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Color name
RGB 156 165 121

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 165 121 it is the complementary color RGB 99 90 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 165 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 165 121 shade: RGB 161 165 116, RGB 178 183 135, RGB 195 201 154, RGB 212 219 173 and RGB 229 237 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 165 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 165 121 shade: RGB 156 165 121, RGB 139 147 102, RGB 122 129 83, RGB 105 111 64 and RGB 88 93 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 165 121 shade: RGB 156 165 120, RGB 165 162 120, RGB 165 150 120, RGB 165 138 120 and RGB 165 126 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 165 121 shade: RGB 156 165 120, RGB 143 165 120, RGB 131 165 120, RGB 120 165 120 and RGB 120 165 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 165 121 shade matches the following richer shades: RGB 156 165 120, RGB 166 183 102, RGB 177 201 84, RGB 188 219 65 and RGB 198 237 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 165 121 shade: RGB 156 165 120, RGB 145 147 138, RGB 134 128 156, RGB 123 110 174 and RGB 113 92 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 165 121 shade: RGB 165 150 120, RGB 165 162 120, RGB 156 165 120, RGB 144 165 120 and RGB 132 165 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 165 121 shade: RGB 113 121 81, RGB 136 146 97, RGB 156 165 120, RGB 174 181 145 and RGB 192 198 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 165 121 shade: RGB 156 165 121, RGB 120 165 138 and RGB 156 120 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 165 121 shade: RGB 156 165 121, RGB 120 156 165 and RGB 165 120 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 165 121 shade: RGB 156 165 121, RGB 120 165 138, RGB 129 120 165 and RGB 165 120 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 165 121 shade: RGB 156 165 121, RGB 120 165 151, RGB 129 120 165 and RGB 165 120 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

Complementary color

CMYK 26 / 33 / 0 / 47

HEX #635A86

RGB 99 90 134

HSL 252.27, 0.2%, 0.44%

LAB 40.71, 13.85, -23.23

 

CMYK 2 / 0 / 30 / 35

HEX #A1A574

RGB 161 165 116

HSL 64.9, 0.21%, 0.55%

LAB 66.33, -9.56, 24.99

 

CMYK 3 / 0 / 26 / 28

HEX #B2B787

RGB 178 183 135

HSL 66.25, 0.25%, 0.62%

LAB 72.95, -9.73, 23.89

 

CMYK 3 / 0 / 23 / 21

HEX #C3C99A

RGB 195 201 154

HSL 67.66, 0.3%, 0.7%

LAB 79.45, -9.88, 22.86

 

CMYK 3 / 0 / 21 / 14

HEX #D4DBAD

RGB 212 219 173

HSL 69.13, 0.39%, 0.77%

LAB 85.84, -10.01, 21.88

 

CMYK 3 / 0 / 19 / 7

HEX #E5EDC0

RGB 229 237 192

HSL 70.67, 0.56%, 0.84%

LAB 92.15, -10.12, 20.95

 

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

CMYK 5 / 0 / 31 / 42

HEX #8B9366

RGB 139 147 102

HSL 70.67, 0.18%, 0.49%

LAB 59.27, -10.69, 22.91

 

CMYK 5 / 0 / 36 / 49

HEX #7A8153

RGB 122 129 83

HSL 69.13, 0.22%, 0.42%

LAB 52.36, -10.53, 24.11

 

CMYK 5 / 0 / 42 / 56

HEX #696F40

RGB 105 111 64

HSL 67.66, 0.27%, 0.34%

LAB 45.28, -10.3, 25.38

 

CMYK 5 / 0 / 52 / 64

HEX #585D2D

RGB 88 93 45

HSL 66.25, 0.35%, 0.27%

LAB 38.01, -9.97, 26.7

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 0 / 2 / 27 / 35

HEX #A5A278

RGB 165 162 120

HSL 56, 0.2%, 0.56%

LAB 65.9, -5.81, 22.3

 

CMYK 0 / 9 / 27 / 35

HEX #A59678

RGB 165 150 120

HSL 40, 0.2%, 0.56%

LAB 62.65, 0.72, 17.86

 

CMYK 0 / 16 / 27 / 35

HEX #A58A78

RGB 165 138 120

HSL 24, 0.2%, 0.56%

LAB 59.46, 7.4, 13.45

 

CMYK 0 / 24 / 27 / 35

HEX #A57E78

RGB 165 126 120

HSL 8, 0.2%, 0.56%

LAB 56.36, 14.18, 9.09

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 13 / 0 / 27 / 35

HEX #8FA578

RGB 143 165 120

HSL 89.33, 0.2%, 0.56%

LAB 65.05, -15.96, 20.85

 

CMYK 21 / 0 / 27 / 35

HEX #83A578

RGB 131 165 120

HSL 105.33, 0.2%, 0.56%

LAB 64.24, -20.41, 19.61

 

CMYK 27 / 0 / 27 / 35

HEX #78A578

RGB 120 165 120

HSL 120, 0.2%, 0.56%

LAB 63.56, -24.31, 18.58

 

CMYK 27 / 0 / 19 / 35

HEX #78A585

RGB 120 165 133

HSL 137.33, 0.2%, 0.56%

LAB 63.83, -21.9, 11.77

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 9 / 0 / 44 / 28

HEX #A6B766

RGB 166 183 102

HSL 72.59, 0.36%, 0.56%

LAB 71.51, -18.62, 39.1

 

