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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 21 218 it is the complementary color RGB 99 234 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 21 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 21 218 shade: RGB 161 21 213, RGB 178 39 232, RGB 195 57 251, RGB 212 75 255 and RGB 229 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 21 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 139 3 199, RGB 122 0 180, RGB 105 0 161 and RGB 88 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 209 21 218, RGB 218 21 173, RGB 218 21 120 and RGB 218 21 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 103 21 218, RGB 50 21 218 and RGB 21 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 21 218 shade matches the following richer shades: RGB 156 21 218 and RGB 163 2 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 149 40 198, RGB 141 60 179, RGB 134 79 159 and RGB 127 99 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 21 218 shade: RGB 51 21 218, RGB 103 21 218, RGB 155 21 218, RGB 208 21 218 and RGB 218 21 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 21 218 shade: RGB 102 14 143, RGB 129 17 180, RGB 156 21 218, RGB 175 46 234 and RGB 189 84 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 218 21 44 and RGB 21 218 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 218 155 21 and RGB 21 218 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 218 21 44, RGB 83 218 21 and RGB 21 218 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 21 218 shade: RGB 156 21 218, RGB 218 57 21, RGB 83 218 21 and RGB 21 182 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

Complementary color

CMYK 58 / 0 / 84 / 8

HEX #63EA25

RGB 99 234 37

HSL 101.12, 0.82%, 0.53%

LAB 82.72, -67.46, 74.83

 

CMYK 24 / 90 / 0 / 16

HEX #A115D5

RGB 161 21 213

HSL 283.75, 0.82%, 0.46%

LAB 42.64, 75.84, -66.45

 

CMYK 23 / 83 / 0 / 9

HEX #B227E8

RGB 178 39 232

HSL 283.21, 0.81%, 0.53%

LAB 47.93, 78.14, -68.57

 

CMYK 22 / 77 / 0 / 2

HEX #C339FB

RGB 195 57 251

HSL 282.68, 0.96%, 0.6%

LAB 53.49, 79.45, -70.12

 

CMYK 17 / 71 / 0 / 0

HEX #D44BFF

RGB 212 75 255

HSL 285.67, 1%, 0.65%

LAB 58.27, 77.25, -64.49

 

CMYK 10 / 64 / 0 / 0

HEX #E55DFF

RGB 229 93 255

HSL 290.37, 1%, 0.68%

LAB 63.1, 73.88, -56.64

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 30 / 98 / 0 / 22

HEX #8B03C7

RGB 139 3 199

HSL 281.63, 0.97%, 0.4%

LAB 37.26, 72.66, -67.26

 

CMYK 32 / 100 / 0 / 29

HEX #7A00B4

RGB 122 0 180

HSL 280.67, 1%, 0.35%

LAB 32.77, 67.36, -63.5

 

CMYK 35 / 100 / 0 / 37

HEX #6900A1

RGB 105 0 161

HSL 279.13, 1%, 0.32%

LAB 28.32, 61.6, -59.47

 

CMYK 38 / 100 / 0 / 44

HEX #58008E

RGB 88 0 142

HSL 277.18, 1%, 0.28%

LAB 23.76, 55.72, -55.36

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 4 / 90 / 0 / 15

HEX #D115DA

RGB 209 21 218

HSL 297.26, 0.82%, 0.47%

LAB 50.87, 84.02, -55.63

 

CMYK 0 / 90 / 21 / 15

HEX #DA15AD

RGB 218 21 173

HSL 313.71, 0.82%, 0.47%

LAB 50.05, 79.48, -30.74

 

CMYK 0 / 90 / 45 / 15

HEX #DA1578

RGB 218 21 120

HSL 329.85, 0.82%, 0.47%

LAB 48, 74.01, -1.99

 

CMYK 0 / 90 / 69 / 15

HEX #DA1543

RGB 218 21 67

HSL 345.99, 0.82%, 0.47%

LAB 46.77, 70.59, 28.97

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 53 / 90 / 0 / 15

HEX #6715DA

RGB 103 21 218

HSL 264.97, 0.82%, 0.47%

LAB 34.97, 70.17, -82.23

 

CMYK 77 / 90 / 0 / 15

HEX #3215DA

RGB 50 21 218

HSL 248.83, 0.82%, 0.47%

LAB 30.1, 66.84, -90.45

 

CMYK 90 / 90 / 0 / 15

HEX #1515DA

RGB 21 21 218

HSL 240, 0.82%, 0.47%

LAB 28.79, 66.07, -92.67

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 31 / 99 / 0 / 7

HEX #A302ED

RGB 163 2 237

HSL 281.11, 0.98%, 0.47%

LAB 44.15, 82.7, -77.66

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 25 / 80 / 0 / 22

HEX #9528C6

RGB 149 40 198

HSL 281.39, 0.66%, 0.47%

LAB 41.19, 66.62, -60.2

 

