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Color name
RGB 156 50 178

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 50 178 it is the complementary color RGB 99 205 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 50 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 50 178 shade: RGB 161 50 173, RGB 178 68 192, RGB 195 86 211, RGB 212 104 230 and RGB 229 122 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 50 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 50 178 shade: RGB 156 50 178, RGB 139 32 159, RGB 122 14 140, RGB 105 0 121 and RGB 88 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 50 178 shade: RGB 156 50 179, RGB 179 50 166, RGB 179 50 131, RGB 179 50 97 and RGB 179 50 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 50 178 shade: RGB 156 50 179, RGB 122 50 179, RGB 87 50 179, RGB 52 50 179 and RGB 50 50 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 50 178 shade matches the following richer shades: RGB 156 50 179, RGB 169 31 197 and RGB 181 13 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 50 178 shade: RGB 156 50 179, RGB 144 69 160, RGB 132 87 141, RGB 120 106 123 and RGB 108 124 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 50 178 shade: RGB 86 50 179, RGB 121 50 179, RGB 155 50 179, RGB 179 50 168 and RGB 179 50 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 50 178 shade: RGB 100 32 114, RGB 128 41 146, RGB 156 50 179, RGB 179 68 202 and RGB 192 100 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 50 178 shade: RGB 156 50 178, RGB 179 52 50 and RGB 50 179 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 50 178 shade: RGB 156 50 178, RGB 179 155 50 and RGB 50 179 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 50 178 shade: RGB 156 50 178, RGB 179 52 50, RGB 74 179 50 and RGB 50 176 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 50 178 shade: RGB 156 50 178, RGB 179 91 50, RGB 74 179 50 and RGB 50 138 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

Complementary color

CMYK 52 / 0 / 62 / 20

HEX #63CD4D

RGB 99 205 77

HSL 109.69, 0.56%, 0.55%

LAB 74.09, -54.4, 53.03

 

CMYK 7 / 71 / 0 / 32

HEX #A132AD

RGB 161 50 173

HSL 294.15, 0.55%, 0.44%

LAB 42.57, 60.81, -43.18

 

CMYK 7 / 65 / 0 / 25

HEX #B244C0

RGB 178 68 192

HSL 293.23, 0.5%, 0.51%

LAB 48.77, 61.05, -44.31

 

CMYK 8 / 59 / 0 / 17

HEX #C356D3

RGB 195 86 211

HSL 292.32, 0.59%, 0.58%

LAB 55.03, 60.84, -45.13

 

CMYK 8 / 55 / 0 / 10

HEX #D468E6

RGB 212 104 230

HSL 291.43, 0.72%, 0.65%

LAB 61.32, 60.39, -45.75

 

CMYK 8 / 51 / 0 / 2

HEX #E57AF9

RGB 229 122 249

HSL 290.55, 0.91%, 0.73%

LAB 67.59, 59.8, -46.23

 

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

CMYK 13 / 80 / 0 / 38

HEX #8B209F

RGB 139 32 159

HSL 290.55, 0.66%, 0.37%

LAB 36.03, 59.75, -45.47

 

CMYK 13 / 90 / 0 / 45

HEX #7A0E8C

RGB 122 14 140

HSL 291.43, 0.82%, 0.3%

LAB 30.27, 57.64, -43.27

 

CMYK 13 / 100 / 0 / 53

HEX #690079

RGB 105 0 121

HSL 292.07, 1%, 0.24%

LAB 24.9, 53.91, -40.15

 

CMYK 14 / 100 / 0 / 60

HEX #580066

RGB 88 0 102

HSL 291.76, 1%, 0.2%

LAB 20.18, 47.71, -35.64

 

CMYK 13 / 72 / 0 / 30

HEX #9C32B3

RGB 156 50 179

HSL 289.3, 0.56%, 0.45%

LAB 42.16, 60.83, -47.44

 

CMYK 0 / 72 / 7 / 30

HEX #B332A6

RGB 179 50 166

HSL 306.05, 0.56%, 0.45%

LAB 45.11, 63.72, -34.83

 

CMYK 0 / 72 / 27 / 30

HEX #B33283

RGB 179 50 131

HSL 322.33, 0.56%, 0.45%

LAB 43.51, 58.75, -16.2

 

CMYK 0 / 72 / 46 / 30

HEX #B33261

RGB 179 50 97

HSL 338.14, 0.56%, 0.45%

LAB 42.35, 54.97, 3.11

 

CMYK 0 / 72 / 65 / 30

HEX #B3323E

RGB 179 50 62

HSL 354.42, 0.56%, 0.45%

LAB 41.55, 52.27, 23.85

 

CMYK 13 / 72 / 0 / 30

HEX #9C32B3

RGB 156 50 179

HSL 289.3, 0.56%, 0.45%

LAB 42.16, 60.83, -47.44

 

CMYK 32 / 72 / 0 / 30

HEX #7A32B3

RGB 122 50 179

HSL 273.49, 0.56%, 0.45%

LAB 37.25, 53.85, -55.61

 

CMYK 51 / 72 / 0 / 30

HEX #5732B3

RGB 87 50 179

HSL 257.21, 0.56%, 0.45%

LAB 33.05, 47.54, -62.63

 

CMYK 71 / 72 / 0 / 30

HEX #3432B3

RGB 52 50 179

HSL 240.93, 0.56%, 0.45%

LAB 30.07, 42.78, -67.63

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 13 / 72 / 0 / 30

HEX #9C32B3

RGB 156 50 179

HSL 289.3, 0.56%, 0.45%

LAB 42.16, 60.83, -47.44

 

