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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 65 70 it is the complementary color RGB 99 190 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 65 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 65 70 shade: RGB 161 65 65, RGB 178 83 84, RGB 195 101 103, RGB 212 119 122 and RGB 229 137 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 65 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 65 70 shade: RGB 156 65 70, RGB 139 47 51, RGB 122 29 32, RGB 105 11 13 and RGB 88 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 65 70 shade: RGB 154 64 69 and RGB 154 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 65 70 shade: RGB 154 64 69, RGB 154 64 93, RGB 154 64 118, RGB 154 64 142 and RGB 142 64 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 65 70 shade matches the following richer shades: RGB 154 64 69, RGB 172 46 53, RGB 190 29 38 and RGB 207 11 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 65 70 shade: RGB 154 64 69, RGB 136 82 85, RGB 119 100 101, RGB 101 117 117 and RGB 83 135 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 65 70 shade: RGB 154 64 118, RGB 154 64 94, RGB 154 64 70, RGB 154 82 64 and RGB 154 106 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 65 70 shade: RGB 96 40 43, RGB 125 52 56, RGB 154 64 69, RGB 181 79 84 and RGB 193 108 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 65 70 shade: RGB 156 65 70, RGB 142 154 64 and RGB 64 106 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 65 70 shade: RGB 156 65 70, RGB 70 154 64 and RGB 64 70 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 65 70 shade: RGB 156 65 70, RGB 142 154 64, RGB 64 154 148 and RGB 76 64 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 65 70 shade: RGB 156 65 70, RGB 115 154 64, RGB 64 154 148 and RGB 103 64 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

Complementary color

CMYK 48 / 0 / 3 / 25

HEX #63BEB9

RGB 99 190 185

HSL 176.7, 0.41%, 0.57%

LAB 71.54, -28.36, -5.89

 

CMYK 0 / 60 / 60 / 37

HEX #A14141

RGB 161 65 65

HSL 0, 0.42%, 0.44%

LAB 40.8, 39.86, 20.4

 

CMYK 0 / 53 / 53 / 30

HEX #B25354

RGB 178 83 84

HSL 359.37, 0.38%, 0.51%

LAB 47.35, 38.74, 18.05

 

CMYK 0 / 48 / 47 / 24

HEX #C36567

RGB 195 101 103

HSL 358.72, 0.44%, 0.58%

LAB 53.91, 37.61, 16.11

 

CMYK 0 / 44 / 42 / 17

HEX #D4777A

RGB 212 119 122

HSL 358.06, 0.52%, 0.65%

LAB 60.42, 36.53, 14.46

 

CMYK 0 / 40 / 38 / 10

HEX #E5898D

RGB 229 137 141

HSL 357.39, 0.64%, 0.72%

LAB 66.88, 35.51, 13.03

 

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

CMYK 0 / 66 / 63 / 45

HEX #8B2F33

RGB 139 47 51

HSL 357.39, 0.49%, 0.36%

LAB 33.48, 39.37, 18.91

 

CMYK 0 / 76 / 74 / 52

HEX #7A1D20

RGB 122 29 32

HSL 358.06, 0.62%, 0.3%

LAB 27.08, 39.89, 22.44

 

CMYK 0 / 90 / 88 / 59

HEX #690B0D

RGB 105 11 13

HSL 358.72, 0.81%, 0.23%

LAB 21.1, 39.37, 26.44

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 58 / 55 / 40

HEX #9A4045

RGB 154 64 69

HSL 356.67, 0.41%, 0.43%

LAB 39.52, 38.09, 16.03

 

CMYK 0 / 58 / 58 / 40

HEX #9A4040

RGB 154 64 64

HSL 0, 0.41%, 0.43%

LAB 39.42, 37.67, 19

 

CMYK 0 / 58 / 55 / 40

HEX #9A4045

RGB 154 64 69

HSL 356.67, 0.41%, 0.43%

LAB 39.52, 38.09, 16.03

 

CMYK 0 / 58 / 40 / 40

HEX #9A405D

RGB 154 64 93

HSL 340.67, 0.41%, 0.43%

LAB 40.13, 40.54, 1.85

 

CMYK 0 / 58 / 23 / 40

HEX #9A4076

RGB 154 64 118

HSL 324, 0.41%, 0.43%

LAB 40.97, 43.85, -12.46

 

CMYK 0 / 58 / 8 / 40

HEX #9A408E

RGB 154 64 142

HSL 308, 0.41%, 0.43%

LAB 41.98, 47.67, -25.59

 

CMYK 8 / 58 / 0 / 40

HEX #8E409A

RGB 142 64 154

HSL 292, 0.41%, 0.43%

LAB 40.82, 46.53, -34.8

 

CMYK 0 / 58 / 55 / 40

HEX #9A4045

RGB 154 64 69

HSL 356.67, 0.41%, 0.43%

LAB 39.52, 38.09, 16.03

 

CMYK 0 / 73 / 69 / 33

HEX #AC2E35

RGB 172 46 53

HSL 356.67, 0.58%, 0.43%

LAB 39.55, 51.02, 26.6

 

CMYK 0 / 85 / 80 / 25

HEX #BE1D26

RGB 190 29 38

HSL 356.65, 0.74%, 0.43%

LAB 41.16, 60.72, 38.27

 

