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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 52 217 it is the complementary color RGB 97 203 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 52 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 52 217 shade: RGB 163 52 212, RGB 180 70 231, RGB 197 88 250, RGB 214 106 255 and RGB 231 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 52 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 52 217 shade: RGB 158 52 217, RGB 141 34 198, RGB 124 16 179, RGB 107 0 160 and RGB 90 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 52 217 shade: RGB 158 53 216, RGB 202 53 216, RGB 216 53 187, RGB 216 53 143 and RGB 216 53 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 52 217 shade: RGB 158 53 216, RGB 114 53 216, RGB 70 53 216 and RGB 53 53 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 52 217 shade matches the following richer shades: RGB 158 53 216 and RGB 163 34 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 52 217 shade: RGB 158 53 216, RGB 152 73 197, RGB 147 92 177, RGB 141 111 158 and RGB 136 131 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 52 217 shade: RGB 69 53 216, RGB 113 53 216, RGB 156 53 216, RGB 200 53 216 and RGB 216 53 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 52 217 shade: RGB 112 30 157, RGB 136 36 192, RGB 158 53 216, RGB 175 88 223 and RGB 191 122 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 52 217 shade: RGB 158 52 217, RGB 216 53 80 and RGB 53 216 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 52 217 shade: RGB 158 52 217, RGB 216 156 53 and RGB 53 216 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 52 217 shade: RGB 158 52 217, RGB 216 53 80, RGB 113 216 53 and RGB 53 216 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 52 217 shade: RGB 158 52 217, RGB 216 75 53, RGB 113 216 53 and RGB 53 194 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

Complementary color

CMYK 52 / 0 / 81 / 20

HEX #61CB26

RGB 97 203 38

HSL 98.55, 0.68%, 0.47%

LAB 73.15, -57.07, 65.97

 

CMYK 23 / 75 / 0 / 17

HEX #A334D4

RGB 163 52 212

HSL 281.63, 0.65%, 0.52%

LAB 45.63, 67.9, -61.01

 

CMYK 22 / 70 / 0 / 9

HEX #B446E7

RGB 180 70 231

HSL 280.99, 0.77%, 0.59%

LAB 51.67, 68.18, -61.95

 

CMYK 21 / 65 / 0 / 2

HEX #C558FA

RGB 197 88 250

HSL 280.37, 0.94%, 0.66%

LAB 57.8, 68.01, -62.59

 

CMYK 16 / 58 / 0 / 0

HEX #D66AFF

RGB 214 106 255

HSL 283.49, 1%, 0.71%

LAB 63.2, 64.76, -56.6

 

CMYK 9 / 51 / 0 / 0

HEX #E77CFF

RGB 231 124 255

HSL 289.01, 1%, 0.74%

LAB 68.48, 60.49, -48.1

 

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

CMYK 29 / 83 / 0 / 22

HEX #8D22C6

RGB 141 34 198

HSL 279.15, 0.71%, 0.45%

LAB 39.38, 67.1, -63.19

 

CMYK 31 / 91 / 0 / 30

HEX #7C10B3

RGB 124 16 179

HSL 279.75, 0.84%, 0.38%

LAB 33.8, 65.04, -61.22

 

CMYK 33 / 100 / 0 / 37

HEX #6B00A0

RGB 107 0 160

HSL 280.13, 1%, 0.31%

LAB 28.55, 61.63, -58.48

 

CMYK 36 / 100 / 0 / 45

HEX #5A008D

RGB 90 0 141

HSL 278.3, 1%, 0.28%

LAB 23.99, 55.74, -54.36

 

CMYK 27 / 75 / 0 / 15

HEX #9E35D8

RGB 158 53 216

HSL 278.65, 0.68%, 0.53%

LAB 45.32, 67.45, -63.84

 

CMYK 6 / 75 / 0 / 15

HEX #CA35D8

RGB 202 53 216

HSL 294.85, 0.68%, 0.53%

LAB 51.91, 75.73, -52.89

 

CMYK 0 / 75 / 13 / 15

HEX #D835BB

RGB 216 53 187

HSL 310.67, 0.68%, 0.53%

LAB 52.66, 74.22, -34.87

 

CMYK 0 / 75 / 34 / 15

HEX #D8358F

RGB 216 53 143

HSL 326.87, 0.68%, 0.53%

LAB 50.84, 68.75, -11.73

 

CMYK 0 / 75 / 54 / 15

HEX #D83563

RGB 216 53 99

HSL 343.07, 0.68%, 0.53%

LAB 49.55, 64.72, 13.02

 

CMYK 27 / 75 / 0 / 15

HEX #9E35D8

RGB 158 53 216

HSL 278.65, 0.68%, 0.53%

LAB 45.32, 67.45, -63.84

 

CMYK 47 / 75 / 0 / 15

HEX #7235D8

RGB 114 53 216

HSL 262.45, 0.68%, 0.53%

LAB 39.72, 60.21, -73.21

 

CMYK 68 / 75 / 0 / 15

HEX #4635D8

RGB 70 53 216

HSL 246.26, 0.68%, 0.53%

LAB 35.61, 54.74, -80.12

 

CMYK 75 / 75 / 0 / 15

HEX #3535D8

RGB 53 53 216

HSL 240, 0.68%, 0.53%

LAB 34.52, 53.25, -81.95

 

