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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 69 254 it is the complementary color RGB 98 186 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 69 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 69 254 shade: RGB 162 69 249, RGB 179 87 255, RGB 196 105 255, RGB 213 123 255 and RGB 230 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 69 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 69 254 shade: RGB 157 69 254, RGB 140 51 235, RGB 123 33 216, RGB 106 15 197 and RGB 89 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 69 254 shade: RGB 156 67 254, RGB 206 67 254, RGB 254 67 251, RGB 254 67 200 and RGB 254 67 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 69 254 shade: RGB 156 67 254, RGB 105 67 254 and RGB 67 67 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 69 254 shade matches the following richer shades: RGB 156 67 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 69 254 shade: RGB 156 67 254, RGB 156 82 238, RGB 157 97 223, RGB 158 113 208 and RGB 159 128 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 69 254 shade: RGB 67 79 254, RGB 104 67 254, RGB 154 67 254, RGB 204 67 254 and RGB 254 67 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 69 254 shade: RGB 113 1 237, RGB 134 26 253, RGB 156 67 254, RGB 177 108 254 and RGB 199 149 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 69 254 shade: RGB 157 69 254, RGB 254 67 129 and RGB 67 254 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 69 254 shade: RGB 157 69 254, RGB 254 154 67 and RGB 67 254 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 69 254 shade: RGB 157 69 254, RGB 254 67 129, RGB 166 254 67 and RGB 67 254 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 69 254 shade: RGB 157 69 254, RGB 254 67 73, RGB 166 254 67 and RGB 67 254 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

Complementary color

CMYK 47 / 0 / 99 / 27

HEX #62BA01

RGB 98 186 1

HSL 88.54, 0.99%, 0.37%

LAB 67.81, -51.49, 67.9

 

CMYK 35 / 72 / 0 / 2

HEX #A245F9

RGB 162 69 249

HSL 271, 0.94%, 0.62%

LAB 50.43, 69.06, -74.17

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 23 / 59 / 0 / 0

HEX #C469FF

RGB 196 105 255

HSL 276.4, 1%, 0.71%

LAB 60.83, 61, -60.5

 

CMYK 16 / 52 / 0 / 0

HEX #D57BFF

RGB 213 123 255

HSL 280.91, 1%, 0.74%

LAB 66.16, 56.3, -51.9

 

CMYK 10 / 45 / 0 / 0

HEX #E68DFF

RGB 230 141 255

HSL 286.84, 1%, 0.78%

LAB 71.62, 51.75, -43.18

 

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

CMYK 40 / 78 / 0 / 8

HEX #8C33EB

RGB 140 51 235

HSL 269.02, 0.82%, 0.56%

LAB 44.15, 69.4, -76.66

 

CMYK 43 / 85 / 0 / 15

HEX #7B21D8

RGB 123 33 216

HSL 269.51, 0.73%, 0.49%

LAB 38.3, 68.74, -75.5

 

CMYK 46 / 92 / 0 / 23

HEX #6A0FC5

RGB 106 15 197

HSL 270, 0.86%, 0.42%

LAB 32.78, 66.91, -73.62

 

CMYK 50 / 100 / 0 / 30

HEX #5900B2

RGB 89 0 178

HSL 270, 1%, 0.35%

LAB 27.68, 63.65, -70.87

 

CMYK 39 / 74 / 0 / 0

HEX #9C43FE

RGB 156 67 254

HSL 268.56, 0.99%, 0.63%

LAB 49.78, 70.01, -78.04

 

CMYK 19 / 74 / 0 / 0

HEX #CE43FE

RGB 206 67 254

HSL 284.6, 0.99%, 0.63%

LAB 56.38, 78.73, -67.03

 

CMYK 0 / 74 / 1 / 0

HEX #FE43FB

RGB 254 67 251

HSL 300.96, 0.99%, 0.63%

LAB 63.38, 87.44, -53.75

 

CMYK 0 / 74 / 21 / 0

HEX #FE43C8

RGB 254 67 200

HSL 317.33, 0.99%, 0.63%

LAB 61.01, 80.41, -28.87

 

CMYK 0 / 74 / 41 / 0

HEX #FE4396

RGB 254 67 150

HSL 333.37, 0.99%, 0.63%

LAB 59.24, 74.93, -2.65

 

CMYK 39 / 74 / 0 / 0

HEX #9C43FE

RGB 156 67 254

HSL 268.56, 0.99%, 0.63%

LAB 49.78, 70.01, -78.04

 

CMYK 59 / 74 / 0 / 0

HEX #6943FE

RGB 105 67 254

HSL 252.19, 0.99%, 0.63%

LAB 44.48, 62.72, -86.93

 

CMYK 74 / 74 / 0 / 0

HEX #4343FE

RGB 67 67 254

HSL 240, 0.99%, 0.63%

LAB 41.79, 58.89, -91.46

 

CMYK 39 / 74 / 0 / 0

HEX #9C43FE

RGB 156 67 254

HSL 268.56, 0.99%, 0.63%

LAB 49.78, 70.01, -78.04

 

CMYK 39 / 74 / 0 / 0

HEX #9C43FE

RGB 156 67 254

HSL 268.56, 0.99%, 0.63%

LAB 49.78, 70.01, -78.04

 

