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Color name
RGB 158 54 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 54 29 it is the complementary color RGB 97 201 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 54 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 54 29 shade: RGB 163 54 24, RGB 180 72 43, RGB 197 90 62, RGB 214 108 81 and RGB 231 126 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 54 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 54 29 shade: RGB 158 54 29, RGB 141 36 10, RGB 124 18 0, RGB 107 0 0 and RGB 90 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 54 29 shade: RGB 159 54 29 and RGB 159 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 54 29 shade: RGB 159 54 29, RGB 159 89 29, RGB 159 124 29, RGB 159 159 29 and RGB 123 159 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 54 29 shade matches the following richer shades: RGB 159 54 29 and RGB 174 45 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 54 29 shade: RGB 159 54 29, RGB 144 63 44, RGB 128 73 59, RGB 113 82 75 and RGB 98 91 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 54 29 shade: RGB 159 29 74, RGB 159 29 40, RGB 159 53 29, RGB 159 87 29 and RGB 159 122 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 54 29 shade: RGB 89 30 16, RGB 124 42 22, RGB 159 54 29, RGB 194 66 35 and RGB 217 85 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 54 29 shade: RGB 158 54 29, RGB 109 159 29 and RGB 29 57 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 54 29 shade: RGB 158 54 29, RGB 29 159 53 and RGB 53 29 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 54 29 shade: RGB 158 54 29, RGB 109 159 29, RGB 29 135 159 and RGB 79 29 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 54 29 shade: RGB 158 54 29, RGB 70 159 29, RGB 29 135 159 and RGB 118 29 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

Complementary color

CMYK 57 / 11 / 0 / 11

HEX #61C9E2

RGB 97 201 226

HSL 191.63, 0.69%, 0.63%

LAB 75.95, -23.07, -21.55

 

CMYK 0 / 67 / 85 / 36

HEX #A33618

RGB 163 54 24

HSL 12.95, 0.74%, 0.37%

LAB 38.71, 43.6, 41.43

 

CMYK 0 / 60 / 76 / 29

HEX #B4482B

RGB 180 72 43

HSL 12.7, 0.61%, 0.44%

LAB 44.96, 42.25, 38.9

 

CMYK 0 / 54 / 69 / 23

HEX #C55A3E

RGB 197 90 62

HSL 12.44, 0.54%, 0.51%

LAB 51.3, 40.81, 36.4

 

CMYK 0 / 50 / 62 / 16

HEX #D66C51

RGB 214 108 81

HSL 12.18, 0.62%, 0.58%

LAB 57.67, 39.4, 34.13

 

CMYK 0 / 45 / 57 / 9

HEX #E77E64

RGB 231 126 100

HSL 11.91, 0.73%, 0.65%

LAB 64.02, 38.06, 32.12

 

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

CMYK 0 / 74 / 93 / 45

HEX #8D240A

RGB 141 36 10

HSL 11.91, 0.87%, 0.3%

LAB 31.68, 42.98, 40.15

 

CMYK 0 / 85 / 100 / 51

HEX #7C1200

RGB 124 18 0

HSL 8.71, 1%, 0.24%

LAB 25.91, 43.18, 38.09

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 66 / 82 / 38

HEX #9F361D

RGB 159 54 29

HSL 11.54, 0.69%, 0.37%

LAB 38.02, 42.31, 38.03

 

CMYK 0 / 82 / 82 / 38

HEX #9F1D1D

RGB 159 29 29

HSL 0, 0.69%, 0.37%

LAB 34.68, 51.52, 34.75

 

CMYK 0 / 66 / 82 / 38

HEX #9F361D

RGB 159 54 29

HSL 11.54, 0.69%, 0.37%

LAB 38.02, 42.31, 38.03

 

CMYK 0 / 44 / 82 / 38

HEX #9F591D

RGB 159 89 29

HSL 27.69, 0.69%, 0.37%

LAB 45.09, 24.31, 44.73

 

CMYK 0 / 22 / 82 / 38

HEX #9F7C1D

RGB 159 124 29

HSL 43.85, 0.69%, 0.37%

LAB 53.89, 4.45, 52.72

 

CMYK 0 / 0 / 82 / 38

HEX #9F9F1D

RGB 159 159 29

HSL 60, 0.69%, 0.37%

LAB 63.55, -14.55, 61.18

 

CMYK 23 / 0 / 82 / 38

HEX #7B9F1D

RGB 123 159 29

HSL 76.62, 0.69%, 0.37%

LAB 60.87, -30.07, 57.79

 

CMYK 0 / 66 / 82 / 38

HEX #9F361D

RGB 159 54 29

HSL 11.54, 0.69%, 0.37%

LAB 38.02, 42.31, 38.03

 

CMYK 0 / 74 / 93 / 32

HEX #AE2D0D

RGB 174 45 13

HSL 11.93, 0.86%, 0.37%

LAB 39.42, 50.72, 47.48

 

CMYK 0 / 66 / 82 / 38

HEX #9F361D

RGB 159 54 29

HSL 11.54, 0.69%, 0.37%

LAB 38.02, 42.31, 38.03

 

