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Color name
RGB 157 37 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 37 57 it is the complementary color RGB 98 218 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 37 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 37 57 shade: RGB 162 37 52, RGB 179 55 71, RGB 196 73 90, RGB 213 91 109 and RGB 230 109 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 37 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 37 57 shade: RGB 157 37 57, RGB 140 19 38, RGB 123 1 19, RGB 106 0 0 and RGB 89 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 37 57 shade: RGB 156 36 56 and RGB 156 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 37 57 shade: RGB 156 36 56, RGB 156 36 89, RGB 156 36 121, RGB 156 36 154 and RGB 127 36 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 37 57 shade matches the following richer shades: RGB 156 36 56, RGB 172 21 46 and RGB 188 5 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 37 57 shade: RGB 156 36 56, RGB 141 52 67, RGB 125 68 77, RGB 109 83 88 and RGB 94 99 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 37 57 shade: RGB 156 36 120, RGB 156 36 88, RGB 156 36 56, RGB 156 48 36 and RGB 156 80 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 37 57 shade: RGB 90 21 32, RGB 123 28 44, RGB 156 36 56, RGB 190 44 68 and RGB 210 65 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 37 57 shade: RGB 157 37 57, RGB 152 156 36 and RGB 36 104 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 37 57 shade: RGB 157 37 57, RGB 56 156 36 and RGB 36 56 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 37 57 shade: RGB 157 37 57, RGB 152 156 36, RGB 36 156 136 and RGB 40 36 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 37 57 shade: RGB 157 37 57, RGB 116 156 36, RGB 36 156 136 and RGB 76 36 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

Complementary color

CMYK 55 / 0 / 9 / 15

HEX #62DAC6

RGB 98 218 198

HSL 170, 0.62%, 0.62%

LAB 80.08, -38.49, -0.36

 

CMYK 0 / 77 / 68 / 36

HEX #A22534

RGB 162 37 52

HSL 352.8, 0.63%, 0.39%

LAB 36.47, 50.97, 22.98

 

CMYK 0 / 69 / 60 / 30

HEX #B33747

RGB 179 55 71

HSL 352.26, 0.53%, 0.46%

LAB 42.42, 50.93, 19.41

 

CMYK 0 / 63 / 54 / 23

HEX #C4495A

RGB 196 73 90

HSL 351.71, 0.51%, 0.53%

LAB 48.56, 50.38, 16.56

 

CMYK 0 / 57 / 49 / 16

HEX #D55B6D

RGB 213 91 109

HSL 351.15, 0.59%, 0.6%

LAB 54.8, 49.58, 14.23

 

CMYK 0 / 53 / 44 / 10

HEX #E66D80

RGB 230 109 128

HSL 350.58, 0.71%, 0.66%

LAB 61.06, 48.67, 12.27

 

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

CMYK 0 / 86 / 73 / 45

HEX #8C1326

RGB 140 19 38

HSL 350.58, 0.76%, 0.31%

LAB 29.86, 48.87, 22.8

 

CMYK 0 / 99 / 85 / 52

HEX #7B0113

RGB 123 1 19

HSL 351.15, 0.98%, 0.24%

LAB 24.58, 46.91, 28.01

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 77 / 77 / 39

HEX #9C2424

RGB 156 36 36

HSL 0, 0.63%, 0.38%

LAB 34.92, 48.67, 30.73

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 77 / 43 / 39

HEX #9C2459

RGB 156 36 89

HSL 333.5, 0.63%, 0.38%

LAB 36.08, 52.41, -1.47

 

CMYK 0 / 77 / 22 / 39

HEX #9C2479

RGB 156 36 121

HSL 317.5, 0.63%, 0.38%

LAB 37.32, 56.21, -19.89

 

CMYK 0 / 77 / 1 / 39

HEX #9C249A

RGB 156 36 154

HSL 301, 0.63%, 0.38%

LAB 39.01, 61.16, -37.53

 

CMYK 19 / 77 / 0 / 39

HEX #7F249C

RGB 127 36 156

HSL 285.5, 0.63%, 0.38%

LAB 34.34, 55.49, -46.48

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 88 / 73 / 33

HEX #AC152E

RGB 172 21 46

HSL 350.07, 0.78%, 0.38%

LAB 36.94, 57.75, 27.79

 

CMYK 0 / 97 / 81 / 26

HEX #BC0523

RGB 188 5 35

HSL 350.16, 0.95%, 0.38%

LAB 39.45, 63.74, 38.11

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 63 / 52 / 45

HEX #8D3443

RGB 141 52 67

HSL 349.89, 0.46%, 0.38%

LAB 35.05, 39.05, 10.83

 

