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Color name
RGB 155 173 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 173 90 it is the complementary color RGB 100 82 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 173 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 173 90 shade: RGB 160 173 85, RGB 177 191 104, RGB 194 209 123, RGB 211 227 142 and RGB 228 245 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 173 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 173 90 shade: RGB 155 173 90, RGB 138 155 71, RGB 121 137 52, RGB 104 119 33 and RGB 87 101 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 173 90 shade: RGB 156 174 90, RGB 174 169 90, RGB 174 147 90, RGB 174 124 90 and RGB 174 102 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 173 90 shade: RGB 156 174 90, RGB 133 174 90, RGB 111 174 90, RGB 90 174 93 and RGB 90 174 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 173 90 shade matches the following richer shades: RGB 156 174 90, RGB 167 194 71, RGB 178 213 51, RGB 189 233 31 and RGB 201 253 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 173 90 shade: RGB 156 174 90, RGB 144 154 110, RGB 133 134 130, RGB 122 114 150 and RGB 111 94 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 173 90 shade: RGB 174 147 90, RGB 174 170 90, RGB 156 174 90, RGB 133 174 90 and RGB 111 174 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 173 90 shade: RGB 108 122 60, RGB 133 150 73, RGB 156 174 90, RGB 172 187 118 and RGB 189 201 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 173 90 shade: RGB 155 173 90, RGB 90 174 125 and RGB 158 90 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 173 90 shade: RGB 155 173 90, RGB 90 156 174 and RGB 174 90 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 173 90 shade: RGB 155 173 90, RGB 90 174 125, RGB 109 90 174 and RGB 174 90 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 173 90 shade: RGB 155 173 90, RGB 90 174 150, RGB 109 90 174 and RGB 174 90 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

Complementary color

CMYK 39 / 50 / 0 / 35

HEX #6452A5

RGB 100 82 165

HSL 253.01, 0.34%, 0.48%

LAB 40.35, 27.72, -42.44

 

CMYK 8 / 0 / 51 / 32

HEX #A0AD55

RGB 160 173 85

HSL 68.86, 0.35%, 0.51%

LAB 68.03, -17.74, 43.24

 

CMYK 7 / 0 / 46 / 25

HEX #B1BF68

RGB 177 191 104

HSL 69.66, 0.4%, 0.58%

LAB 74.58, -18.05, 42.07

 

CMYK 7 / 0 / 41 / 18

HEX #C2D17B

RGB 194 209 123

HSL 70.47, 0.48%, 0.65%

LAB 81.02, -18.28, 40.9

 

CMYK 7 / 0 / 37 / 11

HEX #D3E38E

RGB 211 227 142

HSL 71.29, 0.6%, 0.72%

LAB 87.36, -18.47, 39.75

 

CMYK 7 / 0 / 34 / 4

HEX #E4F5A1

RGB 228 245 161

HSL 72.14, 0.81%, 0.8%

LAB 93.61, -18.62, 38.64

 

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

CMYK 11 / 0 / 54 / 39

HEX #8A9B47

RGB 138 155 71

HSL 72.14, 0.37%, 0.44%

LAB 61.05, -18.99, 41.45

 

CMYK 12 / 0 / 62 / 46

HEX #798934

RGB 121 137 52

HSL 71.29, 0.45%, 0.37%

LAB 54.24, -18.59, 42.49

 

CMYK 13 / 0 / 72 / 53

HEX #687721

RGB 104 119 33

HSL 70.47, 0.57%, 0.3%

LAB 47.3, -18.02, 43.14

 

CMYK 14 / 0 / 86 / 60

HEX #57650E

RGB 87 101 14

HSL 69.66, 0.76%, 0.23%

LAB 40.19, -17.17, 42.8

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 0 / 3 / 48 / 32

HEX #AEA95A

RGB 174 169 90

HSL 56.43, 0.34%, 0.52%

LAB 68.1, -9.37, 41.11

 

CMYK 0 / 16 / 48 / 32

HEX #AE935A

RGB 174 147 90

HSL 40.71, 0.34%, 0.52%

LAB 62.17, 2.48, 33.8

 

CMYK 0 / 29 / 48 / 32

HEX #AE7C5A

RGB 174 124 90

HSL 24.29, 0.34%, 0.52%

LAB 56.24, 15.3, 26.23

 

CMYK 0 / 41 / 48 / 32

HEX #AE665A

RGB 174 102 90

HSL 8.57, 0.34%, 0.52%

LAB 50.97, 27.61, 19.25

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 24 / 0 / 48 / 32

HEX #85AE5A

RGB 133 174 90

HSL 89.29, 0.34%, 0.52%

LAB 66.52, -28.4, 38.48

 

CMYK 36 / 0 / 48 / 32

HEX #6FAE5A

RGB 111 174 90

HSL 105, 0.34%, 0.52%

LAB 65.27, -36.32, 36.67

 

CMYK 48 / 0 / 47 / 32

HEX #5AAE5D

RGB 90 174 93

HSL 122.14, 0.34%, 0.52%

LAB 64.35, -42.5, 33.78

 

CMYK 48 / 0 / 34 / 32

HEX #5AAE73

RGB 90 174 115

HSL 137.86, 0.34%, 0.52%

LAB 64.71, -38.83, 22.62

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 14 / 0 / 63 / 24

HEX #A7C247

RGB 167 194 71

HSL 73.17, 0.5%, 0.52%

LAB 74.35, -26.46, 56.88

 

