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Color name
RGB 155 222 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 222 146 it is the complementary color RGB 100 33 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 222 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 222 146 shade: RGB 160 222 141, RGB 177 240 160, RGB 194 255 179, RGB 211 255 198 and RGB 228 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 222 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 222 146 shade: RGB 155 222 146, RGB 138 204 127, RGB 121 186 108, RGB 104 168 89 and RGB 87 150 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 222 146 shade: RGB 154 222 145, RGB 174 222 145, RGB 195 222 145, RGB 216 222 145 and RGB 222 206 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 222 146 shade: RGB 154 222 145, RGB 145 222 156, RGB 145 222 177, RGB 145 222 198 and RGB 145 222 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 222 146 shade matches the following richer shades: RGB 154 222 145, RGB 145 233 133 and RGB 136 245 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 222 146 shade: RGB 154 222 145, RGB 162 210 156, RGB 171 199 168, RGB 180 187 179 and RGB 189 175 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 222 146 shade: RGB 196 222 145, RGB 175 222 145, RGB 155 222 145, RGB 145 222 155 and RGB 145 222 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 222 146 shade: RGB 95 203 81, RGB 125 212 113, RGB 154 222 145, RGB 183 231 176 and RGB 212 241 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 222 146 shade: RGB 155 222 146, RGB 145 217 222 and RGB 222 145 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 222 146 shade: RGB 155 222 146, RGB 145 155 222 and RGB 222 145 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 222 146 shade: RGB 155 222 146, RGB 145 217 222, RGB 211 145 222 and RGB 222 150 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 222 146 shade: RGB 155 222 146, RGB 145 193 222, RGB 211 145 222 and RGB 222 173 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

Complementary color

CMYK 8 / 70 / 0 / 57

HEX #64216D

RGB 100 33 109

HSL 292.89, 0.54%, 0.28%

LAB 26.45, 41.14, -30.02

 

CMYK 28 / 0 / 36 / 13

HEX #A0DE8D

RGB 160 222 141

HSL 105.93, 0.55%, 0.71%

LAB 82.72, -34.6, 33.59

 

CMYK 26 / 0 / 33 / 6

HEX #B1F0A0

RGB 177 240 160

HSL 107.25, 0.73%, 0.78%

LAB 89.02, -34.41, 32.48

 

CMYK 24 / 0 / 30 / 0

HEX #C2FFB3

RGB 194 255 179

HSL 108.16, 1%, 0.85%

LAB 94.42, -32.85, 30.32

 

CMYK 17 / 0 / 22 / 0

HEX #D3FFC6

RGB 211 255 198

HSL 106.32, 1%, 0.89%

LAB 95.77, -24.24, 22.71

 

CMYK 11 / 0 / 15 / 0

HEX #E4FFD9

RGB 228 255 217

HSL 102.63, 1%, 0.93%

LAB 97.24, -15.46, 15.24

 

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

CMYK 32 / 0 / 38 / 20

HEX #8ACC7F

RGB 138 204 127

HSL 111.43, 0.43%, 0.65%

LAB 76.14, -35.73, 31.9

 

CMYK 35 / 0 / 42 / 27

HEX #79BA6C

RGB 121 186 108

HSL 110, 0.36%, 0.58%

LAB 69.66, -35.93, 33.1

 

CMYK 38 / 0 / 47 / 34

HEX #68A859

RGB 104 168 89

HSL 108.61, 0.31%, 0.5%

LAB 63.07, -36.09, 34.36

 

CMYK 42 / 0 / 53 / 41

HEX #579646

RGB 87 150 70

HSL 107.25, 0.36%, 0.43%

LAB 56.37, -36.19, 35.63

 

CMYK 31 / 0 / 35 / 13

HEX #9ADE91

RGB 154 222 145

HSL 112.99, 0.54%, 0.72%

LAB 82.46, -35.99, 31.16

 

CMYK 22 / 0 / 35 / 13

HEX #AEDE91

RGB 174 222 145

HSL 97.4, 0.54%, 0.72%

LAB 83.59, -29.21, 32.86

 

CMYK 12 / 0 / 35 / 13

HEX #C3DE91

RGB 195 222 145

HSL 81.04, 0.54%, 0.72%

LAB 84.94, -21.64, 34.88

 

CMYK 3 / 0 / 35 / 13

HEX #D8DE91

RGB 216 222 145

HSL 64.68, 0.54%, 0.72%

LAB 86.45, -13.74, 37.14

 

CMYK 0 / 7 / 35 / 13

HEX #DECE91

RGB 222 206 145

HSL 47.53, 0.54%, 0.72%

LAB 82.76, -3.3, 32.39

 

CMYK 31 / 0 / 35 / 13

HEX #9ADE91

RGB 154 222 145

HSL 112.99, 0.54%, 0.72%

LAB 82.46, -35.99, 31.16

 

CMYK 35 / 0 / 30 / 13

HEX #91DE9C

RGB 145 222 156

HSL 128.57, 0.54%, 0.72%

LAB 82.2, -37.06, 25.05

 

CMYK 35 / 0 / 20 / 13

HEX #91DEB1

RGB 145 222 177

HSL 144.94, 0.54%, 0.72%

LAB 82.61, -33.25, 14.66

 

CMYK 35 / 0 / 11 / 13

HEX #91DEC6

RGB 145 222 198

HSL 161.3, 0.54%, 0.72%

LAB 83.09, -28.98, 4.26

 

CMYK 35 / 0 / 1 / 13

HEX #91DEDB

RGB 145 222 219

HSL 177.66, 0.54%, 0.72%

LAB 83.64, -24.29, -6.07

 