CMYK 0 / 46 / 38 / 51

HEX #7D444D

RGB 125 68 77

HSL 350.53, 0.3%, 0.38%

LAB 36.04, 25.56, 5.48

 

CMYK 0 / 24 / 19 / 57

HEX #6D5358

RGB 109 83 88

HSL 348.46, 0.14%, 0.38%

LAB 38.1, 11.67, 1.26

 

CMYK 5 / 0 / 1 / 61

HEX #5E6362

RGB 94 99 98

HSL 168, 0.03%, 0.38%

LAB 41.51, -2.15, -0.11

 

CMYK 0 / 77 / 23 / 39

HEX #9C2478

RGB 156 36 120

HSL 318, 0.63%, 0.38%

LAB 37.27, 56.07, -19.33

 

CMYK 0 / 77 / 44 / 39

HEX #9C2458

RGB 156 36 88

HSL 334, 0.63%, 0.38%

LAB 36.05, 52.31, -0.88

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 69 / 77 / 39

HEX #9C3024

RGB 156 48 36

HSL 6, 0.63%, 0.38%

LAB 36.57, 44.11, 32.53

 

CMYK 0 / 49 / 77 / 39

HEX #9C5024

RGB 156 80 36

HSL 22, 0.63%, 0.38%

LAB 42.66, 28.29, 38.94

 

CMYK 0 / 77 / 64 / 65

HEX #5A1520

RGB 90 21 32

HSL 350.43, 0.62%, 0.22%

LAB 19.28, 32.02, 11.25

 

CMYK 0 / 77 / 64 / 52

HEX #7B1C2C

RGB 123 28 44

HSL 349.89, 0.63%, 0.3%

LAB 27.36, 41.32, 14.93

 

CMYK 0 / 77 / 64 / 39

HEX #9C2438

RGB 156 36 56

HSL 350, 0.63%, 0.38%

LAB 35.23, 49.7, 18.62

 

CMYK 0 / 77 / 64 / 25

HEX #BE2C44

RGB 190 44 68

HSL 350.14, 0.62%, 0.46%

LAB 43.01, 58.02, 22.44

 

CMYK 0 / 69 / 58 / 18

HEX #D24159

RGB 210 65 89

HSL 350.07, 0.62%, 0.54%

LAB 49.74, 58.09, 19.17

 

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

CMYK 3 / 0 / 77 / 39

HEX #989C24

RGB 152 156 36

HSL 62, 0.63%, 0.38%

LAB 62.15, -15.84, 57.61

 

CMYK 77 / 33 / 0 / 39

HEX #24689C

RGB 36 104 156

HSL 206, 0.63%, 0.38%

LAB 42.27, -2.59, -34.26

 

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

CMYK 64 / 0 / 77 / 39

HEX #389C24

RGB 56 156 36

HSL 110, 0.63%, 0.38%

LAB 56.83, -50.87, 50.68

 

CMYK 77 / 64 / 0 / 39

HEX #24389C

RGB 36 56 156

HSL 230, 0.63%, 0.38%

LAB 28.39, 29.08, -56.58

 

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

CMYK 3 / 0 / 77 / 39

HEX #989C24

RGB 152 156 36

HSL 62, 0.63%, 0.38%

LAB 62.15, -15.84, 57.61

 

CMYK 77 / 0 / 13 / 39

HEX #249C88

RGB 36 156 136

HSL 170, 0.63%, 0.38%

LAB 57.97, -36.79, 1.27

 

CMYK 74 / 77 / 0 / 39

HEX #28249C

RGB 40 36 156

HSL 242, 0.63%, 0.38%

LAB 24.04, 41.93, -63.73

 

CMYK 0 / 76 / 64 / 38

HEX #9D2539

RGB 157 37 57

HSL 350, 0.62%, 0.38%

LAB 35.57, 49.73, 18.46

 

CMYK 26 / 0 / 77 / 39

HEX #749C24

RGB 116 156 36

HSL 80, 0.63%, 0.38%

LAB 59.54, -31.17, 54.23

 

CMYK 77 / 0 / 13 / 39

HEX #249C88

RGB 36 156 136

HSL 170, 0.63%, 0.38%

LAB 57.97, -36.79, 1.27

 

CMYK 51 / 77 / 0 / 39

HEX #4C249C

RGB 76 36 156

HSL 260, 0.63%, 0.38%

LAB 27.29, 46.34, -58.26

 

Description

Color code: RGB 157 37 57 | qconv.com Color code: RGB 157 37 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 37 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 37 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 64 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 64% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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