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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 224 62 it is the complementary color RGB 98 31 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 224 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 224 62 shade: RGB 162 224 57, RGB 179 242 76, RGB 196 255 95, RGB 213 255 114 and RGB 230 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 224 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 224 62 shade: RGB 157 224 62, RGB 140 206 43, RGB 123 188 24, RGB 106 170 5 and RGB 89 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 224 62 shade: RGB 156 223 62, RGB 200 223 62, RGB 223 203 62, RGB 223 159 62 and RGB 223 116 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 224 62 shade: RGB 156 223 62, RGB 113 223 62, RGB 69 223 62, RGB 62 223 97 and RGB 62 223 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 224 62 shade matches the following richer shades: RGB 156 223 62 and RGB 159 241 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 224 62 shade: RGB 156 223 62, RGB 153 205 80, RGB 150 187 98, RGB 147 169 116 and RGB 144 150 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 224 62 shade: RGB 223 202 62, RGB 202 223 62, RGB 158 223 62, RGB 115 223 62 and RGB 72 223 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 224 62 shade: RGB 114 174 28, RGB 137 210 34, RGB 156 223 62, RGB 174 229 97 and RGB 192 235 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 224 62 shade: RGB 157 224 62, RGB 62 223 158 and RGB 223 62 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 224 62 shade: RGB 157 224 62, RGB 62 158 223 and RGB 223 62 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 224 62 shade: RGB 157 224 62, RGB 62 223 158, RGB 126 62 223 and RGB 223 62 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 224 62 shade: RGB 157 224 62, RGB 62 223 207, RGB 126 62 223 and RGB 223 62 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

Complementary color

CMYK 49 / 84 / 0 / 24

HEX #621FC1

RGB 98 31 193

HSL 264.81, 0.72%, 0.44%

LAB 32.76, 60.94, -71.34

 

CMYK 28 / 0 / 75 / 12

HEX #A2E039

RGB 162 224 57

HSL 82.28, 0.73%, 0.55%

LAB 82.53, -42.99, 70.23

 

CMYK 26 / 0 / 69 / 5

HEX #B3F24C

RGB 179 242 76

HSL 82.77, 0.86%, 0.62%

LAB 88.74, -43.44, 70.16

 

CMYK 23 / 0 / 63 / 0

HEX #C4FF5F

RGB 196 255 95

HSL 82.13, 1%, 0.69%

LAB 93.49, -41.6, 68.19

 

CMYK 16 / 0 / 55 / 0

HEX #D5FF72

RGB 213 255 114

HSL 77.87, 1%, 0.72%

LAB 94.69, -33.81, 61.87

 

CMYK 10 / 0 / 48 / 0

HEX #E6FF85

RGB 230 255 133

HSL 72.3, 1%, 0.76%

LAB 96.01, -25.7, 55.16

 

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

CMYK 32 / 0 / 79 / 19

HEX #8CCE2B

RGB 140 206 43

HSL 84.29, 0.65%, 0.49%

LAB 76, -44, 67.91

 

CMYK 35 / 0 / 87 / 26

HEX #7BBC18

RGB 123 188 24

HSL 83.78, 0.77%, 0.42%

LAB 69.64, -43.26, 66.62

 

CMYK 38 / 0 / 97 / 33

HEX #6AAA05

RGB 106 170 5

HSL 83.27, 0.94%, 0.34%

LAB 63.2, -42.27, 63.92

 

CMYK 41 / 0 / 100 / 40

HEX #599800

RGB 89 152 0

HSL 84.87, 1%, 0.3%

LAB 56.66, -40.93, 59.16

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 10 / 0 / 72 / 13

HEX #C8DF3E

RGB 200 223 62

HSL 68.57, 0.72%, 0.56%

LAB 84.69, -27.51, 71.5

 

CMYK 0 / 9 / 72 / 13

HEX #DFCB3E

RGB 223 203 62

HSL 52.55, 0.72%, 0.56%

LAB 81.15, -8.11, 68.72

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 48 / 72 / 13

HEX #DF743E

RGB 223 116 62

HSL 20.12, 0.72%, 0.56%

LAB 60.36, 37.73, 47.6

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 49 / 0 / 72 / 13

HEX #71DF3E

RGB 113 223 62

HSL 100.99, 0.72%, 0.56%

LAB 79.97, -58.51, 65.27

 

CMYK 69 / 0 / 72 / 13

HEX #45DF3E

RGB 69 223 62

HSL 117.39, 0.72%, 0.56%

LAB 78.69, -68.8, 63.55

 

CMYK 72 / 0 / 57 / 13

HEX #3EDF61

RGB 62 223 97

HSL 133.04, 0.72%, 0.56%

LAB 78.85, -66.39, 49.37

 

