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Color name
RGB 156 104 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 104 128 it is the complementary color RGB 99 151 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 104 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 104 128 shade: RGB 161 104 123, RGB 178 122 142, RGB 195 140 161, RGB 212 158 180 and RGB 229 176 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 104 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 104 128 shade: RGB 156 104 128, RGB 139 86 109, RGB 122 68 90, RGB 105 50 71 and RGB 88 32 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 104 128 shade: RGB 156 103 128, RGB 156 103 113 and RGB 156 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 104 128 shade: RGB 156 103 128, RGB 156 103 142, RGB 156 103 156, RGB 142 103 156 and RGB 127 103 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 104 128 shade matches the following richer shades: RGB 156 103 128, RGB 176 83 126, RGB 196 63 124, RGB 216 43 123 and RGB 237 22 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 104 128 shade: RGB 156 103 128, RGB 136 124 129, RGB 115 144 131, RGB 95 164 132 and RGB 75 184 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 104 128 shade: RGB 156 103 156, RGB 156 103 142, RGB 156 103 128, RGB 156 103 114 and RGB 156 107 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 104 128 shade: RGB 107 70 87, RGB 132 86 107, RGB 156 103 128, RGB 172 128 148 and RGB 188 153 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 104 128 shade: RGB 156 104 128, RGB 156 142 103 and RGB 103 149 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 104 128 shade: RGB 156 104 128, RGB 128 156 103 and RGB 103 128 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 104 128 shade: RGB 156 104 128, RGB 156 142 103, RGB 103 156 131 and RGB 103 117 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 104 128 shade: RGB 156 104 128, RGB 154 156 103, RGB 103 156 131 and RGB 105 103 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

Complementary color

CMYK 34 / 0 / 16 / 41

HEX #63977F

RGB 99 151 127

HSL 152.31, 0.21%, 0.49%

LAB 58.34, -22.81, 7.18

 

CMYK 0 / 35 / 24 / 37

HEX #A1687B

RGB 161 104 123

HSL 340, 0.23%, 0.52%

LAB 50.58, 25.6, -1.06

 

CMYK 0 / 31 / 20 / 30

HEX #B27A8E

RGB 178 122 142

HSL 338.57, 0.27%, 0.59%

LAB 57.4, 24.81, -1.96

 

CMYK 0 / 28 / 17 / 24

HEX #C38CA1

RGB 195 140 161

HSL 337.09, 0.31%, 0.66%

LAB 64.11, 24.08, -2.77

 

CMYK 0 / 25 / 15 / 17

HEX #D49EB4

RGB 212 158 180

HSL 335.56, 0.39%, 0.73%

LAB 70.7, 23.42, -3.51

 

CMYK 0 / 23 / 13 / 10

HEX #E5B0C7

RGB 229 176 199

HSL 333.96, 0.5%, 0.79%

LAB 77.18, 22.82, -4.19

 

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

CMYK 0 / 38 / 22 / 45

HEX #8B566D

RGB 139 86 109

HSL 333.96, 0.24%, 0.44%

LAB 43.14, 25.35, -3.9

 

CMYK 0 / 44 / 26 / 52

HEX #7A445A

RGB 122 68 90

HSL 335.56, 0.28%, 0.37%

LAB 36, 26.25, -2.87

 

CMYK 0 / 52 / 32 / 59

HEX #693247

RGB 105 50 71

HSL 337.09, 0.35%, 0.3%

LAB 28.75, 27.2, -1.58

 

CMYK 0 / 64 / 41 / 65

HEX #582034

RGB 88 32 52

HSL 338.57, 0.47%, 0.24%

LAB 21.42, 28.06, 0.17

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 34 / 28 / 39

HEX #9C6771

RGB 156 103 113

HSL 348.68, 0.21%, 0.51%

LAB 49.45, 22.74, 3.17

 

CMYK 0 / 34 / 34 / 39

HEX #9C6767

RGB 156 103 103

HSL 0, 0.21%, 0.51%

LAB 49.19, 21.33, 8.76

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 34 / 9 / 39

HEX #9C678E

RGB 156 103 142

HSL 315.85, 0.21%, 0.51%

LAB 50.36, 27.53, -12.72

 

CMYK 0 / 34 / 0 / 39

HEX #9C679C

RGB 156 103 156

HSL 300, 0.21%, 0.51%

LAB 50.88, 30.18, -20.18

 

CMYK 9 / 34 / 0 / 39

HEX #8E679C

RGB 142 103 156

HSL 284.15, 0.21%, 0.51%

LAB 49.32, 25.49, -22.72

 

CMYK 19 / 34 / 0 / 39

HEX #7F679C

RGB 127 103 156

HSL 267.17, 0.21%, 0.51%

LAB 47.77, 20.55, -25.24

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 53 / 28 / 31

HEX #B0537E

RGB 176 83 126

HSL 332.26, 0.37%, 0.51%

LAB 48.16, 42.78, -6.2

 

CMYK 0 / 68 / 37 / 23

HEX #C43F7C

RGB 196 63 124

HSL 332.48, 0.53%, 0.51%

LAB 47.94, 57.81, -4.98

 

