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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 189 70 it is the complementary color RGB 98 66 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 189 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 189 70 shade: RGB 162 189 65, RGB 179 207 84, RGB 196 225 103, RGB 213 243 122 and RGB 230 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 189 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 189 70 shade: RGB 157 189 70, RGB 140 171 51, RGB 123 153 32, RGB 106 135 13 and RGB 89 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 189 70 shade: RGB 157 188 71, RGB 188 188 71, RGB 188 157 71, RGB 188 125 71 and RGB 188 93 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 189 70 shade: RGB 157 188 71, RGB 125 188 71, RGB 93 188 71, RGB 71 188 80 and RGB 71 188 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 189 70 shade matches the following richer shades: RGB 157 188 71, RGB 166 208 51, RGB 175 229 30 and RGB 185 249 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 189 70 shade: RGB 157 188 71, RGB 147 168 91, RGB 138 148 111, RGB 129 128 131 and RGB 119 107 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 189 70 shade: RGB 188 157 71, RGB 188 188 71, RGB 157 188 71, RGB 126 188 71 and RGB 94 188 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 189 70 shade: RGB 108 130 47, RGB 133 160 57, RGB 157 188 71, RGB 173 199 101 and RGB 189 210 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 189 70 shade: RGB 157 189 70, RGB 71 188 126 and RGB 173 71 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 189 70 shade: RGB 157 189 70, RGB 71 157 188 and RGB 188 71 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 189 70 shade: RGB 157 189 70, RGB 71 188 126, RGB 102 71 188 and RGB 188 71 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 189 70 shade: RGB 157 189 70, RGB 71 188 161, RGB 102 71 188 and RGB 188 71 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

Complementary color

CMYK 47 / 64 / 0 / 27

HEX #6242B9

RGB 98 66 185

HSL 256.13, 0.47%, 0.49%

LAB 37.84, 42.54, -58.33

 

CMYK 14 / 0 / 66 / 26

HEX #A2BD41

RGB 162 189 65

HSL 73.06, 0.49%, 0.5%

LAB 72.53, -26.49, 57.32

 

CMYK 14 / 0 / 59 / 19

HEX #B3CF54

RGB 179 207 84

HSL 73.66, 0.56%, 0.57%

LAB 78.95, -26.93, 56.58

 

CMYK 13 / 0 / 54 / 12

HEX #C4E167

RGB 196 225 103

HSL 74.26, 0.67%, 0.64%

LAB 85.28, -27.27, 55.63

 

CMYK 12 / 0 / 50 / 5

HEX #D5F37A

RGB 213 243 122

HSL 74.88, 0.83%, 0.72%

LAB 91.53, -27.53, 54.58

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8D

RGB 230 255 141

HSL 73.16, 1%, 0.78%

LAB 96.11, -24.91, 51.54

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

CMYK 18 / 0 / 70 / 33

HEX #8CAB33

RGB 140 171 51

HSL 75.5, 0.54%, 0.44%

LAB 65.7, -27.69, 55.37

 

CMYK 20 / 0 / 79 / 40

HEX #7B9920

RGB 123 153 32

HSL 74.88, 0.65%, 0.36%

LAB 59.06, -27.05, 55.26

 

CMYK 21 / 0 / 90 / 47

HEX #6A870D

RGB 106 135 13

HSL 74.26, 0.82%, 0.29%

LAB 52.31, -26.17, 53.89

 

CMYK 24 / 0 / 100 / 54

HEX #597500

RGB 89 117 0

HSL 74.36, 1%, 0.23%

LAB 45.42, -24.99, 50.51

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 0 / 0 / 62 / 26

HEX #BCBC47

RGB 188 188 71

HSL 60, 0.47%, 0.51%

LAB 74.26, -14.8, 57.26

 

CMYK 0 / 16 / 62 / 26

HEX #BC9D47

RGB 188 157 71

HSL 44.1, 0.47%, 0.51%

LAB 65.95, 1.47, 48.21

 

CMYK 0 / 34 / 62 / 26

HEX #BC7D47

RGB 188 125 71

HSL 27.69, 0.47%, 0.51%

LAB 57.86, 19.06, 38.94

 

CMYK 0 / 51 / 62 / 26

HEX #BC5D47

RGB 188 93 71

HSL 11.28, 0.47%, 0.51%

LAB 50.66, 36.38, 30.25

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 34 / 0 / 62 / 26

HEX #7DBC47

RGB 125 188 71

HSL 92.31, 0.47%, 0.51%

LAB 70.02, -39.77, 51.43

 

CMYK 51 / 0 / 62 / 26

HEX #5DBC47

RGB 93 188 71

HSL 108.72, 0.47%, 0.51%

LAB 68.57, -50.1, 49.4

 

CMYK 62 / 0 / 57 / 26

HEX #47BC50

RGB 71 188 80

HSL 124.62, 0.47%, 0.51%

LAB 67.94, -54.66, 44.4

 

CMYK 62 / 0 / 40 / 26

HEX #47BC70

RGB 71 188 112

HSL 141.03, 0.47%, 0.51%

LAB 68.37, -49.82, 28.97

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 20 / 0 / 75 / 18

HEX #A6D033

RGB 166 208 51

HSL 76.05, 0.63%, 0.51%

LAB 78.14, -34.63, 68.05

 

