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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 202 72 it is the complementary color RGB 99 53 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 202 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 202 72 shade: RGB 161 202 67, RGB 178 220 86, RGB 195 238 105, RGB 212 255 124 and RGB 229 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 202 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 202 72 shade: RGB 156 202 72, RGB 139 184 53, RGB 122 166 34, RGB 105 148 15 and RGB 88 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 202 72 shade: RGB 156 202 73, RGB 191 202 73, RGB 202 178 73, RGB 202 143 73 and RGB 202 108 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 202 72 shade: RGB 156 202 73, RGB 121 202 73, RGB 86 202 73, RGB 73 202 94 and RGB 73 202 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 202 72 shade matches the following richer shades: RGB 156 202 73, RGB 162 221 54 and RGB 167 240 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 202 72 shade: RGB 156 202 73, RGB 151 183 92, RGB 145 164 111, RGB 139 145 130 and RGB 134 126 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 202 72 shade: RGB 202 178 73, RGB 191 202 73, RGB 157 202 73, RGB 122 202 73 and RGB 88 202 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 202 72 shade: RGB 111 149 43, RGB 135 181 52, RGB 156 202 73, RGB 173 211 105 and RGB 191 220 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 202 72 shade: RGB 156 202 72, RGB 73 202 144 and RGB 195 73 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 202 72 shade: RGB 156 202 72, RGB 73 157 202 and RGB 202 73 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 202 72 shade: RGB 156 202 72, RGB 73 202 144, RGB 118 73 202 and RGB 202 73 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 202 72 shade: RGB 156 202 72, RGB 73 202 182, RGB 118 73 202 and RGB 202 73 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

Complementary color

CMYK 46 / 71 / 0 / 28

HEX #6335B7

RGB 99 53 183

HSL 261.23, 0.55%, 0.46%

LAB 35.24, 49.14, -61.37

 

CMYK 20 / 0 / 67 / 21

HEX #A1CA43

RGB 161 202 67

HSL 78.22, 0.56%, 0.53%

LAB 76.21, -32.91, 60.34

 

CMYK 19 / 0 / 61 / 14

HEX #B2DC56

RGB 178 220 86

HSL 78.81, 0.66%, 0.6%

LAB 82.55, -33.28, 59.67

 

CMYK 18 / 0 / 56 / 7

HEX #C3EE69

RGB 195 238 105

HSL 79.4, 0.8%, 0.67%

LAB 88.81, -33.54, 58.78

 

CMYK 17 / 0 / 51 / 0

HEX #D4FF7C

RGB 212 255 124

HSL 79.69, 1%, 0.74%

LAB 94.73, -33.28, 57.45

 

CMYK 10 / 0 / 44 / 0

HEX #E5FF8F

RGB 229 255 143

HSL 73.93, 1%, 0.78%

LAB 96.06, -25.07, 50.52

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

CMYK 24 / 0 / 71 / 28

HEX #8BB835

RGB 139 184 53

HSL 80.61, 0.55%, 0.46%

LAB 69.49, -34.1, 58.39

 

CMYK 27 / 0 / 80 / 35

HEX #7AA622

RGB 122 166 34

HSL 80, 0.66%, 0.39%

LAB 62.95, -33.53, 58.19

 

CMYK 29 / 0 / 90 / 42

HEX #69940F

RGB 105 148 15

HSL 79.4, 0.82%, 0.32%

LAB 56.3, -32.73, 56.79

 

CMYK 32 / 0 / 100 / 49

HEX #588200

RGB 88 130 0

HSL 79.38, 1%, 0.25%

LAB 49.54, -31.64, 53.63

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA49

RGB 156 202 73

HSL 81.4, 0.55%, 0.54%

LAB 75.94, -34.42, 57.54

 

CMYK 5 / 0 / 64 / 21

HEX #BFCA49

RGB 191 202 73

HSL 65.12, 0.55%, 0.54%

LAB 78.34, -20.43, 60.82

 

CMYK 0 / 12 / 64 / 21

HEX #CAB249

RGB 202 178 73

HSL 48.84, 0.55%, 0.54%

LAB 72.81, -3.55, 55.2

 

CMYK 0 / 29 / 64 / 21

HEX #CA8F49

RGB 202 143 73

HSL 32.56, 0.55%, 0.54%

LAB 63.9, 15.27, 45.34

 

CMYK 0 / 47 / 64 / 21

HEX #CA6C49

RGB 202 108 73

HSL 16.28, 0.55%, 0.54%

LAB 55.85, 34.19, 35.93

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA49

RGB 156 202 73

HSL 81.4, 0.55%, 0.54%

LAB 75.94, -34.42, 57.54

 

CMYK 40 / 0 / 64 / 21

HEX #79CA49

RGB 121 202 73

HSL 97.67, 0.55%, 0.54%

LAB 74.05, -46.94, 54.94

 

CMYK 57 / 0 / 64 / 21

HEX #56CA49

RGB 86 202 73

HSL 113.95, 0.55%, 0.54%

LAB 72.69, -57.06, 53.06

 

CMYK 64 / 0 / 53 / 21

HEX #49CA5E

RGB 73 202 94

HSL 129.77, 0.55%, 0.54%

LAB 72.54, -57.52, 43.28

 

CMYK 64 / 0 / 37 / 21

HEX #49CA80

RGB 73 202 128

HSL 145.58, 0.55%, 0.54%

LAB 73.03, -52.01, 26.8

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA49

RGB 156 202 73

HSL 81.4, 0.55%, 0.54%

LAB 75.94, -34.42, 57.54

 

