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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 116 21 it is the complementary color RGB 99 139 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 116 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 116 21 shade: RGB 161 116 16, RGB 178 134 35, RGB 195 152 54, RGB 212 170 73 and RGB 229 188 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 116 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 116 21 shade: RGB 156 116 21, RGB 139 98 2, RGB 122 80 0, RGB 105 62 0 and RGB 88 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 116 21 shade: RGB 157 116 21, RGB 157 80 21, RGB 157 43 21 and RGB 157 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 116 21 shade: RGB 157 116 21, RGB 157 153 21, RGB 124 157 21, RGB 87 157 21 and RGB 50 157 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 116 21 shade matches the following richer shades: RGB 157 116 21 and RGB 171 122 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 116 21 shade: RGB 157 116 21, RGB 142 110 35, RGB 128 105 50, RGB 113 99 64 and RGB 99 93 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 116 21 shade: RGB 157 44 21, RGB 157 80 21, RGB 157 116 21, RGB 157 152 21 and RGB 125 157 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 116 21 shade: RGB 84 62 11, RGB 120 89 16, RGB 157 116 21, RGB 193 143 26 and RGB 225 169 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 116 21 shade: RGB 156 116 21, RGB 34 157 21 and RGB 62 21 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 116 21 shade: RGB 156 116 21, RGB 21 157 116 and RGB 116 21 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 116 21 shade: RGB 156 116 21, RGB 34 157 21, RGB 21 62 157 and RGB 143 21 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 116 21 shade: RGB 156 116 21, RGB 21 157 48, RGB 21 62 157 and RGB 157 21 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

Complementary color

CMYK 58 / 41 / 0 / 8

HEX #638BEA

RGB 99 139 234

HSL 222.22, 0.76%, 0.65%

LAB 59.03, 14.09, -52.25

 

CMYK 0 / 28 / 90 / 37

HEX #A17410

RGB 161 116 16

HSL 41.38, 0.82%, 0.35%

LAB 51.96, 9.53, 55.05

 

CMYK 0 / 25 / 80 / 30

HEX #B28623

RGB 178 134 35

HSL 41.54, 0.67%, 0.42%

LAB 58.64, 7.74, 55.67

 

CMYK 0 / 22 / 72 / 24

HEX #C39836

RGB 195 152 54

HSL 41.7, 0.57%, 0.49%

LAB 65.22, 6.24, 55.22

 

CMYK 0 / 20 / 66 / 17

HEX #D4AA49

RGB 212 170 73

HSL 41.87, 0.62%, 0.56%

LAB 71.71, 4.97, 54.29

 

CMYK 0 / 18 / 60 / 10

HEX #E5BC5C

RGB 229 188 92

HSL 42.04, 0.72%, 0.63%

LAB 78.11, 3.89, 53.15

 

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

CMYK 0 / 29 / 99 / 45

HEX #8B6202

RGB 139 98 2

HSL 42.04, 0.97%, 0.28%

LAB 44.56, 9.33, 51.54

 

CMYK 0 / 34 / 100 / 52

HEX #7A5000

RGB 122 80 0

HSL 39.34, 1%, 0.24%

LAB 37.62, 11.77, 46.36

 

CMYK 0 / 41 / 100 / 59

HEX #693E00

RGB 105 62 0

HSL 35.43, 1%, 0.21%

LAB 30.52, 14.41, 40.5

 

CMYK 0 / 50 / 100 / 65

HEX #582C00

RGB 88 44 0

HSL 30, 1%, 0.17%

LAB 23.26, 17.19, 33.11

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 49 / 87 / 38

HEX #9D5015

RGB 157 80 21

HSL 26.03, 0.76%, 0.35%

LAB 42.7, 28.18, 45.77

 

CMYK 0 / 73 / 87 / 38

HEX #9D2B15

RGB 157 43 21

HSL 9.71, 0.76%, 0.35%

LAB 35.89, 45.97, 39.95

 

CMYK 0 / 87 / 87 / 38

HEX #9D1515

RGB 157 21 21

HSL 0, 0.76%, 0.35%

LAB 33.47, 52.73, 37.86

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 3 / 87 / 38

HEX #9D9915

RGB 157 153 21

HSL 58.24, 0.76%, 0.35%

LAB 61.66, -12.54, 61.52

 

CMYK 21 / 0 / 87 / 38

HEX #7C9D15

RGB 124 157 21

HSL 74.56, 0.76%, 0.35%

LAB 60.3, -28.99, 59.35

 

CMYK 45 / 0 / 87 / 38

HEX #579D15

RGB 87 157 21

HSL 90.88, 0.76%, 0.35%

LAB 58.22, -43.14, 56.75

 

