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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 37 202 it is the complementary color RGB 100 218 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 37 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 37 202 shade: RGB 160 37 197, RGB 177 55 216, RGB 194 73 235, RGB 211 91 254 and RGB 228 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 37 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 138 19 183, RGB 121 1 164, RGB 104 0 145 and RGB 87 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 200 37 202, RGB 202 37 160, RGB 202 37 115 and RGB 202 37 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 110 37 202, RGB 66 37 202 and RGB 37 37 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 37 202 shade matches the following richer shades: RGB 155 37 202 and RGB 163 17 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 147 56 183, RGB 138 75 163, RGB 130 95 144 and RGB 122 114 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 37 202 shade: RGB 64 37 202, RGB 108 37 202, RGB 152 37 202, RGB 197 37 202 and RGB 202 37 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 37 202 shade: RGB 101 24 132, RGB 128 30 167, RGB 155 37 202, RGB 174 61 219 and RGB 188 96 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 202 37 53 and RGB 37 202 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 202 152 37 and RGB 37 202 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 202 37 53, RGB 86 202 37 and RGB 37 202 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 37 202 shade: RGB 155 37 202, RGB 202 70 37, RGB 86 202 37 and RGB 37 169 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

Complementary color

CMYK 54 / 0 / 76 / 15

HEX #64DA35

RGB 100 218 53

HSL 102.91, 0.69%, 0.53%

LAB 77.94, -60.85, 66.11

 

CMYK 19 / 81 / 0 / 23

HEX #A025C5

RGB 160 37 197

HSL 286.13, 0.68%, 0.46%

LAB 42.5, 69.2, -57.41

 

CMYK 18 / 75 / 0 / 15

HEX #B137D8

RGB 177 55 216

HSL 285.47, 0.67%, 0.53%

LAB 48.31, 70.26, -58.88

 

CMYK 17 / 69 / 0 / 8

HEX #C249EB

RGB 194 73 235

HSL 284.81, 0.8%, 0.6%

LAB 54.27, 70.62, -59.91

 

CMYK 17 / 64 / 0 / 0

HEX #D35BFE

RGB 211 91 254

HSL 284.17, 0.99%, 0.68%

LAB 60.33, 70.54, -60.65

 

CMYK 11 / 57 / 0 / 0

HEX #E46DFF

RGB 228 109 255

HSL 288.9, 1%, 0.71%

LAB 65.48, 66.76, -52.87

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 25 / 90 / 0 / 28

HEX #8A13B7

RGB 138 19 183

HSL 283.54, 0.81%, 0.4%

LAB 36.53, 67.25, -59.04

 

CMYK 26 / 99 / 0 / 36

HEX #7901A4

RGB 121 1 164

HSL 284.17, 0.99%, 0.32%

LAB 31.27, 64.01, -56.36

 

CMYK 28 / 100 / 0 / 43

HEX #680091

RGB 104 0 145

HSL 283.03, 1%, 0.28%

LAB 26.7, 58.28, -52.31

 

CMYK 31 / 100 / 0 / 51

HEX #57007E

RGB 87 0 126

HSL 281.43, 1%, 0.25%

LAB 22.06, 52.26, -48.09

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 1 / 82 / 0 / 21

HEX #C825CA

RGB 200 37 202

HSL 299.27, 0.69%, 0.47%

LAB 49.33, 77.25, -48.99

 

CMYK 0 / 82 / 21 / 21

HEX #CA25A0

RGB 202 37 160

HSL 315.27, 0.69%, 0.47%

LAB 47.52, 71.73, -27.19

 

CMYK 0 / 82 / 43 / 21

HEX #CA2573

RGB 202 37 115

HSL 331.64, 0.69%, 0.47%

LAB 45.79, 66.78, -2.52

 

CMYK 0 / 82 / 65 / 21

HEX #CA2547

RGB 202 37 71

HSL 347.64, 0.69%, 0.47%

LAB 44.71, 63.55, 23.24

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 46 / 82 / 0 / 21

HEX #6E25CA

RGB 110 37 202

HSL 266.55, 0.69%, 0.47%

LAB 35.8, 62.55, -71.56

 

CMYK 67 / 82 / 0 / 21

HEX #4225CA

RGB 66 37 202

HSL 250.55, 0.69%, 0.47%

LAB 31.22, 57.78, -79.27

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 26 / 92 / 0 / 13

HEX #A311DD

RGB 163 17 221

HSL 282.94, 0.86%, 0.47%

LAB 43.37, 78.18, -69.84

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 20 / 69 / 0 / 28

HEX #9338B7

RGB 147 56 183

HSL 282.99, 0.53%, 0.47%

LAB 41.92, 57.3, -50.25

 

