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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 129 123 it is the complementary color RGB 97 126 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 129 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 129 123 shade: RGB 163 129 118, RGB 180 147 137, RGB 197 165 156, RGB 214 183 175 and RGB 231 201 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 129 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 129 123 shade: RGB 158 129 123, RGB 141 111 104, RGB 124 93 85, RGB 107 75 66 and RGB 90 57 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 129 123 shade: RGB 157 128 123 and RGB 157 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 129 123 shade: RGB 157 128 123, RGB 157 138 123, RGB 157 147 123, RGB 157 156 123 and RGB 148 157 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 129 123 shade matches the following richer shades: RGB 157 128 123, RGB 176 116 104, RGB 194 104 85, RGB 213 92 67 and RGB 231 80 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 129 123 shade: RGB 157 128 123, RGB 138 141 141, RGB 120 153 160, RGB 101 165 178 and RGB 83 177 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 129 123 shade: RGB 157 123 135, RGB 157 123 126, RGB 157 128 123, RGB 157 137 123 and RGB 157 147 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 129 123 shade: RGB 113 89 84, RGB 137 107 101, RGB 157 128 123, RGB 174 151 146 and RGB 192 174 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 129 123 shade: RGB 158 129 123, RGB 144 157 123 and RGB 123 131 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 129 123 shade: RGB 158 129 123, RGB 123 157 128 and RGB 128 123 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 129 123 shade: RGB 158 129 123, RGB 144 157 123, RGB 123 151 157 and RGB 135 123 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 129 123 shade: RGB 158 129 123, RGB 134 157 123, RGB 123 151 157 and RGB 145 123 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

Complementary color

CMYK 27 / 5 / 0 / 48

HEX #617E84

RGB 97 126 132

HSL 190.29, 0.15%, 0.45%

LAB 50.84, -8.86, -6.66

 

CMYK 0 / 21 / 28 / 36

HEX #A38176

RGB 163 129 118

HSL 14.67, 0.2%, 0.55%

LAB 56.88, 11.39, 10.94

 

CMYK 0 / 18 / 24 / 29

HEX #B49389

RGB 180 147 137

HSL 13.95, 0.22%, 0.62%

LAB 63.65, 10.81, 9.94

 

CMYK 0 / 16 / 21 / 23

HEX #C5A59C

RGB 197 165 156

HSL 13.17, 0.26%, 0.69%

LAB 70.3, 10.3, 9.03

 

CMYK 0 / 14 / 18 / 16

HEX #D6B7AF

RGB 214 183 175

HSL 12.31, 0.32%, 0.76%

LAB 76.84, 9.84, 8.17

 

CMYK 0 / 13 / 16 / 9

HEX #E7C9C2

RGB 231 201 194

HSL 11.35, 0.44%, 0.83%

LAB 83.26, 9.43, 7.37

 

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

CMYK 0 / 21 / 26 / 45

HEX #8D6F68

RGB 141 111 104

HSL 11.35, 0.15%, 0.48%

LAB 49.53, 10.74, 8.41

 

CMYK 0 / 25 / 31 / 51

HEX #7C5D55

RGB 124 93 85

HSL 12.31, 0.19%, 0.41%

LAB 42.41, 11.43, 9.5

 

CMYK 0 / 30 / 38 / 58

HEX #6B4B42

RGB 107 75 66

HSL 13.17, 0.24%, 0.34%

LAB 35.11, 12.27, 10.75

 

CMYK 0 / 37 / 48 / 65

HEX #5A392F

RGB 90 57 47

HSL 13.95, 0.31%, 0.27%

LAB 27.59, 13.32, 12.25

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 0 / 22 / 22 / 38

HEX #9D7B7B

RGB 157 123 123

HSL 0, 0.15%, 0.55%

LAB 54.83, 13.19, 5.05

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 0 / 12 / 22 / 38

HEX #9D8A7B

RGB 157 138 123

HSL 26.47, 0.15%, 0.55%

LAB 58.77, 4.66, 10.65

 

CMYK 0 / 6 / 22 / 38

HEX #9D937B

RGB 157 147 123

HSL 42.35, 0.15%, 0.55%

LAB 61.19, -0.37, 14.05

 

CMYK 0 / 1 / 22 / 38

HEX #9D9C7B

RGB 157 156 123

HSL 58.24, 0.15%, 0.55%

LAB 63.65, -5.3, 17.46

 

CMYK 6 / 0 / 22 / 38

HEX #949D7B

RGB 148 157 123

HSL 75.88, 0.15%, 0.55%

LAB 63.21, -9.35, 16.74

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 0 / 34 / 41 / 31

HEX #B07468

RGB 176 116 104

HSL 10, 0.31%, 0.55%

LAB 54.78, 22.15, 16.33

 

CMYK 0 / 46 / 56 / 24

HEX #C26855

RGB 194 104 85

HSL 10.46, 0.47%, 0.55%

LAB 54.05, 34.02, 26.72

 

