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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 104 221 it is the complementary color RGB 97 151 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 104 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 104 221 shade: RGB 163 104 216, RGB 180 122 235, RGB 197 140 254, RGB 214 158 255 and RGB 231 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 104 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 104 221 shade: RGB 158 104 221, RGB 141 86 202, RGB 124 68 183, RGB 107 50 164 and RGB 90 32 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 104 221 shade: RGB 158 105 221, RGB 189 105 221, RGB 221 105 220, RGB 221 105 189 and RGB 221 105 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 104 221 shade: RGB 158 105 221, RGB 127 105 221 and RGB 105 105 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 104 221 shade matches the following richer shades: RGB 158 105 221, RGB 157 90 235 and RGB 156 75 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 104 221 shade: RGB 158 105 221, RGB 159 120 206, RGB 161 135 191, RGB 162 149 176 and RGB 163 164 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 104 221 shade: RGB 105 115 221, RGB 126 105 221, RGB 157 105 221, RGB 188 105 221 and RGB 219 105 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 104 221 shade: RGB 116 45 198, RGB 137 71 213, RGB 158 105 221, RGB 180 138 228 and RGB 202 172 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 104 221 shade: RGB 158 104 221, RGB 221 105 145 and RGB 105 221 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 104 221 shade: RGB 158 104 221, RGB 221 157 105 and RGB 105 221 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 104 221 shade: RGB 158 104 221, RGB 221 105 145, RGB 168 221 105 and RGB 105 221 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 104 221 shade: RGB 158 104 221, RGB 221 105 111, RGB 168 221 105 and RGB 105 221 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

Complementary color

CMYK 36 / 0 / 77 / 41

HEX #619722

RGB 97 151 34

HSL 87.69, 0.63%, 0.36%

LAB 56.87, -36.39, 51.98

 

CMYK 25 / 52 / 0 / 15

HEX #A368D8

RGB 163 104 216

HSL 271.61, 0.59%, 0.63%

LAB 54.7, 44.69, -48.74

 

CMYK 23 / 48 / 0 / 8

HEX #B47AEB

RGB 180 122 235

HSL 270.8, 0.74%, 0.7%

LAB 61.33, 43.81, -48.76

 

CMYK 22 / 45 / 0 / 0

HEX #C58CFE

RGB 197 140 254

HSL 270, 0.98%, 0.77%

LAB 67.86, 42.95, -48.78

 

CMYK 16 / 38 / 0 / 0

HEX #D69EFF

RGB 214 158 255

HSL 274.64, 1%, 0.81%

LAB 73.53, 38.23, -40.33

 

CMYK 9 / 31 / 0 / 0

HEX #E7B0FF

RGB 231 176 255

HSL 281.77, 1%, 0.85%

LAB 79.19, 33.64, -31.42

 

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

CMYK 30 / 57 / 0 / 21

HEX #8D56CA

RGB 141 86 202

HSL 268.45, 0.52%, 0.56%

LAB 47.73, 45.55, -52.02

 

CMYK 32 / 63 / 0 / 28

HEX #7C44B7

RGB 124 68 183

HSL 269.22, 0.46%, 0.49%

LAB 40.96, 46.47, -51.96

 

CMYK 35 / 70 / 0 / 36

HEX #6B32A4

RGB 107 50 164

HSL 270, 0.53%, 0.42%

LAB 34.16, 47.23, -51.74

 

CMYK 38 / 78 / 0 / 43

HEX #5A2091

RGB 90 32 145

HSL 270.8, 0.64%, 0.35%

LAB 27.44, 47.57, -51.19

 

CMYK 29 / 52 / 0 / 13

HEX #9E69DD

RGB 158 105 221

HSL 267.41, 0.63%, 0.64%

LAB 54.65, 44.04, -51.68

 

CMYK 14 / 52 / 0 / 13

HEX #BD69DD

RGB 189 105 221

HSL 283.45, 0.63%, 0.64%

LAB 58.17, 52.12, -45.87

 

CMYK 0 / 52 / 0 / 13

HEX #DD69DC

RGB 221 105 220

HSL 300.52, 0.63%, 0.64%

LAB 62.2, 60.5, -38.68

 

CMYK 0 / 52 / 14 / 13

HEX #DD69BD

RGB 221 105 189

HSL 316.55, 0.63%, 0.64%

LAB 60.91, 55.43, -23.17

 

CMYK 0 / 52 / 29 / 13

HEX #DD699E

RGB 221 105 158

HSL 332.59, 0.63%, 0.64%

LAB 59.84, 51.03, -7

 

CMYK 29 / 52 / 0 / 13

HEX #9E69DD

RGB 158 105 221

HSL 267.41, 0.63%, 0.64%

LAB 54.65, 44.04, -51.68

 

CMYK 43 / 52 / 0 / 13

HEX #7F69DD

RGB 127 105 221

HSL 251.38, 0.63%, 0.64%

LAB 51.65, 36.5, -56.65

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

CMYK 29 / 52 / 0 / 13

HEX #9E69DD

RGB 158 105 221

HSL 267.41, 0.63%, 0.64%

LAB 54.65, 44.04, -51.68

 

CMYK 33 / 62 / 0 / 8

HEX #9D5AEB

RGB 157 90 235

HSL 267.72, 0.78%, 0.64%

LAB 52.37, 55.12, -63.21

 

