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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 57 80 it is the complementary color RGB 97 198 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 57 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 57 80 shade: RGB 163 57 75, RGB 180 75 94, RGB 197 93 113, RGB 214 111 132 and RGB 231 129 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 57 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 57 80 shade: RGB 158 57 80, RGB 141 39 61, RGB 124 21 42, RGB 107 3 23 and RGB 90 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 57 80 shade: RGB 157 56 79 and RGB 157 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 57 80 shade: RGB 157 56 79, RGB 157 56 106, RGB 157 56 133, RGB 153 56 157 and RGB 126 56 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 57 80 shade matches the following richer shades: RGB 157 56 79, RGB 174 39 70, RGB 192 22 60 and RGB 209 4 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 57 80 shade: RGB 157 56 79, RGB 140 74 89, RGB 122 91 98, RGB 105 108 107 and RGB 88 126 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 57 80 shade: RGB 157 56 133, RGB 157 56 107, RGB 157 56 80, RGB 157 60 56 and RGB 157 86 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 57 80 shade: RGB 96 34 48, RGB 127 45 64, RGB 157 56 79, RGB 187 67 95 and RGB 198 98 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 57 80 shade: RGB 158 57 80, RGB 157 154 56 and RGB 56 120 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 57 80 shade: RGB 158 57 80, RGB 80 157 56 and RGB 56 80 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 57 80 shade: RGB 158 57 80, RGB 157 154 56, RGB 56 157 133 and RGB 56 60 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 57 80 shade: RGB 158 57 80, RGB 130 157 56, RGB 56 157 133 and RGB 83 56 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

Complementary color

CMYK 51 / 0 / 12 / 22

HEX #61C6AF

RGB 97 198 175

HSL 166.34, 0.47%, 0.58%

LAB 73.56, -35.11, 2.51

 

CMYK 0 / 65 / 54 / 36

HEX #A3394B

RGB 163 57 75

HSL 349.81, 0.48%, 0.43%

LAB 39.95, 45.1, 13.11

 

CMYK 0 / 58 / 48 / 29

HEX #B44B5E

RGB 180 75 94

HSL 349.14, 0.41%, 0.5%

LAB 46.37, 44.35, 10.7

 

CMYK 0 / 53 / 43 / 23

HEX #C55D71

RGB 197 93 113

HSL 348.46, 0.47%, 0.57%

LAB 52.83, 43.45, 8.75

 

CMYK 0 / 48 / 38 / 16

HEX #D66F84

RGB 214 111 132

HSL 347.77, 0.56%, 0.64%

LAB 59.28, 42.5, 7.12

 

CMYK 0 / 44 / 35 / 9

HEX #E78197

RGB 231 129 151

HSL 347.06, 0.68%, 0.71%

LAB 65.69, 41.56, 5.73

 

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

CMYK 0 / 72 / 57 / 45

HEX #8D273D

RGB 141 39 61

HSL 347.06, 0.57%, 0.35%

LAB 32.81, 44.23, 11.64

 

CMYK 0 / 83 / 66 / 51

HEX #7C152A

RGB 124 21 42

HSL 347.77, 0.71%, 0.28%

LAB 26.7, 43.82, 15.45

 

CMYK 0 / 97 / 79 / 58

HEX #6B0317

RGB 107 3 23

HSL 348.46, 0.95%, 0.22%

LAB 21.03, 42.21, 20.49

 

CMYK 0 / 100 / 96 / 65

HEX #5A0004

RGB 90 0 4

HSL 357.33, 1%, 0.18%

LAB 16.42, 37.58, 23.83

 

CMYK 0 / 64 / 50 / 38

HEX #9D384F

RGB 157 56 79

HSL 346.34, 0.47%, 0.42%

LAB 38.83, 43.87, 8.88

 

CMYK 0 / 64 / 64 / 38

HEX #9D3838

RGB 157 56 56

HSL 0, 0.47%, 0.42%

LAB 38.34, 42.02, 22.65

 

CMYK 0 / 64 / 50 / 38

HEX #9D384F

RGB 157 56 79

HSL 346.34, 0.47%, 0.42%

LAB 38.83, 43.87, 8.88

 

CMYK 0 / 64 / 32 / 38

HEX #9D386A

RGB 157 56 106

HSL 330.3, 0.47%, 0.42%

LAB 39.64, 46.87, -6.95

 

CMYK 0 / 64 / 15 / 38

HEX #9D3885

RGB 157 56 133

HSL 314.26, 0.47%, 0.42%

LAB 40.72, 50.68, -22.03

 

CMYK 3 / 64 / 0 / 38

HEX #99389D

RGB 153 56 157

HSL 297.62, 0.47%, 0.42%

LAB 41.27, 53.66, -35.78

 

CMYK 20 / 64 / 0 / 38

HEX #7E389D

RGB 126 56 157

HSL 281.58, 0.47%, 0.42%

LAB 37.3, 46.95, -42.35

 

CMYK 0 / 64 / 50 / 38

HEX #9D384F

RGB 157 56 79

HSL 346.34, 0.47%, 0.42%

LAB 38.83, 43.87, 8.88

 

CMYK 0 / 78 / 60 / 32

HEX #AE2746

RGB 174 39 70

HSL 346.22, 0.63%, 0.42%

LAB 39.4, 55.03, 15.85

 

CMYK 0 / 89 / 69 / 25

HEX #C0163C

RGB 192 22 60

HSL 346.59, 0.79%, 0.42%

LAB 41.38, 63.51, 25.42

 

