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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 195 29 it is the complementary color RGB 100 60 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 195 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 195 29 shade: RGB 160 195 24, RGB 177 213 43, RGB 194 231 62, RGB 211 249 81 and RGB 228 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 195 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 138 177 10, RGB 121 159 0, RGB 104 141 0 and RGB 87 123 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 195 190 29, RGB 195 145 29, RGB 195 100 29 and RGB 195 56 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 110 195 29, RGB 65 195 29, RGB 29 195 37 and RGB 29 195 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 195 29 shade matches the following richer shades: RGB 155 195 29 and RGB 164 213 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 145 177 47, RGB 136 158 65, RGB 126 140 83 and RGB 117 122 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 195 29 shade: RGB 195 145 29, RGB 195 189 29, RGB 156 195 29, RGB 112 195 29 and RGB 67 195 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 195 29 shade: RGB 98 123 18, RGB 126 159 23, RGB 155 195 29, RGB 179 223 42 and RGB 192 228 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 29 195 101 and RGB 167 29 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 29 156 195 and RGB 195 29 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 29 195 101, RGB 67 29 195 and RGB 195 29 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 195 29 shade: RGB 155 195 29, RGB 29 195 150, RGB 67 29 195 and RGB 195 29 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

Complementary color

CMYK 56 / 73 / 0 / 11

HEX #643CE2

RGB 100 60 226

HSL 254.46, 0.74%, 0.56%

LAB 40.3, 57.67, -78.04

 

CMYK 18 / 0 / 88 / 24

HEX #A0C318

RGB 160 195 24

HSL 72.28, 0.78%, 0.43%

LAB 73.91, -32.01, 71.08

 

CMYK 17 / 0 / 80 / 16

HEX #B1D52B

RGB 177 213 43

HSL 72.71, 0.67%, 0.5%

LAB 80.24, -32.91, 72.57

 

CMYK 16 / 0 / 73 / 9

HEX #C2E73E

RGB 194 231 62

HSL 73.14, 0.78%, 0.57%

LAB 86.49, -33.63, 73.08

 

CMYK 15 / 0 / 67 / 2

HEX #D3F951

RGB 211 249 81

HSL 73.57, 0.93%, 0.65%

LAB 92.66, -34.21, 72.96

 

CMYK 11 / 0 / 61 / 0

HEX #E4FF64

RGB 228 255 100

HSL 70.45, 1%, 0.7%

LAB 95.55, -29.18, 69

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 22 / 0 / 94 / 31

HEX #8AB10A

RGB 138 177 10

HSL 74.01, 0.89%, 0.37%

LAB 67.18, -32.88, 67.22

 

CMYK 24 / 0 / 100 / 38

HEX #799F00

RGB 121 159 0

HSL 74.34, 1%, 0.31%

LAB 60.66, -31.63, 63.01

 

CMYK 26 / 0 / 100 / 45

HEX #688D00

RGB 104 141 0

HSL 75.74, 1%, 0.28%

LAB 54.02, -30.21, 57.48

 

CMYK 29 / 0 / 100 / 52

HEX #577B00

RGB 87 123 0

HSL 77.56, 1%, 0.24%

LAB 47.23, -28.76, 51.83

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 0 / 3 / 85 / 24

HEX #C3BE1D

RGB 195 190 29

HSL 58.19, 0.74%, 0.44%

LAB 75.15, -14.67, 72.15

 

CMYK 0 / 26 / 85 / 24

HEX #C3911D

RGB 195 145 29

HSL 41.93, 0.74%, 0.44%

LAB 63.29, 9.11, 62.35

 

CMYK 0 / 49 / 85 / 24

HEX #C3641D

RGB 195 100 29

HSL 25.66, 0.74%, 0.44%

LAB 52.74, 33.56, 53.5

 

CMYK 0 / 71 / 85 / 24

HEX #C3381D

RGB 195 56 29

HSL 9.76, 0.74%, 0.44%

LAB 44.97, 53.85, 46.85

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 44 / 0 / 85 / 24

HEX #6EC31D

RGB 110 195 29

HSL 90.72, 0.74%, 0.44%

LAB 71.17, -50.46, 66.62

 

CMYK 67 / 0 / 85 / 24

HEX #41C31D

RGB 65 195 29

HSL 106.99, 0.74%, 0.44%

LAB 69.64, -62.54, 64.68

 

CMYK 85 / 0 / 81 / 24

HEX #1DC325

RGB 29 195 37

HSL 122.89, 0.74%, 0.44%

LAB 69.06, -67.48, 61.89

 

CMYK 85 / 0 / 58 / 24

HEX #1DC352

RGB 29 195 82

HSL 139.16, 0.74%, 0.44%

LAB 69.4, -63.23, 44.99

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 23 / 0 / 95 / 16

HEX #A4D50B

RGB 164 213 11

HSL 74.55, 0.9%, 0.44%

LAB 79.33, -38.84, 77.35

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 18 / 0 / 73 / 31

HEX #91B12F

RGB 145 177 47

HSL 74.77, 0.58%, 0.44%

LAB 67.78, -28.76, 59

 

