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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 169 91 it is the complementary color RGB 100 86 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 169 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 169 91 shade: RGB 160 169 86, RGB 177 187 105, RGB 194 205 124, RGB 211 223 143 and RGB 228 241 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 169 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 169 91 shade: RGB 155 169 91, RGB 138 151 72, RGB 121 133 53, RGB 104 115 34 and RGB 87 97 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 169 91 shade: RGB 154 168 91, RGB 168 161 91, RGB 168 140 91, RGB 168 120 91 and RGB 168 99 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 169 91 shade: RGB 154 168 91, RGB 133 168 91, RGB 113 168 91, RGB 92 168 91 and RGB 91 168 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 169 91 shade matches the following richer shades: RGB 154 168 91, RGB 167 189 71, RGB 180 209 50, RGB 193 229 30 and RGB 206 249 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 169 91 shade: RGB 154 168 91, RGB 141 148 111, RGB 128 128 131, RGB 116 108 151 and RGB 103 87 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 169 91 shade: RGB 168 140 91, RGB 168 161 91, RGB 155 168 91, RGB 135 168 91 and RGB 114 168 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 169 91 shade: RGB 106 116 61, RGB 131 143 75, RGB 154 168 91, RGB 171 183 118 and RGB 187 197 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 169 91 shade: RGB 155 169 91, RGB 91 168 119 and RGB 150 91 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 169 91 shade: RGB 155 169 91, RGB 91 155 168 and RGB 168 91 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 169 91 shade: RGB 155 169 91, RGB 91 168 119, RGB 104 91 168 and RGB 168 91 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 169 91 shade: RGB 155 169 91, RGB 91 168 142, RGB 104 91 168 and RGB 168 91 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

Complementary color

CMYK 39 / 48 / 0 / 36

HEX #6456A4

RGB 100 86 164

HSL 250.77, 0.31%, 0.49%

LAB 41.29, 24.97, -40.34

 

CMYK 5 / 0 / 49 / 34

HEX #A0A956

RGB 160 169 86

HSL 66.51, 0.33%, 0.5%

LAB 66.92, -15.59, 41.41

 

CMYK 5 / 0 / 44 / 27

HEX #B1BB69

RGB 177 187 105

HSL 67.32, 0.38%, 0.57%

LAB 73.49, -15.92, 40.22

 

CMYK 5 / 0 / 40 / 20

HEX #C2CD7C

RGB 194 205 124

HSL 68.15, 0.45%, 0.65%

LAB 79.95, -16.17, 39.04

 

CMYK 5 / 0 / 36 / 13

HEX #D3DF8F

RGB 211 223 143

HSL 69, 0.56%, 0.72%

LAB 86.31, -16.38, 37.89

 

CMYK 5 / 0 / 33 / 5

HEX #E4F1A2

RGB 228 241 162

HSL 69.87, 0.74%, 0.79%

LAB 92.58, -16.55, 36.79

 

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

CMYK 9 / 0 / 52 / 41

HEX #8A9748

RGB 138 151 72

HSL 69.87, 0.35%, 0.44%

LAB 59.89, -16.83, 39.61

 

CMYK 9 / 0 / 60 / 48

HEX #798535

RGB 121 133 53

HSL 69, 0.43%, 0.36%

LAB 53.06, -16.41, 40.7

 

CMYK 10 / 0 / 70 / 55

HEX #687322

RGB 104 115 34

HSL 68.15, 0.54%, 0.29%

LAB 46.07, -15.82, 41.48

 

CMYK 10 / 0 / 85 / 62

HEX #57610F

RGB 87 97 15

HSL 67.32, 0.73%, 0.22%

LAB 38.92, -14.95, 41.37

 

CMYK 8 / 0 / 46 / 34

HEX #9AA85B

RGB 154 168 91

HSL 70.91, 0.31%, 0.51%

LAB 66.24, -17.02, 37.96

 

