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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 2 133 it is the complementary color RGB 100 253 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 2 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 2 133 shade: RGB 160 2 128, RGB 177 20 147, RGB 194 38 166, RGB 211 56 185 and RGB 228 74 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 2 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 138 0 114, RGB 121 0 95, RGB 104 0 76 and RGB 87 0 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 155 2 92, RGB 155 2 50, RGB 155 2 9 and RGB 155 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 136 2 155, RGB 95 2 155, RGB 53 2 155 and RGB 12 2 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 2 133 shade matches the following richer shades: RGB 155 2 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 142 15 124, RGB 130 27 115, RGB 117 40 106 and RGB 104 53 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 2 133 shade: RGB 94 2 155, RGB 135 2 155, RGB 155 2 135, RGB 155 2 94 and RGB 155 2 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 2 133 shade: RGB 74 1 63, RGB 115 1 98, RGB 155 2 133, RGB 196 2 168 and RGB 237 3 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 155 53 2 and RGB 2 155 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 135 155 2 and RGB 2 135 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 155 53 2, RGB 2 155 22 and RGB 2 104 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 2 133 shade: RGB 155 2 133, RGB 155 99 2, RGB 2 155 22 and RGB 2 58 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

Complementary color

CMYK 60 / 0 / 52 / 1

HEX #64FD7A

RGB 100 253 122

HSL 128.63, 0.97%, 0.69%

LAB 89.09, -66.52, 50.4

 

CMYK 0 / 99 / 20 / 37

HEX #A00280

RGB 160 2 128

HSL 312.15, 0.98%, 0.32%

LAB 36.13, 64.63, -26.05

 

CMYK 0 / 89 / 17 / 31

HEX #B11493

RGB 177 20 147

HSL 311.46, 0.8%, 0.39%

LAB 41.14, 68.17, -29.66

 

CMYK 0 / 80 / 14 / 24

HEX #C226A6

RGB 194 38 166

HSL 310.77, 0.67%, 0.45%

LAB 46.46, 70.56, -32.53

 

CMYK 0 / 73 / 12 / 17

HEX #D338B9

RGB 211 56 185

HSL 310.06, 0.64%, 0.52%

LAB 52.04, 71.92, -34.74

 

CMYK 0 / 68 / 11 / 11

HEX #E44ACC

RGB 228 74 204

HSL 309.35, 0.74%, 0.59%

LAB 57.8, 72.58, -36.46

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 100 / 17 / 46

HEX #8A0072

RGB 138 0 114

HSL 310.43, 1%, 0.27%

LAB 30.92, 58.75, -25.7

 

CMYK 0 / 100 / 21 / 53

HEX #79005F

RGB 121 0 95

HSL 312.89, 1%, 0.24%

LAB 26.42, 52.8, -20.7

 

CMYK 0 / 100 / 27 / 59

HEX #68004C

RGB 104 0 76

HSL 316.15, 1%, 0.2%

LAB 21.82, 46.71, -15.44

 

CMYK 0 / 100 / 34 / 66

HEX #570039

RGB 87 0 57

HSL 320.69, 1%, 0.17%

LAB 17.09, 40.48, -9.83

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 99 / 41 / 39

HEX #9B025C

RGB 155 2 92

HSL 324.71, 0.97%, 0.31%

LAB 33.53, 59.51, -7.22

 

CMYK 0 / 99 / 68 / 39

HEX #9B0232

RGB 155 2 50

HSL 341.18, 0.97%, 0.31%

LAB 32.35, 56.36, 18.75

 

CMYK 0 / 99 / 94 / 39

HEX #9B0209

RGB 155 2 9

HSL 357.25, 0.97%, 0.31%

LAB 31.88, 55.07, 42.1

 

CMYK 0 / 99 / 99 / 39

HEX #9B0202

RGB 155 2 2

HSL 0, 0.97%, 0.31%

LAB 31.84, 54.98, 44.93

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 12 / 99 / 0 / 39

HEX #88029B

RGB 136 2 155

HSL 292.55, 0.97%, 0.31%

LAB 33.23, 64.4, -47.59

 

CMYK 39 / 99 / 0 / 39

HEX #5F029B

RGB 95 2 155

HSL 276.47, 0.97%, 0.31%

LAB 26.28, 58.85, -59.21

 

CMYK 66 / 99 / 0 / 39

HEX #35029B

RGB 53 2 155

HSL 260, 0.97%, 0.31%

LAB 20.7, 55.37, -68.62

 

CMYK 92 / 99 / 0 / 39

HEX #0C029B

RGB 12 2 155

HSL 243.92, 0.97%, 0.31%

LAB 17.86, 54.1, -73.42

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 89 / 13 / 44

HEX #8E0F7C

RGB 142 15 124

HSL 308.5, 0.81%, 0.31%

LAB 33.02, 58.68, -28.67

 

