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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 193 250 it is the complementary color RGB 98 62 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 193 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 193 250 shade: RGB 162 193 245, RGB 179 211 255, RGB 196 229 255, RGB 213 247 255 and RGB 230 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 193 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 193 250 shade: RGB 157 193 250, RGB 140 175 231, RGB 123 157 212, RGB 106 139 193 and RGB 89 121 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 193 250 shade: RGB 158 193 249, RGB 158 168 249, RGB 172 158 249, RGB 196 158 249 and RGB 221 158 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 193 250 shade: RGB 158 193 249, RGB 158 168 249 and RGB 158 158 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 193 250 shade matches the following richer shades: RGB 158 193 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 193 250 shade: RGB 158 193 249, RGB 166 195 241, RGB 174 197 233, RGB 182 199 225 and RGB 191 201 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 193 250 shade: RGB 158 243 249, RGB 158 219 249, RGB 158 194 249, RGB 158 170 249 and RGB 170 158 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 193 250 shade: RGB 79 144 245, RGB 118 168 247, RGB 158 193 249, RGB 197 218 251 and RGB 236 243 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 193 250 shade: RGB 157 193 250, RGB 231 158 249 and RGB 231 249 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 193 250 shade: RGB 157 193 250, RGB 249 158 194 and RGB 194 249 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 193 250 shade: RGB 157 193 250, RGB 231 158 249, RGB 249 213 158 and RGB 176 249 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 193 250 shade: RGB 157 193 250, RGB 249 158 240, RGB 249 213 158 and RGB 158 249 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

Complementary color

CMYK 0 / 37 / 95 / 62

HEX #623E05

RGB 98 62 5

HSL 36.77, 0.9%, 0.2%

LAB 29.55, 11.12, 37.29

 

CMYK 34 / 21 / 0 / 4

HEX #A2C1F5

RGB 162 193 245

HSL 217.59, 0.81%, 0.8%

LAB 77.53, 1.7, -29.08

 

CMYK 30 / 17 / 0 / 0

HEX #B3D3FF

RGB 179 211 255

HSL 214.74, 1%, 0.85%

LAB 83.65, -0.76, -24.96

 

CMYK 23 / 10 / 0 / 0

HEX #C4E5FF

RGB 196 229 255

HSL 206.44, 1%, 0.88%

LAB 89.39, -5.26, -16.17

 

CMYK 16 / 3 / 0 / 0

HEX #D5F7FF

RGB 213 247 255

HSL 191.43, 1%, 0.92%

LAB 95.11, -9.32, -7.53

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

CMYK 39 / 24 / 0 / 9

HEX #8CAFE7

RGB 140 175 231

HSL 216.92, 0.65%, 0.73%

LAB 70.87, 2, -31.86

 

CMYK 42 / 26 / 0 / 17

HEX #7B9DD4

RGB 123 157 212

HSL 217.08, 0.51%, 0.66%

LAB 64.22, 2.44, -31.78

 

CMYK 45 / 28 / 0 / 24

HEX #6A8BC1

RGB 106 139 193

HSL 217.24, 0.41%, 0.59%

LAB 57.44, 2.94, -31.73

 

CMYK 49 / 30 / 0 / 32

HEX #5979AE

RGB 89 121 174

HSL 217.41, 0.34%, 0.52%

LAB 50.52, 3.56, -31.71

 

CMYK 37 / 22 / 0 / 2

HEX #9EC1F9

RGB 158 193 249

HSL 216.92, 0.88%, 0.8%

LAB 77.43, 1.64, -31.4

 

CMYK 37 / 33 / 0 / 2

HEX #9EA8F9

RGB 158 168 249

HSL 233.41, 0.88%, 0.8%

LAB 70.95, 15.5, -41.44

 

CMYK 31 / 37 / 0 / 2

HEX #AC9EF9

RGB 172 158 249

HSL 249.23, 0.88%, 0.8%

LAB 69.52, 24.93, -43.61

 

CMYK 21 / 37 / 0 / 2

HEX #C49EF9

RGB 196 158 249

HSL 265.05, 0.88%, 0.8%

LAB 71.57, 31.7, -40.24

 

CMYK 11 / 37 / 0 / 2

HEX #DD9EF9

RGB 221 158 249

HSL 281.54, 0.88%, 0.8%

LAB 73.98, 39.05, -36.32

 

CMYK 37 / 22 / 0 / 2

HEX #9EC1F9

RGB 158 193 249

HSL 216.92, 0.88%, 0.8%

LAB 77.43, 1.64, -31.4

 

CMYK 37 / 33 / 0 / 2

HEX #9EA8F9

RGB 158 168 249

HSL 233.41, 0.88%, 0.8%

LAB 70.95, 15.5, -41.44

 

CMYK 37 / 37 / 0 / 2

HEX #9E9EF9

RGB 158 158 249

HSL 240, 0.88%, 0.8%

LAB 68.43, 21.17, -45.39

 

CMYK 37 / 22 / 0 / 2

HEX #9EC1F9

RGB 158 193 249

HSL 216.92, 0.88%, 0.8%

LAB 77.43, 1.64, -31.4

 