CMYK 0 / 4 / 46 / 34

HEX #A8A15B

RGB 168 161 91

HSL 54.55, 0.31%, 0.51%

LAB 65.41, -7.55, 37.19

 

CMYK 0 / 17 / 46 / 34

HEX #A88C5B

RGB 168 140 91

HSL 38.18, 0.31%, 0.51%

LAB 59.74, 3.89, 30.06

 

CMYK 0 / 29 / 46 / 34

HEX #A8785B

RGB 168 120 91

HSL 22.6, 0.31%, 0.51%

LAB 54.57, 15.13, 23.34

 

CMYK 0 / 41 / 46 / 34

HEX #A8635B

RGB 168 99 91

HSL 6.23, 0.31%, 0.51%

LAB 49.5, 26.97, 16.55

 

CMYK 8 / 0 / 46 / 34

HEX #9AA85B

RGB 154 168 91

HSL 70.91, 0.31%, 0.51%

LAB 66.24, -17.02, 37.96

 

CMYK 21 / 0 / 46 / 34

HEX #85A85B

RGB 133 168 91

HSL 87.27, 0.31%, 0.51%

LAB 64.76, -25.36, 35.8

 

CMYK 33 / 0 / 46 / 34

HEX #71A85B

RGB 113 168 91

HSL 102.86, 0.31%, 0.51%

LAB 63.57, -32.74, 34.05

 

CMYK 45 / 0 / 46 / 34

HEX #5CA85B

RGB 92 168 91

HSL 119.22, 0.31%, 0.51%

LAB 62.54, -39.63, 32.54

 

CMYK 46 / 0 / 34 / 34

HEX #5BA86F

RGB 91 168 111

HSL 135.58, 0.31%, 0.51%

LAB 62.82, -36.6, 22.26

 

CMYK 8 / 0 / 46 / 34

HEX #9AA85B

RGB 154 168 91

HSL 70.91, 0.31%, 0.51%

LAB 66.24, -17.02, 37.96

 

CMYK 12 / 0 / 62 / 26

HEX #A7BD47

RGB 167 189 71

HSL 71.19, 0.47%, 0.51%

LAB 72.94, -24.04, 55.36

 

CMYK 14 / 0 / 76 / 18

HEX #B4D132

RGB 180 209 50

HSL 70.94, 0.63%, 0.51%

LAB 79.35, -29.55, 69.82

 

CMYK 16 / 0 / 87 / 10

HEX #C1E51E

RGB 193 229 30

HSL 70.85, 0.79%, 0.51%

LAB 85.74, -34.25, 80.59

 

CMYK 17 / 0 / 96 / 2

HEX #CEF90A

RGB 206 249 10

HSL 70.79, 0.95%, 0.51%

LAB 92.08, -38.44, 88.45

 

CMYK 8 / 0 / 46 / 34

HEX #9AA85B

RGB 154 168 91

HSL 70.91, 0.31%, 0.51%

LAB 66.24, -17.02, 37.96

 

CMYK 5 / 0 / 25 / 42

HEX #8D946F

RGB 141 148 111

HSL 71.35, 0.15%, 0.51%

LAB 59.88, -9.1, 18.77

 

CMYK 2 / 2 / 0 / 49

HEX #808083

RGB 128 128 131

HSL 240, 0.01%, 0.51%

LAB 53.67, 0.61, -1.63

 

CMYK 23 / 28 / 0 / 41

HEX #746C97

RGB 116 108 151

HSL 251.16, 0.17%, 0.51%

LAB 47.84, 12.74, -22.25

 

CMYK 40 / 49 / 0 / 33

HEX #6757AC

RGB 103 87 172

HSL 251.29, 0.34%, 0.51%

LAB 42.27, 27.45, -43.49

 

CMYK 0 / 17 / 46 / 34

HEX #A88C5B

RGB 168 140 91

HSL 38.18, 0.31%, 0.51%

LAB 59.74, 3.89, 30.06

 

CMYK 0 / 4 / 46 / 34

HEX #A8A15B

RGB 168 161 91

HSL 54.55, 0.31%, 0.51%

LAB 65.41, -7.55, 37.19

 