CMYK 0 / 95 / 89 / 19

HEX #CF0B16

RGB 207 11 22

HSL 356.63, 0.9%, 0.43%

LAB 43.6, 67.67, 49.93

 

CMYK 0 / 58 / 55 / 40

HEX #9A4045

RGB 154 64 69

HSL 356.67, 0.41%, 0.43%

LAB 39.52, 38.09, 16.03

 

CMYK 0 / 40 / 38 / 47

HEX #885255

RGB 136 82 85

HSL 356.67, 0.25%, 0.43%

LAB 41.1, 22.95, 7.86

 

CMYK 0 / 16 / 15 / 53

HEX #776465

RGB 119 100 101

HSL 356.84, 0.09%, 0.43%

LAB 44.2, 7.77, 2.26

 

CMYK 14 / 0 / 0 / 54

HEX #657575

RGB 101 117 117

HSL 180, 0.07%, 0.43%

LAB 47.97, -5.91, -2.01

 

CMYK 39 / 0 / 2 / 47

HEX #538784

RGB 83 135 132

HSL 176.54, 0.24%, 0.43%

LAB 52.77, -18.07, -3.88

 

CMYK 0 / 58 / 23 / 40

HEX #9A4076

RGB 154 64 118

HSL 324, 0.41%, 0.43%

LAB 40.97, 43.85, -12.46

 

CMYK 0 / 58 / 39 / 40

HEX #9A405E

RGB 154 64 94

HSL 340, 0.41%, 0.43%

LAB 40.16, 40.66, 1.27

 

CMYK 0 / 58 / 55 / 40

HEX #9A4046

RGB 154 64 70

HSL 356, 0.41%, 0.43%

LAB 39.55, 38.18, 15.43

 

CMYK 0 / 47 / 58 / 40

HEX #9A5240

RGB 154 82 64

HSL 12, 0.41%, 0.43%

LAB 43.17, 28.13, 23.85

 

CMYK 0 / 31 / 58 / 40

HEX #9A6A40

RGB 154 106 64

HSL 28, 0.41%, 0.43%

LAB 48.94, 14.49, 31.04

 

CMYK 0 / 58 / 55 / 62

HEX #60282B

RGB 96 40 43

HSL 356.79, 0.41%, 0.27%

LAB 24.25, 25.78, 10.55

 

CMYK 0 / 58 / 55 / 51

HEX #7D3438

RGB 125 52 56

HSL 356.71, 0.41%, 0.35%

LAB 32.04, 32.09, 13.35

 

CMYK 0 / 58 / 55 / 40

HEX #9A4045

RGB 154 64 69

HSL 356.67, 0.41%, 0.43%

LAB 39.52, 38.09, 16.03

 

CMYK 0 / 56 / 54 / 29

HEX #B54F54

RGB 181 79 84

HSL 357.06, 0.41%, 0.51%

LAB 47.05, 41.85, 17.72

 

CMYK 0 / 44 / 42 / 24

HEX #C16C70

RGB 193 108 112

HSL 357.18, 0.41%, 0.59%

LAB 55.31, 34.11, 12.74

 

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

CMYK 8 / 0 / 58 / 40

HEX #8E9A40

RGB 142 154 64

HSL 68, 0.41%, 0.43%

LAB 60.99, -17.41, 44.82

 

CMYK 58 / 31 / 0 / 40

HEX #406A9A

RGB 64 106 154

HSL 212, 0.41%, 0.43%

LAB 43.84, 0.33, -30.52

 

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

CMYK 55 / 0 / 58 / 40

HEX #469A40

RGB 70 154 64

HSL 116, 0.41%, 0.43%

LAB 56.86, -43.83, 39.01

 

CMYK 58 / 55 / 0 / 40

HEX #40469A

RGB 64 70 154

HSL 236, 0.41%, 0.43%

LAB 33.57, 23.45, -46.87

 

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

CMYK 8 / 0 / 58 / 40

HEX #8E9A40

RGB 142 154 64

HSL 68, 0.41%, 0.43%

LAB 60.99, -17.41, 44.82

 

CMYK 58 / 0 / 4 / 40

HEX #409A94

RGB 64 154 148

HSL 176, 0.41%, 0.43%

LAB 58.36, -28.08, -4.91

 

CMYK 51 / 58 / 0 / 40

HEX #4C409A

RGB 76 64 154

HSL 248, 0.41%, 0.43%

LAB 33, 29.83, -47.75

 

CMYK 0 / 58 / 55 / 39

HEX #9C4146

RGB 156 65 70

HSL 356.7, 0.41%, 0.43%

LAB 40.07, 38.42, 16.19

 

CMYK 25 / 0 / 58 / 40

HEX #739A40

RGB 115 154 64

HSL 86, 0.41%, 0.43%

LAB 59.09, -28.51, 42.17

 

CMYK 58 / 0 / 4 / 40

HEX #409A94

RGB 64 154 148

HSL 176, 0.41%, 0.43%

LAB 58.36, -28.08, -4.91

 

CMYK 33 / 58 / 0 / 40

HEX #67409A

RGB 103 64 154

HSL 266, 0.41%, 0.43%

LAB 35.76, 36.22, -43.16

 

Description

Color code: RGB 156 65 70 | qconv.com Color code: RGB 156 65 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 65 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 65 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 55 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 55% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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