CMYK 38 / 70 / 0 / 2

HEX #9C4BFA

RGB 156 75 250

HSL 267.77, 0.95%, 0.64%

LAB 50.69, 65.67, -74.33

 

CMYK 29 / 52 / 0 / 13

HEX #9E69DD

RGB 158 105 221

HSL 267.41, 0.63%, 0.64%

LAB 54.65, 44.04, -51.68

 

CMYK 23 / 42 / 0 / 19

HEX #9F78CE

RGB 159 120 206

HSL 267.21, 0.47%, 0.64%

LAB 57.33, 32.33, -38.96

 

CMYK 16 / 29 / 0 / 25

HEX #A187BF

RGB 161 135 191

HSL 267.86, 0.3%, 0.64%

LAB 60.49, 20.91, -25.55

 

CMYK 8 / 15 / 0 / 31

HEX #A295B0

RGB 162 149 176

HSL 268.89, 0.15%, 0.64%

LAB 63.6, 10.03, -12.34

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 52 / 48 / 0 / 13

HEX #6973DD

RGB 105 115 221

HSL 234.83, 0.63%, 0.64%

LAB 52.38, 25.64, -55.57

 

CMYK 43 / 52 / 0 / 13

HEX #7E69DD

RGB 126 105 221

HSL 250.86, 0.63%, 0.64%

LAB 51.56, 36.27, -56.79

 

CMYK 29 / 52 / 0 / 13

HEX #9D69DD

RGB 157 105 221

HSL 266.9, 0.63%, 0.64%

LAB 54.54, 43.79, -51.85

 

CMYK 15 / 52 / 0 / 13

HEX #BC69DD

RGB 188 105 221

HSL 282.93, 0.63%, 0.64%

LAB 58.05, 51.86, -46.07

 

CMYK 1 / 52 / 0 / 13

HEX #DB69DD

RGB 219 105 221

HSL 298.97, 0.63%, 0.64%

LAB 61.98, 60.13, -39.61

 

CMYK 41 / 77 / 0 / 22

HEX #742DC6

RGB 116 45 198

HSL 267.84, 0.63%, 0.48%

LAB 37.24, 59.42, -66.84

 

CMYK 36 / 67 / 0 / 16

HEX #8947D5

RGB 137 71 213

HSL 267.89, 0.63%, 0.56%

LAB 45.12, 55.1, -62.57

 

CMYK 29 / 52 / 0 / 13

HEX #9E69DD

RGB 158 105 221

HSL 267.41, 0.63%, 0.64%

LAB 54.65, 44.04, -51.68

 

CMYK 21 / 39 / 0 / 11

HEX #B48AE4

RGB 180 138 228

HSL 268, 0.63%, 0.72%

LAB 64.55, 33.39, -39.81

 

CMYK 14 / 27 / 0 / 7

HEX #CAACEC

RGB 202 172 236

HSL 268.13, 0.63%, 0.8%

LAB 74.9, 22.95, -28

 

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

CMYK 0 / 52 / 34 / 13

HEX #DD6991

RGB 221 105 145

HSL 339.31, 0.63%, 0.64%

LAB 59.45, 49.41, -0.04

 

CMYK 52 / 0 / 50 / 13

HEX #69DD6F

RGB 105 221 111

HSL 123.1, 0.63%, 0.64%

LAB 79.54, -54.95, 43.9

 

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

CMYK 0 / 29 / 52 / 13

HEX #DD9D69

RGB 221 157 105

HSL 26.9, 0.63%, 0.64%

LAB 69.83, 18.08, 36.53

 

CMYK 52 / 0 / 29 / 13

HEX #69DD9D

RGB 105 221 157

HSL 146.9, 0.63%, 0.64%

LAB 80.26, -47.34, 21.62

 

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

CMYK 0 / 52 / 34 / 13

HEX #DD6991

RGB 221 105 145

HSL 339.31, 0.63%, 0.64%

LAB 59.45, 49.41, -0.04

 

CMYK 24 / 0 / 52 / 13

HEX #A8DD69

RGB 168 221 105

HSL 87.41, 0.63%, 0.64%

LAB 82.41, -35.77, 50.9

 

CMYK 52 / 0 / 19 / 13

HEX #69DDB4

RGB 105 221 180

HSL 158.79, 0.63%, 0.64%

LAB 80.75, -42.56, 10.2

 

CMYK 29 / 53 / 0 / 13

HEX #9E68DD

RGB 158 104 221

HSL 267.69, 0.63%, 0.64%

LAB 54.44, 44.59, -52.02

 

CMYK 0 / 52 / 50 / 13

HEX #DD696F

RGB 221 105 111

HSL 356.9, 0.63%, 0.64%

LAB 58.62, 45.85, 18.51

 

CMYK 24 / 0 / 52 / 13

HEX #A8DD69

RGB 168 221 105

HSL 87.41, 0.63%, 0.64%

LAB 82.41, -35.77, 50.9

 

CMYK 52 / 0 / 3 / 13

HEX #69DDD7

RGB 105 221 215

HSL 176.9, 0.63%, 0.64%

LAB 81.63, -34.19, -7.1

 

Description

Color code: RGB 158 104 221 | qconv.com Color code: RGB 158 104 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 104 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 104 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 53 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 53% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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