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Color name
RGB 155 73 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 73 27 it is the complementary color RGB 100 182 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 73 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 73 27 shade: RGB 160 73 22, RGB 177 91 41, RGB 194 109 60, RGB 211 127 79 and RGB 228 145 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 73 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 73 27 shade: RGB 155 73 27, RGB 138 55 8, RGB 121 37 0, RGB 104 19 0 and RGB 87 1 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 73 27 shade: RGB 156 73 27, RGB 156 39 27 and RGB 156 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 73 27 shade: RGB 156 73 27, RGB 156 108 27, RGB 156 143 27, RGB 134 156 27 and RGB 99 156 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 73 27 shade matches the following richer shades: RGB 156 73 27 and RGB 170 69 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 73 27 shade: RGB 156 73 27, RGB 141 77 42, RGB 126 82 57, RGB 111 86 72 and RGB 96 90 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 73 27 shade: RGB 156 27 51, RGB 156 38 27, RGB 156 72 27, RGB 156 106 27 and RGB 156 141 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 73 27 shade: RGB 85 40 15, RGB 120 57 21, RGB 156 73 27, RGB 191 90 33 and RGB 218 109 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 73 27 shade: RGB 155 73 27, RGB 85 156 27 and RGB 27 33 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 73 27 shade: RGB 155 73 27, RGB 27 156 72 and RGB 72 27 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 73 27 shade: RGB 155 73 27, RGB 85 156 27, RGB 27 111 156 and RGB 98 27 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 73 27 shade: RGB 155 73 27, RGB 46 156 27, RGB 27 111 156 and RGB 136 27 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

Complementary color

CMYK 56 / 20 / 0 / 11

HEX #64B6E4

RGB 100 182 228

HSL 201.56, 0.7%, 0.64%

LAB 70.71, -12.03, -30.64

 

CMYK 0 / 54 / 86 / 37

HEX #A04916

RGB 160 73 22

HSL 22.17, 0.76%, 0.36%

LAB 41.68, 33.21, 44.69

 

CMYK 0 / 49 / 77 / 31

HEX #B15B29

RGB 177 91 41

HSL 22.06, 0.62%, 0.43%

LAB 48.25, 31.33, 43.18

 

CMYK 0 / 44 / 69 / 24

HEX #C26D3C

RGB 194 109 60

HSL 21.94, 0.53%, 0.5%

LAB 54.8, 29.63, 41.34

 

CMYK 0 / 40 / 63 / 17

HEX #D37F4F

RGB 211 127 79

HSL 21.82, 0.6%, 0.57%

LAB 61.3, 28.12, 39.52

 

CMYK 0 / 36 / 57 / 11

HEX #E49162

RGB 228 145 98

HSL 21.69, 0.71%, 0.64%

LAB 67.74, 26.77, 37.8

 

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

CMYK 0 / 60 / 94 / 46

HEX #8A3708

RGB 138 55 8

HSL 21.69, 0.89%, 0.29%

LAB 34.3, 33.26, 42.51

 

CMYK 0 / 69 / 100 / 53

HEX #792500

RGB 121 37 0

HSL 18.35, 1%, 0.24%

LAB 27.81, 35.16, 39.52

 

CMYK 0 / 82 / 100 / 59

HEX #681300

RGB 104 19 0

HSL 10.96, 1%, 0.2%

LAB 21.61, 36.32, 32.33

 

CMYK 0 / 99 / 100 / 66

HEX #570100

RGB 87 1 0

HSL 0.69, 1%, 0.17%

LAB 15.74, 36.27, 24.45

 

CMYK 0 / 53 / 83 / 39

HEX #9C491B

RGB 156 73 27

HSL 21.4, 0.7%, 0.36%

LAB 41.08, 31.72, 41.73

 

CMYK 0 / 75 / 83 / 39

HEX #9C271B

RGB 156 39 27

HSL 5.58, 0.7%, 0.36%

LAB 35.2, 47.3, 36.17

 

CMYK 0 / 83 / 83 / 39

HEX #9C1B1B

RGB 156 27 27

HSL 0, 0.7%, 0.36%

LAB 33.84, 51.11, 34.85

 

CMYK 0 / 53 / 83 / 39

HEX #9C491B

RGB 156 73 27

HSL 21.4, 0.7%, 0.36%

LAB 41.08, 31.72, 41.73

 

CMYK 0 / 31 / 83 / 39

HEX #9C6C1B

RGB 156 108 27

HSL 37.67, 0.7%, 0.36%

LAB 49.34, 12.09, 49.24

 

CMYK 0 / 8 / 83 / 39

HEX #9C8F1B

RGB 156 143 27

HSL 53.95, 0.7%, 0.36%

LAB 58.78, -7.49, 57.52

 

CMYK 14 / 0 / 83 / 39

HEX #869C1B

RGB 134 156 27

HSL 70.23, 0.7%, 0.36%

LAB 60.71, -24.06, 58.49

 

CMYK 37 / 0 / 83 / 39

HEX #639C1B

RGB 99 156 27

HSL 86.51, 0.7%, 0.36%

LAB 58.52, -38.21, 55.7

 

CMYK 0 / 53 / 83 / 39

HEX #9C491B

RGB 156 73 27

HSL 21.4, 0.7%, 0.36%

LAB 41.08, 31.72, 41.73

 

