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Color name
RGB 156 116 16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 116 16 it is the complementary color RGB 99 139 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 116 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 116 16 shade: RGB 161 116 11, RGB 178 134 30, RGB 195 152 49, RGB 212 170 68 and RGB 229 188 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 116 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 139 98 0, RGB 122 80 0, RGB 105 62 0 and RGB 88 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 156 78 16, RGB 156 41 16 and RGB 156 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 156 154 16, RGB 121 156 16, RGB 83 156 16 and RGB 45 156 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 116 16 shade matches the following richer shades: RGB 156 116 16 and RGB 170 122 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 142 110 30, RGB 128 104 44, RGB 114 98 58 and RGB 100 92 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 116 16 shade: RGB 156 39 16, RGB 156 77 16, RGB 156 114 16, RGB 156 152 16 and RGB 124 156 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 116 16 shade: RGB 82 61 8, RGB 119 89 12, RGB 156 116 16, RGB 194 144 20 and RGB 230 172 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 30 156 16 and RGB 58 16 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 16 156 114 and RGB 114 16 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 30 156 16, RGB 16 58 156 and RGB 142 16 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 116 16 shade: RGB 156 116 16, RGB 16 156 44, RGB 16 58 156 and RGB 156 16 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

Complementary color

CMYK 59 / 42 / 0 / 6

HEX #638BEF

RGB 99 139 239

HSL 222.86, 0.81%, 0.66%

LAB 59.3, 15.72, -54.59

 

CMYK 0 / 28 / 93 / 37

HEX #A1740B

RGB 161 116 11

HSL 42, 0.87%, 0.34%

LAB 51.94, 9.44, 56.15

 

CMYK 0 / 25 / 83 / 30

HEX #B2861E

RGB 178 134 30

HSL 42.16, 0.71%, 0.41%

LAB 58.61, 7.57, 57.33

 

CMYK 0 / 22 / 75 / 24

HEX #C39831

RGB 195 152 49

HSL 42.33, 0.6%, 0.48%

LAB 65.18, 6, 57.21

 

CMYK 0 / 20 / 68 / 17

HEX #D4AA44

RGB 212 170 68

HSL 42.5, 0.63%, 0.55%

LAB 71.67, 4.68, 56.45

 

CMYK 0 / 18 / 62 / 10

HEX #E5BC57

RGB 229 188 87

HSL 42.68, 0.73%, 0.62%

LAB 78.06, 3.55, 55.4

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 29 / 100 / 45

HEX #8B6200

RGB 139 98 0

HSL 42.3, 1%, 0.27%

LAB 44.55, 9.29, 52.04

 

CMYK 0 / 34 / 100 / 52

HEX #7A5000

RGB 122 80 0

HSL 39.34, 1%, 0.24%

LAB 37.62, 11.77, 46.36

 

CMYK 0 / 41 / 100 / 59

HEX #693E00

RGB 105 62 0

HSL 35.43, 1%, 0.21%

LAB 30.52, 14.41, 40.5

 

CMYK 0 / 50 / 100 / 65

HEX #582C00

RGB 88 44 0

HSL 30, 1%, 0.17%

LAB 23.26, 17.19, 33.11

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 50 / 90 / 39

HEX #9C4E10

RGB 156 78 16

HSL 26.57, 0.81%, 0.34%

LAB 42.08, 28.72, 47.01

 

CMYK 0 / 74 / 90 / 39

HEX #9C2910

RGB 156 41 16

HSL 10.71, 0.81%, 0.34%

LAB 35.38, 46.28, 41.75

 

CMYK 0 / 90 / 90 / 39

HEX #9C1010

RGB 156 16 16

HSL 0, 0.81%, 0.34%

LAB 32.87, 53.36, 39.8

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 1 / 90 / 39

HEX #9C9A10

RGB 156 154 16

HSL 59.14, 0.81%, 0.34%

LAB 61.84, -13.63, 62.66

 

CMYK 22 / 0 / 90 / 39

HEX #799C10

RGB 121 156 16

HSL 75, 0.81%, 0.34%

LAB 59.78, -29.9, 59.88

 

CMYK 47 / 0 / 90 / 39

HEX #539C10

RGB 83 156 16

HSL 91.29, 0.81%, 0.34%

LAB 57.71, -44.24, 57.31

 

CMYK 71 / 0 / 90 / 39

HEX #2D9C10

RGB 45 156 16

HSL 107.57, 0.81%, 0.34%

LAB 56.46, -54.28, 55.75

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 28 / 99 / 33

HEX #AA7A02

RGB 170 122 2

HSL 42.86, 0.98%, 0.34%

LAB 54.52, 10.06, 60.17

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 23 / 79 / 44

HEX #8E6E1E

RGB 142 110 30

HSL 42.86, 0.65%, 0.34%

LAB 48.26, 4.56, 46.51

 

