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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 43 188 it is the complementary color RGB 100 212 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 43 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 43 188 shade: RGB 160 43 183, RGB 177 61 202, RGB 194 79 221, RGB 211 97 240 and RGB 228 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 43 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 43 188 shade: RGB 155 43 188, RGB 138 25 169, RGB 121 7 150, RGB 104 0 131 and RGB 87 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 43 188 shade: RGB 154 42 187, RGB 187 42 180, RGB 187 42 141, RGB 187 42 102 and RGB 187 42 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 43 188 shade: RGB 154 42 187, RGB 115 42 187, RGB 76 42 187 and RGB 42 42 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 43 188 shade matches the following richer shades: RGB 154 42 187, RGB 164 23 205 and RGB 174 5 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 43 188 shade: RGB 154 42 187, RGB 144 61 168, RGB 133 79 149, RGB 123 98 131 and RGB 113 116 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 43 188 shade: RGB 76 42 187, RGB 114 42 187, RGB 153 42 187, RGB 187 42 182 and RGB 187 42 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 43 188 shade: RGB 98 27 119, RGB 126 34 153, RGB 154 42 187, RGB 176 60 210 and RGB 189 93 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 43 188 shade: RGB 155 43 188, RGB 187 42 47 and RGB 42 187 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 43 188 shade: RGB 155 43 188, RGB 187 153 42 and RGB 42 187 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 43 188 shade: RGB 155 43 188, RGB 187 42 47, RGB 76 187 42 and RGB 42 187 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 43 188 shade: RGB 155 43 188, RGB 187 81 42, RGB 76 187 42 and RGB 42 148 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

Complementary color

CMYK 53 / 0 / 68 / 17

HEX #64D443

RGB 100 212 67

HSL 106.34, 0.63%, 0.55%

LAB 76.19, -57.66, 59.4

 

CMYK 13 / 77 / 0 / 28

HEX #A02BB7

RGB 160 43 183

HSL 290.14, 0.62%, 0.44%

LAB 42.19, 64.83, -49.72

 

CMYK 12 / 70 / 0 / 21

HEX #B13DCA

RGB 177 61 202

HSL 289.36, 0.57%, 0.52%

LAB 48.2, 65.46, -51.02

 

CMYK 12 / 64 / 0 / 13

HEX #C24FDD

RGB 194 79 221

HSL 288.59, 0.68%, 0.59%

LAB 54.32, 65.53, -51.94

 

CMYK 12 / 60 / 0 / 6

HEX #D361F0

RGB 211 97 240

HSL 287.83, 0.83%, 0.66%

LAB 60.51, 65.24, -52.61

 

CMYK 11 / 55 / 0 / 0

HEX #E473FF

RGB 228 115 255

HSL 288.43, 1%, 0.73%

LAB 66.5, 64, -51.25

 

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

CMYK 18 / 85 / 0 / 34

HEX #8A19A9

RGB 138 25 169

HSL 287.08, 0.74%, 0.38%

LAB 35.91, 63.32, -51.7

 

CMYK 19 / 95 / 0 / 41

HEX #790796

RGB 121 7 150

HSL 287.83, 0.91%, 0.31%

LAB 30.45, 60.46, -49.17

 

CMYK 21 / 100 / 0 / 49

HEX #680083

RGB 104 0 131

HSL 287.63, 1%, 0.26%

LAB 25.51, 55.59, -45.51

 

CMYK 22 / 100 / 0 / 56

HEX #570070

RGB 87 0 112

HSL 286.61, 1%, 0.22%

LAB 20.81, 49.45, -41.15

 

CMYK 18 / 78 / 0 / 27

HEX #9A2ABB

RGB 154 42 187

HSL 286.34, 0.63%, 0.45%

LAB 41.4, 64.74, -53.4

 

CMYK 0 / 78 / 4 / 27

HEX #BB2AB4

RGB 187 42 180

HSL 302.9, 0.63%, 0.45%

LAB 46.33, 70.08, -41.08

 

CMYK 0 / 78 / 25 / 27

HEX #BB2A8D

RGB 187 42 141

HSL 319.03, 0.63%, 0.45%

LAB 44.44, 64.6, -20.75

 

CMYK 0 / 78 / 45 / 27

HEX #BB2A66

RGB 187 42 102

HSL 335.17, 0.63%, 0.45%

LAB 43.03, 60.34, 1.16

 

CMYK 0 / 78 / 66 / 27

HEX #BB2A40

RGB 187 42 64

HSL 350.9, 0.63%, 0.45%

LAB 42.14, 57.53, 23.68

 

CMYK 18 / 78 / 0 / 27

HEX #9A2ABB

RGB 154 42 187

HSL 286.34, 0.63%, 0.45%

LAB 41.4, 64.74, -53.4

 

CMYK 39 / 78 / 0 / 27

HEX #732ABB

RGB 115 42 187

HSL 270.21, 0.63%, 0.45%

LAB 35.77, 57.84, -62.79

 

CMYK 59 / 78 / 0 / 27

HEX #4C2ABB

RGB 76 42 187

HSL 254.07, 0.63%, 0.45%

LAB 31.3, 52.26, -70.29

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 18 / 78 / 0 / 27

HEX #9A2ABB

RGB 154 42 187

HSL 286.34, 0.63%, 0.45%

LAB 41.4, 64.74, -53.4

 

