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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 152 125 it is the complementary color RGB 100 103 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 152 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 152 125 shade: RGB 160 152 120, RGB 177 170 139, RGB 194 188 158, RGB 211 206 177 and RGB 228 224 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 152 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 138 134 106, RGB 121 116 87, RGB 104 98 68 and RGB 87 80 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 155 144 125, RGB 155 136 125, RGB 155 128 125 and RGB 155 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 150 155 125, RGB 142 155 125, RGB 134 155 125 and RGB 125 155 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 152 125 shade matches the following richer shades: RGB 155 152 125, RGB 173 167 106, RGB 192 181 88, RGB 210 196 69 and RGB 229 211 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 136 137 143, RGB 118 122 162, RGB 99 107 181 and RGB 80 92 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 152 125 shade: RGB 155 136 125, RGB 155 144 125, RGB 155 152 125, RGB 150 155 125 and RGB 142 155 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 152 125 shade: RGB 111 109 86, RGB 135 132 104, RGB 155 152 125, RGB 173 170 148 and RGB 191 189 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 125 155 128 and RGB 140 125 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 125 155 152 and RGB 152 125 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 125 155 128, RGB 125 128 155 and RGB 155 125 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 152 125 shade: RGB 155 152 125, RGB 125 155 137, RGB 125 128 155 and RGB 155 125 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

Complementary color

CMYK 23 / 21 / 0 / 49

HEX #646782

RGB 100 103 130

HSL 234, 0.13%, 0.45%

LAB 44.26, 5.15, -15.35

 

CMYK 0 / 5 / 25 / 37

HEX #A09878

RGB 160 152 120

HSL 48, 0.17%, 0.55%

LAB 62.75, -2.38, 17.93

 

CMYK 0 / 4 / 21 / 31

HEX #B1AA8B

RGB 177 170 139

HSL 48.95, 0.2%, 0.62%

LAB 69.44, -2.65, 16.91

 

CMYK 0 / 3 / 19 / 24

HEX #C2BC9E

RGB 194 188 158

HSL 50, 0.23%, 0.69%

LAB 76.01, -2.89, 15.96

 

CMYK 0 / 2 / 16 / 17

HEX #D3CEB1

RGB 211 206 177

HSL 51.18, 0.28%, 0.76%

LAB 82.47, -3.1, 15.06

 

CMYK 0 / 2 / 14 / 11

HEX #E4E0C4

RGB 228 224 196

HSL 52.5, 0.37%, 0.83%

LAB 88.82, -3.29, 14.2

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 0 / 3 / 23 / 46

HEX #8A866A

RGB 138 134 106

HSL 52.5, 0.13%, 0.48%

LAB 55.58, -3.36, 15.65

 

CMYK 0 / 4 / 28 / 53

HEX #797457

RGB 121 116 87

HSL 51.18, 0.16%, 0.41%

LAB 48.57, -3.08, 16.75

 

CMYK 0 / 6 / 35 / 59

HEX #686244

RGB 104 98 68

HSL 50, 0.21%, 0.34%

LAB 41.37, -2.73, 17.97

 

CMYK 0 / 8 / 44 / 66

HEX #575031

RGB 87 80 49

HSL 48.95, 0.28%, 0.27%

LAB 33.95, -2.26, 19.31

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 0 / 7 / 19 / 39

HEX #9B907D

RGB 155 144 125

HSL 38, 0.13%, 0.55%

LAB 60.24, 0.82, 11.57

 

CMYK 0 / 12 / 19 / 39

HEX #9B887D

RGB 155 136 125

HSL 22, 0.13%, 0.55%

LAB 58.09, 5.31, 8.53

 

CMYK 0 / 17 / 19 / 39

HEX #9B807D

RGB 155 128 125

HSL 6, 0.13%, 0.55%

LAB 55.98, 9.86, 5.51

 

CMYK 0 / 19 / 19 / 39

HEX #9B7D7D

RGB 155 125 125

HSL 0, 0.13%, 0.55%

LAB 55.19, 11.58, 4.38

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 3 / 0 / 19 / 39

HEX #969B7D

RGB 150 155 125

HSL 70, 0.13%, 0.55%

LAB 62.85, -7.18, 15.15

 

CMYK 8 / 0 / 19 / 39

HEX #8E9B7D

RGB 142 155 125

HSL 86, 0.13%, 0.55%

LAB 62.23, -10.24, 14.2

 

CMYK 14 / 0 / 19 / 39

HEX #869B7D

RGB 134 155 125

HSL 102, 0.13%, 0.55%

LAB 61.65, -13.24, 13.3

 

CMYK 19 / 0 / 19 / 39

HEX #7D9B7D

RGB 125 155 125

HSL 120, 0.13%, 0.55%

LAB 61.03, -16.53, 12.34

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 0 / 3 / 39 / 32

HEX #ADA76A

RGB 173 167 106

HSL 54.63, 0.29%, 0.55%

LAB 67.7, -7.03, 32.32

 