CMYK 0 / 79 / 12 / 49

HEX #821B73

RGB 130 27 115

HSL 308.74, 0.66%, 0.31%

LAB 31.27, 51.81, -25.89

 

CMYK 0 / 66 / 9 / 54

HEX #75286A

RGB 117 40 106

HSL 308.57, 0.49%, 0.31%

LAB 30.25, 42.03, -21.9

 

CMYK 0 / 49 / 7 / 59

HEX #683561

RGB 104 53 97

HSL 308.24, 0.32%, 0.31%

LAB 30.28, 29.57, -16.23

 

CMYK 39 / 99 / 0 / 39

HEX #5E029B

RGB 94 2 155

HSL 276.08, 0.97%, 0.31%

LAB 26.13, 58.74, -59.47

 

CMYK 13 / 99 / 0 / 39

HEX #87029B

RGB 135 2 155

HSL 292.16, 0.97%, 0.31%

LAB 33.05, 64.25, -47.89

 

CMYK 0 / 99 / 13 / 39

HEX #9B0287

RGB 155 2 135

HSL 307.84, 0.97%, 0.31%

LAB 35.52, 64.59, -31.43

 

CMYK 0 / 99 / 39 / 39

HEX #9B025E

RGB 155 2 94

HSL 323.92, 0.97%, 0.31%

LAB 33.61, 59.7, -8.4

 

CMYK 0 / 99 / 66 / 39

HEX #9B0235

RGB 155 2 53

HSL 340, 0.97%, 0.31%

LAB 32.41, 56.53, 16.85

 

CMYK 0 / 99 / 15 / 71

HEX #4A013F

RGB 74 1 63

HSL 309.04, 0.97%, 0.15%

LAB 14.6, 38.03, -18.18

 

CMYK 0 / 99 / 15 / 55

HEX #730162

RGB 115 1 98

HSL 308.95, 0.98%, 0.23%

LAB 25.41, 51.8, -24.35

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 99 / 14 / 23

HEX #C402A8

RGB 196 2 168

HSL 308.66, 0.98%, 0.39%

LAB 45.09, 76.56, -35.84

 

CMYK 0 / 99 / 14 / 7

HEX #ED03CB

RGB 237 3 203

HSL 308.72, 0.98%, 0.47%

LAB 54.43, 88.24, -41.08

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 66 / 99 / 39

HEX #9B3502

RGB 155 53 2

HSL 20, 0.97%, 0.31%

LAB 36.97, 40.71, 47.89

 

CMYK 99 / 0 / 26 / 39

HEX #029B72

RGB 2 155 114

HSL 163.92, 0.97%, 0.31%

LAB 56.75, -44.69, 11.93

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 13 / 0 / 99 / 39

HEX #879B02

RGB 135 155 2

HSL 67.84, 0.97%, 0.31%

LAB 60.43, -23.71, 62.97

 

CMYK 99 / 13 / 0 / 39

HEX #02879B

RGB 2 135 155

HSL 187.84, 0.97%, 0.31%

LAB 51.5, -23.16, -19.36

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 66 / 99 / 39

HEX #9B3502

RGB 155 53 2

HSL 20, 0.97%, 0.31%

LAB 36.97, 40.71, 47.89

 

CMYK 99 / 0 / 86 / 39

HEX #029B16

RGB 2 155 22

HSL 127.84, 0.97%, 0.31%

LAB 55.6, -58.54, 53.43

 

CMYK 99 / 33 / 0 / 39

HEX #02689B

RGB 2 104 155

HSL 200, 0.97%, 0.31%

LAB 41.66, -5.67, -34.67

 

CMYK 0 / 99 / 14 / 39

HEX #9B0285

RGB 155 2 133

HSL 308.63, 0.97%, 0.31%

LAB 35.41, 64.32, -30.36

 

CMYK 0 / 36 / 99 / 39

HEX #9B6302

RGB 155 99 2

HSL 38.04, 0.97%, 0.31%

LAB 46.84, 16.22, 54.05

 

CMYK 99 / 0 / 86 / 39

HEX #029B16

RGB 2 155 22

HSL 127.84, 0.97%, 0.31%

LAB 55.6, -58.54, 53.43

 

CMYK 99 / 63 / 0 / 39

HEX #023A9B

RGB 2 58 155

HSL 218.04, 0.97%, 0.31%

LAB 27.86, 24.97, -56.88

 

Description

Color code: RGB 155 2 133 | qconv.com Color code: RGB 155 2 133 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 2 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 2 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 14 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 14% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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