CMYK 8 / 0 / 46 / 34

HEX #9BA85B

RGB 155 168 91

HSL 70.13, 0.31%, 0.51%

LAB 66.31, -16.61, 38.07

 

CMYK 20 / 0 / 46 / 34

HEX #87A85B

RGB 135 168 91

HSL 85.71, 0.31%, 0.51%

LAB 64.89, -24.59, 35.99

 

CMYK 32 / 0 / 46 / 34

HEX #72A85B

RGB 114 168 91

HSL 102.08, 0.31%, 0.51%

LAB 63.62, -32.39, 34.13

 

CMYK 9 / 0 / 47 / 55

HEX #6A743D

RGB 106 116 61

HSL 70.91, 0.31%, 0.35%

LAB 46.83, -13.01, 29

 

CMYK 8 / 0 / 48 / 44

HEX #838F4B

RGB 131 143 75

HSL 70.59, 0.31%, 0.43%

LAB 57.05, -15.27, 34.53

 

CMYK 8 / 0 / 46 / 34

HEX #9AA85B

RGB 154 168 91

HSL 70.91, 0.31%, 0.51%

LAB 66.24, -17.02, 37.96

 

CMYK 7 / 0 / 36 / 28

HEX #ABB776

RGB 171 183 118

HSL 71.08, 0.31%, 0.59%

LAB 72.12, -14.74, 31.7

 

CMYK 5 / 0 / 26 / 23

HEX #BBC591

RGB 187 197 145

HSL 71.54, 0.31%, 0.67%

LAB 77.6, -12.13, 25

 

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

CMYK 46 / 0 / 29 / 34

HEX #5BA877

RGB 91 168 119

HSL 141.82, 0.31%, 0.51%

LAB 62.98, -35.08, 18.1

 

CMYK 11 / 46 / 0 / 34

HEX #965BA8

RGB 150 91 168

HSL 285.97, 0.31%, 0.51%

LAB 48, 37.46, -31.76

 

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

CMYK 46 / 8 / 0 / 34

HEX #5B9BA8

RGB 91 155 168

HSL 190.13, 0.31%, 0.51%

LAB 60.33, -16.97, -13.2

 

CMYK 0 / 46 / 8 / 34

HEX #A85B9B

RGB 168 91 155

HSL 310.13, 0.31%, 0.51%

LAB 49.71, 40.55, -21.27

 

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

CMYK 46 / 0 / 29 / 34

HEX #5BA877

RGB 91 168 119

HSL 141.82, 0.31%, 0.51%

LAB 62.98, -35.08, 18.1

 

CMYK 38 / 46 / 0 / 34

HEX #685BA8

RGB 104 91 168

HSL 250.13, 0.31%, 0.51%

LAB 43.14, 24.11, -39.74

 

CMYK 0 / 46 / 17 / 34

HEX #A85B8C

RGB 168 91 140

HSL 321.82, 0.31%, 0.51%

LAB 49.13, 38.01, -13.25

 

CMYK 8 / 0 / 46 / 34

HEX #9BA95B

RGB 155 169 91

HSL 70.77, 0.31%, 0.51%

LAB 66.6, -17.13, 38.42

 

CMYK 46 / 0 / 15 / 34

HEX #5BA88E

RGB 91 168 142

HSL 159.74, 0.31%, 0.51%

LAB 63.49, -30.17, 6.08

 

CMYK 38 / 46 / 0 / 34

HEX #685BA8

RGB 104 91 168

HSL 250.13, 0.31%, 0.51%

LAB 43.14, 24.11, -39.74

 

CMYK 0 / 46 / 30 / 34

HEX #A85B75

RGB 168 91 117

HSL 339.74, 0.31%, 0.51%

LAB 48.37, 34.55, -0.6

 

Description

Color code: RGB 155 169 91 | qconv.com Color code: RGB 155 169 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 169 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 169 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 46 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 46% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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