CMYK 27 / 0 / 76 / 13

HEX #A2DD36

RGB 162 221 54

HSL 81.2, 0.71%, 0.54%

LAB 81.65, -41.83, 70.34

 

CMYK 30 / 0 / 85 / 6

HEX #A7F023

RGB 167 240 35

HSL 81.37, 0.87%, 0.54%

LAB 87.32, -48.83, 80.34

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA49

RGB 156 202 73

HSL 81.4, 0.55%, 0.54%

LAB 75.94, -34.42, 57.54

 

CMYK 17 / 0 / 50 / 28

HEX #97B75C

RGB 151 183 92

HSL 81.1, 0.39%, 0.54%

LAB 70.33, -25.63, 42.4

 

CMYK 12 / 0 / 32 / 36

HEX #91A46F

RGB 145 164 111

HSL 81.51, 0.23%, 0.54%

LAB 64.74, -16.03, 25.36

 

CMYK 4 / 0 / 10 / 43

HEX #8B9182

RGB 139 145 130

HSL 84, 0.06%, 0.54%

LAB 59.3, -5.05, 7.21

 

CMYK 10 / 15 / 0 / 42

HEX #867E95

RGB 134 126 149

HSL 260.87, 0.1%, 0.54%

LAB 54.2, 7.73, -11.27

 

CMYK 0 / 12 / 64 / 21

HEX #CAB249

RGB 202 178 73

HSL 48.84, 0.55%, 0.54%

LAB 72.81, -3.55, 55.2

 

CMYK 5 / 0 / 64 / 21

HEX #BFCA49

RGB 191 202 73

HSL 65.12, 0.55%, 0.54%

LAB 78.34, -20.43, 60.82

 

CMYK 22 / 0 / 64 / 21

HEX #9DCA49

RGB 157 202 73

HSL 80.93, 0.55%, 0.54%

LAB 76, -34.03, 57.62

 

CMYK 40 / 0 / 64 / 21

HEX #7ACA49

RGB 122 202 73

HSL 97.21, 0.55%, 0.54%

LAB 74.1, -46.61, 55.01

 

CMYK 56 / 0 / 64 / 21

HEX #58CA49

RGB 88 202 73

HSL 113.02, 0.55%, 0.54%

LAB 72.76, -56.56, 53.15

 

CMYK 26 / 0 / 71 / 42

HEX #6F952B

RGB 111 149 43

HSL 81.51, 0.55%, 0.38%

LAB 57.12, -29.45, 49.19

 

CMYK 25 / 0 / 71 / 29

HEX #87B534

RGB 135 181 52

HSL 81.4, 0.55%, 0.46%

LAB 68.35, -34.34, 57.54

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA49

RGB 156 202 73

HSL 81.4, 0.55%, 0.54%

LAB 75.94, -34.42, 57.54

 

CMYK 18 / 0 / 50 / 17

HEX #ADD369

RGB 173 211 105

HSL 81.51, 0.55%, 0.62%

LAB 79.89, -29.27, 47.98

 

CMYK 13 / 0 / 38 / 14

HEX #BFDC89

RGB 191 220 137

HSL 80.96, 0.54%, 0.7%

LAB 84, -23.17, 37.65

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

CMYK 64 / 0 / 29 / 21

HEX #49CA90

RGB 73 202 144

HSL 153.02, 0.55%, 0.54%

LAB 73.33, -48.82, 18.76

 

CMYK 3 / 64 / 0 / 21

HEX #C349CA

RGB 195 73 202

HSL 296.74, 0.55%, 0.54%

LAB 52.54, 64.8, -43.93

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

CMYK 64 / 22 / 0 / 21

HEX #499DCA

RGB 73 157 202

HSL 200.93, 0.55%, 0.54%

LAB 61.48, -11.62, -30.65

 

CMYK 0 / 64 / 22 / 21

HEX #CA499D

RGB 202 73 157

HSL 320.93, 0.55%, 0.54%

LAB 51.56, 59.59, -19.18

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

CMYK 64 / 0 / 29 / 21

HEX #49CA90

RGB 73 202 144

HSL 153.02, 0.55%, 0.54%

LAB 73.33, -48.82, 18.76

 

CMYK 42 / 64 / 0 / 21

HEX #7649CA

RGB 118 73 202

HSL 260.93, 0.55%, 0.54%

LAB 42.58, 47.41, -60.45

 

CMYK 0 / 64 / 35 / 21

HEX #CA4983

RGB 202 73 131

HSL 333.02, 0.55%, 0.54%

LAB 50.64, 56.32, -5.08

 

CMYK 23 / 0 / 64 / 21

HEX #9CCA48

RGB 156 202 72

HSL 81.23, 0.55%, 0.54%

LAB 75.93, -34.49, 57.94

 

CMYK 64 / 0 / 10 / 21

HEX #49CAB6

RGB 73 202 182

HSL 170.7, 0.55%, 0.54%

LAB 74.21, -39.88, -0.42

 

CMYK 42 / 64 / 0 / 21

HEX #7649CA

RGB 118 73 202

HSL 260.93, 0.55%, 0.54%

LAB 42.58, 47.41, -60.45

 

CMYK 0 / 64 / 54 / 21

HEX #CA495C

RGB 202 73 92

HSL 351.16, 0.55%, 0.54%

LAB 49.61, 52.53, 16.95

 

Description

Color code: RGB 156 202 72 | qconv.com Color code: RGB 156 202 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 202 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 202 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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