CMYK 72 / 0 / 37 / 13

HEX #3EDF8D

RGB 62 223 141

HSL 149.44, 0.72%, 0.56%

LAB 79.46, -59.38, 28.62

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 34 / 0 / 82 / 5

HEX #9FF12B

RGB 159 241 43

HSL 84.85, 0.88%, 0.56%

LAB 87.22, -51.81, 78.36

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 25 / 0 / 61 / 20

HEX #99CD50

RGB 153 205 80

HSL 84.96, 0.56%, 0.56%

LAB 76.69, -36.36, 55.34

 

CMYK 20 / 0 / 48 / 27

HEX #96BB62

RGB 150 187 98

HSL 84.94, 0.4%, 0.56%

LAB 71.49, -27.29, 40.84

 

CMYK 13 / 0 / 31 / 34

HEX #93A974

RGB 147 169 116

HSL 84.91, 0.24%, 0.56%

LAB 66.4, -17.12, 24.9

 

CMYK 4 / 0 / 11 / 41

HEX #909686

RGB 144 150 134

HSL 82.5, 0.07%, 0.56%

LAB 61.19, -5.2, 7.69

 

CMYK 0 / 9 / 72 / 13

HEX #DFCA3E

RGB 223 202 62

HSL 52.17, 0.72%, 0.56%

LAB 80.89, -7.6, 68.47

 

CMYK 9 / 0 / 72 / 13

HEX #CADF3E

RGB 202 223 62

HSL 67.83, 0.72%, 0.56%

LAB 84.83, -26.7, 71.68

 

CMYK 29 / 0 / 72 / 13

HEX #9EDF3E

RGB 158 223 62

HSL 84.22, 0.72%, 0.56%

LAB 82.05, -43.75, 68.03

 

CMYK 48 / 0 / 72 / 13

HEX #73DF3E

RGB 115 223 62

HSL 100.25, 0.72%, 0.56%

LAB 80.05, -57.93, 65.37

 

CMYK 68 / 0 / 72 / 13

HEX #48DF3E

RGB 72 223 62

HSL 116.27, 0.72%, 0.56%

LAB 78.75, -68.25, 63.64

 

CMYK 34 / 0 / 84 / 32

HEX #72AE1C

RGB 114 174 28

HSL 84.66, 0.72%, 0.4%

LAB 64.91, -40.43, 61.44

 

CMYK 35 / 0 / 84 / 18

HEX #89D222

RGB 137 210 34

HSL 84.89, 0.72%, 0.48%

LAB 77, -47.13, 71.06

 

CMYK 30 / 0 / 72 / 13

HEX #9CDF3E

RGB 156 223 62

HSL 84.97, 0.72%, 0.56%

LAB 81.94, -44.47, 67.88

 

CMYK 24 / 0 / 58 / 10

HEX #AEE561

RGB 174 229 97

HSL 85, 0.72%, 0.64%

LAB 84.95, -37.96, 57.55

 

CMYK 18 / 0 / 44 / 8

HEX #C0EB84

RGB 192 235 132

HSL 85.05, 0.72%, 0.72%

LAB 88.11, -30.54, 45.35

 

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

CMYK 72 / 0 / 29 / 13

HEX #3EDF9E

RGB 62 223 158

HSL 155.78, 0.72%, 0.56%

LAB 79.77, -55.96, 20.24

 

CMYK 0 / 72 / 0 / 13

HEX #DF3EDF

RGB 223 62 223

HSL 300, 0.72%, 0.56%

LAB 56.55, 78.36, -49.27

 

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 0 / 72 / 29 / 13

HEX #DF3E9E

RGB 223 62 158

HSL 324.22, 0.72%, 0.56%

LAB 53.6, 69.38, -16.34

 

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

CMYK 72 / 0 / 29 / 13

HEX #3EDF9E

RGB 62 223 158

HSL 155.78, 0.72%, 0.56%

LAB 79.77, -55.96, 20.24

 

CMYK 43 / 72 / 0 / 13

HEX #7E3EDF

RGB 126 62 223

HSL 263.85, 0.72%, 0.56%

LAB 43.08, 59.83, -71.67

 

CMYK 0 / 72 / 43 / 13

HEX #DF3E7E

RGB 223 62 126

HSL 336.15, 0.72%, 0.56%

LAB 52.55, 66.01, 1.14

 

CMYK 30 / 0 / 72 / 12

HEX #9DE03E

RGB 157 224 62

HSL 84.81, 0.72%, 0.56%

LAB 82.29, -44.54, 68.24

 

CMYK 72 / 0 / 7 / 13

HEX #3EDFCF

RGB 62 223 207

HSL 174.04, 0.72%, 0.56%

LAB 80.91, -44.15, -4.04

 

CMYK 43 / 72 / 0 / 13

HEX #7E3EDF

RGB 126 62 223

HSL 263.85, 0.72%, 0.56%

LAB 43.08, 59.83, -71.67

 

CMYK 0 / 72 / 65 / 13

HEX #DF3E4E

RGB 223 62 78

HSL 354.04, 0.72%, 0.56%

LAB 51.48, 62.44, 28.45

 

Description

Color code: RGB 157 224 62 | qconv.com Color code: RGB 157 224 62 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 224 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 224 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 72 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 72% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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