CMYK 37 / 22 / 0 / 2

HEX #9EC1F9

RGB 158 193 249

HSL 216.92, 0.88%, 0.8%

LAB 77.43, 1.64, -31.4

 

CMYK 31 / 19 / 0 / 5

HEX #A6C3F1

RGB 166 195 241

HSL 216.8, 0.73%, 0.8%

LAB 78.16, 0.74, -25.94

 

CMYK 25 / 15 / 0 / 9

HEX #AEC5E9

RGB 174 197 233

HSL 216.61, 0.57%, 0.8%

LAB 78.93, 0.08, -20.42

 

CMYK 19 / 12 / 0 / 12

HEX #B6C7E1

RGB 182 199 225

HSL 216.28, 0.42%, 0.8%

LAB 79.74, -0.35, -14.85

 

CMYK 12 / 7 / 0 / 15

HEX #BFC9D8

RGB 191 201 216

HSL 216, 0.24%, 0.8%

LAB 80.63, -0.45, -8.63

 

CMYK 37 / 2 / 0 / 2

HEX #9EF3F9

RGB 158 243 249

HSL 183.96, 0.88%, 0.8%

LAB 90.88, -24.14, -11.03

 

CMYK 37 / 12 / 0 / 2

HEX #9EDBF9

RGB 158 219 249

HSL 199.78, 0.88%, 0.8%

LAB 84.37, -12.12, -20.81

 

CMYK 37 / 22 / 0 / 2

HEX #9EC2F9

RGB 158 194 249

HSL 216.26, 0.88%, 0.8%

LAB 77.69, 1.1, -30.99

 

CMYK 37 / 32 / 0 / 2

HEX #9EAAF9

RGB 158 170 249

HSL 232.09, 0.88%, 0.8%

LAB 71.46, 14.37, -40.65

 

CMYK 32 / 37 / 0 / 2

HEX #AA9EF9

RGB 170 158 249

HSL 247.91, 0.88%, 0.8%

LAB 69.35, 24.38, -43.87

 

CMYK 68 / 41 / 0 / 4

HEX #4F90F5

RGB 79 144 245

HSL 216.51, 0.89%, 0.64%

LAB 60.07, 11.33, -56.73

 

CMYK 52 / 32 / 0 / 3

HEX #76A8F7

RGB 118 168 247

HSL 216.74, 0.89%, 0.72%

LAB 68.44, 5.22, -44.46

 

CMYK 37 / 22 / 0 / 2

HEX #9EC1F9

RGB 158 193 249

HSL 216.92, 0.88%, 0.8%

LAB 77.43, 1.64, -31.4

 

CMYK 22 / 13 / 0 / 2

HEX #C5DAFB

RGB 197 218 251

HSL 216.67, 0.87%, 0.88%

LAB 86.49, -0.12, -18.42

 

CMYK 7 / 4 / 0 / 0

HEX #ECF3FE

RGB 236 243 254

HSL 216.67, 0.9%, 0.96%

LAB 95.62, -0.28, -6.09

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

CMYK 7 / 37 / 0 / 2

HEX #E79EF9

RGB 231 158 249

HSL 288.13, 0.88%, 0.8%

LAB 75, 42.03, -34.65

 

CMYK 7 / 0 / 37 / 2

HEX #E7F99E

RGB 231 249 158

HSL 71.87, 0.88%, 0.8%

LAB 94.83, -19.8, 41.74

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

CMYK 0 / 37 / 22 / 2

HEX #F99EC2

RGB 249 158 194

HSL 336.26, 0.88%, 0.8%

LAB 75.13, 38.55, -4.24

 

CMYK 22 / 0 / 37 / 2

HEX #C2F99E

RGB 194 249 158

HSL 96.26, 0.88%, 0.8%

LAB 92.44, -33.08, 38.17

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

CMYK 7 / 37 / 0 / 2

HEX #E79EF9

RGB 231 158 249

HSL 288.13, 0.88%, 0.8%

LAB 75, 42.03, -34.65

 

CMYK 0 / 14 / 37 / 2

HEX #F9D59E

RGB 249 213 158

HSL 36.26, 0.88%, 0.8%

LAB 87.09, 5.08, 31.86

 

CMYK 29 / 0 / 37 / 2

HEX #B0F99E

RGB 176 249 158

HSL 108.13, 0.88%, 0.8%

LAB 91.44, -39.11, 36.67

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FA

RGB 157 193 250

HSL 216.77, 0.9%, 0.8%

LAB 77.41, 1.63, -31.97

 

CMYK 0 / 37 / 4 / 2

HEX #F99EF0

RGB 249 158 240

HSL 305.93, 0.88%, 0.8%

LAB 76.61, 45.86, -27.14

 

CMYK 0 / 14 / 37 / 2

HEX #F9D59E

RGB 249 213 158

HSL 36.26, 0.88%, 0.8%

LAB 87.09, 5.08, 31.86

 

CMYK 37 / 0 / 33 / 2

HEX #9EF9A7

RGB 158 249 167

HSL 125.93, 0.88%, 0.8%

LAB 90.69, -43.35, 31.02

 

Description

Color code: RGB 157 193 250 | qconv.com Color code: RGB 157 193 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 193 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 193 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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