CMYK 68 / 0 / 87 / 38

HEX #329D15

RGB 50 157 21

HSL 107.21, 0.76%, 0.35%

LAB 56.93, -53.41, 55.11

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 29 / 96 / 33

HEX #AB7A06

RGB 171 122 6

HSL 42.18, 0.93%, 0.35%

LAB 54.65, 10.58, 59.58

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 23 / 75 / 44

HEX #8E6E23

RGB 142 110 35

HSL 42.06, 0.6%, 0.35%

LAB 48.29, 4.79, 44.48

 

CMYK 0 / 18 / 61 / 50

HEX #806932

RGB 128 105 50

HSL 42.31, 0.44%, 0.35%

LAB 45.53, 2.14, 33.84

 

CMYK 0 / 12 / 43 / 56

HEX #716340

RGB 113 99 64

HSL 42.86, 0.28%, 0.35%

LAB 42.47, 0.19, 21.93

 

CMYK 0 / 6 / 20 / 61

HEX #635D4F

RGB 99 93 79

HSL 42, 0.11%, 0.35%

LAB 39.66, -0.21, 8.91

 

CMYK 0 / 72 / 87 / 38

HEX #9D2C15

RGB 157 44 21

HSL 10.15, 0.76%, 0.35%

LAB 36.03, 45.58, 40.08

 

CMYK 0 / 49 / 87 / 38

HEX #9D5015

RGB 157 80 21

HSL 26.03, 0.76%, 0.35%

LAB 42.7, 28.18, 45.77

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 3 / 87 / 38

HEX #9D9815

RGB 157 152 21

HSL 57.79, 0.76%, 0.35%

LAB 61.38, -12.02, 61.28

 

CMYK 20 / 0 / 87 / 38

HEX #7D9D15

RGB 125 157 21

HSL 74.12, 0.76%, 0.35%

LAB 60.36, -28.57, 59.44

 

CMYK 0 / 26 / 87 / 67

HEX #543E0B

RGB 84 62 11

HSL 41.92, 0.77%, 0.19%

LAB 27.72, 4.23, 32.63

 

CMYK 0 / 26 / 87 / 53

HEX #785910

RGB 120 89 16

HSL 42.12, 0.76%, 0.27%

LAB 39.87, 5.83, 43.16

 

CMYK 0 / 26 / 87 / 38

HEX #9D7415

RGB 157 116 21

HSL 41.91, 0.76%, 0.35%

LAB 51.51, 7.81, 53.14

 

CMYK 0 / 26 / 87 / 24

HEX #C18F1A

RGB 193 143 26

HSL 42.04, 0.76%, 0.43%

LAB 62.56, 9.24, 62.48

 

CMYK 0 / 25 / 84 / 12

HEX #E1A923

RGB 225 169 35

HSL 42.32, 0.76%, 0.51%

LAB 72.56, 9.51, 69.71

 

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

CMYK 78 / 0 / 87 / 38

HEX #229D15

RGB 34 157 21

HSL 114.26, 0.76%, 0.35%

LAB 56.59, -56.27, 54.69

 

CMYK 61 / 87 / 0 / 38

HEX #3E159D

RGB 62 21 157

HSL 258.09, 0.76%, 0.35%

LAB 23.65, 51.27, -64.92

 

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

CMYK 87 / 0 / 26 / 38

HEX #159D74

RGB 21 157 116

HSL 161.91, 0.76%, 0.35%

LAB 57.59, -43.93, 12.01

 

CMYK 26 / 87 / 0 / 38

HEX #74159D

RGB 116 21 157

HSL 281.91, 0.76%, 0.35%

LAB 31.08, 58.33, -52.46

 

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

CMYK 78 / 0 / 87 / 38

HEX #229D15

RGB 34 157 21

HSL 114.26, 0.76%, 0.35%

LAB 56.59, -56.27, 54.69

 

CMYK 87 / 61 / 0 / 38

HEX #153E9D

RGB 21 62 157

HSL 221.91, 0.76%, 0.35%

LAB 29.51, 24.03, -55.38

 

CMYK 9 / 87 / 0 / 38

HEX #8F159D

RGB 143 21 157

HSL 293.82, 0.76%, 0.35%

LAB 35.62, 62.94, -44.9

 

CMYK 0 / 26 / 87 / 39

HEX #9C7415

RGB 156 116 21

HSL 42.22, 0.76%, 0.35%

LAB 51.4, 7.34, 53

 

CMYK 87 / 0 / 69 / 38

HEX #159D30

RGB 21 157 48

HSL 131.91, 0.76%, 0.35%

LAB 56.57, -55.86, 45.61

 

CMYK 87 / 61 / 0 / 38

HEX #153E9D

RGB 21 62 157

HSL 221.91, 0.76%, 0.35%

LAB 29.51, 24.03, -55.38

 

CMYK 0 / 87 / 18 / 38

HEX #9D1581

RGB 157 21 129

HSL 312.35, 0.76%, 0.35%

LAB 36.54, 61.4, -26.08

 

Description

Color code: RGB 156 116 21 | qconv.com Color code: RGB 156 116 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 116 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 116 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 87 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 87% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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