CMYK 27 / 75 / 0 / 15

HEX #9E35D8

RGB 158 53 216

HSL 278.65, 0.68%, 0.53%

LAB 45.32, 67.45, -63.84

 

CMYK 31 / 86 / 0 / 7

HEX #A322EC

RGB 163 34 236

HSL 278.32, 0.84%, 0.53%

LAB 45.62, 77.91, -74.71

 

CMYK 27 / 75 / 0 / 15

HEX #9E35D8

RGB 158 53 216

HSL 278.65, 0.68%, 0.53%

LAB 45.32, 67.45, -63.84

 

CMYK 23 / 63 / 0 / 23

HEX #9849C5

RGB 152 73 197

HSL 278.23, 0.52%, 0.53%

LAB 46.27, 53.68, -51.4

 

CMYK 17 / 48 / 0 / 31

HEX #935CB1

RGB 147 92 177

HSL 278.82, 0.35%, 0.53%

LAB 48.3, 37.97, -36.58

 

CMYK 11 / 30 / 0 / 38

HEX #8D6F9E

RGB 141 111 158

HSL 278.3, 0.2%, 0.53%

LAB 51.27, 20.91, -20.91

 

CMYK 2 / 6 / 0 / 45

HEX #88838B

RGB 136 131 139

HSL 277.5, 0.03%, 0.53%

LAB 55.41, 3.45, -3.64

 

CMYK 68 / 75 / 0 / 15

HEX #4535D8

RGB 69 53 216

HSL 245.89, 0.68%, 0.53%

LAB 35.54, 54.64, -80.24

 

CMYK 48 / 75 / 0 / 15

HEX #7135D8

RGB 113 53 216

HSL 262.09, 0.68%, 0.53%

LAB 39.61, 60.07, -73.4

 

CMYK 28 / 75 / 0 / 15

HEX #9C35D8

RGB 156 53 216

HSL 277.91, 0.68%, 0.53%

LAB 45.04, 67.1, -64.3

 

CMYK 7 / 75 / 0 / 15

HEX #C835D8

RGB 200 53 216

HSL 294.11, 0.68%, 0.53%

LAB 51.59, 75.34, -53.41

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 29 / 81 / 0 / 38

HEX #701E9D

RGB 112 30 157

HSL 278.74, 0.68%, 0.37%

LAB 31.36, 54.98, -52.02

 

CMYK 29 / 81 / 0 / 25

HEX #8824C0

RGB 136 36 192

HSL 278.46, 0.68%, 0.45%

LAB 38.38, 64.48, -61.35

 

CMYK 27 / 75 / 0 / 15

HEX #9E35D8

RGB 158 53 216

HSL 278.65, 0.68%, 0.53%

LAB 45.32, 67.45, -63.84

 

CMYK 22 / 61 / 0 / 13

HEX #AF58DF

RGB 175 88 223

HSL 278.67, 0.68%, 0.61%

LAB 53.41, 57.46, -54.68

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

CMYK 0 / 75 / 63 / 15

HEX #D83550

RGB 216 53 80

HSL 350.06, 0.68%, 0.53%

LAB 49.16, 63.46, 24.03

 

CMYK 75 / 0 / 58 / 15

HEX #35D85B

RGB 53 216 91

HSL 133.99, 0.68%, 0.53%

LAB 76.45, -66.15, 49.23

 

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

CMYK 0 / 28 / 75 / 15

HEX #D89C35

RGB 216 156 53

HSL 37.91, 0.68%, 0.53%

LAB 68.48, 13.17, 59.61

 

CMYK 75 / 0 / 28 / 15

HEX #35D89C

RGB 53 216 156

HSL 157.91, 0.68%, 0.53%

LAB 77.44, -54.84, 18.04

 

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

CMYK 0 / 75 / 63 / 15

HEX #D83550

RGB 216 53 80

HSL 350.06, 0.68%, 0.53%

LAB 49.16, 63.46, 24.03

 

CMYK 48 / 0 / 75 / 15

HEX #71D835

RGB 113 216 53

HSL 97.91, 0.68%, 0.53%

LAB 77.8, -56.46, 66.14

 

CMYK 75 / 0 / 13 / 15

HEX #35D8BD

RGB 53 216 189

HSL 170.06, 0.68%, 0.53%

LAB 78.19, -46.91, 1.57

 

CMYK 27 / 76 / 0 / 15

HEX #9E34D9

RGB 158 52 217

HSL 278.55, 0.68%, 0.53%

LAB 45.27, 68.02, -64.49

 

CMYK 0 / 65 / 75 / 15

HEX #D84B35

RGB 216 75 53

HSL 8.1, 0.68%, 0.53%

LAB 51.71, 54.08, 42.6

 

CMYK 48 / 0 / 75 / 15

HEX #71D835

RGB 113 216 53

HSL 97.91, 0.68%, 0.53%

LAB 77.8, -56.46, 66.14

 

CMYK 75 / 10 / 0 / 15

HEX #35C2D8

RGB 53 194 216

HSL 188.1, 0.68%, 0.53%

LAB 72.43, -29.18, -21.59

 

Description

Color code: RGB 158 52 217 | qconv.com Color code: RGB 158 52 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 52 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 52 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 76 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 76% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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