CMYK 21 / 66 / 0 / 30

HEX #8D3CB3

RGB 141 60 179

HSL 280.84, 0.5%, 0.47%

LAB 41.45, 53.37, -48.7

 

CMYK 16 / 50 / 0 / 38

HEX #864F9F

RGB 134 79 159

HSL 281.25, 0.34%, 0.47%

LAB 43.01, 37.42, -34.41

 

CMYK 9 / 29 / 0 / 45

HEX #7F638C

RGB 127 99 140

HSL 280.98, 0.17%, 0.47%

LAB 46.08, 19.26, -18.34

 

CMYK 77 / 90 / 0 / 15

HEX #3315DA

RGB 51 21 218

HSL 249.14, 0.82%, 0.47%

LAB 30.16, 66.88, -90.35

 

CMYK 53 / 90 / 0 / 15

HEX #6715DA

RGB 103 21 218

HSL 264.97, 0.82%, 0.47%

LAB 34.97, 70.17, -82.23

 

CMYK 29 / 90 / 0 / 15

HEX #9B15DA

RGB 155 21 218

HSL 280.81, 0.82%, 0.47%

LAB 42.1, 75.95, -70.24

 

CMYK 5 / 90 / 0 / 15

HEX #D015DA

RGB 208 21 218

HSL 296.95, 0.82%, 0.47%

LAB 50.7, 83.85, -55.91

 

CMYK 0 / 90 / 20 / 15

HEX #DA15AF

RGB 218 21 175

HSL 313.1, 0.82%, 0.47%

LAB 50.14, 79.73, -31.77

 

CMYK 29 / 90 / 0 / 44

HEX #660E8F

RGB 102 14 143

HSL 280.93, 0.82%, 0.31%

LAB 27.08, 54.94, -50.46

 

CMYK 28 / 91 / 0 / 29

HEX #8111B4

RGB 129 17 180

HSL 281.23, 0.83%, 0.39%

LAB 34.73, 65.75, -60.26

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 25 / 80 / 0 / 8

HEX #AF2EEA

RGB 175 46 234

HSL 281.17, 0.82%, 0.55%

LAB 48.27, 76.19, -69.18

 

CMYK 21 / 65 / 0 / 7

HEX #BD54EE

RGB 189 84 238

HSL 280.91, 0.82%, 0.63%

LAB 55.41, 65.59, -59.8

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 0 / 90 / 80 / 15

HEX #DA152C

RGB 218 21 44

HSL 352.99, 0.82%, 0.47%

LAB 46.48, 69.75, 42.15

 

CMYK 90 / 0 / 65 / 15

HEX #15DA4D

RGB 21 218 77

HSL 137.06, 0.82%, 0.47%

LAB 76.58, -71.51, 55.36

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 0 / 29 / 90 / 15

HEX #DA9B15

RGB 218 155 21

HSL 40.81, 0.82%, 0.47%

LAB 68.32, 13.65, 69.38

 

CMYK 90 / 0 / 29 / 15

HEX #15DA9B

RGB 21 218 155

HSL 160.81, 0.82%, 0.47%

LAB 77.68, -58.52, 18.84

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 0 / 90 / 80 / 15

HEX #DA152C

RGB 218 21 44

HSL 352.99, 0.82%, 0.47%

LAB 46.48, 69.75, 42.15

 

CMYK 62 / 0 / 90 / 15

HEX #53DA15

RGB 83 218 21

HSL 101.12, 0.82%, 0.47%

LAB 77.3, -66.43, 72.99

 

CMYK 90 / 0 / 11 / 15

HEX #15DAC3

RGB 21 218 195

HSL 172.99, 0.82%, 0.47%

LAB 78.6, -48.6, -1.08

 

CMYK 28 / 90 / 0 / 15

HEX #9C15DA

RGB 156 21 218

HSL 281.12, 0.82%, 0.47%

LAB 42.26, 76.09, -69.98

 

CMYK 0 / 74 / 90 / 15

HEX #DA3915

RGB 218 57 21

HSL 10.96, 0.82%, 0.47%

LAB 49.36, 60.65, 55.44

 

CMYK 62 / 0 / 90 / 15

HEX #53DA15

RGB 83 218 21

HSL 101.12, 0.82%, 0.47%

LAB 77.3, -66.43, 72.99

 

CMYK 90 / 17 / 0 / 15

HEX #15B6DA

RGB 21 182 218

HSL 190.96, 0.82%, 0.47%

LAB 68.52, -25.03, -28.71

 

Description

Color code: RGB 156 21 218 | qconv.com Color code: RGB 156 21 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 21 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 21 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 90 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 90% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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