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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 108 179 it is the complementary color RGB 99 147 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 108 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 108 179 shade: RGB 161 108 174, RGB 178 126 193, RGB 195 144 212, RGB 212 162 231 and RGB 229 180 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 108 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 108 179 shade: RGB 156 108 179, RGB 139 90 160, RGB 122 72 141, RGB 105 54 122 and RGB 88 36 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 108 179 shade: RGB 155 106 178, RGB 174 106 178, RGB 178 106 163, RGB 178 106 143 and RGB 178 106 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 108 179 shade: RGB 155 106 178, RGB 136 106 178, RGB 116 106 178 and RGB 106 106 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 108 179 shade matches the following richer shades: RGB 155 106 178, RGB 161 88 196, RGB 168 70 215, RGB 174 52 233 and RGB 180 34 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 108 179 shade: RGB 155 106 178, RGB 149 125 160, RGB 142 143 142, RGB 136 161 124 and RGB 129 179 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 108 179 shade: RGB 116 106 178, RGB 135 106 178, RGB 154 106 178, RGB 173 106 178 and RGB 178 106 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 108 179 shade: RGB 112 69 134, RGB 135 83 161, RGB 155 106 178, RGB 173 134 192 and RGB 192 161 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 108 179 shade: RGB 156 108 179, RGB 178 106 116 and RGB 106 178 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 108 179 shade: RGB 156 108 179, RGB 178 154 106 and RGB 106 178 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 108 179 shade: RGB 156 108 179, RGB 178 106 116, RGB 130 178 106 and RGB 106 178 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 108 179 shade: RGB 156 108 179, RGB 178 118 106, RGB 130 178 106 and RGB 106 166 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

Complementary color

CMYK 33 / 0 / 48 / 42

HEX #63934C

RGB 99 147 76

HSL 100.56, 0.32%, 0.44%

LAB 56.13, -29.83, 32.39

 

CMYK 7 / 38 / 0 / 32

HEX #A16CAE

RGB 161 108 174

HSL 288.18, 0.29%, 0.55%

LAB 53.34, 32.63, -26.85

 

CMYK 8 / 35 / 0 / 24

HEX #B27EC1

RGB 178 126 193

HSL 286.57, 0.35%, 0.63%

LAB 60.1, 31.87, -27.13

 

CMYK 8 / 32 / 0 / 17

HEX #C390D4

RGB 195 144 212

HSL 285, 0.44%, 0.7%

LAB 66.75, 31.17, -27.4

 

CMYK 8 / 30 / 0 / 9

HEX #D4A2E7

RGB 212 162 231

HSL 283.48, 0.59%, 0.77%

LAB 73.29, 30.51, -27.67

 

CMYK 8 / 28 / 0 / 2

HEX #E5B4FA

RGB 229 180 250

HSL 282, 0.88%, 0.84%

LAB 79.73, 29.89, -27.93

 

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

CMYK 13 / 44 / 0 / 37

HEX #8B5AA0

RGB 139 90 160

HSL 282, 0.28%, 0.49%

LAB 46.1, 32.92, -30.11

 

CMYK 13 / 49 / 0 / 45

HEX #7A488D

RGB 122 72 141

HSL 283.48, 0.32%, 0.42%

LAB 39.06, 33.77, -29.88

 

CMYK 14 / 56 / 0 / 52

HEX #69367A

RGB 105 54 122

HSL 285, 0.39%, 0.35%

LAB 31.91, 34.59, -29.57

 

CMYK 15 / 65 / 0 / 60

HEX #582467

RGB 88 36 103

HSL 286.57, 0.48%, 0.27%

LAB 24.69, 35.23, -29.06

 

CMYK 13 / 40 / 0 / 30

HEX #9B6AB2

RGB 155 106 178

HSL 280.83, 0.32%, 0.56%

LAB 52.39, 32.72, -30.7

 

CMYK 2 / 40 / 0 / 30

HEX #AE6AB2

RGB 174 106 178

HSL 296.67, 0.32%, 0.56%

LAB 54.58, 38.65, -27.13

 

CMYK 0 / 40 / 8 / 30

HEX #B26AA3

RGB 178 106 163

HSL 312.5, 0.32%, 0.56%

LAB 54.47, 37.17, -18.56

 

CMYK 0 / 40 / 20 / 30

HEX #B26A8F

RGB 178 106 143

HSL 329.17, 0.32%, 0.56%

LAB 53.77, 33.83, -7.92

 

CMYK 0 / 40 / 30 / 30

HEX #B26A7C

RGB 178 106 124

HSL 345, 0.32%, 0.56%

LAB 53.2, 31.03, 2.42

 

CMYK 13 / 40 / 0 / 30

HEX #9B6AB2

RGB 155 106 178

HSL 280.83, 0.32%, 0.56%

LAB 52.39, 32.72, -30.7

 

CMYK 24 / 40 / 0 / 30

HEX #886AB2

RGB 136 106 178

HSL 265, 0.32%, 0.56%

LAB 50.4, 26.91, -33.95

 

CMYK 35 / 40 / 0 / 30

HEX #746AB2

RGB 116 106 178

HSL 248.33, 0.32%, 0.56%

LAB 48.56, 21.07, -36.98

 

CMYK 40 / 40 / 0 / 30

HEX #6A6AB2

RGB 106 106 178

HSL 240, 0.32%, 0.56%

LAB 47.73, 18.32, -38.33

 

CMYK 13 / 40 / 0 / 30

HEX #9B6AB2

RGB 155 106 178

HSL 280.83, 0.32%, 0.56%

LAB 52.39, 32.72, -30.7

 

CMYK 18 / 55 / 0 / 23

HEX #A158C4

RGB 161 88 196

HSL 280.56, 0.48%, 0.56%

LAB 50.15, 48.17, -44.58

 