CMYK 16 / 0 / 76 / 16

HEX #B2D533

RGB 178 213 51

HSL 72.96, 0.66%, 0.52%

LAB 80.34, -32.18, 70.39

 

CMYK 19 / 0 / 87 / 9

HEX #BDE91F

RGB 189 233 31

HSL 73.07, 0.82%, 0.52%

LAB 86.6, -37.62, 81.02

 

CMYK 21 / 0 / 96 / 1

HEX #C9FD0B

RGB 201 253 11

HSL 72.89, 0.98%, 0.52%

LAB 92.88, -42.13, 88.85

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 6 / 0 / 29 / 40

HEX #909A6E

RGB 144 154 110

HSL 73.64, 0.18%, 0.52%

LAB 61.8, -11.29, 21.96

 

CMYK 1 / 0 / 3 / 47

HEX #858682

RGB 133 134 130

HSL 75, 0.02%, 0.52%

LAB 55.73, -1.15, 2.01

 

CMYK 19 / 24 / 0 / 41

HEX #7A7296

RGB 122 114 150

HSL 253.33, 0.15%, 0.52%

LAB 49.95, 10.89, -18.39

 

CMYK 35 / 45 / 0 / 33

HEX #6F5EAA

RGB 111 94 170

HSL 253.42, 0.31%, 0.52%

LAB 44.64, 24.75, -38.5

 

CMYK 0 / 16 / 48 / 32

HEX #AE935A

RGB 174 147 90

HSL 40.71, 0.34%, 0.52%

LAB 62.17, 2.48, 33.8

 

CMYK 0 / 2 / 48 / 32

HEX #AEAA5A

RGB 174 170 90

HSL 57.14, 0.34%, 0.52%

LAB 68.38, -9.89, 41.44

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 24 / 0 / 48 / 32

HEX #85AE5A

RGB 133 174 90

HSL 89.29, 0.34%, 0.52%

LAB 66.52, -28.4, 38.48

 

CMYK 36 / 0 / 48 / 32

HEX #6FAE5A

RGB 111 174 90

HSL 105, 0.34%, 0.52%

LAB 65.27, -36.32, 36.67

 

CMYK 11 / 0 / 51 / 52

HEX #6C7A3C

RGB 108 122 60

HSL 73.55, 0.34%, 0.36%

LAB 48.8, -15.51, 31.97

 

CMYK 11 / 0 / 51 / 41

HEX #859649

RGB 133 150 73

HSL 73.25, 0.35%, 0.44%

LAB 59.23, -18.3, 38.23

 

CMYK 10 / 0 / 48 / 32

HEX #9CAE5A

RGB 156 174 90

HSL 72.86, 0.34%, 0.52%

LAB 68.08, -19.38, 40.75

 

CMYK 8 / 0 / 37 / 27

HEX #ACBB76

RGB 172 187 118

HSL 73.04, 0.34%, 0.6%

LAB 73.3, -16.39, 33.25

 

CMYK 6 / 0 / 27 / 21

HEX #BDC992

RGB 189 201 146

HSL 73.09, 0.34%, 0.68%

LAB 78.85, -13.27, 26.18

 

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

CMYK 48 / 0 / 28 / 32

HEX #5AAE7D

RGB 90 174 125

HSL 145, 0.34%, 0.52%

LAB 64.9, -36.9, 17.46

 

CMYK 9 / 48 / 0 / 32

HEX #9E5AAE

RGB 158 90 174

HSL 288.57, 0.34%, 0.52%

LAB 49.05, 41.64, -33.55

 

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

CMYK 48 / 10 / 0 / 32

HEX #5A9CAE

RGB 90 156 174

HSL 192.86, 0.34%, 0.52%

LAB 60.79, -16.07, -15.91

 

CMYK 0 / 48 / 10 / 32

HEX #AE5A9C

RGB 174 90 156

HSL 312.86, 0.34%, 0.52%

LAB 50.35, 43.16, -20.81

 

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

CMYK 48 / 0 / 28 / 32

HEX #5AAE7D

RGB 90 174 125

HSL 145, 0.34%, 0.52%

LAB 64.9, -36.9, 17.46

 

CMYK 37 / 48 / 0 / 32

HEX #6D5AAE

RGB 109 90 174

HSL 253.57, 0.34%, 0.52%

LAB 43.68, 27.75, -42.39

 

CMYK 0 / 48 / 20 / 32

HEX #AE5A8B

RGB 174 90 139

HSL 325, 0.34%, 0.52%

LAB 49.71, 40.4, -11.7

 

CMYK 10 / 0 / 48 / 32

HEX #9BAD5A

RGB 155 173 90

HSL 73.01, 0.34%, 0.52%

LAB 67.72, -19.27, 40.3

 

CMYK 48 / 0 / 14 / 32

HEX #5AAE96

RGB 90 174 150

HSL 162.86, 0.34%, 0.52%

LAB 65.47, -31.43, 4.48

 

CMYK 37 / 48 / 0 / 32

HEX #6D5AAE

RGB 109 90 174

HSL 253.57, 0.34%, 0.52%

LAB 43.68, 27.75, -42.39

 

CMYK 0 / 48 / 34 / 32

HEX #AE5A72

RGB 174 90 114

HSL 342.86, 0.34%, 0.52%

LAB 48.92, 36.87, 2.1

 

Description

Color code: RGB 155 173 90 | qconv.com Color code: RGB 155 173 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 173 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 173 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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