CMYK 0 / 6 / 54 / 25

HEX #C0B558

RGB 192 181 88

HSL 53.65, 0.45%, 0.55%

LAB 72.86, -8.27, 48.11

 

CMYK 0 / 7 / 67 / 18

HEX #D2C445

RGB 210 196 69

HSL 54.04, 0.61%, 0.55%

LAB 78.23, -9.7, 62.79

 

CMYK 0 / 8 / 78 / 10

HEX #E5D333

RGB 229 211 51

HSL 53.93, 0.77%, 0.55%

LAB 83.7, -10.05, 74.89

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 5 / 4 / 0 / 44

HEX #88898F

RGB 136 137 143

HSL 231.43, 0.03%, 0.55%

LAB 57.18, 0.84, -3.34

 

CMYK 27 / 25 / 0 / 36

HEX #767AA2

RGB 118 122 162

HSL 234.55, 0.19%, 0.55%

LAB 52.26, 7.8, -21.88

 

CMYK 45 / 41 / 0 / 29

HEX #636BB5

RGB 99 107 181

HSL 234.15, 0.36%, 0.55%

LAB 47.63, 16.77, -40.27

 

CMYK 60 / 54 / 0 / 22

HEX #505CC7

RGB 80 92 199

HSL 233.95, 0.52%, 0.55%

LAB 43.48, 27.76, -57.41

 

CMYK 0 / 12 / 19 / 39

HEX #9B887D

RGB 155 136 125

HSL 22, 0.13%, 0.55%

LAB 58.09, 5.31, 8.53

 

CMYK 0 / 7 / 19 / 39

HEX #9B907D

RGB 155 144 125

HSL 38, 0.13%, 0.55%

LAB 60.24, 0.82, 11.57

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 3 / 0 / 19 / 39

HEX #969B7D

RGB 150 155 125

HSL 70, 0.13%, 0.55%

LAB 62.85, -7.18, 15.15

 

CMYK 8 / 0 / 19 / 39

HEX #8E9B7D

RGB 142 155 125

HSL 86, 0.13%, 0.55%

LAB 62.23, -10.24, 14.2

 

CMYK 0 / 2 / 23 / 56

HEX #6F6D56

RGB 111 109 86

HSL 55.2, 0.13%, 0.39%

LAB 45.62, -3.41, 13.16

 

CMYK 0 / 2 / 23 / 47

HEX #878468

RGB 135 132 104

HSL 54.19, 0.13%, 0.47%

LAB 54.71, -3.77, 15.56

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 0 / 2 / 14 / 32

HEX #ADAA94

RGB 173 170 148

HSL 52.8, 0.13%, 0.63%

LAB 69.31, -2.77, 11.73

 

CMYK 0 / 1 / 10 / 25

HEX #BFBDAB

RGB 191 189 171

HSL 54, 0.14%, 0.71%

LAB 76.32, -2.45, 9.34

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 19 / 0 / 17 / 39

HEX #7D9B80

RGB 125 155 128

HSL 126, 0.13%, 0.55%

LAB 61.1, -15.96, 10.76

 

CMYK 10 / 19 / 0 / 39

HEX #8C7D9B

RGB 140 125 155

HSL 270, 0.13%, 0.55%

LAB 54.67, 11.71, -13.99

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 19 / 0 / 2 / 39

HEX #7D9B98

RGB 125 155 152

HSL 174, 0.13%, 0.55%

LAB 61.71, -11.04, -1.89

 

CMYK 2 / 19 / 0 / 39

HEX #987D9B

RGB 152 125 155

HSL 294, 0.13%, 0.55%

LAB 55.8, 15.94, -12.17

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 19 / 0 / 17 / 39

HEX #7D9B80

RGB 125 155 128

HSL 126, 0.13%, 0.55%

LAB 61.1, -15.96, 10.76

 

CMYK 19 / 17 / 0 / 39

HEX #7D809B

RGB 125 128 155

HSL 234, 0.13%, 0.55%

LAB 54.2, 4.83, -14.81

 

CMYK 0 / 19 / 2 / 39

HEX #9B7D98

RGB 155 125 152

HSL 306, 0.13%, 0.55%

LAB 55.99, 16.42, -10.12

 

CMYK 0 / 2 / 19 / 39

HEX #9B987D

RGB 155 152 125

HSL 54, 0.13%, 0.55%

LAB 62.43, -3.6, 14.63

 

CMYK 19 / 17 / 0 / 39

HEX #7D809B

RGB 125 128 155

HSL 234, 0.13%, 0.55%

LAB 54.2, 4.83, -14.81

RGB 125 128 155

CMYK 0 / 19 / 8 / 39

HEX #9B7D8F

RGB 155 125 143

HSL 324, 0.13%, 0.55%

LAB 55.7, 14.71, -5.32

RGB 155 125 143

Description

Color code: RGB 155 152 125 | qconv.com Color code: RGB 155 152 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 152 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 152 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 19 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 19% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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