CMYK 22 / 67 / 0 / 16

HEX #A846D7

RGB 168 70 215

HSL 280.55, 0.64%, 0.56%

LAB 49.02, 62.44, -57.22

 

CMYK 25 / 78 / 0 / 9

HEX #AE34E9

RGB 174 52 233

HSL 280.44, 0.8%, 0.56%

LAB 48.68, 74, -67.95

 

CMYK 28 / 86 / 0 / 2

HEX #B422FB

RGB 180 34 251

HSL 280.37, 0.96%, 0.56%

LAB 49.27, 83.12, -77.07

 

CMYK 13 / 40 / 0 / 30

HEX #9B6AB2

RGB 155 106 178

HSL 280.83, 0.32%, 0.56%

LAB 52.39, 32.72, -30.7

 

CMYK 7 / 22 / 0 / 37

HEX #957DA0

RGB 149 125 160

HSL 281.14, 0.16%, 0.56%

LAB 55.68, 15.91, -15.27

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 16 / 0 / 23 / 37

HEX #88A17C

RGB 136 161 124

HSL 100.54, 0.16%, 0.56%

LAB 63.49, -15.84, 16.44

 

CMYK 28 / 0 / 41 / 30

HEX #81B36A

RGB 129 179 106

HSL 101.1, 0.32%, 0.56%

LAB 67.98, -30.19, 32.07

 

CMYK 35 / 40 / 0 / 30

HEX #746AB2

RGB 116 106 178

HSL 248.33, 0.32%, 0.56%

LAB 48.56, 21.07, -36.98

 

CMYK 24 / 40 / 0 / 30

HEX #876AB2

RGB 135 106 178

HSL 264.17, 0.32%, 0.56%

LAB 50.3, 26.61, -34.11

 

CMYK 13 / 40 / 0 / 30

HEX #9A6AB2

RGB 154 106 178

HSL 280, 0.32%, 0.56%

LAB 52.28, 32.41, -30.88

 

CMYK 3 / 40 / 0 / 30

HEX #AD6AB2

RGB 173 106 178

HSL 295.83, 0.32%, 0.56%

LAB 54.46, 38.34, -27.32

 

CMYK 0 / 40 / 8 / 30

HEX #B26AA4

RGB 178 106 164

HSL 311.67, 0.32%, 0.56%

LAB 54.5, 37.34, -19.08

 

CMYK 16 / 49 / 0 / 47

HEX #704586

RGB 112 69 134

HSL 279.69, 0.32%, 0.4%

LAB 36.78, 30.84, -29.27

 

CMYK 16 / 48 / 0 / 37

HEX #8753A1

RGB 135 83 161

HSL 280, 0.32%, 0.48%

LAB 44.1, 35.92, -33.86

 

CMYK 13 / 40 / 0 / 30

HEX #9B6AB2

RGB 155 106 178

HSL 280.83, 0.32%, 0.56%

LAB 52.39, 32.72, -30.7

 

CMYK 10 / 30 / 0 / 25

HEX #AD86C0

RGB 173 134 192

HSL 280.34, 0.32%, 0.64%

LAB 61.43, 25.56, -24.57

 

CMYK 7 / 22 / 0 / 19

HEX #C0A1CE

RGB 192 161 206

HSL 281.33, 0.31%, 0.72%

LAB 70.28, 19.58, -18.71

 

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

CMYK 0 / 40 / 35 / 30

HEX #B26A74

RGB 178 106 116

HSL 351.67, 0.32%, 0.56%

LAB 52.99, 29.97, 6.83

 

CMYK 40 / 0 / 29 / 30

HEX #6AB27E

RGB 106 178 126

HSL 136.67, 0.32%, 0.56%

LAB 66.83, -34.01, 19.67

 

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

CMYK 0 / 13 / 40 / 30

HEX #B29A6A

RGB 178 154 106

HSL 40, 0.32%, 0.56%

LAB 64.66, 2.04, 28.47

 

CMYK 40 / 0 / 13 / 30

HEX #6AB29A

RGB 106 178 154

HSL 160, 0.32%, 0.56%

LAB 67.46, -28.23, 5.21

 

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

CMYK 0 / 40 / 35 / 30

HEX #B26A74

RGB 178 106 116

HSL 351.67, 0.32%, 0.56%

LAB 52.99, 29.97, 6.83

 

CMYK 27 / 0 / 40 / 30

HEX #82B26A

RGB 130 178 106

HSL 100, 0.32%, 0.56%

LAB 67.74, -29.36, 31.78

 

CMYK 40 / 0 / 5 / 30

HEX #6AB2A9

RGB 106 178 169

HSL 172.5, 0.32%, 0.56%

LAB 67.85, -24.72, -2.5

 

CMYK 13 / 40 / 0 / 30

HEX #9C6CB3

RGB 156 108 179

HSL 280.56, 0.32%, 0.56%

LAB 53, 32.11, -30.31

 

CMYK 0 / 34 / 40 / 30

HEX #B2766A

RGB 178 118 106

HSL 10, 0.32%, 0.56%

LAB 55.55, 22.07, 16.26

 

CMYK 27 / 0 / 40 / 30

HEX #82B26A

RGB 130 178 106

HSL 100, 0.32%, 0.56%

LAB 67.74, -29.36, 31.78

 

CMYK 40 / 7 / 0 / 30

HEX #6AA6B2

RGB 106 166 178

HSL 190, 0.32%, 0.56%

LAB 64.6, -16.27, -12.33

 

Description

Color code: RGB 156 108 179 | qconv.com Color code: RGB 156 108 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 108 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 108 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 40 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 40% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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