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Color name
RGB 157 37 115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 37 115 it is the complementary color RGB 98 218 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 37 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 37 115 shade: RGB 162 37 110, RGB 179 55 129, RGB 196 73 148, RGB 213 91 167 and RGB 230 109 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 37 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 37 115 shade: RGB 157 37 115, RGB 140 19 96, RGB 123 1 77, RGB 106 0 58 and RGB 89 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 37 115 shade: RGB 156 36 114, RGB 156 36 82, RGB 156 36 50 and RGB 156 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 37 115 shade: RGB 156 36 114, RGB 156 36 147, RGB 134 36 156, RGB 101 36 156 and RGB 69 36 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 37 115 shade matches the following richer shades: RGB 156 36 114, RGB 172 21 119 and RGB 188 5 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 37 115 shade: RGB 156 36 114, RGB 141 52 110, RGB 125 68 105, RGB 109 83 100 and RGB 94 99 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 37 115 shade: RGB 134 36 156, RGB 156 36 146, RGB 156 36 114, RGB 156 36 82 and RGB 156 36 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 37 115 shade: RGB 90 21 65, RGB 123 28 90, RGB 156 36 114, RGB 190 44 139 and RGB 210 65 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 37 115 shade: RGB 157 37 115, RGB 156 102 36 and RGB 36 156 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 37 115 shade: RGB 157 37 115, RGB 114 156 36 and RGB 36 114 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 37 115 shade: RGB 157 37 115, RGB 156 102 36, RGB 36 156 78 and RGB 36 90 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 37 115 shade: RGB 157 37 115, RGB 156 138 36, RGB 36 156 78 and RGB 36 54 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

Complementary color

CMYK 55 / 0 / 36 / 15

HEX #62DA8C

RGB 98 218 140

HSL 141, 0.62%, 0.62%

LAB 78.83, -50.9, 28.45

 

CMYK 0 / 77 / 32 / 36

HEX #A2256E

RGB 162 37 110

HSL 324.96, 0.63%, 0.39%

LAB 38.08, 56.04, -11.73

 

CMYK 0 / 69 / 28 / 30

HEX #B33781

RGB 179 55 129

HSL 324.19, 0.53%, 0.46%

LAB 44.09, 56.66, -14.09

 

CMYK 0 / 63 / 24 / 23

HEX #C44994

RGB 196 73 148

HSL 323.41, 0.51%, 0.53%

LAB 50.26, 56.67, -15.91

 

CMYK 0 / 57 / 22 / 16

HEX #D55BA7

RGB 213 91 167

HSL 322.62, 0.59%, 0.6%

LAB 56.5, 56.33, -17.35

 

CMYK 0 / 53 / 19 / 10

HEX #E66DBA

RGB 230 109 186

HSL 321.82, 0.71%, 0.66%

LAB 62.76, 55.79, -18.52

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 86 / 31 / 45

HEX #8C1360

RGB 140 19 96

HSL 321.82, 0.76%, 0.31%

LAB 31.55, 53.73, -13.11

 

CMYK 0 / 99 / 37 / 52

HEX #7B014D

RGB 123 1 77

HSL 322.62, 0.98%, 0.24%

LAB 26.06, 50.88, -9.24

 

CMYK 0 / 100 / 45 / 58

HEX #6A003A

RGB 106 0 58

HSL 327.17, 1%, 0.21%

LAB 21.47, 45.13, -3.51

 

CMYK 0 / 100 / 56 / 65

HEX #590027

RGB 89 0 39

HSL 333.71, 1%, 0.17%

LAB 16.85, 39.12, 2.82

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 77 / 47 / 39

HEX #9C2452

RGB 156 36 82

HSL 337, 0.63%, 0.38%

LAB 35.87, 51.73, 2.72

 

CMYK 0 / 77 / 68 / 39

HEX #9C2432

RGB 156 36 50

HSL 353, 0.63%, 0.38%

LAB 35.12, 49.34, 22.31

 

CMYK 0 / 77 / 77 / 39

HEX #9C2424

RGB 156 36 36

HSL 0, 0.63%, 0.38%

LAB 34.92, 48.67, 30.73

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 77 / 6 / 39

HEX #9C2493

RGB 156 36 147

HSL 304.5, 0.63%, 0.38%

LAB 38.61, 60.03, -33.9

 

CMYK 14 / 77 / 0 / 39

HEX #86249C

RGB 134 36 156

HSL 289, 0.63%, 0.38%

LAB 35.46, 56.91, -44.62

 

CMYK 35 / 77 / 0 / 39

HEX #65249C

RGB 101 36 156

HSL 272.5, 0.63%, 0.38%

LAB 30.47, 50.52, -52.94

 

