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Color name
RGB 156 55 46

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 55 46 it is the complementary color RGB 99 200 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 55 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 55 46 shade: RGB 161 55 41, RGB 178 73 60, RGB 195 91 79, RGB 212 109 98 and RGB 229 127 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 55 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 55 46 shade: RGB 156 55 46, RGB 139 37 27, RGB 122 19 8, RGB 105 1 0 and RGB 88 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 55 46 shade: RGB 157 55 46 and RGB 157 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 55 46 shade: RGB 157 55 46, RGB 157 85 46, RGB 157 115 46, RGB 157 145 46 and RGB 139 157 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 55 46 shade matches the following richer shades: RGB 157 55 46, RGB 173 42 30 and RGB 190 28 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 55 46 shade: RGB 157 55 46, RGB 140 69 63, RGB 124 83 79, RGB 107 97 96 and RGB 91 111 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 55 46 shade: RGB 157 46 98, RGB 157 46 68, RGB 157 54 46, RGB 157 83 46 and RGB 157 113 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 55 46 shade: RGB 93 33 27, RGB 125 44 37, RGB 157 55 46, RGB 188 67 56 and RGB 203 92 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 55 46 shade: RGB 156 55 46, RGB 127 157 46 and RGB 46 83 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 55 46 shade: RGB 156 55 46, RGB 46 157 54 and RGB 54 46 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 55 46 shade: RGB 156 55 46, RGB 127 157 46, RGB 46 149 157 and RGB 76 46 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 55 46 shade: RGB 156 55 46, RGB 94 157 46, RGB 46 149 157 and RGB 109 46 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

Complementary color

CMYK 53 / 4 / 0 / 18

HEX #63C8D1

RGB 99 200 209

HSL 184.91, 0.54%, 0.6%

LAB 75.18, -26.92, -13.52

 

CMYK 0 / 66 / 75 / 37

HEX #A13729

RGB 161 55 41

HSL 7, 0.59%, 0.4%

LAB 38.67, 43.07, 32.22

 

CMYK 0 / 59 / 66 / 30

HEX #B2493C

RGB 178 73 60

HSL 6.61, 0.5%, 0.47%

LAB 45.02, 41.91, 29.32

 

CMYK 0 / 53 / 59 / 24

HEX #C35B4F

RGB 195 91 79

HSL 6.21, 0.49%, 0.54%

LAB 51.44, 40.65, 26.85

 

CMYK 0 / 49 / 54 / 17

HEX #D46D62

RGB 212 109 98

HSL 5.79, 0.57%, 0.61%

LAB 57.86, 39.41, 24.74

 

CMYK 0 / 45 / 49 / 10

HEX #E57F75

RGB 229 127 117

HSL 5.36, 0.68%, 0.68%

LAB 64.26, 38.23, 22.92

 

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

CMYK 0 / 73 / 81 / 45

HEX #8B251B

RGB 139 37 27

HSL 5.36, 0.67%, 0.33%

LAB 31.56, 42.36, 31.42

 

CMYK 0 / 84 / 93 / 52

HEX #7A1308

RGB 122 19 8

HSL 5.79, 0.88%, 0.25%

LAB 25.63, 42.43, 34.4

 

CMYK 0 / 99 / 100 / 59

HEX #690100

RGB 105 1 0

HSL 0.57, 1%, 0.21%

LAB 20.14, 41.47, 30.78

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 65 / 71 / 38

HEX #9D372E

RGB 157 55 46

HSL 4.86, 0.55%, 0.4%

LAB 38.02, 41.88, 28.34

 

CMYK 0 / 71 / 71 / 38

HEX #9D2E2E

RGB 157 46 46

HSL 0, 0.55%, 0.4%

LAB 36.59, 45.74, 26.64

 

CMYK 0 / 65 / 71 / 38

HEX #9D372E

RGB 157 55 46

HSL 4.86, 0.55%, 0.4%

LAB 38.02, 41.88, 28.34

 

CMYK 0 / 46 / 71 / 38

HEX #9D552E

RGB 157 85 46

HSL 21.08, 0.55%, 0.4%

LAB 44.03, 26.47, 35.24

 

CMYK 0 / 27 / 71 / 38

HEX #9D732E

RGB 157 115 46

HSL 37.3, 0.55%, 0.4%

LAB 51.41, 9.42, 43.24

 

CMYK 0 / 8 / 71 / 38

HEX #9D912E

RGB 157 145 46

HSL 53.51, 0.55%, 0.4%

LAB 59.54, -7.3, 51.59

 

CMYK 11 / 0 / 71 / 38

HEX #8B9D2E

RGB 139 157 46

HSL 69.73, 0.55%, 0.4%

LAB 61.48, -21.5, 53.04

 

CMYK 0 / 65 / 71 / 38

HEX #9D372E

RGB 157 55 46

HSL 4.86, 0.55%, 0.4%

LAB 38.02, 41.88, 28.34

 

CMYK 0 / 76 / 83 / 32

HEX #AD2A1E

RGB 173 42 30

HSL 5.03, 0.7%, 0.4%

LAB 38.96, 51.81, 39.33

 

CMYK 0 / 85 / 93 / 25

HEX #BE1C0D

RGB 190 28 13

HSL 5.08, 0.87%, 0.4%

LAB 40.91, 60.41, 50.01

 

