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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 246 197 it is the complementary color RGB 99 9 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 246 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 246 197 shade: RGB 161 246 192, RGB 178 255 211, RGB 195 255 230, RGB 212 255 249 and RGB 229 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 246 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 246 197 shade: RGB 156 246 197, RGB 139 228 178, RGB 122 210 159, RGB 105 192 140 and RGB 88 174 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 246 197 shade: RGB 157 245 197, RGB 157 245 173, RGB 164 245 157, RGB 188 245 157 and RGB 212 245 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 246 197 shade: RGB 157 245 197, RGB 157 245 221, RGB 157 245 245, RGB 157 222 245 and RGB 157 198 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 246 197 shade matches the following richer shades: RGB 157 245 197 and RGB 148 254 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 246 197 shade: RGB 157 245 197, RGB 165 237 198, RGB 174 228 199, RGB 182 219 199 and RGB 191 211 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 246 197 shade: RGB 164 245 157, RGB 157 245 173, RGB 157 245 197, RGB 157 245 220 and RGB 157 245 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 246 197 shade: RGB 81 238 153, RGB 119 242 175, RGB 157 245 197, RGB 194 249 219 and RGB 232 252 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 246 197 shade: RGB 156 246 197, RGB 157 188 245 and RGB 245 161 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 246 197 shade: RGB 156 246 197, RGB 197 157 245 and RGB 245 197 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 246 197 shade: RGB 156 246 197, RGB 157 188 245, RGB 245 157 205 and RGB 245 214 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 246 197 shade: RGB 156 246 197, RGB 157 161 245, RGB 245 157 205 and RGB 245 241 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

Complementary color

CMYK 0 / 91 / 41 / 61

HEX #63093A

RGB 99 9 58

HSL 327.33, 0.83%, 0.21%

LAB 20.65, 41.2, -4.9

 

CMYK 35 / 0 / 22 / 4

HEX #A1F6C0

RGB 161 246 192

HSL 141.88, 0.83%, 0.8%

LAB 90.46, -36.81, 17.98

 

CMYK 30 / 0 / 17 / 0

HEX #B2FFD3

RGB 178 255 211

HSL 145.71, 1%, 0.85%

LAB 94.18, -32.42, 13.57

 

CMYK 24 / 0 / 10 / 0

HEX #C3FFE6

RGB 195 255 230

HSL 155, 1%, 0.88%

LAB 95.51, -23.71, 5.83

 

CMYK 17 / 0 / 2 / 0

HEX #D4FFF9

RGB 212 255 249

HSL 171.63, 1%, 0.92%

LAB 96.97, -14.82, -1.71

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

CMYK 39 / 0 / 22 / 11

HEX #8BE4B2

RGB 139 228 178

HSL 146.29, 0.62%, 0.72%

LAB 84.06, -37.54, 16.13

 

CMYK 42 / 0 / 24 / 18

HEX #7AD29F

RGB 122 210 159

HSL 145.23, 0.49%, 0.65%

LAB 77.72, -37.79, 17.14

 

CMYK 45 / 0 / 27 / 25

HEX #69C08C

RGB 105 192 140

HSL 144.14, 0.41%, 0.58%

LAB 71.28, -38.02, 18.23

 

CMYK 49 / 0 / 30 / 32

HEX #58AE79

RGB 88 174 121

HSL 143.02, 0.35%, 0.51%

LAB 64.75, -38.23, 19.41

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 36 / 0 / 29 / 4

HEX #9DF5AD

RGB 157 245 173

HSL 130.91, 0.81%, 0.79%

LAB 89.62, -40.9, 26.53

 

CMYK 33 / 0 / 36 / 4

HEX #A4F59D

RGB 164 245 157

HSL 115.23, 0.81%, 0.79%

LAB 89.69, -41.31, 34.75

 

CMYK 23 / 0 / 36 / 4

HEX #BCF59D

RGB 188 245 157

HSL 98.86, 0.81%, 0.79%

LAB 90.98, -33.43, 36.69

 

CMYK 13 / 0 / 36 / 4

HEX #D4F59D

RGB 212 245 157

HSL 82.5, 0.81%, 0.79%

LAB 92.46, -24.98, 38.91

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 36 / 0 / 10 / 4

HEX #9DF5DD

RGB 157 245 221

HSL 163.64, 0.81%, 0.79%

LAB 90.64, -31.67, 3.19

 

CMYK 36 / 0 / 0 / 4

HEX #9DF5F5

RGB 157 245 245

HSL 180, 0.81%, 0.79%

LAB 91.26, -26.31, -8.38

 

CMYK 36 / 9 / 0 / 4

HEX #9DDEF5

RGB 157 222 245

HSL 195.68, 0.81%, 0.79%

LAB 85, -14.91, -17.74

 