CMYK 24 / 0 / 87 / 10

HEX #AFE51E

RGB 175 229 30

HSL 76.28, 0.79%, 0.51%

LAB 84.61, -41.29, 79.2

 

CMYK 26 / 0 / 96 / 2

HEX #B9F90A

RGB 185 249 10

HSL 76.07, 0.95%, 0.51%

LAB 90.82, -46.47, 86.93

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 13 / 0 / 46 / 34

HEX #93A85B

RGB 147 168 91

HSL 76.36, 0.31%, 0.51%

LAB 65.72, -19.85, 37.2

 

CMYK 7 / 0 / 25 / 42

HEX #8A946F

RGB 138 148 111

HSL 76.22, 0.15%, 0.51%

LAB 59.64, -10.29, 18.41

 

CMYK 2 / 2 / 0 / 49

HEX #818083

RGB 129 128 131

HSL 260, 0.01%, 0.51%

LAB 53.75, 0.98, -1.5

 

CMYK 22 / 30 / 0 / 40

HEX #776B98

RGB 119 107 152

HSL 256, 0.18%, 0.51%

LAB 47.89, 14.57, -22.76

 

CMYK 0 / 16 / 62 / 26

HEX #BC9D47

RGB 188 157 71

HSL 44.1, 0.47%, 0.51%

LAB 65.95, 1.47, 48.21

 

CMYK 0 / 0 / 62 / 26

HEX #BCBC47

RGB 188 188 71

HSL 60, 0.47%, 0.51%

LAB 74.26, -14.8, 57.26

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 33 / 0 / 62 / 26

HEX #7EBC47

RGB 126 188 71

HSL 91.79, 0.47%, 0.51%

LAB 70.08, -39.42, 51.5

 

CMYK 50 / 0 / 62 / 26

HEX #5EBC47

RGB 94 188 71

HSL 108.21, 0.47%, 0.51%

LAB 68.61, -49.82, 49.46

 

CMYK 17 / 0 / 64 / 49

HEX #6C822F

RGB 108 130 47

HSL 75.9, 0.47%, 0.35%

LAB 51.1, -20.98, 41.09

 

CMYK 17 / 0 / 64 / 37

HEX #85A039

RGB 133 160 57

HSL 75.73, 0.47%, 0.43%

LAB 62.02, -24.79, 48.93

 

CMYK 16 / 0 / 62 / 26

HEX #9DBC47

RGB 157 188 71

HSL 75.9, 0.47%, 0.51%

LAB 71.95, -27.6, 54.09

 

CMYK 13 / 0 / 49 / 22

HEX #ADC765

RGB 173 199 101

HSL 75.92, 0.47%, 0.59%

LAB 76.48, -23.9, 45.79

 

CMYK 10 / 0 / 38 / 18

HEX #BDD283

RGB 189 210 131

HSL 75.95, 0.47%, 0.67%

LAB 81.04, -19.76, 36.83

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

CMYK 62 / 0 / 33 / 26

HEX #47BC7E

RGB 71 188 126

HSL 148.21, 0.47%, 0.51%

LAB 68.62, -47.17, 21.89

 

CMYK 8 / 62 / 0 / 26

HEX #AD47BC

RGB 173 71 188

HSL 292.31, 0.47%, 0.51%

LAB 48.29, 57.81, -42.8

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

CMYK 62 / 16 / 0 / 26

HEX #479DBC

RGB 71 157 188

HSL 195.9, 0.47%, 0.51%

LAB 60.86, -16.42, -23.76

 

CMYK 0 / 62 / 16 / 26

HEX #BC479D

RGB 188 71 157

HSL 315.9, 0.47%, 0.51%

LAB 49.05, 56.53, -23.23

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

CMYK 62 / 0 / 33 / 26

HEX #47BC7E

RGB 71 188 126

HSL 148.21, 0.47%, 0.51%

LAB 68.62, -47.17, 21.89

 

CMYK 46 / 62 / 0 / 26

HEX #6647BC

RGB 102 71 188

HSL 255.9, 0.47%, 0.51%

LAB 39.52, 41.36, -57.34

 

CMYK 0 / 62 / 29 / 26

HEX #BC4785

RGB 188 71 133

HSL 328.21, 0.47%, 0.51%

LAB 48.12, 53.21, -10.28

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD46

RGB 157 189 70

HSL 76.13, 0.47%, 0.51%

LAB 72.23, -28.15, 54.82

 

CMYK 62 / 0 / 14 / 26

HEX #47BCA1

RGB 71 188 161

HSL 166.15, 0.47%, 0.51%

LAB 69.38, -39.29, 3.98

 

CMYK 46 / 62 / 0 / 26

HEX #6647BC

RGB 102 71 188

HSL 255.9, 0.47%, 0.51%

LAB 39.52, 41.36, -57.34

 

CMYK 0 / 62 / 48 / 26

HEX #BC4762

RGB 188 71 98

HSL 346.15, 0.47%, 0.51%

LAB 47.08, 49.31, 9.45

 

Description

Color code: RGB 157 189 70 | qconv.com Color code: RGB 157 189 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 189 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 189 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 63 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 63% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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