CMYK 56 / 77 / 0 / 39

HEX #45249C

RGB 69 36 156

HSL 256.5, 0.63%, 0.38%

LAB 26.53, 45.32, -59.55

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 88 / 31 / 33

HEX #AC1577

RGB 172 21 119

HSL 321.06, 0.78%, 0.38%

LAB 38.97, 63.47, -15.84

 

CMYK 0 / 97 / 34 / 26

HEX #BC057C

RGB 188 5 124

HSL 320.98, 0.95%, 0.38%

LAB 41.62, 69.55, -14.62

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 63 / 22 / 45

HEX #8D346E

RGB 141 52 110

HSL 320.9, 0.46%, 0.38%

LAB 36.45, 44.28, -14.54

 

CMYK 0 / 46 / 16 / 51

HEX #7D4469

RGB 125 68 105

HSL 321.05, 0.3%, 0.38%

LAB 36.96, 29.85, -10.86

 

CMYK 0 / 24 / 8 / 57

HEX #6D5364

RGB 109 83 100

HSL 320.77, 0.14%, 0.38%

LAB 38.48, 13.91, -5.65

 

CMYK 5 / 0 / 3 / 61

HEX #5E6360

RGB 94 99 96

HSL 144, 0.03%, 0.38%

LAB 41.45, -2.58, 1.02

 

CMYK 14 / 77 / 0 / 39

HEX #86249C

RGB 134 36 156

HSL 289, 0.63%, 0.38%

LAB 35.46, 56.91, -44.62

 

CMYK 0 / 77 / 6 / 39

HEX #9C2492

RGB 156 36 146

HSL 305, 0.63%, 0.38%

LAB 38.56, 59.87, -33.38

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 77 / 47 / 39

HEX #9C2452

RGB 156 36 82

HSL 337, 0.63%, 0.38%

LAB 35.87, 51.73, 2.72

 

CMYK 0 / 77 / 68 / 39

HEX #9C2432

RGB 156 36 50

HSL 353, 0.63%, 0.38%

LAB 35.12, 49.34, 22.31

 

CMYK 0 / 77 / 28 / 65

HEX #5A1541

RGB 90 21 65

HSL 321.74, 0.62%, 0.22%

LAB 20.41, 35.75, -10.3

 

CMYK 0 / 77 / 27 / 52

HEX #7B1C5A

RGB 123 28 90

HSL 320.84, 0.63%, 0.3%

LAB 28.85, 46.05, -13.62

 

CMYK 0 / 77 / 27 / 39

HEX #9C2472

RGB 156 36 114

HSL 321, 0.63%, 0.38%

LAB 37.01, 55.29, -15.97

 

CMYK 0 / 77 / 27 / 25

HEX #BE2C8B

RGB 190 44 139

HSL 320.96, 0.62%, 0.46%

LAB 45.1, 64.5, -18.47

 

CMYK 0 / 69 / 24 / 18

HEX #D2419F

RGB 210 65 159

HSL 321.1, 0.62%, 0.54%

LAB 51.82, 65.12, -19.85

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 35 / 77 / 39

HEX #9C6624

RGB 156 102 36

HSL 33, 0.63%, 0.38%

LAB 47.88, 15.89, 44.19

 

CMYK 77 / 0 / 4 / 39

HEX #249C96

RGB 36 156 150

HSL 177, 0.63%, 0.38%

LAB 58.37, -32.79, -6.1

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 27 / 0 / 77 / 39

HEX #729C24

RGB 114 156 36

HSL 81, 0.63%, 0.38%

LAB 59.42, -31.97, 54.07

 

CMYK 77 / 27 / 0 / 39

HEX #24729C

RGB 36 114 156

HSL 201, 0.63%, 0.38%

LAB 45.37, -8.61, -29.39

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 35 / 77 / 39

HEX #9C6624

RGB 156 102 36

HSL 33, 0.63%, 0.38%

LAB 47.88, 15.89, 44.19

 

CMYK 77 / 0 / 50 / 39

HEX #249C4E

RGB 36 156 78

HSL 141, 0.63%, 0.38%

LAB 56.78, -49.72, 31.67

 

CMYK 77 / 42 / 0 / 39

HEX #245A9C

RGB 36 90 156

HSL 213, 0.63%, 0.38%

LAB 38, 6.27, -41.04

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 12 / 77 / 39

HEX #9C8A24

RGB 156 138 36

HSL 51, 0.63%, 0.38%

LAB 57.44, -4.43, 53.37

 

CMYK 77 / 0 / 50 / 39

HEX #249C4E

RGB 36 156 78

HSL 141, 0.63%, 0.38%

LAB 56.78, -49.72, 31.67

 

CMYK 77 / 65 / 0 / 39

HEX #24369C

RGB 36 54 156

HSL 231, 0.63%, 0.38%

LAB 27.88, 30.41, -57.41

 

Description

Color code: RGB 157 37 115 | qconv.com Color code: RGB 157 37 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 37 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 37 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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