CMYK 0 / 98 / 76 / 18

HEX #D10433

RGB 209 4 51

HSL 346.24, 0.96%, 0.42%

LAB 44.06, 69.53, 34.97

 

CMYK 0 / 64 / 50 / 38

HEX #9D384F

RGB 157 56 79

HSL 346.34, 0.47%, 0.42%

LAB 38.83, 43.87, 8.88

 

CMYK 0 / 47 / 36 / 45

HEX #8C4A59

RGB 140 74 89

HSL 346.36, 0.31%, 0.42%

LAB 39.91, 29.63, 3.76

 

CMYK 0 / 25 / 20 / 52

HEX #7A5B62

RGB 122 91 98

HSL 346.45, 0.15%, 0.42%

LAB 42, 13.87, 0.94

 

CMYK 3 / 0 / 1 / 58

HEX #696C6B

RGB 105 108 107

HSL 160, 0.01%, 0.42%

LAB 45.35, -1.36, 0.15

 

CMYK 30 / 0 / 7 / 51

HEX #587E75

RGB 88 126 117

HSL 165.79, 0.18%, 0.42%

LAB 49.83, -15.41, 0.61

 

CMYK 0 / 64 / 15 / 38

HEX #9D3885

RGB 157 56 133

HSL 314.26, 0.47%, 0.42%

LAB 40.72, 50.68, -22.03

 

CMYK 0 / 64 / 32 / 38

HEX #9D386B

RGB 157 56 107

HSL 329.7, 0.47%, 0.42%

LAB 39.68, 47, -7.52

 

CMYK 0 / 64 / 49 / 38

HEX #9D3850

RGB 157 56 80

HSL 345.74, 0.47%, 0.42%

LAB 38.86, 43.97, 8.28

 

CMYK 0 / 62 / 64 / 38

HEX #9D3C38

RGB 157 60 56

HSL 2.38, 0.47%, 0.42%

LAB 39.05, 40.15, 23.53

 

CMYK 0 / 45 / 64 / 38

HEX #9D5638

RGB 157 86 56

HSL 17.82, 0.47%, 0.42%

LAB 44.39, 26.55, 30.1

 

CMYK 0 / 65 / 50 / 62

HEX #602230

RGB 96 34 48

HSL 346.45, 0.48%, 0.25%

LAB 23.15, 29.55, 5.61

 

CMYK 0 / 65 / 50 / 50

HEX #7F2D40

RGB 127 45 64

HSL 346.1, 0.48%, 0.34%

LAB 31.25, 37.12, 7.11

 

CMYK 0 / 64 / 50 / 38

HEX #9D384F

RGB 157 56 79

HSL 346.34, 0.47%, 0.42%

LAB 38.83, 43.87, 8.88

 

CMYK 0 / 64 / 49 / 27

HEX #BB435F

RGB 187 67 95

HSL 346, 0.47%, 0.5%

LAB 46.18, 50.46, 10

 

CMYK 0 / 51 / 39 / 22

HEX #C66279

RGB 198 98 121

HSL 346.2, 0.47%, 0.58%

LAB 54.16, 42.18, 5.92

 

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

CMYK 0 / 2 / 64 / 38

HEX #9D9A38

RGB 157 154 56

HSL 58.22, 0.47%, 0.42%

LAB 62.14, -11.51, 50.05

 

CMYK 64 / 24 / 0 / 38

HEX #38789D

RGB 56 120 157

HSL 201.98, 0.47%, 0.42%

LAB 47.89, -8.63, -26.01

 

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

CMYK 49 / 0 / 64 / 38

HEX #509D38

RGB 80 157 56

HSL 105.74, 0.47%, 0.42%

LAB 58.14, -43.02, 44.29

 

CMYK 64 / 49 / 0 / 38

HEX #38509D

RGB 56 80 157

HSL 225.74, 0.47%, 0.42%

LAB 36.01, 16.39, -44.78

 

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

CMYK 0 / 2 / 64 / 38

HEX #9D9A38

RGB 157 154 56

HSL 58.22, 0.47%, 0.42%

LAB 62.14, -11.51, 50.05

 

CMYK 64 / 0 / 15 / 38

HEX #389D85

RGB 56 157 133

HSL 165.74, 0.47%, 0.42%

LAB 58.65, -35.04, 4.01

 

CMYK 64 / 62 / 0 / 38

HEX #383C9D

RGB 56 60 157

HSL 237.62, 0.47%, 0.42%

LAB 30.66, 29.56, -53.44

 

CMYK 0 / 64 / 49 / 38

HEX #9E3950

RGB 158 57 80

HSL 346.34, 0.47%, 0.42%

LAB 39.2, 43.85, 8.79

 

CMYK 17 / 0 / 64 / 38

HEX #829D38

RGB 130 157 56

HSL 76.04, 0.47%, 0.42%

LAB 60.91, -24.62, 48.11

 

CMYK 64 / 0 / 15 / 38

HEX #389D85

RGB 56 157 133

HSL 165.74, 0.47%, 0.42%

LAB 58.65, -35.04, 4.01

 

CMYK 47 / 64 / 0 / 38

HEX #53389D

RGB 83 56 157

HSL 256.04, 0.47%, 0.42%

LAB 32.04, 37.1, -51.09

 

Description

Color code: RGB 158 57 80 | qconv.com Color code: RGB 158 57 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 57 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 57 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 49 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 49% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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