CMYK 20 / 89 / 0 / 20

HEX #A417CD

RGB 164 23 205

HSL 286.48, 0.8%, 0.45%

LAB 42.63, 74.47, -61.82

 

CMYK 22 / 98 / 0 / 12

HEX #AE05E0

RGB 174 5 224

HSL 286.3, 0.96%, 0.45%

LAB 44.93, 81.43, -68.94

 

CMYK 18 / 78 / 0 / 27

HEX #9A2ABB

RGB 154 42 187

HSL 286.34, 0.63%, 0.45%

LAB 41.4, 64.74, -53.4

 

CMYK 14 / 64 / 0 / 34

HEX #903DA8

RGB 144 61 168

HSL 286.54, 0.47%, 0.45%

LAB 41.37, 51.31, -42.29

 

CMYK 11 / 47 / 0 / 42

HEX #854F95

RGB 133 79 149

HSL 286.29, 0.31%, 0.45%

LAB 42.38, 34.92, -29.41

 

CMYK 6 / 25 / 0 / 49

HEX #7B6283

RGB 123 98 131

HSL 285.45, 0.14%, 0.45%

LAB 45.06, 16.48, -14.54

 

CMYK 3 / 0 / 3 / 55

HEX #717470

RGB 113 116 112

HSL 105, 0.02%, 0.45%

LAB 48.48, -1.95, 1.8

 

CMYK 59 / 78 / 0 / 27

HEX #4C2ABB

RGB 76 42 187

HSL 254.07, 0.63%, 0.45%

LAB 31.3, 52.26, -70.29

 

CMYK 39 / 78 / 0 / 27

HEX #722ABB

RGB 114 42 187

HSL 269.79, 0.63%, 0.45%

LAB 35.64, 57.68, -63.01

 

CMYK 18 / 78 / 0 / 27

HEX #992ABB

RGB 153 42 187

HSL 285.93, 0.63%, 0.45%

LAB 41.24, 64.55, -53.65

 

CMYK 0 / 78 / 3 / 27

HEX #BB2AB6

RGB 187 42 182

HSL 302.07, 0.63%, 0.45%

LAB 46.44, 70.39, -42.08

 

CMYK 0 / 78 / 24 / 27

HEX #BB2A8F

RGB 187 42 143

HSL 318.21, 0.63%, 0.45%

LAB 44.52, 64.85, -21.83

 

CMYK 18 / 77 / 0 / 53

HEX #621B77

RGB 98 27 119

HSL 286.3, 0.63%, 0.29%

LAB 25.9, 45.24, -37.32

 

CMYK 18 / 78 / 0 / 40

HEX #7E2299

RGB 126 34 153

HSL 286.39, 0.64%, 0.37%

LAB 33.73, 55.4, -45.65

 

CMYK 18 / 78 / 0 / 27

HEX #9A2ABB

RGB 154 42 187

HSL 286.34, 0.63%, 0.45%

LAB 41.4, 64.74, -53.4

 

CMYK 16 / 71 / 0 / 18

HEX #B03CD2

RGB 176 60 210

HSL 286.4, 0.63%, 0.53%

LAB 48.4, 67.13, -55.29

 

CMYK 13 / 57 / 0 / 15

HEX #BD5DDA

RGB 189 93 218

HSL 286.08, 0.63%, 0.61%

LAB 55.8, 57.44, -47.94

 

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2F

RGB 187 42 47

HSL 357.93, 0.63%, 0.45%

LAB 41.89, 56.72, 33.67

 

CMYK 78 / 0 / 49 / 27

HEX #2ABB5F

RGB 42 187 95

HSL 141.93, 0.63%, 0.45%

LAB 67.17, -57.23, 36.03

 

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 78 / 0 / 18 / 27

HEX #2ABB99

RGB 42 187 153

HSL 165.93, 0.63%, 0.45%

LAB 68.27, -45.11, 6.67

 

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2F

RGB 187 42 47

HSL 357.93, 0.63%, 0.45%

LAB 41.89, 56.72, 33.67

 

CMYK 59 / 0 / 78 / 27

HEX #4CBB2A

RGB 76 187 42

HSL 105.93, 0.63%, 0.45%

LAB 67.46, -56.66, 59.22

 

CMYK 78 / 0 / 3 / 27

HEX #2ABBB6

RGB 42 187 182

HSL 177.93, 0.63%, 0.45%

LAB 69.05, -37.22, -8.11

 

CMYK 18 / 77 / 0 / 26

HEX #9B2BBC

RGB 155 43 188

HSL 286.34, 0.63%, 0.45%

LAB 41.73, 64.79, -53.44

 

CMYK 0 / 57 / 78 / 27

HEX #BB512A

RGB 187 81 42

HSL 16.14, 0.63%, 0.45%

LAB 47.77, 40.5, 42.7

 

CMYK 59 / 0 / 78 / 27

HEX #4CBB2A

RGB 76 187 42

HSL 105.93, 0.63%, 0.45%

LAB 67.46, -56.66, 59.22

 

CMYK 78 / 21 / 0 / 27

HEX #2A94BB

RGB 42 148 187

HSL 196.14, 0.63%, 0.45%

LAB 57.33, -16.14, -28.7

 

Description

Color code: RGB 155 43 188 | qconv.com Color code: RGB 155 43 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 43 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 43 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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