CMYK 0 / 57 / 69 / 16

HEX #D55C43

RGB 213 92 67

HSL 10.27, 0.63%, 0.55%

LAB 54.24, 46.07, 37.71

 

CMYK 0 / 65 / 79 / 9

HEX #E75030

RGB 231 80 48

HSL 10.49, 0.79%, 0.55%

LAB 55.01, 56.88, 49.37

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 25 / 4 / 0 / 37

HEX #7899A0

RGB 120 153 160

HSL 190.5, 0.17%, 0.55%

LAB 61.06, -9.74, -7.42

 

CMYK 43 / 7 / 0 / 30

HEX #65A5B2

RGB 101 165 178

HSL 190.13, 0.33%, 0.55%

LAB 64.07, -17.04, -13.15

 

CMYK 58 / 10 / 0 / 23

HEX #53B1C5

RGB 83 177 197

HSL 190.53, 0.5%, 0.55%

LAB 67.51, -21.94, -18.58

 

CMYK 0 / 22 / 14 / 38

HEX #9D7B87

RGB 157 123 135

HSL 338.82, 0.15%, 0.55%

LAB 55.16, 15.18, -1.46

 

CMYK 0 / 22 / 20 / 38

HEX #9D7B7E

RGB 157 123 126

HSL 354.71, 0.15%, 0.55%

LAB 54.91, 13.67, 3.42

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 0 / 13 / 22 / 38

HEX #9D897B

RGB 157 137 123

HSL 24.71, 0.15%, 0.55%

LAB 58.5, 5.22, 10.28

 

CMYK 0 / 6 / 22 / 38

HEX #9D937B

RGB 157 147 123

HSL 42.35, 0.15%, 0.55%

LAB 61.19, -0.37, 14.05

 

CMYK 0 / 21 / 26 / 56

HEX #715954

RGB 113 89 84

HSL 10.34, 0.15%, 0.39%

LAB 40.07, 9.01, 6.64

 

CMYK 0 / 22 / 26 / 46

HEX #896B65

RGB 137 107 101

HSL 10, 0.15%, 0.47%

LAB 47.97, 10.98, 7.92

 

CMYK 0 / 18 / 22 / 38

HEX #9D807B

RGB 157 128 123

HSL 8.82, 0.15%, 0.55%

LAB 56.12, 10.33, 6.9

 

CMYK 0 / 13 / 16 / 32

HEX #AE9792

RGB 174 151 146

HSL 10.71, 0.15%, 0.63%

LAB 64.33, 7.68, 5.77

 

CMYK 0 / 9 / 11 / 25

HEX #C0AEAA

RGB 192 174 170

HSL 10.91, 0.15%, 0.71%

LAB 72.48, 5.78, 4.39

 

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

CMYK 8 / 0 / 22 / 38

HEX #909D7B

RGB 144 157 123

HSL 82.94, 0.15%, 0.55%

LAB 62.91, -10.88, 16.27

 

CMYK 22 / 17 / 0 / 38

HEX #7B839D

RGB 123 131 157

HSL 225.88, 0.15%, 0.55%

LAB 54.95, 2.91, -14.86

 

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

CMYK 22 / 0 / 18 / 38

HEX #7B9D80

RGB 123 157 128

HSL 128.82, 0.15%, 0.55%

LAB 61.55, -17.72, 11.38

 

CMYK 18 / 22 / 0 / 38

HEX #807B9D

RGB 128 123 157

HSL 248.82, 0.15%, 0.55%

LAB 53.16, 9.24, -17.54

 

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

CMYK 8 / 0 / 22 / 38

HEX #909D7B

RGB 144 157 123

HSL 82.94, 0.15%, 0.55%

LAB 62.91, -10.88, 16.27

 

CMYK 22 / 4 / 0 / 38

HEX #7B979D

RGB 123 151 157

HSL 190.59, 0.15%, 0.55%

LAB 60.59, -8.39, -6.4

 

CMYK 14 / 22 / 0 / 38

HEX #877B9D

RGB 135 123 157

HSL 261.18, 0.15%, 0.55%

LAB 53.76, 11.6, -16.56

 

CMYK 0 / 18 / 22 / 38

HEX #9E817B

RGB 158 129 123

HSL 10.29, 0.15%, 0.55%

LAB 56.49, 10.15, 7.43

 

CMYK 15 / 0 / 22 / 38

HEX #869D7B

RGB 134 157 123

HSL 100.59, 0.15%, 0.55%

LAB 62.18, -14.65, 15.15

 

CMYK 22 / 4 / 0 / 38

HEX #7B979D

RGB 123 151 157

HSL 190.59, 0.15%, 0.55%

LAB 60.59, -8.39, -6.4

 

CMYK 8 / 22 / 0 / 38

HEX #917B9D

RGB 145 123 157

HSL 278.82, 0.15%, 0.55%

LAB 54.68, 15.05, -15.09

 

Description

Color code: RGB 158 129 123 | qconv.com Color code: RGB 158 129 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 129 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 129 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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