CMYK 31 / 0 / 35 / 13

HEX #9ADE91

RGB 154 222 145

HSL 112.99, 0.54%, 0.72%

LAB 82.46, -35.99, 31.16

 

CMYK 38 / 0 / 43 / 9

HEX #91E985

RGB 145 233 133

HSL 112.8, 0.69%, 0.72%

LAB 84.99, -45.47, 40.39

 

CMYK 44 / 0 / 51 / 4

HEX #88F579

RGB 136 245 121

HSL 112.74, 0.86%, 0.72%

LAB 87.93, -54.68, 49.73

 

CMYK 31 / 0 / 35 / 13

HEX #9ADE91

RGB 154 222 145

HSL 112.99, 0.54%, 0.72%

LAB 82.46, -35.99, 31.16

 

CMYK 23 / 0 / 26 / 18

HEX #A2D29C

RGB 162 210 156

HSL 113.33, 0.38%, 0.72%

LAB 79.71, -25.92, 21.81

 

CMYK 14 / 0 / 16 / 22

HEX #ABC7A8

RGB 171 199 168

HSL 114.19, 0.22%, 0.72%

LAB 77.48, -15.3, 12.4

 

CMYK 4 / 0 / 4 / 27

HEX #B4BBB3

RGB 180 187 179

HSL 112.5, 0.06%, 0.72%

LAB 75.14, -3.92, 3.19

 

CMYK 1 / 8 / 0 / 25

HEX #BDAFBF

RGB 189 175 191

HSL 292.5, 0.11%, 0.72%

LAB 73.05, 7.93, -6.34

 

CMYK 12 / 0 / 35 / 13

HEX #C4DE91

RGB 196 222 145

HSL 80.26, 0.54%, 0.72%

LAB 85.01, -21.27, 34.98

 

CMYK 21 / 0 / 35 / 13

HEX #AFDE91

RGB 175 222 145

HSL 96.62, 0.54%, 0.72%

LAB 83.65, -28.86, 32.95

 

CMYK 30 / 0 / 35 / 13

HEX #9BDE91

RGB 155 222 145

HSL 112.21, 0.54%, 0.72%

LAB 82.52, -35.66, 31.24

 

CMYK 35 / 0 / 30 / 13

HEX #91DE9B

RGB 145 222 155

HSL 127.79, 0.54%, 0.72%

LAB 82.18, -37.23, 25.55

 

CMYK 35 / 0 / 21 / 13

HEX #91DEAF

RGB 145 222 175

HSL 143.38, 0.54%, 0.72%

LAB 82.57, -33.63, 15.65

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB51

RGB 95 203 81

HSL 113.11, 0.54%, 0.56%

LAB 73.38, -54.3, 50.44

 

CMYK 41 / 0 / 47 / 17

HEX #7DD471

RGB 125 212 113

HSL 112.73, 0.54%, 0.64%

LAB 77.66, -45.39, 40.77

 

CMYK 31 / 0 / 35 / 13

HEX #9ADE91

RGB 154 222 145

HSL 112.99, 0.54%, 0.72%

LAB 82.46, -35.99, 31.16

 

CMYK 21 / 0 / 24 / 9

HEX #B7E7B0

RGB 183 231 176

HSL 112.36, 0.53%, 0.8%

LAB 87.17, -25.68, 21.84

 

CMYK 12 / 0 / 14 / 5

HEX #D4F1D0

RGB 212 241 208

HSL 112.73, 0.54%, 0.88%

LAB 92.34, -15.45, 12.78

 

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

CMYK 35 / 2 / 0 / 13

HEX #91D9DE

RGB 145 217 222

HSL 183.9, 0.54%, 0.72%

LAB 82.34, -21.11, -9.6

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BA

RGB 222 145 186

HSL 328.05, 0.54%, 0.72%

LAB 68.99, 34.9, -9.26

 

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

CMYK 35 / 30 / 0 / 13

HEX #919BDE

RGB 145 155 222

HSL 232.21, 0.54%, 0.72%

LAB 65.54, 12.23, -35.16

 

CMYK 0 / 35 / 30 / 13

HEX #DE919B

RGB 222 145 155

HSL 352.21, 0.54%, 0.72%

LAB 68.13, 30.41, 6.83

 

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

CMYK 35 / 2 / 0 / 13

HEX #91D9DE

RGB 145 217 222

HSL 183.9, 0.54%, 0.72%

LAB 82.34, -21.11, -9.6

 

CMYK 5 / 35 / 0 / 13

HEX #D391DE

RGB 211 145 222

HSL 291.43, 0.54%, 0.72%

LAB 69.02, 37.63, -29.3

 

CMYK 0 / 32 / 35 / 13

HEX #DE9691

RGB 222 150 145

HSL 3.9, 0.54%, 0.72%

LAB 69.03, 26.45, 13.69

 

CMYK 30 / 0 / 34 / 13

HEX #9BDE92

RGB 155 222 146

HSL 112.89, 0.54%, 0.72%

LAB 82.53, -35.51, 30.75

 

CMYK 35 / 13 / 0 / 13

HEX #91C1DE

RGB 145 193 222

HSL 202.6, 0.54%, 0.72%

LAB 75.72, -8.76, -19.53

 

CMYK 5 / 35 / 0 / 13

HEX #D391DE

RGB 211 145 222

HSL 291.43, 0.54%, 0.72%

LAB 69.02, 37.63, -29.3

 

CMYK 0 / 22 / 35 / 13

HEX #DEAD91

RGB 222 173 145

HSL 21.82, 0.54%, 0.72%

LAB 74.48, 14.09, 21.25

 

Description

Color code: RGB 155 222 146 | qconv.com Color code: RGB 155 222 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 222 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 222 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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