CMYK 14 / 0 / 59 / 38

HEX #889E41

RGB 136 158 65

HSL 74.19, 0.42%, 0.44%

LAB 61.71, -21.89, 45.05

 

CMYK 10 / 0 / 41 / 45

HEX #7E8C53

RGB 126 140 83

HSL 74.74, 0.26%, 0.44%

LAB 55.9, -14.81, 28.75

 

CMYK 4 / 0 / 17 / 52

HEX #757A65

RGB 117 122 101

HSL 74.29, 0.09%, 0.44%

LAB 50.26, -5.88, 10.88

 

CMYK 0 / 26 / 85 / 24

HEX #C3911D

RGB 195 145 29

HSL 41.93, 0.74%, 0.44%

LAB 63.29, 9.11, 62.35

 

CMYK 0 / 3 / 85 / 24

HEX #C3BD1D

RGB 195 189 29

HSL 57.83, 0.74%, 0.44%

LAB 74.88, -14.16, 71.93

 

CMYK 20 / 0 / 85 / 24

HEX #9CC31D

RGB 156 195 29

HSL 74.1, 0.74%, 0.44%

LAB 73.67, -33.49, 69.75

 

CMYK 43 / 0 / 85 / 24

HEX #70C31D

RGB 112 195 29

HSL 90, 0.74%, 0.44%

LAB 71.26, -49.8, 66.73

 

CMYK 66 / 0 / 85 / 24

HEX #43C31D

RGB 67 195 29

HSL 106.27, 0.74%, 0.44%

LAB 69.69, -62.12, 64.75

 

CMYK 20 / 0 / 85 / 52

HEX #627B12

RGB 98 123 18

HSL 74.29, 0.74%, 0.28%

LAB 48.01, -23.51, 48.83

 

CMYK 21 / 0 / 86 / 38

HEX #7E9F17

RGB 126 159 23

HSL 74.56, 0.75%, 0.36%

LAB 61.04, -29.05, 59.58

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 20 / 0 / 81 / 13

HEX #B3DF2A

RGB 179 223 42

HSL 74.59, 0.74%, 0.52%

LAB 83.19, -36.72, 75.49

 

CMYK 16 / 0 / 66 / 11

HEX #C0E44E

RGB 192 228 78

HSL 74.4, 0.74%, 0.6%

LAB 85.63, -32.13, 66.46

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 85 / 0 / 48 / 24

HEX #1DC365

RGB 29 195 101

HSL 146.02, 0.74%, 0.44%

LAB 69.63, -60.4, 36.08

 

CMYK 14 / 85 / 0 / 24

HEX #A71DC3

RGB 167 29 195

HSL 289.88, 0.74%, 0.44%

LAB 42.81, 72, -55.69

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 85 / 20 / 0 / 24

HEX #1D9CC3

RGB 29 156 195

HSL 194.1, 0.74%, 0.44%

LAB 59.87, -18.89, -29.3

 

CMYK 0 / 85 / 20 / 24

HEX #C31D9C

RGB 195 29 156

HSL 314.1, 0.74%, 0.44%

LAB 45.47, 71.44, -28.09

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 85 / 0 / 48 / 24

HEX #1DC365

RGB 29 195 101

HSL 146.02, 0.74%, 0.44%

LAB 69.63, -60.4, 36.08

 

CMYK 66 / 85 / 0 / 24

HEX #431DC3

RGB 67 29 195

HSL 253.73, 0.74%, 0.44%

LAB 29.44, 59.1, -78.11

 

CMYK 0 / 85 / 37 / 24

HEX #C31D7B

RGB 195 29 123

HSL 326.02, 0.74%, 0.44%

LAB 44.1, 67.65, -10.11

 

CMYK 21 / 0 / 85 / 24

HEX #9BC31D

RGB 155 195 29

HSL 74.46, 0.74%, 0.44%

LAB 73.6, -33.89, 69.67

 

CMYK 85 / 0 / 23 / 24

HEX #1DC396

RGB 29 195 150

HSL 163.73, 0.74%, 0.44%

LAB 70.52, -50.34, 11.5

 

CMYK 66 / 85 / 0 / 24

HEX #431DC3

RGB 67 29 195

HSL 253.73, 0.74%, 0.44%

LAB 29.44, 59.1, -78.11

 

CMYK 0 / 85 / 63 / 24

HEX #C31D49

RGB 195 29 73

HSL 344.1, 0.74%, 0.44%

LAB 42.71, 63.63, 19.11

 

Description

Color code: RGB 155 195 29 | qconv.com Color code: RGB 155 195 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 195 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 195 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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