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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 69 236 it is the complementary color RGB 99 186 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 69 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 69 236 shade: RGB 161 69 231, RGB 178 87 250, RGB 195 105 255, RGB 212 123 255 and RGB 229 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 69 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 69 236 shade: RGB 156 69 236, RGB 139 51 217, RGB 122 33 198, RGB 105 15 179 and RGB 88 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 69 236 shade: RGB 156 70 235, RGB 201 70 235, RGB 235 70 225, RGB 235 70 181 and RGB 235 70 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 69 236 shade: RGB 156 70 235, RGB 111 70 235 and RGB 70 70 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 69 236 shade matches the following richer shades: RGB 156 70 235 and RGB 157 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 69 236 shade: RGB 156 70 235, RGB 155 86 219, RGB 155 103 202, RGB 154 119 186 and RGB 153 136 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 69 236 shade: RGB 70 73 235, RGB 111 70 235, RGB 155 70 235, RGB 199 70 235 and RGB 235 70 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 69 236 shade: RGB 115 21 202, RGB 136 33 231, RGB 156 70 235, RGB 176 107 239 and RGB 196 145 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 69 236 shade: RGB 156 69 236, RGB 235 70 117 and RGB 70 235 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 69 236 shade: RGB 156 69 236, RGB 235 155 70 and RGB 70 235 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 69 236 shade: RGB 156 69 236, RGB 235 70 117, RGB 150 235 70 and RGB 70 235 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 69 236 shade: RGB 156 69 236, RGB 235 73 70, RGB 150 235 70 and RGB 70 232 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

Complementary color

CMYK 47 / 0 / 90 / 27

HEX #63BA13

RGB 99 186 19

HSL 91.26, 0.81%, 0.4%

LAB 67.89, -50.8, 65.62

 

CMYK 30 / 70 / 0 / 9

HEX #A145E7

RGB 161 69 231

HSL 274.07, 0.77%, 0.59%

LAB 49.01, 64.88, -66.37

 

CMYK 29 / 65 / 0 / 2

HEX #B257FA

RGB 178 87 250

HSL 273.5, 0.94%, 0.66%

LAB 55.26, 64.46, -66.8

 

CMYK 24 / 59 / 0 / 0

HEX #C369FF

RGB 195 105 255

HSL 276, 1%, 0.71%

LAB 60.72, 60.77, -60.69

 

CMYK 17 / 52 / 0 / 0

HEX #D47BFF

RGB 212 123 255

HSL 280.45, 1%, 0.74%

LAB 66.05, 56.04, -52.09

 

CMYK 10 / 45 / 0 / 0

HEX #E58DFF

RGB 229 141 255

HSL 286.32, 1%, 0.78%

LAB 71.51, 51.47, -43.36

 

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

CMYK 36 / 76 / 0 / 15

HEX #8B33D9

RGB 139 51 217

HSL 271.81, 0.69%, 0.53%

LAB 42.56, 65.16, -69.01

 

CMYK 38 / 83 / 0 / 22

HEX #7A21C6

RGB 122 33 198

HSL 272.36, 0.71%, 0.45%

LAB 36.56, 64.58, -67.92

 

CMYK 41 / 92 / 0 / 30

HEX #690FB3

RGB 105 15 179

HSL 272.93, 0.85%, 0.38%

LAB 30.88, 62.84, -66.11

 

CMYK 45 / 100 / 0 / 37

HEX #5800A0

RGB 88 0 160

HSL 273, 1%, 0.31%

LAB 25.6, 59.6, -63.43

 

CMYK 34 / 70 / 0 / 8

HEX #9C46EB

RGB 156 70 235

HSL 271.27, 0.8%, 0.6%

LAB 48.82, 64.4, -68.97

 

CMYK 14 / 70 / 0 / 8

HEX #C946EB

RGB 201 70 235

HSL 287.64, 0.8%, 0.6%

LAB 54.86, 73.19, -58.91

 

CMYK 0 / 70 / 4 / 8

HEX #EB46E1

RGB 235 70 225

HSL 303.64, 0.8%, 0.6%

LAB 59.41, 78.68, -45.74

 

CMYK 0 / 70 / 23 / 8

HEX #EB46B5

RGB 235 70 181

HSL 319.64, 0.8%, 0.6%

LAB 57.44, 72.53, -23.72

 

CMYK 0 / 70 / 42 / 8

HEX #EB4688

RGB 235 70 136

HSL 336, 0.8%, 0.6%

LAB 55.91, 67.52, 0.32

 

CMYK 34 / 70 / 0 / 8

HEX #9C46EB

RGB 156 70 235

HSL 271.27, 0.8%, 0.6%

LAB 48.82, 64.4, -68.97

 

CMYK 53 / 70 / 0 / 8

HEX #6F46EB

RGB 111 70 235

HSL 254.91, 0.8%, 0.6%

LAB 43.88, 56.77, -77.22

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 34 / 70 / 0 / 8

HEX #9C46EB

RGB 156 70 235

HSL 271.27, 0.8%, 0.6%

LAB 48.82, 64.4, -68.97

 

CMYK 38 / 79 / 0 / 1

HEX #9D35FC

RGB 157 53 252

HSL 271.36, 0.97%, 0.6%

LAB 47.93, 74.95, -79.94

 