CMYK 14 / 84 / 0 / 23

HEX #A91FC5

RGB 169 31 197

HSL 289.88, 0.73%, 0.45%

LAB 43.43, 72.25, -55.85

 

CMYK 16 / 94 / 0 / 15

HEX #B50DD8

RGB 181 13 216

HSL 289.66, 0.89%, 0.45%

LAB 45.73, 80.29, -63.01

 

CMYK 13 / 72 / 0 / 30

HEX #9C32B3

RGB 156 50 179

HSL 289.3, 0.56%, 0.45%

LAB 42.16, 60.83, -47.44

 

CMYK 10 / 57 / 0 / 37

HEX #9045A0

RGB 144 69 160

HSL 289.45, 0.4%, 0.45%

LAB 42.34, 45.79, -35.97

 

CMYK 6 / 38 / 0 / 45

HEX #84578D

RGB 132 87 141

HSL 290, 0.24%, 0.45%

LAB 43.72, 28.29, -22.53

 

CMYK 2 / 14 / 0 / 52

HEX #786A7B

RGB 120 106 123

HSL 289.41, 0.07%, 0.45%

LAB 46.62, 8.87, -7.42

 

CMYK 13 / 0 / 16 / 51

HEX #6C7C68

RGB 108 124 104

HSL 108, 0.09%, 0.45%

LAB 50.22, -9.98, 8.96

 

CMYK 52 / 72 / 0 / 30

HEX #5632B3

RGB 86 50 179

HSL 256.74, 0.56%, 0.45%

LAB 32.95, 47.38, -62.8

 

CMYK 32 / 72 / 0 / 30

HEX #7932B3

RGB 121 50 179

HSL 273.02, 0.56%, 0.45%

LAB 37.12, 53.66, -55.83

 

CMYK 13 / 72 / 0 / 30

HEX #9B32B3

RGB 155 50 179

HSL 288.84, 0.56%, 0.45%

LAB 42.01, 60.62, -47.69

 

CMYK 0 / 72 / 6 / 30

HEX #B332A8

RGB 179 50 168

HSL 305.12, 0.56%, 0.45%

LAB 45.21, 64.03, -35.85

 

CMYK 0 / 72 / 25 / 30

HEX #B33286

RGB 179 50 134

HSL 320.93, 0.56%, 0.45%

LAB 43.63, 59.14, -17.85

 

CMYK 12 / 72 / 0 / 55

HEX #642072

RGB 100 32 114

HSL 289.76, 0.56%, 0.29%

LAB 26.61, 42.6, -32.97

 

CMYK 12 / 72 / 0 / 43

HEX #802992

RGB 128 41 146

HSL 289.71, 0.56%, 0.37%

LAB 34.5, 51.83, -40.12

 

CMYK 13 / 72 / 0 / 30

HEX #9C32B3

RGB 156 50 179

HSL 289.3, 0.56%, 0.45%

LAB 42.16, 60.83, -47.44

 

CMYK 11 / 66 / 0 / 21

HEX #B344CA

RGB 179 68 202

HSL 289.7, 0.56%, 0.53%

LAB 49.47, 63.13, -48.96

 

CMYK 9 / 53 / 0 / 17

HEX #C064D3

RGB 192 100 211

HSL 289.73, 0.56%, 0.61%

LAB 57.1, 53.43, -41.9

 

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

CMYK 0 / 71 / 72 / 30

HEX #B33432

RGB 179 52 50

HSL 0.93, 0.56%, 0.45%

LAB 41.64, 50.88, 31.22

 

CMYK 72 / 0 / 42 / 30

HEX #32B368

RGB 50 179 104

HSL 145.12, 0.56%, 0.45%

LAB 64.9, -51.63, 28.52

 

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

CMYK 0 / 13 / 72 / 30

HEX #B39B32

RGB 179 155 50

HSL 48.84, 0.56%, 0.45%

LAB 64.37, -2.66, 55.47

 

CMYK 72 / 0 / 13 / 30

HEX #32B39B

RGB 50 179 155

HSL 168.84, 0.56%, 0.45%

LAB 65.97, -40.16, 2.28

 

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

CMYK 0 / 71 / 72 / 30

HEX #B33432

RGB 179 52 50

HSL 0.93, 0.56%, 0.45%

LAB 41.64, 50.88, 31.22

 

CMYK 59 / 0 / 72 / 30

HEX #4AB332

RGB 74 179 50

HSL 108.84, 0.56%, 0.45%

LAB 64.9, -53.73, 53.89

 

CMYK 72 / 2 / 0 / 30

HEX #32B0B3

RGB 50 176 179

HSL 181.4, 0.56%, 0.45%

LAB 65.74, -32.05, -11.38

 

CMYK 12 / 72 / 0 / 30

HEX #9C32B2

RGB 156 50 178

HSL 289.69, 0.56%, 0.45%

LAB 42.1, 60.64, -46.95

 

CMYK 0 / 49 / 72 / 30

HEX #B35B32

RGB 179 91 50

HSL 19.07, 0.56%, 0.45%

LAB 48.63, 32.58, 39.11

 

CMYK 59 / 0 / 72 / 30

HEX #4AB332

RGB 74 179 50

HSL 108.84, 0.56%, 0.45%

LAB 64.9, -53.73, 53.89

 

CMYK 72 / 23 / 0 / 30

HEX #328AB3

RGB 50 138 179

HSL 199.07, 0.56%, 0.45%

LAB 54.14, -12.36, -29.07

 

Description

Color code: RGB 156 50 178 | qconv.com Color code: RGB 156 50 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 50 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 50 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 72 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 72% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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