CMYK 15 / 54 / 0 / 36

HEX #8A4BA3

RGB 138 75 163

HSL 282.95, 0.37%, 0.47%

LAB 42.88, 41.63, -36.95

 

CMYK 10 / 34 / 0 / 44

HEX #825F90

RGB 130 95 144

HSL 282.86, 0.21%, 0.47%

LAB 45.56, 23.55, -21.51

 

CMYK 2 / 8 / 0 / 51

HEX #7A727C

RGB 122 114 124

HSL 288, 0.04%, 0.47%

LAB 49.04, 5.08, -4.39

 

CMYK 68 / 82 / 0 / 21

HEX #4025CA

RGB 64 37 202

HSL 249.82, 0.69%, 0.47%

LAB 31.06, 57.62, -79.54

 

CMYK 47 / 82 / 0 / 21

HEX #6C25CA

RGB 108 37 202

HSL 265.82, 0.69%, 0.47%

LAB 35.55, 62.29, -71.98

 

CMYK 25 / 82 / 0 / 21

HEX #9825CA

RGB 152 37 202

HSL 281.82, 0.69%, 0.47%

LAB 41.63, 68.81, -61.79

 

CMYK 2 / 82 / 0 / 21

HEX #C525CA

RGB 197 37 202

HSL 298.18, 0.69%, 0.47%

LAB 48.83, 76.7, -49.82

 

CMYK 0 / 82 / 19 / 21

HEX #CA25A3

RGB 202 37 163

HSL 314.18, 0.69%, 0.47%

LAB 47.65, 72.11, -28.77

 

CMYK 23 / 82 / 0 / 48

HEX #651884

RGB 101 24 132

HSL 282.78, 0.69%, 0.31%

LAB 26.98, 49.67, -43.78

 

CMYK 23 / 82 / 0 / 35

HEX #801EA7

RGB 128 30 167

HSL 282.92, 0.7%, 0.39%

LAB 34.62, 59.86, -52.67

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 21 / 72 / 0 / 14

HEX #AE3DDB

RGB 174 61 219

HSL 282.91, 0.69%, 0.55%

LAB 48.82, 68.1, -59.78

 

CMYK 16 / 57 / 0 / 12

HEX #BC60E1

RGB 188 96 225

HSL 282.79, 0.68%, 0.63%

LAB 56.58, 57.15, -50.65

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 0 / 82 / 74 / 21

HEX #CA2535

RGB 202 37 53

HSL 354.18, 0.69%, 0.47%

LAB 44.43, 62.69, 33.81

 

CMYK 82 / 0 / 57 / 21

HEX #25CA56

RGB 37 202 86

HSL 137.82, 0.69%, 0.47%

LAB 71.76, -64.19, 45.95

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 0 / 25 / 82 / 21

HEX #CA9825

RGB 202 152 37

HSL 41.82, 0.69%, 0.47%

LAB 65.86, 8.64, 62.42

 

CMYK 82 / 0 / 25 / 21

HEX #25CA98

RGB 37 202 152

HSL 161.82, 0.69%, 0.47%

LAB 72.83, -51.97, 13.68

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 0 / 82 / 74 / 21

HEX #CA2535

RGB 202 37 53

HSL 354.18, 0.69%, 0.47%

LAB 44.43, 62.69, 33.81

 

CMYK 57 / 0 / 82 / 21

HEX #56CA25

RGB 86 202 37

HSL 102.18, 0.69%, 0.47%

LAB 72.46, -59.71, 65.47

 

CMYK 82 / 0 / 8 / 21

HEX #25CABA

RGB 37 202 186

HSL 174.18, 0.69%, 0.47%

LAB 73.66, -43.24, -3.47

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 0 / 65 / 82 / 21

HEX #CA4625

RGB 202 70 37

HSL 12, 0.69%, 0.47%

LAB 48.35, 50.84, 46.59

 

CMYK 57 / 0 / 82 / 21

HEX #56CA25

RGB 86 202 37

HSL 102.18, 0.69%, 0.47%

LAB 72.46, -59.71, 65.47

 

CMYK 82 / 16 / 0 / 21

HEX #25A9CA

RGB 37 169 202

HSL 192, 0.69%, 0.47%

LAB 64.19, -22.69, -26.53

 

Description

Color code: RGB 155 37 202 | qconv.com Color code: RGB 155 37 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 37 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 37 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 82 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 82% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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