CMYK 34 / 70 / 0 / 8

HEX #9C46EB

RGB 156 70 235

HSL 271.27, 0.8%, 0.6%

LAB 48.82, 64.4, -68.97

 

CMYK 29 / 61 / 0 / 14

HEX #9B56DB

RGB 155 86 219

HSL 271.13, 0.65%, 0.6%

LAB 50.38, 52.91, -57.4

 

CMYK 23 / 49 / 0 / 21

HEX #9B67CA

RGB 155 103 202

HSL 271.52, 0.48%, 0.6%

LAB 52.88, 39.84, -43.73

 

CMYK 17 / 36 / 0 / 27

HEX #9A77BA

RGB 154 119 186

HSL 271.34, 0.33%, 0.6%

LAB 55.69, 26.75, -30.17

 

CMYK 9 / 20 / 0 / 34

HEX #9988A9

RGB 153 136 169

HSL 270.91, 0.16%, 0.6%

LAB 59.2, 12.86, -15.07

 

CMYK 70 / 69 / 0 / 8

HEX #4649EB

RGB 70 73 235

HSL 238.91, 0.8%, 0.6%

LAB 41.32, 49.85, -81.55

 

CMYK 53 / 70 / 0 / 8

HEX #6F46EB

RGB 111 70 235

HSL 254.91, 0.8%, 0.6%

LAB 43.88, 56.77, -77.22

 

CMYK 34 / 70 / 0 / 8

HEX #9B46EB

RGB 155 70 235

HSL 270.91, 0.8%, 0.6%

LAB 48.69, 64.22, -69.17

 

CMYK 15 / 70 / 0 / 8

HEX #C746EB

RGB 199 70 235

HSL 286.91, 0.8%, 0.6%

LAB 54.58, 72.78, -59.39

 

CMYK 0 / 70 / 3 / 8

HEX #EB46E3

RGB 235 70 227

HSL 302.91, 0.8%, 0.6%

LAB 59.52, 78.98, -46.7

 

CMYK 43 / 90 / 0 / 21

HEX #7315CA

RGB 115 21 202

HSL 271.16, 0.81%, 0.44%

LAB 34.89, 67.76, -73.02

 

CMYK 41 / 86 / 0 / 9

HEX #8821E7

RGB 136 33 231

HSL 271.21, 0.8%, 0.52%

LAB 41.36, 73.63, -78.99

 

CMYK 34 / 70 / 0 / 8

HEX #9C46EB

RGB 156 70 235

HSL 271.27, 0.8%, 0.6%

LAB 48.82, 64.4, -68.97

 

CMYK 26 / 55 / 0 / 6

HEX #B06BEF

RGB 176 107 239

HSL 271.36, 0.8%, 0.68%

LAB 58.02, 51.69, -56.28

 

CMYK 19 / 40 / 0 / 5

HEX #C491F3

RGB 196 145 243

HSL 271.22, 0.8%, 0.76%

LAB 68.36, 37.5, -42

 

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

CMYK 0 / 70 / 50 / 8

HEX #EB4675

RGB 235 70 117

HSL 342.91, 0.8%, 0.6%

LAB 55.41, 65.85, 10.88

 

CMYK 70 / 0 / 62 / 8

HEX #46EB59

RGB 70 235 89

HSL 126.91, 0.8%, 0.6%

LAB 82.61, -70, 57.26

 

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

CMYK 0 / 34 / 70 / 8

HEX #EB9B46

RGB 235 155 70

HSL 30.91, 0.8%, 0.6%

LAB 70.56, 22.54, 55.16

 

CMYK 70 / 0 / 34 / 8

HEX #46EB9B

RGB 70 235 155

HSL 150.91, 0.8%, 0.6%

LAB 83.49, -60, 26.9

 

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

CMYK 0 / 70 / 50 / 8

HEX #EB4675

RGB 235 70 117

HSL 342.91, 0.8%, 0.6%

LAB 55.41, 65.85, 10.88

 

CMYK 36 / 0 / 70 / 8

HEX #96EB46

RGB 150 235 70

HSL 90.91, 0.8%, 0.6%

LAB 85.17, -51.08, 68.21

 

CMYK 70 / 0 / 20 / 8

HEX #46EBBC

RGB 70 235 188

HSL 162.91, 0.8%, 0.6%

LAB 84.15, -52.93, 10.71

 

CMYK 34 / 71 / 0 / 7

HEX #9C45EC

RGB 156 69 236

HSL 271.26, 0.81%, 0.6%

LAB 48.74, 65.06, -69.67

 

CMYK 0 / 69 / 70 / 8

HEX #EB4946

RGB 235 73 70

HSL 1.09, 0.8%, 0.6%

LAB 54.94, 61.76, 37.78

 

CMYK 36 / 0 / 70 / 8

HEX #96EB46

RGB 150 235 70

HSL 90.91, 0.8%, 0.6%

LAB 85.17, -51.08, 68.21

 

CMYK 70 / 1 / 0 / 8

HEX #46E8EB

RGB 70 232 235

HSL 181.09, 0.8%, 0.6%

LAB 84.49, -39.51, -13.53

 

Description

Color code: RGB 156 69 236 | qconv.com Color code: RGB 156 69 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 69 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 69 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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