CMYK 0 / 19 / 66 / 50

HEX #80682C

RGB 128 104 44

HSL 42.86, 0.49%, 0.34%

LAB 45.18, 2.26, 36.54

 

CMYK 0 / 14 / 49 / 55

HEX #72623A

RGB 114 98 58

HSL 42.86, 0.33%, 0.34%

LAB 42.18, 0.54, 25.05

 

CMYK 0 / 8 / 28 / 61

HEX #645C48

RGB 100 92 72

HSL 42.86, 0.16%, 0.34%

LAB 39.3, -0.33, 12.7

 

CMYK 0 / 75 / 90 / 39

HEX #9C2710

RGB 156 39 16

HSL 9.86, 0.81%, 0.34%

LAB 35.12, 47.02, 41.55

 

CMYK 0 / 51 / 90 / 39

HEX #9C4D10

RGB 156 77 16

HSL 26.14, 0.81%, 0.34%

LAB 41.87, 29.27, 46.83

 

CMYK 0 / 27 / 90 / 39

HEX #9C7210

RGB 156 114 16

HSL 42, 0.81%, 0.34%

LAB 50.85, 8.36, 53.93

 

CMYK 0 / 3 / 90 / 39

HEX #9C9810

RGB 156 152 16

HSL 58.29, 0.81%, 0.34%

LAB 61.27, -12.58, 62.2

 

CMYK 21 / 0 / 90 / 39

HEX #7C9C10

RGB 124 156 16

HSL 73.71, 0.81%, 0.34%

LAB 59.98, -28.65, 60.13

 

CMYK 0 / 26 / 90 / 68

HEX #523D08

RGB 82 61 8

HSL 42.97, 0.82%, 0.18%

LAB 27.15, 3.71, 33.23

 

CMYK 0 / 25 / 90 / 53

HEX #77590C

RGB 119 89 12

HSL 43.18, 0.82%, 0.26%

LAB 39.74, 5.22, 44.26

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 0 / 26 / 90 / 24

HEX #C29014

RGB 194 144 20

HSL 42.76, 0.81%, 0.42%

LAB 62.9, 9.01, 64.27

 

CMYK 0 / 25 / 89 / 10

HEX #E6AC19

RGB 230 172 25

HSL 43.02, 0.8%, 0.5%

LAB 73.8, 9.87, 73.33

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 81 / 0 / 90 / 39

HEX #1E9C10

RGB 30 156 16

HSL 114, 0.81%, 0.34%

LAB 56.18, -56.73, 55.4

 

CMYK 63 / 90 / 0 / 39

HEX #3A109C

RGB 58 16 156

HSL 258, 0.81%, 0.34%

LAB 22.55, 52.32, -66.15

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 90 / 0 / 27 / 39

HEX #109C72

RGB 16 156 114

HSL 162, 0.81%, 0.34%

LAB 57.17, -44.37, 12.54

 

CMYK 27 / 90 / 0 / 39

HEX #72109C

RGB 114 16 156

HSL 282, 0.81%, 0.34%

LAB 30.27, 58.98, -53.17

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 81 / 0 / 90 / 39

HEX #1E9C10

RGB 30 156 16

HSL 114, 0.81%, 0.34%

LAB 56.18, -56.73, 55.4

 

CMYK 90 / 63 / 0 / 39

HEX #103A9C

RGB 16 58 156

HSL 222, 0.81%, 0.34%

LAB 28.21, 26.04, -56.9

 

CMYK 9 / 90 / 0 / 39

HEX #8E109C

RGB 142 16 156

HSL 294, 0.81%, 0.34%

LAB 35.05, 63.56, -45.21

 

CMYK 0 / 26 / 90 / 39

HEX #9C7410

RGB 156 116 16

HSL 42.86, 0.81%, 0.34%

LAB 51.38, 7.22, 54.35

 

CMYK 90 / 0 / 72 / 39

HEX #109C2C

RGB 16 156 44

HSL 132, 0.81%, 0.34%

LAB 56.16, -56.37, 46.78

 

CMYK 90 / 63 / 0 / 39

HEX #103A9C

RGB 16 58 156

HSL 222, 0.81%, 0.34%

LAB 28.21, 26.04, -56.9

 

CMYK 0 / 90 / 18 / 39

HEX #9C1080

RGB 156 16 128

HSL 312, 0.81%, 0.34%

LAB 35.98, 61.98, -26.34

 

Description

Color code: RGB 156 116 16 | qconv.com Color code: RGB 156 116 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 116 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 116 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 90 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 90% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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