CMYK 12 / 0 / 58 / 21

HEX #B1C954

RGB 177 201 84

HSL 72.31, 0.52%, 0.56%

LAB 77.14, -24.84, 54.52

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB41

RGB 188 219 65

HSL 72.08, 0.68%, 0.56%

LAB 82.77, -30.29, 68.31

 

CMYK 16 / 0 / 80 / 7

HEX #C6ED2F

RGB 198 237 47

HSL 72.32, 0.84%, 0.56%

LAB 88.34, -35.42, 79.23

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 1 / 0 / 6 / 42

HEX #91938A

RGB 145 147 138

HSL 73.33, 0.04%, 0.56%

LAB 60.54, -2.44, 4.5

 

CMYK 14 / 18 / 0 / 39

HEX #86809C

RGB 134 128 156

HSL 252.86, 0.12%, 0.56%

LAB 54.98, 8.12, -14.15

 

CMYK 29 / 37 / 0 / 32

HEX #7B6EAE

RGB 123 110 174

HSL 252.19, 0.28%, 0.56%

LAB 50, 19.62, -32.34

 

CMYK 41 / 52 / 0 / 25

HEX #715CC0

RGB 113 92 192

HSL 252.6, 0.44%, 0.56%

LAB 45.59, 32.65, -49.83

 

CMYK 0 / 9 / 27 / 35

HEX #A59678

RGB 165 150 120

HSL 40, 0.2%, 0.56%

LAB 62.65, 0.72, 17.86

 

CMYK 0 / 2 / 27 / 35

HEX #A5A278

RGB 165 162 120

HSL 56, 0.2%, 0.56%

LAB 65.9, -5.81, 22.3

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 13 / 0 / 27 / 35

HEX #90A578

RGB 144 165 120

HSL 88, 0.2%, 0.56%

LAB 65.12, -15.58, 20.96

 

CMYK 20 / 0 / 27 / 35

HEX #84A578

RGB 132 165 120

HSL 104, 0.2%, 0.56%

LAB 64.3, -20.05, 19.71

 

CMYK 7 / 0 / 33 / 53

HEX #717951

RGB 113 121 81

HSL 72, 0.2%, 0.4%

LAB 49.23, -10.16, 20.98

 

CMYK 7 / 0 / 34 / 43

HEX #889261

RGB 136 146 97

HSL 72.24, 0.2%, 0.48%

LAB 58.65, -12.07, 24.82

 

CMYK 5 / 0 / 27 / 35

HEX #9CA578

RGB 156 165 120

HSL 72, 0.2%, 0.56%

LAB 66.01, -10.96, 22.32

 

CMYK 4 / 0 / 20 / 29

HEX #AEB591

RGB 174 181 145

HSL 71.67, 0.2%, 0.64%

LAB 72.29, -8.72, 17.56

 

CMYK 3 / 0 / 15 / 22

HEX #C0C6A9

RGB 192 198 169

HSL 72.41, 0.2%, 0.72%

LAB 78.73, -7.14, 13.84

 

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

CMYK 27 / 0 / 16 / 35

HEX #78A58A

RGB 120 165 138

HSL 144, 0.2%, 0.56%

LAB 63.95, -20.91, 9.16

 

CMYK 5 / 27 / 0 / 35

HEX #9C78A5

RGB 156 120 165

HSL 288, 0.2%, 0.56%

LAB 55.3, 22.26, -18.68

 

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

CMYK 27 / 5 / 0 / 35

HEX #789CA5

RGB 120 156 165

HSL 192, 0.2%, 0.56%

LAB 62.07, -10.18, -8.74

 

CMYK 0 / 27 / 5 / 35

HEX #A5789C

RGB 165 120 156

HSL 312, 0.2%, 0.56%

LAB 55.92, 23.62, -12.43

 

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

CMYK 27 / 0 / 16 / 35

HEX #78A58A

RGB 120 165 138

HSL 144, 0.2%, 0.56%

LAB 63.95, -20.91, 9.16

 

CMYK 22 / 27 / 0 / 35

HEX #8178A5

RGB 129 120 165

HSL 252, 0.2%, 0.56%

LAB 52.75, 13.26, -22.8

 

CMYK 0 / 27 / 11 / 35

HEX #A57893

RGB 165 120 147

HSL 324, 0.2%, 0.56%

LAB 55.62, 21.98, -7.66

 

CMYK 5 / 0 / 27 / 35

HEX #9CA579

RGB 156 165 121

HSL 72.27, 0.2%, 0.56%

LAB 66.03, -10.82, 21.8

 

CMYK 27 / 0 / 8 / 35

HEX #78A597

RGB 120 165 151

HSL 161.33, 0.2%, 0.56%

LAB 64.27, -18.18, 2.37

 

CMYK 22 / 27 / 0 / 35

HEX #8178A5

RGB 129 120 165

HSL 252, 0.2%, 0.56%

LAB 52.75, 13.26, -22.8

 

CMYK 0 / 27 / 19 / 35

HEX #A57885

RGB 165 120 133

HSL 342.67, 0.2%, 0.56%

LAB 55.2, 19.6, -0.13

 

Description

Color code: RGB 156 165 121 | qconv.com Color code: RGB 156 165 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 165 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 165 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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