CMYK 34 / 66 / 0 / 7

HEX #9C52EE

RGB 156 82 238

HSL 268.46, 0.82%, 0.63%

LAB 51.01, 59.59, -67.11

 

CMYK 30 / 57 / 0 / 13

HEX #9D61DF

RGB 157 97 223

HSL 268.57, 0.66%, 0.63%

LAB 53, 48.6, -55.45

 

CMYK 24 / 46 / 0 / 18

HEX #9E71D0

RGB 158 113 208

HSL 268.42, 0.5%, 0.63%

LAB 55.72, 36.48, -42.63

 

CMYK 17 / 33 / 0 / 25

HEX #9F80C0

RGB 159 128 192

HSL 269.06, 0.34%, 0.63%

LAB 58.62, 24.51, -29.02

 

CMYK 74 / 69 / 0 / 0

HEX #434FFE

RGB 67 79 254

HSL 236.15, 0.99%, 0.63%

LAB 44.15, 52.32, -87.57

 

CMYK 59 / 74 / 0 / 0

HEX #6843FE

RGB 104 67 254

HSL 251.87, 0.99%, 0.63%

LAB 44.39, 62.6, -87.08

 

CMYK 39 / 74 / 0 / 0

HEX #9A43FE

RGB 154 67 254

HSL 267.91, 0.99%, 0.63%

LAB 49.54, 69.69, -78.44

 

CMYK 20 / 74 / 0 / 0

HEX #CC43FE

RGB 204 67 254

HSL 283.96, 0.99%, 0.63%

LAB 56.1, 78.36, -67.5

 

CMYK 0 / 74 / 0 / 0

HEX #FE43FE

RGB 254 67 254

HSL 300, 0.99%, 0.63%

LAB 63.54, 87.89, -55.16

 

CMYK 52 / 100 / 0 / 7

HEX #7101ED

RGB 113 1 237

HSL 268.47, 0.99%, 0.47%

LAB 37.2, 78.18, -89.36

 

CMYK 47 / 90 / 0 / 1

HEX #861AFD

RGB 134 26 253

HSL 268.55, 0.98%, 0.55%

LAB 42.61, 79.79, -89.35

 

CMYK 39 / 74 / 0 / 0

HEX #9C43FE

RGB 156 67 254

HSL 268.56, 0.99%, 0.63%

LAB 49.78, 70.01, -78.04

 

CMYK 30 / 57 / 0 / 0

HEX #B16CFE

RGB 177 108 254

HSL 268.36, 0.99%, 0.71%

LAB 59.18, 54.89, -62.71

 

CMYK 22 / 41 / 0 / 0

HEX #C795FE

RGB 199 149 254

HSL 268.57, 0.98%, 0.79%

LAB 70.03, 38.62, -45.36

 

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

CMYK 0 / 74 / 49 / 0

HEX #FE4381

RGB 254 67 129

HSL 340.11, 0.99%, 0.63%

LAB 58.67, 73.1, 8.86

 

CMYK 74 / 0 / 69 / 0

HEX #43FE4F

RGB 67 254 79

HSL 123.85, 0.99%, 0.63%

LAB 88.28, -77.39, 67.34

 

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

CMYK 0 / 39 / 74 / 0

HEX #FE9A43

RGB 254 154 67

HSL 27.91, 0.99%, 0.63%

LAB 72.62, 30.7, 59.36

 

CMYK 74 / 0 / 39 / 0

HEX #43FE9A

RGB 67 254 154

HSL 147.91, 0.99%, 0.63%

LAB 89.12, -67.5, 34.91

 

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

CMYK 0 / 74 / 49 / 0

HEX #FE4381

RGB 254 67 129

HSL 340.11, 0.99%, 0.63%

LAB 58.67, 73.1, 8.86

 

CMYK 35 / 0 / 74 / 0

HEX #A6FE43

RGB 166 254 67

HSL 88.24, 0.99%, 0.63%

LAB 91.41, -53.58, 75.66

 

CMYK 74 / 0 / 25 / 0

HEX #43FEBF

RGB 67 254 191

HSL 159.79, 0.99%, 0.63%

LAB 89.78, -60.13, 17.11

 

CMYK 38 / 73 / 0 / 0

HEX #9D45FE

RGB 157 69 254

HSL 268.54, 0.99%, 0.63%

LAB 50.19, 69.35, -77.36

 

CMYK 0 / 74 / 71 / 0

HEX #FE4349

RGB 254 67 73

HSL 358.07, 0.99%, 0.63%

LAB 57.62, 69.69, 40.09

 

CMYK 35 / 0 / 74 / 0

HEX #A6FE43

RGB 166 254 67

HSL 88.24, 0.99%, 0.63%

LAB 91.41, -53.58, 75.66

 

CMYK 74 / 0 / 3 / 0

HEX #43FEF7

RGB 67 254 247

HSL 177.75, 0.99%, 0.63%

LAB 91.14, -46.31, -9.89

 

Description

Color code: RGB 157 69 254 | qconv.com Color code: RGB 157 69 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 69 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 69 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 73 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 73% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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