

HEX #5B3500

RGB 91 53 0

HSL 34.95, 1%, 0.18%

LAB 26.07, 13.08, 35.99

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 0 / 45 / 86 / 38

HEX #9F5817

RGB 159 88 23

HSL 28.68, 0.75%, 0.36%

LAB 44.82, 24.68, 46.92

 

CMYK 0 / 67 / 86 / 38

HEX #9F3417

RGB 159 52 23

HSL 12.79, 0.75%, 0.36%

LAB 37.64, 43.01, 40.68

 

CMYK 0 / 86 / 86 / 38

HEX #9F1717

RGB 159 23 23

HSL 0, 0.75%, 0.36%

LAB 34.08, 52.9, 37.5

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 1 / 0 / 86 / 38

HEX #9D9F17

RGB 157 159 23

HSL 60.88, 0.75%, 0.36%

LAB 63.36, -15.62, 62.47

 

CMYK 25 / 0 / 86 / 38

HEX #789F17

RGB 120 159 23

HSL 77.21, 0.75%, 0.36%

LAB 60.65, -31.52, 59.09

 

CMYK 47 / 0 / 86 / 38

HEX #549F17

RGB 84 159 23

HSL 93.09, 0.75%, 0.36%

LAB 58.74, -44.86, 56.67

 

CMYK 70 / 0 / 86 / 38

HEX #2F9F17

RGB 47 159 23

HSL 109.41, 0.75%, 0.36%

LAB 57.52, -54.59, 55.14

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 0 / 24 / 95 / 32

HEX #AE8409

RGB 174 132 9

HSL 44.73, 0.9%, 0.36%

LAB 57.58, 6.4, 61.35

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 0 / 18 / 74 / 44

HEX #907626

RGB 144 118 38

HSL 45.28, 0.58%, 0.36%

LAB 50.72, 1.3, 45.68

 

CMYK 0 / 15 / 59 / 49

HEX #826E35

RGB 130 110 53

HSL 44.42, 0.42%, 0.36%

LAB 47.18, 0.41, 34.23

 

CMYK 0 / 10 / 41 / 55

HEX #736744

RGB 115 103 68

HSL 44.68, 0.26%, 0.36%

LAB 43.89, -0.77, 21.49

 

CMYK 0 / 4 / 17 / 61

HEX #646053

RGB 100 96 83

HSL 45.88, 0.09%, 0.36%

LAB 40.73, -0.89, 8

 

CMYK 0 / 68 / 86 / 38

HEX #9F3317

RGB 159 51 23

HSL 12.35, 0.75%, 0.36%

LAB 37.48, 43.45, 40.53

 

CMYK 0 / 45 / 86 / 38

HEX #9F5717

RGB 159 87 23

HSL 28.24, 0.75%, 0.36%

LAB 44.59, 25.23, 46.73

 

CMYK 0 / 23 / 86 / 38

HEX #9F7B17

RGB 159 123 23

HSL 44.12, 0.75%, 0.36%

LAB 53.6, 4.83, 54.38

 

CMYK 0 / 0 / 86 / 38

HEX #9F9F17

RGB 159 159 23

HSL 60, 0.75%, 0.36%

LAB 63.53, -14.73, 62.67

 

CMYK 23 / 0 / 86 / 38

HEX #7B9F17

RGB 123 159 23

HSL 75.88, 0.75%, 0.36%

LAB 60.84, -30.29, 59.33

 

CMYK 0 / 21 / 85 / 66

HEX #57450D

RGB 87 69 13

HSL 45.41, 0.74%, 0.2%

LAB 30.19, 1.45, 34.2

 

CMYK 0 / 21 / 85 / 52

HEX #7B6112

RGB 123 97 18

HSL 45.14, 0.74%, 0.28%

LAB 42.47, 2.61, 44.87

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 0 / 22 / 85 / 24

HEX #C3991D

RGB 195 153 29

HSL 44.82, 0.74%, 0.44%

LAB 65.34, 4.76, 64.05

 

CMYK 0 / 21 / 81 / 13

HEX #DFB12A

RGB 223 177 42

HSL 44.75, 0.74%, 0.52%

LAB 74.38, 4.61, 69.14

 

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

CMYK 80 / 0 / 86 / 38

HEX #209F17

RGB 32 159 23

HSL 116.03, 0.75%, 0.36%

LAB 57.24, -57.08, 54.77

 

CMYK 57 / 86 / 0 / 38

HEX #45179F

RGB 69 23 159

HSL 260.29, 0.75%, 0.36%

LAB 24.89, 51.79, -64.07

 

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

CMYK 86 / 0 / 23 / 38

HEX #179F7B

RGB 23 159 123

HSL 164.12, 0.75%, 0.36%

LAB 58.42, -42.84, 9.25

 

CMYK 23 / 86 / 0 / 38

HEX #7B179F

RGB 123 23 159

HSL 284.12, 0.75%, 0.36%

LAB 32.54, 59.36, -51.25

 

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

CMYK 80 / 0 / 86 / 38

HEX #209F17

RGB 32 159 23

HSL 116.03, 0.75%, 0.36%

LAB 57.24, -57.08, 54.77

 

CMYK 86 / 62 / 0 / 38

HEX #173C9F

RGB 23 60 159

HSL 223.68, 0.75%, 0.36%

LAB 29.2, 26.34, -57.1

 

CMYK 6 / 86 / 0 / 38

HEX #96179F

RGB 150 23 159

HSL 296.03, 0.75%, 0.36%

LAB 37.11, 64.14, -43.64

 

CMYK 0 / 21 / 85 / 38

HEX #9F7D18

RGB 159 125 24

HSL 44.89, 0.74%, 0.36%

LAB 54.14, 3.73, 54.54

 

CMYK 86 / 0 / 65 / 38

HEX #179F37

RGB 23 159 55

HSL 134.12, 0.75%, 0.36%

LAB 57.32, -55.55, 43.42

 

CMYK 86 / 62 / 0 / 38

HEX #173C9F

RGB 23 60 159

HSL 223.68, 0.75%, 0.36%

LAB 29.2, 26.34, -57.1

 

CMYK 0 / 86 / 19 / 38

HEX #9F1780

RGB 159 23 128

HSL 313.68, 0.75%, 0.36%

LAB 37.01, 61.29, -24.69

 

Description

Color code: RGB 159 125 24 | qconv.com Color code: RGB 159 125 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 125 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 125 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 85 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 85% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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