CMYK 0 / 56 / 69 / 44

HEX #903F2C

RGB 144 63 44

HSL 11.4, 0.53%, 0.37%

LAB 37.24, 32.91, 28.05

 

CMYK 0 / 43 / 54 / 50

HEX #80493B

RGB 128 73 59

HSL 12.17, 0.37%, 0.37%

LAB 37.24, 21.85, 18.46

 

CMYK 0 / 27 / 34 / 56

HEX #71524B

RGB 113 82 75

HSL 11.05, 0.2%, 0.37%

LAB 37.94, 11.89, 9.19

 

CMYK 0 / 7 / 8 / 62

HEX #625B5A

RGB 98 91 90

HSL 7.5, 0.04%, 0.37%

LAB 39.27, 2.62, 1.58

 

CMYK 0 / 82 / 53 / 38

HEX #9F1D4A

RGB 159 29 74

HSL 339.23, 0.69%, 0.37%

LAB 35.49, 54, 7.43

 

CMYK 0 / 82 / 75 / 38

HEX #9F1D28

RGB 159 29 40

HSL 354.92, 0.69%, 0.37%

LAB 34.81, 51.92, 28.34

 

CMYK 0 / 67 / 82 / 38

HEX #9F351D

RGB 159 53 29

HSL 11.08, 0.69%, 0.37%

LAB 37.85, 42.76, 37.87

 

CMYK 0 / 45 / 82 / 38

HEX #9F571D

RGB 159 87 29

HSL 26.77, 0.69%, 0.37%

LAB 44.63, 25.43, 44.3

 

CMYK 0 / 23 / 82 / 38

HEX #9F7A1D

RGB 159 122 29

HSL 42.92, 0.69%, 0.37%

LAB 53.36, 5.58, 52.25

 

CMYK 0 / 66 / 82 / 65

HEX #591E10

RGB 89 30 16

HSL 11.51, 0.7%, 0.21%

LAB 20.4, 26.33, 23.16

 

CMYK 0 / 66 / 82 / 51

HEX #7C2A16

RGB 124 42 22

HSL 11.76, 0.7%, 0.29%

LAB 29.41, 34.55, 31.13

 

CMYK 0 / 66 / 82 / 38

HEX #9F361D

RGB 159 54 29

HSL 11.54, 0.69%, 0.37%

LAB 38.02, 42.31, 38.03

 

CMYK 0 / 66 / 82 / 24

HEX #C24223

RGB 194 66 35

HSL 11.7, 0.69%, 0.45%

LAB 46.29, 49.7, 45.12

 

CMYK 0 / 61 / 76 / 15

HEX #D95535

RGB 217 85 53

HSL 11.71, 0.68%, 0.53%

LAB 53.5, 50.1, 44.55

 

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

CMYK 31 / 0 / 82 / 38

HEX #6D9F1D

RGB 109 159 29

HSL 83.08, 0.69%, 0.37%

LAB 60.01, -35.66, 56.7

 

CMYK 82 / 64 / 0 / 38

HEX #1D399F

RGB 29 57 159

HSL 227.08, 0.69%, 0.37%

LAB 28.62, 28.86, -58.04

 

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

CMYK 82 / 0 / 67 / 38

HEX #1D9F35

RGB 29 159 53

HSL 131.08, 0.69%, 0.37%

LAB 57.38, -55.11, 44.39

 

CMYK 67 / 82 / 0 / 38

HEX #351D9F

RGB 53 29 159

HSL 251.08, 0.69%, 0.37%

LAB 24.13, 47.67, -65.39

 

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

CMYK 31 / 0 / 82 / 38

HEX #6D9F1D

RGB 109 159 29

HSL 83.08, 0.69%, 0.37%

LAB 60.01, -35.66, 56.7

 

CMYK 82 / 15 / 0 / 38

HEX #1D879F

RGB 29 135 159

HSL 191.08, 0.69%, 0.37%

LAB 51.94, -20.1, -20.98

 

CMYK 50 / 82 / 0 / 38

HEX #4F1D9F

RGB 79 29 159

HSL 263.08, 0.69%, 0.37%

LAB 26.86, 50.68, -60.79

 

CMYK 0 / 66 / 82 / 38

HEX #9E361D

RGB 158 54 29

HSL 11.63, 0.69%, 0.37%

LAB 37.84, 41.95, 37.8

 

CMYK 56 / 0 / 82 / 38

HEX #469F1D

RGB 70 159 29

HSL 101.08, 0.69%, 0.37%

LAB 58.21, -48.82, 54.39

 

CMYK 82 / 15 / 0 / 38

HEX #1D879F

RGB 29 135 159

HSL 191.08, 0.69%, 0.37%

LAB 51.94, -20.1, -20.98

 

CMYK 26 / 82 / 0 / 38

HEX #761D9F

RGB 118 29 159

HSL 281.08, 0.69%, 0.37%

LAB 32.33, 56.78, -51.62

 

Description

Color code: RGB 158 54 29 | qconv.com Color code: RGB 158 54 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 54 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 54 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 82% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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