CMYK 0 / 65 / 71 / 38

HEX #9D372E

RGB 157 55 46

HSL 4.86, 0.55%, 0.4%

LAB 38.02, 41.88, 28.34

 

CMYK 0 / 51 / 55 / 45

HEX #8C453F

RGB 140 69 63

HSL 4.68, 0.38%, 0.4%

LAB 38.18, 29.51, 17.56

 

CMYK 0 / 33 / 36 / 51

HEX #7C534F

RGB 124 83 79

HSL 5.33, 0.22%, 0.4%

LAB 39.64, 16.57, 9.29

 

CMYK 0 / 9 / 10 / 58

HEX #6B6160

RGB 107 97 96

HSL 5.45, 0.05%, 0.4%

LAB 42.03, 3.79, 2.01

 

CMYK 19 / 1 / 0 / 56

HEX #5B6F70

RGB 91 111 112

HSL 182.86, 0.1%, 0.4%

LAB 45.31, -7.15, -3.03

 

CMYK 0 / 71 / 38 / 38

HEX #9D2E62

RGB 157 46 98

HSL 331.89, 0.55%, 0.4%

LAB 37.85, 50.08, -4.58

 

CMYK 0 / 71 / 57 / 38

HEX #9D2E44

RGB 157 46 68

HSL 348.11, 0.55%, 0.4%

LAB 37, 47.18, 13.34

 

CMYK 0 / 66 / 71 / 38

HEX #9D362E

RGB 157 54 46

HSL 4.32, 0.55%, 0.4%

LAB 37.85, 42.33, 28.14

 

CMYK 0 / 47 / 71 / 38

HEX #9D532E

RGB 157 83 46

HSL 20, 0.55%, 0.4%

LAB 43.58, 27.58, 34.73

 

CMYK 0 / 28 / 71 / 38

HEX #9D712E

RGB 157 113 46

HSL 36.22, 0.55%, 0.4%

LAB 50.89, 10.56, 42.69

 

CMYK 0 / 65 / 71 / 64

HEX #5D211B

RGB 93 33 27

HSL 5.45, 0.55%, 0.24%

LAB 21.92, 27.03, 18.15

 

CMYK 0 / 65 / 70 / 51

HEX #7D2C25

RGB 125 44 37

HSL 4.77, 0.54%, 0.32%

LAB 30.14, 34.7, 23.06

 

CMYK 0 / 65 / 71 / 38

HEX #9D372E

RGB 157 55 46

HSL 4.86, 0.55%, 0.4%

LAB 38.02, 41.88, 28.34

 

CMYK 0 / 64 / 70 / 26

HEX #BC4338

RGB 188 67 56

HSL 5, 0.54%, 0.48%

LAB 45.62, 48.03, 32.77

 

CMYK 0 / 55 / 60 / 20

HEX #CB5C52

RGB 203 92 82

HSL 4.96, 0.54%, 0.56%

LAB 52.91, 43.34, 27.24

 

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

CMYK 19 / 0 / 71 / 38

HEX #7F9D2E

RGB 127 157 46

HSL 76.22, 0.55%, 0.4%

LAB 60.63, -26.57, 51.9

 

CMYK 71 / 47 / 0 / 38

HEX #2E539D

RGB 46 83 157

HSL 220, 0.55%, 0.4%

LAB 36.37, 12.69, -44.23

 

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

CMYK 71 / 0 / 66 / 38

HEX #2E9D36

RGB 46 157 54

HSL 124.32, 0.55%, 0.4%

LAB 57.04, -51.71, 43.66

 

CMYK 66 / 71 / 0 / 38

HEX #362E9D

RGB 54 46 157

HSL 244.32, 0.55%, 0.4%

LAB 27.22, 38.03, -59.07

 

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

CMYK 19 / 0 / 71 / 38

HEX #7F9D2E

RGB 127 157 46

HSL 76.22, 0.55%, 0.4%

LAB 60.63, -26.57, 51.9

 

CMYK 71 / 5 / 0 / 38

HEX #2E959D

RGB 46 149 157

HSL 184.32, 0.55%, 0.4%

LAB 56.59, -25.99, -12.73

 

CMYK 52 / 71 / 0 / 38

HEX #4C2E9D

RGB 76 46 157

HSL 256.22, 0.55%, 0.4%

LAB 29.22, 41.46, -55.71

 

CMYK 0 / 65 / 71 / 39

HEX #9C372E

RGB 156 55 46

HSL 4.91, 0.54%, 0.4%

LAB 37.84, 41.52, 28.08

 

CMYK 40 / 0 / 71 / 38

HEX #5E9D2E

RGB 94 157 46

HSL 94.05, 0.55%, 0.4%

LAB 58.69, -39.3, 49.3

 

CMYK 71 / 5 / 0 / 38

HEX #2E959D

RGB 46 149 157

HSL 184.32, 0.55%, 0.4%

LAB 56.59, -25.99, -12.73

 

CMYK 31 / 71 / 0 / 38

HEX #6D2E9D

RGB 109 46 157

HSL 274.05, 0.55%, 0.4%

LAB 33.22, 47.88, -49.03

 

Description

Color code: RGB 156 55 46 | qconv.com Color code: RGB 156 55 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 55 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 55 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 71 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 71% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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