CMYK 36 / 19 / 0 / 4

HEX #9DC6F5

RGB 157 198 245

HSL 212.05, 0.81%, 0.79%

LAB 78.55, -2.35, -27.54

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 42 / 0 / 23 / 0

HEX #94FEC4

RGB 148 254 196

HSL 147.17, 0.98%, 0.79%

LAB 92.21, -43.24, 18.28

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 30 / 0 / 16 / 7

HEX #A5EDC6

RGB 165 237 198

HSL 147.5, 0.67%, 0.79%

LAB 88.28, -30.32, 11.82

 

CMYK 24 / 0 / 13 / 11

HEX #AEE4C7

RGB 174 228 199

HSL 147.78, 0.5%, 0.79%

LAB 86.31, -23.06, 8.56

 

CMYK 17 / 0 / 9 / 14

HEX #B6DBC7

RGB 182 219 199

HSL 147.57, 0.34%, 0.79%

LAB 84.35, -16.04, 5.8

 

CMYK 9 / 0 / 5 / 17

HEX #BFD3C8

RGB 191 211 200

HSL 147, 0.19%, 0.79%

LAB 82.83, -8.8, 3.14

 

CMYK 33 / 0 / 36 / 4

HEX #A4F59D

RGB 164 245 157

HSL 115.23, 0.81%, 0.79%

LAB 89.69, -41.31, 34.75

 

CMYK 36 / 0 / 29 / 4

HEX #9DF5AD

RGB 157 245 173

HSL 130.91, 0.81%, 0.79%

LAB 89.62, -40.9, 26.53

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 36 / 0 / 10 / 4

HEX #9DF5DC

RGB 157 245 220

HSL 162.95, 0.81%, 0.79%

LAB 90.62, -31.89, 3.68

 

CMYK 36 / 0 / 0 / 4

HEX #9DF5F4

RGB 157 245 244

HSL 179.32, 0.81%, 0.79%

LAB 91.24, -26.54, -7.9

 

CMYK 66 / 0 / 36 / 7

HEX #51EE99

RGB 81 238 153

HSL 147.52, 0.82%, 0.63%

LAB 84.59, -59.75, 29.44

 

CMYK 51 / 0 / 28 / 5

HEX #77F2AF

RGB 119 242 175

HSL 147.32, 0.83%, 0.71%

LAB 87.25, -49.39, 22

 

CMYK 36 / 0 / 20 / 4

HEX #9DF5C5

RGB 157 245 197

HSL 147.27, 0.81%, 0.79%

LAB 90.09, -36.55, 14.86

 

CMYK 22 / 0 / 12 / 2

HEX #C2F9DB

RGB 194 249 219

HSL 147.27, 0.82%, 0.87%

LAB 93.6, -23.22, 8.74

 

CMYK 8 / 0 / 4 / 1

HEX #E8FCF1

RGB 232 252 241

HSL 147, 0.77%, 0.95%

LAB 97.28, -8.51, 3.02

 

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

CMYK 36 / 23 / 0 / 4

HEX #9DBCF5

RGB 157 188 245

HSL 218.86, 0.81%, 0.79%

LAB 75.9, 3.06, -31.6

 

CMYK 0 / 34 / 36 / 4

HEX #F5A19D

RGB 245 161 157

HSL 2.73, 0.81%, 0.79%

LAB 74.4, 30.7, 14.99

 

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

CMYK 20 / 36 / 0 / 4

HEX #C59DF5

RGB 197 157 245

HSL 267.27, 0.81%, 0.79%

LAB 71.27, 31.64, -38.54

 

CMYK 0 / 20 / 36 / 4

HEX #F5C59D

RGB 245 197 157

HSL 27.27, 0.81%, 0.79%

LAB 82.8, 11.73, 26.55

 

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

CMYK 36 / 23 / 0 / 4

HEX #9DBCF5

RGB 157 188 245

HSL 218.86, 0.81%, 0.79%

LAB 75.9, 3.06, -31.6

 

CMYK 0 / 36 / 16 / 4

HEX #F59DCD

RGB 245 157 205

HSL 327.27, 0.81%, 0.79%

LAB 74.78, 39.35, -10.84

 

CMYK 0 / 13 / 36 / 4

HEX #F5D69D

RGB 245 214 157

HSL 38.86, 0.81%, 0.79%

LAB 86.97, 2.9, 32.14

 

CMYK 37 / 0 / 20 / 4

HEX #9CF6C5

RGB 156 246 197

HSL 147.33, 0.83%, 0.79%

LAB 90.33, -37.29, 15.18

 

CMYK 36 / 34 / 0 / 4

HEX #9DA1F5

RGB 157 161 245

HSL 237.27, 0.81%, 0.79%

LAB 68.93, 18.14, -42.43

 

CMYK 0 / 36 / 16 / 4

HEX #F59DCD

RGB 245 157 205

HSL 327.27, 0.81%, 0.79%

LAB 74.78, 39.35, -10.84

 

CMYK 0 / 2 / 36 / 4

HEX #F5F19D

RGB 245 241 157

HSL 57.27, 0.81%, 0.79%

LAB 93.78, -10.74, 41.08

 

Description

Color code: RGB 156 246 197 | qconv.com Color code: RGB 156 246 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 246 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 246 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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