CMYK 0 / 80 / 43 / 15

HEX #D82B7B

RGB 216 43 123

HSL 332.25, 0.69%, 0.51%

LAB 49.2, 69.53, -2.1

 

CMYK 0 / 91 / 49 / 7

HEX #ED1679

RGB 237 22 121

HSL 332.37, 0.86%, 0.51%

LAB 51.79, 78.27, 3.37

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 9 / 5 / 47

HEX #887C81

RGB 136 124 129

HSL 335, 0.05%, 0.51%

LAB 53.21, 5.52, -1.06

 

CMYK 20 / 0 / 9 / 44

HEX #739083

RGB 115 144 131

HSL 153.1, 0.12%, 0.51%

LAB 57.3, -13, 3.54

 

CMYK 42 / 0 / 20 / 36

HEX #5FA484

RGB 95 164 132

HSL 152.17, 0.27%, 0.51%

LAB 62.21, -29.38, 9.85

 

CMYK 59 / 0 / 27 / 28

HEX #4BB886

RGB 75 184 134

HSL 152.48, 0.43%, 0.51%

LAB 67.65, -43.02, 16.27

 

CMYK 0 / 34 / 0 / 39

HEX #9C679C

RGB 156 103 156

HSL 300, 0.21%, 0.51%

LAB 50.88, 30.18, -20.18

 

CMYK 0 / 34 / 9 / 39

HEX #9C678E

RGB 156 103 142

HSL 315.85, 0.21%, 0.51%

LAB 50.36, 27.53, -12.72

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 34 / 27 / 39

HEX #9C6772

RGB 156 103 114

HSL 347.55, 0.21%, 0.51%

LAB 49.48, 22.89, 2.61

 

CMYK 0 / 31 / 34 / 39

HEX #9C6B67

RGB 156 107 103

HSL 4.53, 0.21%, 0.51%

LAB 50.17, 19.03, 10.14

 

CMYK 0 / 35 / 19 / 58

HEX #6B4657

RGB 107 70 87

HSL 332.43, 0.21%, 0.35%

LAB 34.38, 18.66, -3.58

 

CMYK 0 / 35 / 19 / 48

HEX #84566B

RGB 132 86 107

HSL 332.61, 0.21%, 0.43%

LAB 42.19, 22.34, -4.17

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 0 / 26 / 14 / 33

HEX #AC8094

RGB 172 128 148

HSL 332.73, 0.21%, 0.59%

LAB 58.37, 20.19, -4.08

 

CMYK 0 / 19 / 10 / 26

HEX #BC99A9

RGB 188 153 169

HSL 332.57, 0.21%, 0.67%

LAB 66.78, 15.67, -3.42

 

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

CMYK 0 / 9 / 34 / 39

HEX #9C8E67

RGB 156 142 103

HSL 44.15, 0.21%, 0.51%

LAB 59.34, -0.85, 22.71

 

CMYK 34 / 4 / 0 / 39

HEX #67959C

RGB 103 149 156

HSL 187.92, 0.21%, 0.51%

LAB 58.77, -13.7, -8.67

 

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

CMYK 18 / 0 / 34 / 39

HEX #809C67

RGB 128 156 103

HSL 91.7, 0.21%, 0.51%

LAB 61.09, -19.61, 24.64

 

CMYK 34 / 18 / 0 / 39

HEX #67809C

RGB 103 128 156

HSL 211.7, 0.21%, 0.51%

LAB 52.64, -1.93, -17.91

 

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

CMYK 0 / 9 / 34 / 39

HEX #9C8E67

RGB 156 142 103

HSL 44.15, 0.21%, 0.51%

LAB 59.34, -0.85, 22.71

 

CMYK 34 / 0 / 16 / 39

HEX #679C83

RGB 103 156 131

HSL 151.7, 0.21%, 0.51%

LAB 60.16, -23.24, 7.55

 

CMYK 34 / 25 / 0 / 39

HEX #67759C

RGB 103 117 156

HSL 224.15, 0.21%, 0.51%

LAB 49.5, 4.55, -22.72

 

CMYK 0 / 33 / 18 / 39

HEX #9C6880

RGB 156 104 128

HSL 332.31, 0.21%, 0.51%

LAB 50.13, 24.52, -4.77

 

CMYK 1 / 0 / 34 / 39

HEX #9A9C67

RGB 154 156 103

HSL 62.26, 0.21%, 0.51%

LAB 63.03, -9.31, 27.57

 

CMYK 34 / 0 / 16 / 39

HEX #679C83

RGB 103 156 131

HSL 151.7, 0.21%, 0.51%

LAB 60.16, -23.24, 7.55

 

CMYK 33 / 34 / 0 / 39

HEX #69679C

RGB 105 103 156

HSL 242.26, 0.21%, 0.51%

LAB 45.78, 13.64, -28.49

 

Description

Color code: RGB 156 104 128 | qconv.com Color code: RGB 156 104 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 104 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 104 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 18 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 18% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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