CMYK 0 / 59 / 93 / 33

HEX #AA450C

RGB 170 69 12

HSL 21.65, 0.87%, 0.36%

LAB 42.5, 39.01, 49.6

 

CMYK 0 / 53 / 83 / 39

HEX #9C491B

RGB 156 73 27

HSL 21.4, 0.7%, 0.36%

LAB 41.08, 31.72, 41.73

 

CMYK 0 / 45 / 70 / 45

HEX #8D4D2A

RGB 141 77 42

HSL 21.21, 0.54%, 0.36%

LAB 39.81, 23.85, 32.04

 

CMYK 0 / 35 / 55 / 51

HEX #7E5239

RGB 126 82 57

HSL 21.74, 0.38%, 0.36%

LAB 39.18, 15.46, 22.13

 

CMYK 0 / 23 / 35 / 56

HEX #6F5648

RGB 111 86 72

HSL 21.54, 0.21%, 0.36%

LAB 38.73, 8.15, 12.1

 

CMYK 0 / 6 / 10 / 62

HEX #605A56

RGB 96 90 86

HSL 24, 0.05%, 0.36%

LAB 38.67, 1.63, 3.17

 

CMYK 0 / 83 / 67 / 39

HEX #9C1B33

RGB 156 27 51

HSL 348.84, 0.7%, 0.36%

LAB 34.17, 52.13, 20.47

 

CMYK 0 / 76 / 83 / 39

HEX #9C261B

RGB 156 38 27

HSL 5.12, 0.7%, 0.36%

LAB 35.07, 47.66, 36.04

 

CMYK 0 / 54 / 83 / 39

HEX #9C481B

RGB 156 72 27

HSL 20.93, 0.7%, 0.36%

LAB 40.87, 32.25, 41.54

 

CMYK 0 / 32 / 83 / 39

HEX #9C6A1B

RGB 156 106 27

HSL 36.74, 0.7%, 0.36%

LAB 48.83, 13.24, 48.78

 

CMYK 0 / 10 / 83 / 39

HEX #9C8D1B

RGB 156 141 27

HSL 53.02, 0.7%, 0.36%

LAB 58.22, -6.41, 57.03

 

CMYK 0 / 53 / 82 / 67

HEX #55280F

RGB 85 40 15

HSL 21.43, 0.7%, 0.2%

LAB 21.88, 18.8, 25.11

 

CMYK 0 / 53 / 83 / 53

HEX #783915

RGB 120 57 21

HSL 21.82, 0.7%, 0.28%

LAB 31.75, 24.96, 33.71

 

CMYK 0 / 53 / 83 / 39

HEX #9C491B

RGB 156 73 27

HSL 21.4, 0.7%, 0.36%

LAB 41.08, 31.72, 41.73

 

CMYK 0 / 53 / 83 / 25

HEX #BF5A21

RGB 191 90 33

HSL 21.65, 0.71%, 0.44%

LAB 50.1, 37.24, 49.35

 

CMYK 0 / 50 / 78 / 15

HEX #DA6D2F

RGB 218 109 47

HSL 21.75, 0.7%, 0.52%

LAB 58.08, 38.7, 52.14

 

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

CMYK 46 / 0 / 83 / 39

HEX #559C1B

RGB 85 156 27

HSL 93.02, 0.7%, 0.36%

LAB 57.83, -43.14, 54.83

 

CMYK 83 / 79 / 0 / 39

HEX #1B219C

RGB 27 33 156

HSL 237.21, 0.7%, 0.36%

LAB 22.73, 42.62, -65.93

 

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

CMYK 83 / 0 / 54 / 39

HEX #1B9C48

RGB 27 156 72

HSL 140.93, 0.7%, 0.36%

LAB 56.56, -51.83, 34.44

 

CMYK 54 / 83 / 0 / 39

HEX #481B9C

RGB 72 27 156

HSL 260.93, 0.7%, 0.36%

LAB 25.45, 49.79, -61.31

 

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

CMYK 46 / 0 / 83 / 39

HEX #559C1B

RGB 85 156 27

HSL 93.02, 0.7%, 0.36%

LAB 57.83, -43.14, 54.83

 

CMYK 83 / 29 / 0 / 39

HEX #1B6F9C

RGB 27 111 156

HSL 200.93, 0.7%, 0.36%

LAB 44.24, -7.85, -31.18

 

CMYK 37 / 83 / 0 / 39

HEX #621B9C

RGB 98 27 156

HSL 273.02, 0.7%, 0.36%

LAB 28.85, 53.46, -55.59

 

CMYK 0 / 53 / 83 / 39

HEX #9B491B

RGB 155 73 27

HSL 21.56, 0.7%, 0.36%

LAB 40.92, 31.31, 41.53

 

CMYK 71 / 0 / 83 / 39

HEX #2E9C1B

RGB 46 156 27

HSL 111.16, 0.7%, 0.36%

LAB 56.52, -53.58, 53.15

 

CMYK 83 / 29 / 0 / 39

HEX #1B6F9C

RGB 27 111 156

HSL 200.93, 0.7%, 0.36%

LAB 44.24, -7.85, -31.18

 

CMYK 13 / 83 / 0 / 39

HEX #881B9C

RGB 136 27 156

HSL 290.7, 0.7%, 0.36%

LAB 34.84, 60.05, -45.6

 

Description

Color code: RGB 155 73 27 | qconv.com Color code: RGB 155 73 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 73 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 73 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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